P. Cavafy (1863 - 1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature.Here is an extensively revised edition of the acclaimed translations of Edmund Keeley and Philip Sherrard, which capture Cavafy's mixture of formal and idiomatic use of language and preserve the immediacy of his frank treatment of homosexual themes, his brilliant re-creation of history, and his astute political ironies. The resetting of the entire edition has permitted the translators to review each poem and to make alterations where appropriate. George Savidis has revised the notes according to his latest edition of the Greek text.About the first edition: The best [English version] we are likely to see for some time.--James Merrill, The New York Review of Books [Keeley and Sherrard] have managed the miracle of capturing this elusive, inimitable, unforgettable voice. It is the most haunting voice I know in modern poetry.--Walter Kaiser, The New Republic ?

    "In the writing of Paul Celan even we readers who can hear poetry only dimly in German can sense the greatness of his invention: the cadences of a music tilted against music's complacency; words punished for their plausibility by being reinvented and fused together and broken apart; syntax chopped and stretched to crack and expose its crust of dead rhetoric Michael Hamburger has earned our gratitude for rendering these poems into a reasonably inventive English "Robert Pinsky, THE NEW REPUBLIC.Parallel German text and English translation.

    Asher Lev is an artist who is compulsively driven to render the world he sees and feels even when it leads him to blasphemy. In this stirring and often visionary novel, Chaim Potok traces Asher’s passage between these two identities, the one consecrated to God, the other subject only to the imagination.Asher Lev grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual and revolving around a charismatic Rebbe. But in time his gift threatens to estrange him from that world and the parents he adores. As it follows his struggle, My Name Is Asher Lev becomes a luminous portrait of the artist, by turns heartbreaking and exultant, a modern classic.

    Surrounded by men who are jockeying for power–Cicero, Brutus, Cassius, and Mark Antony–young Octavius must work against the powerful Roman political machinations to claim his destiny as first Roman emperor. Sprung from meticulous research and the pen of a true poet, Augustus tells the story of one man’s dream to liberate a corrupt Rome from the fancy of the capriciously crooked and the wildly wealthy.

    As Marco tells the khan about Armilla, which "has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be," the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating fine details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take.

    A member of the Objectivist school that flourished in the 1930s (which also included William Carlos Williams, Charles Reznikoff, Carl Rakosi, and Louis Zukofsky), he was hailed by Ezra Pound as "a serious craftsman, a sensibility which is not every man's sensibility and which has not been got out of any other man's books." Contained in the present volume are Oppen's late poems, Myth of the Blaze (1972-1975), as well as all of Discrete Series (1934), The Materials (1962), This in Which (1965), Of Being Numerous (1968), and Seascape: Needle’s Eye (1972).

    Gradually, the two learn to adjust to each other's fears, whims and yearnings for independence, and a fierce yet understated love emerges - one that encompasses not only the summer inhabitants but the island itself, with its mossy rocks, windswept firs and unpredictable seas.Full of brusque humour and wisdom, The Summer Book is a profoundly life-affirming story. Tove Jansson captured much of her own experience and spirit in the book, which was her favourite of the novels she wrote for adults. This new edition sees the return of a European literary gem - fresh, authentic and deeply humane.

    A young girl suffers her first betrayal. A widow flirts with an elderly blind man against the wishes of her grown-up children. A neighborhood loan shark teaches o white social worker a lesson in responsibility. And there is more. Sharing the world of Toni Cade Bambara's "straight-up fiction" is a stunning experience.

    Here long-suffering Telumee tells her life story and tells us about the proud line of Lougandor women she continues to draw strength from. Time flows unevenly during the long hot blue days as the madness of the island swirls around the villages, and Telumee, raised in the shelter of wide skirts, must learn how to navigate the adversities of a peasant community, the ecstasies of love, and domestic realities while arriving at her own precious happiness. In the words of Toussine, the wise, tender grandmother who raises her, “Behind one pain there is another. Sorrow is a wave without end. But the horse mustn’t ride you, you must ride it.” A masterpiece of Caribbean literature, The Bridge of Beyond relates the triumph of a generous and hopeful spirit, while offering a gorgeously lush, imaginative depiction of the flora, landscape, and customs of Gua­deloupe. Simone Schwarz-Bart’s incantatory prose, interwoven with Creole proverbs and lore, appears here in a remarkable translation by Barbara Bray.

    It is curious that a reprint could be heroic. It is more curious that a book this good could go out of print so quickly. And it is most curious that an introduction would even be required for a novel that, if you examine it carefully in the right kind oflight, might actually be seen to be steaming. MOTORMAN is a central work, pulsing with mythology, created by a craftsman of language who was seemingly channeling the history of narrative when he wrote it. It is a book about the future that comes from the past, and we are caught in its amazing middle. To read MOTORMAN now is to encouter proof that a book can be both emotional and eccentric, smeared with humanity and artistically ambitious, messy with grief and dazzling with spectacle--Ben Marcus, from his introduction.

    So begins the courtship of a certain Unguentine to the woman we know only as Mrs. Unguentine, the chronicler of their sad, fantastical tale. For forty years, they sail the seas together, alone on a giant land-covered barge of their own devising. They tend their gardens, raise a child, invent an artificial forest--all the while steering clear of civilization. Log of the S.S. The Mrs Unguentine is a masterpiece of modern domestic life, a comic novel of closeness and difficulty, miscommunication and stubborn resolve. Rarely has a book so perfectly registered the secret solitude of marriage, how shared loneliness can result in a powerful bond.

    Includes a new preface by Jewell Gresham Nemiroff and a revised introduction by Margaret B. Wilkerson.

    As a memorial, Edwin's bestfriend, Jeffrey Cartwright, decides that the life of this great American writer must be told. He follows Edwin's development from his preverbal first noises through his love for comic books to the fulfillment of his literary genius in the remarkable novel, Cartoons.

    Author Biography: A. R. Ammons has been awarded the National Book Award and the National Book Critics Circle Award, among many other honors. He lives in Ithaca, New York.

    In his verse he sought to express 'not only what the experience felt like, but also a sense of living, with comprehension, inside the experience'. WINNER OF THE FIRST EUROPEAN TRANSLATION PRIZE

    A. Kitchen, Journal of Near Eastern Studies “A reliable rendering of the Egyptian text that can be useful to students of Egyptology and provide the layman with delightful reading material.”—Mordechai Gilula, Cultura

    Green has rounded up fifteen new yarns filled with the ornery yet irresistible style that has earned his books a place in classic Western Americana. Some More Horse Tradin’ recounts the dealings of a whole slew of craggy old-timers and rangy characters. See them match wits as they trade well-bred mares, snorty-like range colts, and used-to-be-bad horses from the tumbleweed plains. Admire the old-time knavery, skill, and salesmanship in such tales as “Gittin’ Even,” “Brethren Horse Traders,” “Mule Schoolin’,” and “Water Treatment and the Sore-Tailed Bronc.” Ride along with Green, and he’ll tell you what he knows about horseflesh--but keep your wits about you, and hang on to your wallet.

    In this new book he is concerned with such a mutation: the process by which the arduous enterprise of sincerity, of being true to one's self, came to occupy a place of supreme importance in the moral life--and the further shift which finds that place now usurped by the darker and still more strenuous modern ideal of authenticity. Instances range over the whole of Western literature and thought, from Shakespeare to Hegel to Sartre, from Robespierre to R.D. Laing, suggesting the contradictions and ironies to which the ideals of sincerity and authenticity give rise, most especially in contemporary life. Lucid, and brilliantly framed, its view of cultural history will give Sincerity and Authenticity an important place among the works of this distinguished critic.

    "May the Lord bless thee and awaken thee, Margaret Fell."His eyes went on searching hers. They were blue like a sailor's and of an odd shape and rather slanted.It was at this moment Margaret Fell's life took a strange and dramatic turn. For her encounter with George Fox, a virile, lust-provoking, itinerant preacher, made her feel as though a whole new life were ahead. For the first time her passion was aroused. George awakened in her a capacity for love she had never known. But was this love directed at George the man of God...or George the man?This novel is the story of the passionate, flesh-and-blood men and women who began the Quaker movement in England in the 17th century and of those who settled in Philadelphia 100 years later.

    The power of this book comes from a sense that he is reaching out towards a type of desolation and of isolation without which no imagination can be seen to have grown up.' Eavan Boland, Irish Times'Keyed and pitched unlike any other significant poet at work in the language anywhere.' Harold Bloom, Times Literary Supplement

    It’s the tale of Hannali Innominee, a ’Mingo’ or natural lord of the 19th-century Choctaw Indian [and] a capacious, indomitable giant of the ilk of Paul Bunyan....Lafferty tells it straight: how the Choctaw nation, once removed, reconstituted itself and thrived in Indian territory...., how there came a schism between the rich, part-white, slave-owning, moneylending Choctaws and the ’feudal, compassionate, chauvinistic’ full-blooded freeholders like Hannali; and how, during the Civil War, the Indians were manipulated divide-and-conquer fashion in helping destroy each other."–Kirkus Reviews.

    

    Masterpieces of wit, whimsy and satire…A saint struggling with the greatest of all temptations: daily life.A genius proposes a world inventory of genius to create a better life, but he cannot bear the company.Family life trembles with enough animus to bring down an elephant.A woman leaves her husband and enters the red velvet map of new life.

    K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

    . . The quality of the translation is such that it is hard to remember the poems were not first written in English, even though one is always aware of Radnoti's vision as European and of his locus as Hungary."--Denise LevertovThe Hungarian Jewish poet Miklos Radnoti (1909-1944) was also a prolific translator and editor who wrote some of his greatest poems in the labor camps and copper mines of Yugoslavia before being killed by the Nazis. Leaving behind a body of work that ranks with the classics of Hungarian verse, his influence is now being felt among a younger generation. In 1946, Radnoti's body was exhumed from a mass grave by his wife who found a notebook of his poems (many of which were addressed to her) in his coat pocket.

    Chosen by the distinguished scholar and critic, Dame Helen Gardner, the book makes available in one volume the full range and variety of English non-dramatic verse. Dame Helen Gardner reflected the critical consensus of the day in broadening her choices beyond those of Quiller-Couch's lyrical tastes, and the anthology balances poems that deal with public events and historic occasions with poems of private life, and religious, moral or political verse with satire and light verse. All the major poets are fully represented, and there are also superb works by lesser known poets, and many surprises among the favourites.

    

    In return for the finest cooking in the land and the wages of a minor prophet, Ethan must write a proper record, full of glory and battles, statecraft and honor--a tribute to David and, of course, to Solomon, his heir. But as Ethan explores the story, he finds another life hidden behind the iron curtain dividing past from present: the story of a David who seduced, lied, bragged, and plundered his way to power. Ethan wonders: which life should be reported in the King David Report? Written by one of Germany's most acclaimed dissident authors, The King David Report is both an analysis of the writer's obligations to truth, and an astute satire on the workings of history and politics in a totalitarian state.

    Selections, with English translations, from the author's "El oro de los tigres" and "La rosa profunda".

    Ouspensky has written two stories: "The Inventor" -- an allegory of a modern person faced with the consequences of the miracles of science and technology -- a devilish technology, and "The Benevolent Devil" -- a story that takes place in Ceylon where a young man determines to do battle for his soul -- of course with the "devil!"

    Representative writings of the nineteenth-century American poet and philosopher are supplemented by textual notes.

    Thompson's "Dr. Gonzo," a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge.Written with uninhibited candor and manic energy, this book is Acosta's own account of coming of age as a Chicano in the psychedelic sixties, of taking on impossible cases while breaking all tile rules of courtroom conduct, and of scrambling headlong in search of a personal and cultural identity. It is a landmark of contemporary Hispanic-American literature, at once ribald, surreal, and unmistakably authentic.

    At last, we have the long-awaited English translation of Yves Bonnefoy’s celebrated work, L’Arrière-pays, which takes us to the heart of his creative process and to the very core of his poetic spirit. In his poem, “The Convex Mirror,” Bonnefoy writes: “Look at them down there, at that crossroads, / They seem to hesitate, then go on.” The idea of the crossroads haunts Bonnefoy’s work, as he is troubled by the idea that the path not taken may lead to the arrière-pays, a place of greater plenitude, and of more authentic being—an “elsewhere in the absolute.” Seized by this fear that what he terms “presence” exists always somewhere else, a little further on, Bonnefoy here sets out on a labyrinthine quest to find traces of this “original place,” which he locates not only in objects of knowledge and experience as diverse as the deserts of Asia, a hill fort in India, a church in Armenia, the painting of Piero della Francesca but also, crucially, in the undivided intensity of his experiences as a child. Written with a visionary grace, The Arrière-pays is a spiritual testament to art, philosophy, and poetry. Enriched by a new preface by the poet, this volume also includes three recent essays in which he returns to his original account of an ethical and aesthetic haunting, one that recounts the struggle between our instinct to idealize—what he deems our eternal Platonism—and the equally strong need to combat this and to be reconciled with our nature as finite beings, made of flesh and blood, in the world of the here and now.

    IntroductionChildhood of the MagicianFrom My SchooldaysAbout GrandfatherLife Story Briefly ToldRemembrance of IndiaPidurutalagalaA Guest at the SpaJourney to NurembergOn Moving to a New HouseNotes on a Cure in BadenFor MarullaEvents in the Engadine

    "The stories are rich and startling in their matter and confident in their manner....They are--the word cannot be avoided--magical."--John Updike, The New YorkerThis collection of fiction, representing some of García Márquez's earlier work, includes eleven short stories and a novella, Innocent Eréndira, in which a young girl who dreams of freedom cannot escape the reach of her vicious and avaricious grandmother."Garcí­a Márquez's fictional universe has the same staggeringly gratifying density and texture as Proust's Faubourg Saint-Germain and Joyce's Dublin....Arguably the best of the Latin Americans."--Martin Kaplan, The New Republic"It is the genius of the mature Garcí­a Márquez that fatalism and possibility somehow coexist, that dreams redeem, that there is laughter even in death.'--John Leonard, New York Times

    Sheriff Fred Clumly is trying desperately to unravel mysteries surrounding a disorderly, nameless drifter called "The Sunlight Man," who has been jailed for painting the word "LOVE" across two lanes of traffic, and who is later suspected of murder. The men battle over morality, freedom and their opposing notions of justice, leading each to find his own state of grace. Their conflict is mirrored in the community of middlebrow politicians and their church-going wives, Native Americans, working-class immigrants, farmers, soldiers, petty thieves, and even centenarian sisters too stubborn to die. Gardner's alchemy is existential: from the most raw, vulnerable, and conflicting characters in the American melting pot, he transmutes common denominators of human isolation and longing. With unnerving suspense, his acute ear for American speech, and permeated by his deep-rooted belief in morality, this expansive, sprawling, and ambitious novel is John Gardner's masterpiece: "A superb literary achievement," noted The Boston Globe.

    They present a world of sensation in which only the vaulting demands of disruptive excess and the anguish of heightened awareness can combat the stultifying world of reason and social order. Each of the narratives contains a sense of intoxication and insanity so carefully delineated by the author that it seems to infect the reader.Philosopher, novelist and critic, Georges Bataille is a major figure in twentieth-century literature whose startling and original ideas increasingly exert a vital influence on the shaping of thought, language and experience. Best known outside France for the vertiginous sexual delirium of his short novel, Story of the Eye, the vast scope of Bataille's interests and intellect made him a major force in many spheres.Bataille's essays range over such diverse topics as economics, psychoanalysis, Marxism, yoga and anthropology. His critical essays, Literature and Evil and his complex meditations on the dark coupling of sex and death, Eroticism, are both available from Marion Boyars. Bataille's available fiction includes L'Abbé C, a twisted document detailing the holy horrors of sex and Blue of Noon, now an established modern classic in its seventh printing.

    The story describes the pain of Awoonor's voluntary exile and his spiritual return to his native land.

    Using short, encyclopaedic/biographical entries, Wilcock profiles people who are definitely iconoclasts. They tear down traditional beliefs and scientific notions on many different topics, from utopias to biology, offering a riveting array of ideas. Some real people with iconoclastic bents are included along with some bizarre fictional characters.

    Translated in Kannada by: Ravi BelagereOne of the best pieces of historical fiction. A very existential novel about the revolt of 1857 in British India.

    The spirit of Native American life is covered in great depth and with remarkable sensitivity to the connections between them, but the most remarkable segments of this text are the portraits. Like no other photographer before him, Edward Curtis attempts to capture the essence of these people and shows you what it is to walk along their great land. Filled with full-page sepia tone photographs and detailed text, Portraits From North American Indian Life is a beautiful and historical reference for all to enjoy.

    Rip Van Winkle, Red Riding Hood and A Christmas Carol are among the classics in this collection of tales illustrated by the English artist

    It confirms Adam Phillips as a virtuoso performer able to reach far beyond the borders of psychoanalytic discourse into art, drama, poetry and history. This collection gives us insights into anorexia and cloning, the work of Tom Stoppard and A.E. Housman, the effect of the Blitz on Londoners, Nijinsky's diary and Martin Amis's Night Train, and provides a case history of clutter. In a final essay, the author turns to the question - why sign up for analysis when you could read a book?Promoting everywhere a refreshing version of a psychoanalysis that is more committed to happiness and inspiration than to self-knowledge or some absolute truth, Promises, Promises reaffirms Adam Phillips as a writer whose work, in the words of one reviewer, 'hovers in a strange and haunting borderland between rigour and delight.'

    Poet, essayist, philosopher and translator, Sanscrit scholar and pupil of Gurdjieff, Daumal was a founder of the Grand Jeu group. He was iconoclastic and electic, able to embrace simultaneously Alfred Jarry’s Pataphysics and Hindu teachings.Daumal's two major works in English translation, Mount Analogue and A Night of Serious Drinking, have long been classics in this country; but until now, readers have not had acess to the full range of his thought. The Powers of the Word spans a lifetime of essays and notes—many here translated for the first time—from the earliest incitements to drug use and revolt; through Daumal’s unique readings of literary works; to his more mature, but no less ardent, meditations.

    Roiling with love and torment, lunacy and desire, hilarity and tenderness, Geronimo Rex is the bildungsroman of an unlikely hero. Reared in gloomy Dream of Pines, Louisiana, whose pines have long since yielded to paper mills, Harry Monroe is ready to take on the world. Inspired by the great Geronimo's heroic rampage through the Old West, Harry puts on knee boots and a scarf and voyages out into the swamp of adolescence in the South of the 1950s and '60s. Along the way he is attacked by an unruly peacock; discovers women, rock 'n' roll, and jazz; and stalks a pervert white supremacist who fancies himself the next Henry Miller.

    The Notes are designed to help the student understand Browne's references, and the Introduction provides an account of his life and an analysis of his baroque style against the background of seventeenth-century literature.

    In the late 1300s, Giovannino dei Grassi and his workshop painted the first folios for Giangaleazzo Visconti, despot of Milan, but the Duke's death in 1402 interrupted the work. Belbello da Pavia completed this dazzling manuscript for Giangaleazzo's son, Filippo Maria, after he became Duke in 1412. As Millard Meiss has pointed out in his Introduction, the imaginative art of Giovannino survives in this book alone, wherein he combines an entirely personal vision of light radiating from saints and prophets - and from the Duke of Milan, as well - with an equally original exploration of the natural world. Moreover, the inventive forms and scintillating colors, the extensive and intriguing use of gold leaf, as well as the silver and lapis lazuli (a beautiful, rare, and expensive shade of blue) that abounds throughout the manuscript, surely make it a unique treasure among treasures. The Visconti Hours will enchant art lovers everywhere with its contrasts and stunning extravagance.

    

    Complex in plot, the novel permits a more traditional reading than many of Schmidt's works. The year is 2014 in Tellingstedt near the Danish border. The city is now a reservation in which the few German survivors of the atomic war exist, overseen by the United States. A "story within a story/play within a play," the wonder of this book lies not only in its plot but in its intricacy of allusion and references to Jules Verne and Shakespeare.Arno Schmidt is the author of Radio Dialogues, Volumes 1 and 2.

    

    Like so many artists who have pioneered fresh techniques, Wheelwright received little popular recognition in his short lifetime, although his work caught the eyes of perspicacious critics, who marked him as a man to watch.Originally published in a clothbound edition in 1972, Wheelwright's Collected Poems are now presented in paperbook format. Included are the three books brought out while he lived--Rock and Shell (1933), Mirrors of Venus (1938), and Political Self-Portrait (1940)--as well as the previously unpublished collection Dawn to Dust and miscellaneous other poems. The book has a preface by the editor, Alvin H. Rosenfeld, a memorial poem by Robert Fitzgerald, and a foreword by Austin Warren that places the poet firmly in the category of "New England Saint."

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    In the character of seven-year-old Pandora Gothic, Fraser has created a fierce and resilient heroine who mirrors the pleasure and agonies of children everywhere.As an affectionate and accurate portrait of the hopes, fears, dreams, and tribulations that prefigure adulthood, Pandora is a novel of astonishing literary achievement and sheer unceasing delight.

    The extensive selections from his Notebooks included in this volume is evidence of his enduring interest in these figures

    Lucullus --* Mother Courage and her children

    Ducrot and Todorov, two eminent French theorists, cover such major trends in the development of modern linguistics as general grammars and Saussurianism, as well as methodological and descriptive concepts. Combining the breadth of a dictionary (800 terms are listed in an alphabetical index) with the depth of an encyclopedia (50 articles provide sustained discussions of specific topics or areas), this is a definitive reference for the study of linguistics, semiotics, poetics, and literary theory."It is rare to find a translation that surpasses the original; [this] is such a work. …This new translation, accessible to all American scholars, will become an indispensable research tool for those concerned with the historical development of the sciences of language or with contemporary critical theories." - Choice"All of [the] articles are well-informed and useful and many…are models of lucidity and acumen. …Porter's translation is stylish, accurate, and highly readable…A truly outstanding achievement." - MLN"A valuable addition to any linguistics or stylistics library and is helpful reading for anyone who wishes to find his bearings in Continental, modern linguistics." - Style"The attempted coverage is nothing if not panoramic: linguists from Panini through to Chomsky, fields from language pathology to literary theory, concepts from generative rules to fictional viewpoint." - Times Literary Supplement

    edition, itself a translation (by Krishna Winston) of the 1958 German edition. In a thirty-year period spanning the two World Wars, Schlemmer was a leader among those who brought new concepts and directions to artistic expression. This collection of his writings paints a vivid picture of the Bauhaus era and its artists.

    Gerhard Roth's first "novel," originally published in 1972, is a triumphant refutation of the death of modernism: a lucid, morbid and impossible account of what cannot be said, a deranged existence pieced together, an individual at total odds not only with the world and its structures, but with the chemical and biological basis of his own thought.

    

    Most of them came to be forgotten, but I see nothing in this to regret. For although recalling the past may make you happy, it may sometimes also make you lonely, and there is no point in clinging in spirit to lonely bygone days. However, my trouble is that I cannot forget completely, and these stories have resulted from what I have been unable to erase from memory."—Lu HsunLiving during a time of dramatic change in China, Lu Hsun had a career that was as varied as his writing. As a young man he studied medicine in Japan but left it for the life of an activist intellectual, eventually returning to China to teach. Though he supported the aims of the Communist revolution, he did not become a member of the party nor did he live to see the Communists take control of China. Ambitious to reach a large Chinese audience, Lu Hsun wrote his first published story, "A Madman's Diary," in the vernacular, a pioneering move in Chinese literature at the time. "The True Story of Ah Q," a biting portrait of feudal China, gained him popularity in the West. This collection of eighteen stories shows the variety of his style and subjects throughout his career.In a new introduction, Ha Jin, the author of Waiting (National Book Award winner), The Bridegroom, and other works, places Lu Hsun's life and work in the context of Chinese history and literature.

    A great deal has already been written about her novels and critical essays. It is concerned essentially with Virginia Woolf herself: about whom little has been said in print. It has been written by people who knew her either intimately as relations and friends, or who met her from time to time over a period of years and were acquaintances. Whatever the relationship, their knowledge of her is of course first hand; it extends over the greater part of her adult life, and is set down in these pages mostly in the form of reminiscences, impressions and anecdotes." The contributors include T. S. Eliot, Elizabeth Bowe, E. M. Forster, Rebecca West, Christopher Isherwood, Stephen Spender, and Vita Sackville-West. The cumulative effect of this splendid collection is to display the complexities of one of this century's greatest writers, an alternately witty, jealous, teasing, warm, malicious, generous woman, who finally took her own life in 1941.