In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst; One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt;male and female, human and non-human, humorous and heroic;all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories;The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire;which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd,Blood Thirst gives us all something to sink our teeth into.

    Entranced by a resolute Englishwoman whose capacity for debauchery knows no bounds, he capitulates to her every whim amid an ecstatic yet tormenting incursion of visions, scents, caresses, pleasures, horrors, and fantastic atrocities.

    It is also a book about the often amusing and sometimes painful counterpoint between worldliness and holiness in Isherwood’s own life. Sexual sprees, all-night drinking bouts, a fast car ride with Greta Garbo, script-writing conferences at M-G-M, and intellectual sparring sessions with Bertolt Brecht alternated with nights of fasting at the Vedanta Center and a six-month period of celibacy and sobriety. Seldom has a single man been endowed with such strong drives toward both sensuality and spirituality, abandon and discipline. . . . In these pages, Isherwood has reinvented the spirit of devotion for the modern reader."  Edmund White, New York Times Book Review"This book is a humbling tribute to someone who revealed to Isherwood inner grounds for spiritual awareness." Alan Hollinghurst, New StatesmanA major figure in twentieth-century fiction and the gay rights movement, Christopher Isherwood (1904–1986) is the author of Down There on a Visit, Lions and Shadows, A Meeting by the River, The Memorial,  Prater Violet, A Single Man, and The World in the Evening, all available from the University of Minnesota Press.

    The work draws on the author's own experiences with an all-male brothel in Cleveland Street (later shut down scandalously.) Originally subtitled: or, The Recollections of a Mary-Anne.

    Charlotte Stein takes you on a journey through all the facets of female desire in this contemporary collection of explicit and ever intriguing short stories. Be seduced by obsessions that go one step too far and dark desires that remove all inhibitions. Each story takes you on a journey into all the things that make a girl give in.

    Yet most Westerners know little about this powerful, Eastern-spawned faith. How did it begin? What do its adherents believe? Why are so many Westerners drawn to it? Essential Buddhism responds to these questions and many more, offering an accessible, global perspective on the religion's past, present, and future. It identifies how the principal concepts and practices originated and evolved through diverse cultural adaptations into three basic formats: * Theraveda (including Vipassana, brought from Vietnam in the 1960s and including such practitioners as Jack Kornfield and Jon Kapat-Zinn) * Mahayana (including Zen Buddhism, originally brought to America by Japanese teachers after World War II and popularized by Jack Kerouac and Thomas Merton) * Vajrayana (including Tibetan Buddhism, from the teachers who fled the Chinese takeover of Tibet in the 1950s as well as the Dalai Lama, and embraced by Allen Ginsberg, Richard Gere, and countless others) Essential Buddhism is the single best resource for the novice and the expert alike, exploring the depths of Buddhism's popularity and illuminating its tenets and sensible approach to living. Written in the lucid prose of a longtime professional storyteller, and full of Buddhist tales, scriptural quotes, ancient stories, and contemporary insights, Essential Buddhism is the first complete guide to the faith and the phenomenon.

    Then at the tender age of ten years old, disaster strikes. Heartbroken, Bonnie’s left at the mercy of her embittered grandmother and her lecherous step-grandfather.Five years later, the events of one terrible night cause Bonnie to flee to London where she starts to earn her living as a singer. She changes her name and cuts all links with the past. Time passes. Bonnie falls in love, but just when she dares to hope for a rosy future, the Second World War is declared. She does her bit for the war effort, singing for the troops and travelling to Burma to boost morale, but heartache and pain are just around the corner, and she begins to ask herself if she will ever find happiness again?

    John Gross, former book critic for The New York Times, has collected classics and rare gems, representative samples and personal favorites, intimate essays and learned, serious reflections and hysterically funny satire, by both British and American writers. The authors Gross has gathered form a gallery of genius, all indispensable masters of rhetoric, from Samuel Butler to Samuel Johnson, from George Eliot to George Bernard Shaw, from John Dryden to Ben Franklin, from E.B. White to Joan Didion. Including book reviews and travel sketches, history lessons and meditations, reflections on art and on potato chips, these essays sample four centuries of eloquence and insight in a collection that is at once immensely enlightening, edifying, and entertaining.

    In Waiting for the Barbarians, he brings together twenty-four of his recent essays—each one glinting with “verve and sparkle,” “acumen and passion”—on a wide range of subjects, from Avatar to the poems of Arthur Rimbaud, from our inexhaustible fascination with the Titanic to Susan Sontag’s Journals. Trained as a classicist, author of two internationally best-selling memoirs, Mendelsohn moves easily from penetrating considerations of the ways in which the classics continue to make themselves felt in contemporary life and letters (Greek myth in the Spider-Man musical, Anne Carson’s translations of Sappho) to trenchant takes on pop spectacles—none more explosively controversial than his dissection of Mad Men.Also gathered here are essays devoted to the art of fiction, from Jonathan Littell’s Holocaust blockbuster The Kindly Ones to forgotten gems like the novels of Theodor Fontane. In a final section, “Private Lives,” prefaced by Mendelsohn’sNew Yorker essay on fake memoirs, he considers the lives and work of writers as disparate as Leo Lerman, Noël Coward, and Jonathan Franzen. Waiting for the Barbarians once again demonstrates that Mendelsohn’s “sweep as a cultural critic is as impressive as his depth.”

    -Invited to lecture as part of the prestigious Lannan -Foundation series on the first anniversary of the unconscionable attacks of September 11, 2001, Roy challenged those who equate dissent with being "anti-American." Her previous essays on globalization and dissent have led many to see Roy as "India's most impassioned critic of globalization and American influence" (New York Times).War Talk collects new essays by this prolific writer. Her work highlights the global rise of religious and racial violence. From the horrific pogroms against Muslims in Gujarat, India, to U.S. demands for a war on Iraq, Roy confronts the call to militarism. Desperately working against the backdrop of the nuclear recklessness between her homeland and Pakistan, she calls into question the equation of nation and ethnicity. And throughout her essays, Roy interrogates her own roles as "writer" and "activist.""If [Roy] continues to upset the globalization applecart like a Tom Paine pamphleteer, she will either be greatly honored or thrown in jail," wrote Pawl Hawken in Wired Magazine. In fact she was jailed in March 2002, when -India's Supreme Court found Roy in contempt of the court after months of attempting to silence her criticism of the government.Fully annotated versions of all Roy's most recent -essays, including her acclaimed Lannan Foundation -lecture from September 2002, are included in War Talk. Arundhati Roy is the winner of the Lannan Foundation’s Prize for Cultural Freedom, 2002, and will be returning to the U.S. in association with the Lannan Foundation in 2003. Roy’s most recent collection of essays, Power Politics, now in its second edition, sold over 25,000 copies in its first 12 months.

    Thomas (Hugo-Award-winning Chicks Dig Time Lords) and Sigrid Ellis bring together essays by award-winning writers and artists who celebrate the comics medium and its creators, and who examine the characters and series that they love. Gail Simone (Birds of Prey) and Carla Speed McNeil (Finder) describe how they entered the comics industry. Colleen Doran (A Distant Soil) reveals her superhero crush, while Jill Thompson (Scary Godmother) confesses to being a comics junkie. Jen Van Meter (Hopeless Savages) sings the praises of 1970s horror comics, and Seanan McGuire (the October Daye series) takes sides in the Jean Grey vs. Emma Frost battle.Other contributors include Marjorie Liu (Dark Wolverine), Rachel Edidin (Dark Horse Comics), Jill Pantozzi (Newsarama), Kelly Thompson (Comic Book Resources), and SF/F authors Sara Ryan, Delia Sherman, Sarah Monette, and Elizabeth Bear. Also featured: an introduction by Mark Waid (Kingdom Come) and exclusive interviews with Amanda Conner (Power Girl), Louise Simonson (Power Pack), Greg Rucka (Queen & Country), and Terry Moore (Strangers in Paradise).

    From the author of Mystery Train and Lipstick Traces, comes an exhilarating and provocative investigation of the tangle of American identity.

    Now considered a classic, this fascinating personal odyssey and revealing public reflection on American sexuality changed the way Americans looked at themselves and one another.From the Paperback edition.

    Using a background of myth and fairy-tale to expand the boundaries of nineteenth-century realist fiction, Collins gives one of the best accounts in fiction of blindness and its implications.

    In a series of sparkling essays, she explores our rich classical heritage - from Greek drama to Roman jokes, introducing some larger-than-life characters of classical history, such as Alexander the Great, Nero and Boudicca. She also invites you into the places where Greeks and Romans lived and died, from the palace at Knossos to Cleopatra's Alexandria - and reveals the often hidden world of slaves. She brings back to life some of the greatest writers of antiquity - including Thucydides, Cicero and Tacitus - and takes a fresh look at both scholarly controversies and popular interpretations of the ancient world, from The Golden Bough to Asterix. The fruit of over thirty years in the world of classical scholarship, Classical Traditions captures the world of antiquity and its modern significance with wit, verve and scholarly expertise.