The young soldiers discover that the trials of war involve more than just opposing the enemy. The alien climate and terrain, the strange behavior of foreigners, the constant struggle to overcome homesickness and nostalgia, and the emotions stirred by the senselessness of war—all of these forces, new and baffling to the soldiers, contribute to their distress and disorientation.In the midst of these overwhelming challenges, they discover the power of music to make even the most severe situations tolerable—through their commander's ability to lead them in song. Even though they face the inevitability of defeat, singing the songs of their homeland revives their will to live. Through the story of these men and of the music that saw them through the war, Takeyama presents thought-provoking questions about political hostilities and the men who unleash them. Harp of Burma is Japan's classic novel of pathos and compassion in the midst of senseless warfare.Harp of Burma was made into a critically acclaimed movie (The Burmese Harp) by the celebrated director Ichikawa Kon.

    We know much of poetry ever was and ever shall be elegiac. Jane Mead’s poem could be neither more literal nor nearer the verge of appearing a little too perfect for this world. As the laundry room floods and the grape harvest gets done; as Michoacan waits for another time, her beautiful, practical mother is dying. Ashes are scattered in the pecan groves of her own Rincon, her own corner of the world, and the poet, in elementary script, draws a sustaining record of the only feeling worth the struggle, and she cannot, will not, does not fuck it up." — C.D. WrightJane Mead's fifth collection candidly and openly explores the long process that is death. These resonant poems discover what it means to live, die, and come home again. We're drawn in by sorrow and grief, but also the joys of celebrating a long life and how simple it is to find laughter and light in the quietest and darkest of moments.…This year I have disappearedfrom the harvest routine—the pickers throwing their traysunder the vines, grape hooksflying, the heavy bunches flying—pickers running to the running tractorswith trays held high above their headsand the arc of dark fruit falling heavily into the half-ton bins.The hornets swarming in the diesel-filled air.Jane Mead is the author of four collections of poetry, most recently Money Money Money | Water Water Water (2014). Her poems appear regularly in journals and anthologies, and she's the recipient of a Guggenheim Foundation Fellowship, a Whiting Writers Award, and a Lannan Foundation Completion Grant. She teaches at the low-residency MFA program at Drew University and farms in Northern California.

    The work of Yagyῡ Munenori from 1632 concerns martial arts and military science. It is translated by Thomas Cleary and can be found tucked behind Miyamoto Musashi‘s “the Book of five rings” from 1643. Both these texts analyse conflict between two men armed with swords and scale this up bigger battles. These important treaties on swordsmanship, and have been taken as giving lessons on life in general.

    From the narratives of army life during World War Two to the domestic and familial scenes of his final book, this selection presents Jarrell's art at its best, comparable in power and variety to that of his contemporaries Robert Lowell and Elizabeth Bishop.

    Relatively unknown among the religions of the world, Shinto: The Kami Way provides an enlightening window into this Japanese faith.In its general aspects Shinto is more than a religious faith. It is an amalgam of attitudes, ideas, and ways of doing things that through two millennia and more have become an integral part of the way of the Japanese people. Shinto is both a personal faith in the kami—objects of worship in Shinto and an honorific for noble, sacred spirits—and a communal way of life according to the mind of the kami. This introduction unveils Shinto's spiritual characteristics and discusses the architecture and function of Shinto shrines. Further examination of Shinto's lively festivals, worship, music, and sacred regalia illustrates Shinto's influence on all levels of Japanese life.Fifteen photographs, numerous drawings and Dr. Ono's text introduce the reader to two millennia of indigenous Japanese belief in the kami and in communal life.Chapters include:The Kami WayShrinesWorship and FestivalsPolitical and Social CharacteristicsSome Spiritual Characteristics

    Following the phenomenal success of his own version of the Tao Te Ching, renowned scholar and translator Stephen Mitchell has composed the innovative The Second Book of the Tao. Drawn from the work of Lao-tzu’s disciple Chuang-tzu and Confucius’s grandson Tzussu, The Second Book of the Tao offers Western readers a path into reality that has nothing to do with Taoism or Buddhism or old or new alone, but everything to do with truth. Mitchell has selected the freshest, clearest teachings from these two great students of the Tao and adapted them into versions that reveal the poetry, depth, and humor of the original texts with a thrilling new power. Alongside each adaptation, Mitchell includes his own commentary, at once explicating and complementing the text. This book is a twenty-first-century form of ancient wisdom, bringing a new, homemade sequel to the Tao Te Ching into the modern world. Mitchell’s renditions are radiantly lucid; they dig out the vision that’s hiding beneath the words; they grab the text by the scruff of the neck—by its heart, really—and let its essential meanings fall out. The book introduces us to a cast of vivid characters, most of them humble artisans or servants, who show us what it means to be in harmony with the way things are. Its wisdom provides a psychological and moral acuity as deep as the Tao Te Ching itself.The Second Book of the Tao is a gift to contemporary readers, granting us access to our own fundamental wisdom. Mitchell’s meditations and risky reimagining of the original texts are brilliant and liberating, not least because they keep catching us off-guard, opening up the heavens where before we saw a roof. He makes the ancient teachings at once modern, relevant, and timeless.Listen to a special podcast with Stephen Mitchell:

    The spellbinding world of Hiromi Kawakami; the hair-raising horror of Otsuichi; the haunting, poignant prose of Banana Yoshimoto; even the poetic word-play of Yoko Tawada whatever a readers taste, he or she is sure to find something of interest and value in this book, suitable for students at the intermediate level and above. As in real Japanese novels, the text on each page runs from top to bottom and from right to left. Each double-page spread features translations of all the difficult passages. In the back of the book, moreover, is a built-in Japanese-English learners dictionary and a notes section covering issues of nuance, usage, grammar and culture that come up in each story. Best of all, the books comes with a free audio CD containing narrations of the stories, performed by a professional voice actress.

    Two years ago he achieved brief notoriety for rescuing a local actress from a robbery attempt while making a delivery to her apartment. Now he is back in the spotlight - this time as the main suspect in the assassination of a newly elected prime minster who had come to Sendai for a hometown victory parade. Set in a near-future Japan modeled on the United States, Remote Control follows Aoyagi on a forty-eight-hour chase, in a dramatic retelling of the Kennedy killing with Aoyagi in the role of a framed Lee Harvey Oswald. A massive manhunt is underway. As Aoyagi runs, he must negotiate trigger-happy law enforcement and Security Pods set up throughout the city to monitor cell-phone and email transmissions and keep a photo record of street traffic. Can he discover why he has been set up and who is responsible? Can he find the real assassin and prove to the world his innocence - amidst media pronouncements of his guilt - before the conspirators take him out? Isaka's style and worldview are such that he is often compared to Haruki Murakami; but he defies an easy label as a writer, with a voice, a sense of humor, and an imagination that are truly unique. Now, with this excellent translation by Stephen Snyder, readers everywhere can enjoy one of Japan's finest literary talents. Winner of the Shugoro Yamamoto Prize and the Japan Booksellers' Prize No. 1 in Japan's 2009 "This Mystery is Amazing " rankings

    Set in a facetious near-future that is both mind-bendingly bizarre and achingly familiar. Sayonara, Gangsters is an inventive novel about language, expression and the creative process that unfolds through hilarious sketches. The peaceful if bizarre life of a poetry teacher is forever transformed by a group of terrorists called "the gangsters" in what is, incredibly, a semi-autobiographical novel. On this literary gonzo trip in which a man of letters finds out, too late, that flirting with extremist politics can have unsavoury consequences for one's mind, we encounter the likes of Virgil, the refrigerator (a memorable three-dimensional character) and "Henry IV" the feline aficionado of books. Endlessly resourceful, relentlessly erudite, but always accessible, Sayonara, Gangsters is a unique masterpiece of literary postmodernism that aims to entertain rather than to intimidate. From the outrageous beginning, which reads like an oblique reference to the war on terror but is no such thing (it was written more than twenty years ago), to the sobering, devastating end, through the lyrical, poignant middle, Takahashi's legendary first novel is candy for your brain. Sayonara, Gangsters is a must-read for all fans of world literature, available for the first time in English.

    Beginning with the first writings to assimilate and rework Western literary traditions, through the flourishing of the short story genre in the cosmopolitan atmosphere of the Taisho era, to the new breed of writers produced under the constraints of literary censorship, and the current writings reflecting the pitfalls and paradoxes of modern life, this anthology offers a stimulating survey of the development of the Japanese short story.Various indigenous traditions, in addition to those drawn from the West, recur throughout the stories: stories of the self, of the Water Trade (Tokyo's nightlife of geishas and prostitutes), of social comment, love and obsession, legends and fairytales. This collection includes the work of two Nobel prize-winners: Kawabata and Oe, the talented women writers Hirabayashi, Euchi, Okamoto, and Hayashi, together with the acclaimed Tanizaki, Mishima, and Murakami.The introduction by Theodore Goossen gives insight into these exotic and enigmatic, sometimes disturbing stories, derived from the lyrical roots of Japanese literature with its distinctive stress on atmosphere and beauty.

    An outgrowth of a doctoral dissertation submitted to Stanford University in December 1965.

    She has succeeded in remaining true to herself in a stubborn struggle against powerful conformist pressures. Yet her resistance is largely passive.Self-absorbed, indecisive, she makes her own uncharted way through life,letting her husband, lovers, even her only daughter, gradually slip away.Signs that she is pregnant after a casual affair rouse her to make decisions. Then a deeply ironic turn of events thrusts her into the cold light of a reluctant self-knowledge. Through layer upon layer of dreams,memories, defenses, and delusions, she emerges finally to take a conscious step toward the independence she cannot yet define, certain only that she herself has changed.In Child of Fortune, Yuko Tsushima has brought to life a woman whose psychological complexity reflects the meeting of Japanese fiction and women's changing consciousness. The depths of inner conflict are illuminated here by radiant imagery, wry humor, and a sharp clarity of vision.While drawing on the "I-novel" tradition that has dominated modern Japanese literature, the author integrates the autobiographical elements into a fully realized fictional work of penetrating social insight.The novel received the 1978 Women's Literature Prize, one of many awards that have spotlighted Yuko Tsushima as a writer of exceptional gifts.

    This fascination has spawned a wealth of extraordinary fictional creations, from Puccini's Madame Butterfly to Arthur Golden's Memoirs of a Geisha. But as denizens of a world defined by silence and mystery, real geisha are notoriously difficult to meet and even to find. As a result, their history has long been cloaked in secrecy. Lesley Downer, an award-winning writer, Japanese scholar, and consummate storyteller, gained more access to this world than almost any other Westerner, and spent several months living in it. In Women of the Pleasure Quarters, she weaves together intimate portraits of modern geisha with the romantic legends and colorful historical tales that shape their fascinating past. Contrary to popular opinion, geisha are not prostitutes but, literally, "arts people." Accomplished singers, dancers, and musicians, they are, above all, masters of the art of conversation, soothing the worries and stroking the egos of wealthy businessmen who can afford their attentions. Looking into such traditions as mizuage, the ritual deflowering that was once a rite of passage for all geisha, and providing colorful descriptions of their dress, training, and homes, Downer transforms their reality into a captivating narrative, and reveals an enthralling world unlike any other.

    The shocking and blisteringly memorable stories of The Cake Tree in the Ruins are based on his own experiences as a child in Japan during the Second World War.They are stories of a lonely whale searching the oceans for a mate, who sacrifices himself for love; of a mother desperately trying to save her son with her tears; of a huge, magnificent tree which grows amid the ruins of a burnt-out town, its branches made from the sweetest cake imaginable.Profound, heartbreaking and aglow with a piercing beauty, they express the chaos and terror of conflict, yet also how love can illuminate even the darkest moment.

    This unusual school had old railroad cars for classrooms, and it was run by an extraordinary man--its founder and headmaster, Sosaku Kobayashi--who was a firm believer in freedom of expression and activity.