His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

    

    Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today.Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

    The Five-Storied Pagoda, one of Koda's best-known works, is the moving account of a misunderstood carpenter who has been inspired to undertake the construction of a pagoda by himself. It is not merely a story of individualism, however, for the religious implications of such a task are profound.Encounter with a Skull concerns a fortuitous meeting of two souls not necessarily ordained by karma. The multiple processes of enlightenment are perceptively depicted in this eerie tale.The last story, The Bearded Samurai, is an historical novella whose setting is the sixteenth-century battle of Nagashino between the forces of Oda Nobunaga and Tokugawa Ieyasu and those of Takeda Katsuyori. Here, the human side of the warrior and a realistic view of the samurai are delineated.Such stories, in addition to the essays and notes by the translator, will prove of interest to the general reader and especially to the reader already familiar with Japanese literature.

    Rabbits / Kanai Mieko -- Fuji / Sono Ayako -- A bond for two lifetimes-gleani / Enchi Fumiko -- A mother's love / Okamoto Kanoko -- Crabs / Kono Taeko -- Happiness / Uno Chiyo.