Includes the major works of the Brontë sisters as well as the lesser known ones. Also includes the beautiful poetry collection by the Brontë sisters as well as poems and two sermons by their father Patrick Brontë. Included is an in-depth biography which give a glimpse into the life of Charlotte and her sisters. The format of this e-book is designed to be easily navigational in three ways; you can navigate by a simple click from chapter to chapter or from book to book. There is also a table of contents per book and one global table of contents.This e-book features:• Jane Eyre - by Charlotte Brontë• The Professor - by Charlotte Brontë• Villette - by Charlotte Brontë• Albion and Marina - by Charlotte Brontë • Stancliffe’s Hotel - by Charlotte Brontë • Mina Laury - by Charlotte Brontë • The Story of Willie Ellin - by Charlotte Brontë • Shirley - by Charlotte Brontë • Emma - by Charlotte Brontë (her last unfinished novel)• Wuthering Heights - by Emily Brontë • Agnes Grey - by Anne Brontë • The Tenant of Wildfell Hall - by Anne Brontë • Cottage Poems by Patrick Brontë • Poems by Currer Bell, Acton Bell and Ellis Bell (collection written under their pen names)• Charlotte Brontë and Her Circle by Clement Shorter (biography featuring correspondence by Charlotte Brontë )

    It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption, achieved through loving forgiveness and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes, and a substantial introduction based on the most recent scholarship in the field.

    Clearly reformist in its agenda, this novel succeeds in exploring sensitive and even dangerous terrain. Alok Rai's English translation includes an Afterword which takes note of the novel's special context, placing it in perspective and making a contemporary reading of the work possible.

    Her stories of fiercely independent women, culminating in her masterpiece "The Awakening" (1899), challenged contemporary mores as much by their sensuousness as their politics, and today seem decades ahead of their time. Now, The Library of America collects all of Chopin's novels and stories as never before in one authoritative volume. The explosive novel "At Fault" (1890) centers on a love triangle between a strong-willed young widow, a stiff St. Louis businessman, and the man's alcoholic wife. In the story collections "Bayou Folk" (1894) and "A Night in Acadie" (1897), Chopin transforms the local color sketch into taut, perfectly calibrated tales of post-Civil War bayou culture. In "The Awakening," the now-classic novel that scandalized many of her contemporaries and effectively ended her writing career, Chopin tells the story of a restless, unsatisfied woman who embarks on a quixotic search for fulfillment. The volume also includes all the stories not collected by Chopin, including those meant for "A Vocation and a Voice," a projected volume that her publisher canceled in 1900, and three stories that were found in 1992 in a long-lost cache of Chopin's papers.

    This beautifully bound work depicts life as a journey, reaching toward a beacon of hope in the City of the Great King. Beckoned by the King to travel the Splendid Way, the young knight must keep his armor on at all cost. All along the way he is challenged and tempted to take his armor off. Many try to convince him that the battle is not worth the fight. Only those who keep their armor on are able to see the real battle that rages before them, and only those with a pure heart will keep their armor on.

    In vivid language and in seventy-five drawings, the author of Animal Heroes captures for a new generation of readers the freedom and danger, joy and pathos, of Wahb's life.After his mother and siblings are shot by a cattle czar, Wahb grows up alone in the mountains of northwestern Wyoming. As a cub, he collects wounds and stores up hatred for omnipresent enemies—men and beasts. But in maturity he owns the territory. His arms can "toss pine logs like broomsticks"; his paws "with one tap" can "crush the biggest bull in the range"; and his claws can "tear huge slabs of rock from the mountainside." During summers at Yellowstone National Park he is on good behavior, except for his one intimidating visit to the hotel. Now his only enemies are time and the roachback grizzly who challenges his power.

    Overnight, four men - the heir to an earldom, a Harley Street doctor, a Bond Street art dealer and an Oxford don - find themselves penniless. But this time Harvey has swindled the wrong men. They band together and shadow him from the casinos of Monte Carlo to the high-stakes windows at Ascot and the hallowed lawns of Oxford. Their plan is simple: to sting the crook for exactly what they lost. To the penny."Marvelously plotted, with just the right amounts of romance, wit and savoir-faire" - Publishers Weekly

    Chesnutt writes of the black search for identity in the period between the Civil War and the turn of the century

    Within this world, a simple, godly soldier braves all odds to defend his honor and his duty to uphold God’s sacred laws, all the while fighting to win the love of his new wife.To Have and to Hold brings to life the exciting beginnings of America, weaving a story of adventure, intrigue and romance with providence and perseverance in colonial Jamestown. This exciting story makes a wonderful family read-aloud, as well as a “can’t put down” book for the individual reader, capturing the imaginations of young and old, men and women alike.

    Hoping to convert his “infinite little loss” into “infinite little gain,” James returned to the novelistic examination of English society with a new appreciation for what he called the “divine principle of the Scenario,” “a key that, working in the same general way fits the complicated chambers of both the dramatic and the narrative lock.”His continued interest in dramatic form is demonstrated in The Other House (1896), which was derived from the scenario for a three-act play. Set in two neighboring houses and told mostly through dialogue, the novel explores the violent and tragic consequences of jealousy and frustrated passion. In The Spoils of Poynton (1897), one of the most tightly constructed of James’s late novels, a house and its exquisite antique furnishings and artwork become the source of a protracted struggle involving the proud and imperious Mrs. Gereth, her amiable son, Owen, his philistine fiancée, Mona Brigstock, and the sensitive Fleda Vetch, whose moral judgment is tested by her conflicting allegiances.What Maisie Knew (1897) explores with perception and sensitivity the effect upon a young girl of her parents’ bitter divorce and their subsequent remarriages. In writing the novel James chose as his point of view what he described as “the consciousness, the dim, sweet, scared, wondering, clinging perception of the child.” The Awkward Age (1899) examines the complicated relations among the members of a sophisticated London social circle almost entirely through dialogue as it depicts the shifting marital prospects of a young woman poised on the verge of adult life. Both of these novels insightfully explore the ambiguity of childhood “innocence” amid adult struggles over money, power, and love.

    This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The dog came within ten feet of him, and the stranger, coming across to Cuddy, passed at five feet, but he never moved till a chance came to slip behind the great trunk away from both. Then he safely rose and flew to the lonely glen by Taylor's Hill. One by one the deadly cruel gun had stricken his near ones down, till now, once more, he was alone. The Snow Moon slowly passed with many a narrow escape, and Redruff, now known to be the only survivor of his kind, was relentlessly pursued, and grew wilder every day. It seemed, at length, a waste of time to follow him with a gun, so when the snow was deepest, and food scarcest, Cuddy hatched a new plot. Right across the feeding-ground, almost the only good one now in the Stormy Moon, he set a row of snares. A cottontail rabbit, an old friend, cut several of these with his sharp teeth, but some remained, and Redruff, watching a far-off speck that might turn out a hawk, trod right in one of them, and in an instant was jerked into the air to dangle by one foot. Have the wild things no moral or legal rights? What right has man to inflict such long and fearful agony on a fellow-creature, simply because that creature does not speak his language? All that day, with growing, racking pains, poor Redruff hung and beat his great, strong wings in helpless struggles to be free. All day, all night, with growing torture, until he only longed for death. But no one came. The morning broke, the day wore on, and still he hung there, slowly dying; his very strength a curse. The second night crawled slowly down, and when, in the dawdling hours of darkness, a great Horned Owl, drawn by the feeble flutter of a dying wing, cut short the pain, the deed was wholly kind. The wind blew down the valley from the north. The snow-horses went racing over the wrinkled ice, over the Don Flats, and over the marsh toward the lake, white, for they were driven snow, but on them, scattered dark, were...

    The puppies had gold eyes. They were drinking a saucer of green milk. Loveliness wore a new necktie, of cherry, a shade or two brighter than the puppies, and a pearl-gray, or one might call it a silver-gray jacket. He was sitting in the broad window sill, with his head tipped a little, thoughtfully, towards the left side, as the heads of nervous people are said to incline. He was dreamily watching the street, looking for any one of a few friends of his who might pass by, and for the letter-carrier, who was somewhat late.

    The key is, of course, finding a rich wife. This book describes his numerous courtships of women. It also describes the moral decline of a man who has only one goal, and how other people react to it. This book is about courtship, but also about values. It raises questions like: do modern values of feminism and choice still hold? Do everybody who claims to believe in them really believes, and, of course, what if not?

    Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field" (George Steiner) The plays shine freshly from the pages ...This will be our definitive Ibsen." (JC Trewin) This volume contains Ibsen's first great modern prose play and his two last symbolic dramas. The Pillars of Society, written between 1875 and 1877, exhibits many of the classic elements which recur in the subsequent plays - a marriage founded on a lie, women stunted by social conventions, an arrogant man destroying the happiness of those around him. John Gabriel Borkman (1896), according to Edvard Munch, is "the most powerful winter landscape in Scandinavian art"; and Ibsen's last play, When We Dead Awaken (1899), also dealing with "the coldness of heart," showed, said Bernard Shaw, "no decay of Ibsen's highest qualities. His magic is nowhere more potent.Michael Meyer's translations are 'crisp and cobweb-free, purged of verbal Victoriana' (Kenneth Tynan)

    Based loosely on the Irish myth The Wooing of Etain, the story follows the love of a mortal king, Eochaidh for an immortal fairy woman Etain who at the end of a year with him is reclaimed by her immortal lover, Midir. Woven throughout is the enigmatic and dark fairy fool, Dalua, who stands on the threshold between the worlds. This critical edition of The Immortal Hour contains an introductory essay with a biography of the author, analysis of the play and the history of its success as an opera. The text of the play itself is fully annotated with the references to Celtic mythology and a comparison to an earlier publication of it.

    It is aimed at children who are beginning to read. When Momotaro was found as a baby in a giant peach everyone knew he was destined for great things. But when he grows up to become a brave warrior, he must journey to Ogre Island to reclaim his village's lost possessions. This title is developed in consultation with Alison Kelly, who is a senior lecturer in education and an early reading specialist from Roehampton University. It features a great value quality hardback with ribbon marker guaranteed to foster pride in book ownership.

    I. Keller. It follows the history of Kit's parents and of his training into manhood. It is a very complex story and gives great detail about Scottish country life and customs.

    They were crossing City Hall Park in New York and Mr. Talbot was pointing out to his son the public buildings which make this one of the noted localities in the metropolis.

    

    He was born at Bagni di Lucca, Italy. In 1879 he went to India, where he studied Sanskrit and edited the Allahabad Indian Herald. Returning to America he continued to study Sanskrit at Harvard University for a year, contributed to various periodicals, and in 1882 produced his first novel, Mr Isaacs. This book had an immediate success, and its author's promise was confirmed by the publication of Doctor Claudius: A True Story (1883). After a brief residence in New York and Boston, in 1883 he returned to Italy, where he made his permanent home. He also published the historical works, Ave Roma Immortalis (1898), Rulers of the South (1900) renamed Sicily, Calabria and Malta in 1904, and Gleanings from Venetian History (1905). The Saracinesca series is perhaps known to be his best work, with the third in the series, Don Orsino, set against the background of a real estate bubble, told with effective concision. A fourth book in the series, Corleone, was the first major treatment of the Mafia in literature.

    The first story deals with rich versus poor and the virtues of contentment and unselfishness. The second story takes place in a boys' school and deals with temperance and honesty.