But despite his lack of recognition, Mr. Hennen...has simply gone about his calling with humility and gratitude in a culture whose primary crop has become fame. He just watches, waits and then strikes, delivering heart-buckling lines.” —Dana Jennings, The New York Times"As with Ted Kooser, Tom Hennen is a genius of the common touch. . . . They are amazingly modest men who early accepted poetry as a calling in ancient terms and never let up despite being ignored early on. They return to the readers a thousandfold for their attentions."—Jim Harrison, from the introduction"Many readers will appreciate this evocation of a life not as commonly portrayed in contemporary verse."—Library Journal"There is something of the ancient Chinese poets in Hennen, of Clare and Thoreau, although he is very much a contemporary poet."—Willow Springs"One of the most charming things about Tom Hennen's poems is his strange ability to bring immense amounts of space, often uninhabited space, into his mind and so into the whole poem."—Robert Bly"America is a country that loves its advertising. That loves its boxes we can put people and places into. We love 'Heartland' as opposed to 'Dustbowl.' We also love to be surprised. Rural Minnesota, as written by Tom Hennen in Darkness Sticks to Everything, is a world of realistic loneliness and lessons. It’s a collection of sincere poems about man and the land."—The Rumpus"Hennen is a master of the prose poem [who] can take little details, tiny details and make them universal."—River Falls Journal"What separates Hennen from many of his contemporaries is his willingness to identify with the natural world in a way that feels neither possessive nor self-serving, but simply (once again) sincere."—Basalt Magazine"There is something strong in all Tom Hennen's poems, an awareness and a clear, sure voice... I don't usually want to end by saying 'Buy this book,' but I'm going to say it this time: 'You should buy this book.'"—Fleda Brown, Interlochen Public Radio, "Michigan Writers on the Air"Tom Hennen gives voice to the prairie and to rural communities, celebrating—with sadness, praise, and astute observations—the land, weather, and inhabitants. In short lyrics and prose poems, he reveals the detailed strangeness of ordinary things. Gathered from six chapbooks that were regionally distributed, this volume is Hennen's long-overdue introduction to a national audience. Includes an introduction by Jim Harrison and an afterword by Thomas R. Smith."In Falling Snow at a Farm Auction"Straight pine chairComfortableIn anyone's company,Older than grandmotherIt enters the presentIts arms wide openWanting to hold another young wife.Tom Hennen, author of six books of poetry, was born and raised in rural Minnesota. After abandoning college, he married and began work as a letterpress and offset printer. He helped found the Minnesota Writer's Publishing House, then worked for the Department of Natural Resources wildlife section, and later at the Sand Lake National Wildlife Refuge in South Dakota. Now retired, he lives in Minnesota.

    More than a boyhood ballad or a coming-of-age story, this collection illuminates the artist's struggle to make sense of the disparate identities others have forced upon him.His description of his childhood is both idyllic and nightmarish, sometimes veering between the two extremes, sometimes a surreal combination of both at once. He calls himself "the Pachuco's grandson" or REMEK or Michael, depending on the context, and others follow his lead. He worries about losing his identification card, lest someone mistake his brown skin for evidence of a crime he never committed. He wonders what his students--imprisoned men who remind him of his high school friends and his own brother--make of him. He wonders how often his neighbors think about where he came from, if they ever do imagine where he came from.When Torres returns to his hometown to find the layers of spray-painted evidence he and his boyhood friends left behind to prove their existence have been washed away by well-meaning municipal workers, he wonders how to collect a list of names that could match the eloquent truths those bubbled letters once secured.

    Drawn into a complex triangle with two boys, she distracts herself from the onslaught of adulthood by playing the game of go with strangers in a public square--and yet the force of desire, like the occupation, proves inevitable. Unbeknownst to the girl who plays go, her most worthy and frequent opponent is a Japanese soldier in disguise. Captivated by her beauty as much as by her bold, unpredictable approach to the strategy game, the soldier finds his loyalties challenged. Is there room on the path to war for that most revolutionary of acts: falling in love?

    Nor is it Martin Bryant, the man responsible for claiming 35 lives in the Port Arthur massacre. No, the person in Australia controversially ruled 'too dangerous to be released', the one who needs chains, leather restraints and a full-time posse of guards is Rebecca Butterfield: a self-mutilating murderer, infamous for slicing guards and stabbing another inmate 33 times.But Butterfield is not alone. There's cannibal killer Katherine Knight, jilted man-murderer Kathy Yeo, jailbreak artist Lucy Dudko, and a host of others who will greet you inside the gates of Australia's hardest women's jails. You will meet drug dealers, rapists and fallen celebrities. You will hear tales of forbidden love, drug parties gone wrong and guards who trade 40-cent phone calls for sex. All will be revealed in Green Is the New Black, a comprehensive account of women's prison life by award-winning author and journalist James Phelps.

    Tracing bloodlines from Sri Lanka's civil wars to Brooklyn and Toronto streets, these fierce poems are full of heart and guts, telling raw truths about brown girl border crossings before and after 9/11, surviving abuse, mixed-race journeys and high femme rebellions. Consensual Genocide celebrates our survival and marks our rebel memories into history.

    River Hymns is the lyrical journey of a young black man’s spiritual reckoning with his family history.

    From "Accuracy" to "Wound," "Adam" to "Void," "Babel" to "Silence," these cross-referential, highly associative entries comprise an utterly singular work of art. A Whaler’s Dictionary is the mesmerizing product of a total immersion into one of the greatest novels in the English language.

    The authors celebrate the variety and complexity in the lives of modern women: from giving birth and facing death, to the whys of listening to teenagers and the wherefores of being good neighbors. Whether writing at the hearth of family concerns or in the arena of public issues, the two authors embrace honest differences as they bridge distances, seek harmony in the midst of change, and hold fast to faith.

    From the close of World War II to the end of the Cold War, Ginsberg has been in the vanguard of every popular movement; from the emergence of the Beat Generation in the Fifties to the hippie and antiwar movements of the sixties, to the ecology movement and the Buddhist revival of the seventies, Allen Ginsberg has given voice to his generation's spirit in poetry of astonishing power. Michael Schumacher has spent eight years researching and writing this dramatic biography, with Ginsberg's full cooperation and with access to all his journals and papers, as well as spending thousands of hours interviewing Ginsberg's friends and enemies alike. With the sweep of an epic novel Schumacher tells the story of this quintessentially American poet and his times, with fascinating portraits of such contemporaries as Jack Kerouac, Neal Cassady, and William Burroughs, among many others, along with many rarely seen photographs. This is undoubtedly the most complete portrait we are ever likely to see of one of the most influential writers of the twentieth century.

    When she first moved downstairs she was still eating, though scantily, more just to taste what we were having than from any genuine desire for food. The point was simply to sit together at the kitchen table and array ourselves like a family again. My mother would gently set herself down in her customary chair near the stove. I sat across from her, my father and sister to my left and right, and crammed in the center was all the food I had made—a spicy codfish stew, say, or a casserole of gingery beef, dishes that in my youth she had prepared for us a hundred times.In Coming Home Again, celebrated novelist Chang-rae Lee, author of On Such a Full Sea and Native Speaker, recalls the year he spent living at home, and learning to cook the Korean dishes of his childhood before his mother died of stomach cancer. An achingly personal story about love, grief and regret, Coming Home Again confronts the decisions we can't take back and the moments we can’t let go with astounding grace and poignancy.Coming Home Again was originally published in The New Yorker, October 16, 1995. Cover design by Adil Dara.

    It offers a long overdue validation of the experiences of women of color.Discussing subjects as varied as The Hunger Games, Alexandria Ocasio-Cortez, the viral "BBQ Becky" video, and 19th century lynchings of Mexicans in the American Southwest, Ruby Hamad undertakes a new investigation of gender and race. She shows how the division between innocent white women and racialized, sexualized women of color was created, and why this division is crucial to confront.Along the way are revelatory responses to questions such as: Why are white men not troubled by sexual assault of women? With rigor and precision, Hamad builds a powerful argument about the legacy of white superiority we are socialized in, a reality we must apprehend in order to fight.

    And in the process of building myself back up, I learned that you are allowed to leave some pieces behind-you are allowed to become the person you design yourself to be.'A collection of notes and poetic reflections, journaling how April learned to let go of everything that was holding her back in order to grow into the person she deserved to become.Bloom for Yourself II is a book you can plant in your soul and return to each time you feel ready to let go and grow.April Green's second book in the 'Bloom for Yourself' series gives readers even more help and guidance in overcoming pain and heartache. Her words are shared by thousands of people all over the world, including Jenna Dewan and Shantel Vansanten.The 'Bloom for Yourself' books are written for anyone feeling lost, alone, depressed or unworthy. They are books to be read many times over as you come to experience April's extraordinary gift for helping you understand that you are never truly alone.

    Loden’s 1970 film Wanda is a masterpiece of early cinema vérité, an anti-Bonnie-and-Clyde road movie about a young woman, adrift in rust-belt Pennsylvania in the early 1960s, who embarks on a crime spree with a small-time crook.How to paint a life, describe a personality? Inspired by the film, a researcher seeks to piece together a portrait of its creator. In her soul-searching homage to the former pin-up girl famously married to Hollywood giant Elia Kazan, the biographer’s evocative powers are put to the test. New insights into Loden’s sketchy biography remain scarce and the words of Marguerite Duras, Georges Perec, Jean-Luc Godard, Sylvia Plath, Kate Chopin, Herman Melville, Samuel Beckett and W.G. Sebald come to the narrator’s rescue. As remembered scenes from Wanda alternate with the droll journal of a flailing research project, personal memories surface, and with them, uncomfortable insights into the inner life of a singular woman who is also, somehow, every woman.

    As the bushfires continued to rage into the new year on an unprecedented scale, Ben, feeling angry, helpless and broken-hearted as he watched the devastation from across the ocean, sat down and put his feelings into words. To My Country is an ode to the endurance of the Australian spirit and the shared love of our country.In the true Aussie spirit, Ben and Allen & Unwin will be donating proceeds of To My Country to The Koala Hospital.

    Nice people work at Target. Surely someone would take her home and care for her and buy her pretty things. So begins Vicki Glembocki’s brutally honest yet hilarious memoir of her agonizing transition into motherhood. Why agonizing? Because no one told her how tough it would be. Finally, Glembocki lays out the truth about those first months with baby: the certainty that you’re doing everything wrong; the desire to kill your husband, your mother, your dog; the struggle to balance who you were with whom you’ve become-a mother. Unlike any other book on motherhood, Glembocki breaks the New Mother Code of Silence, proving that “maternal bliss” is not innate, but learned. Funny and wise, she connects with new moms on a shockingly intimate level, letting them know that they are not alone.