Best of
Vampires
1997
The Midnight Cafe
Laurell K. Hamilton - 1997
Three Anita Blake novels in collector's edition hardback; Lunatic Cafe, Bloody Bones and Killing Dance
Club Vampyre
Laurell K. Hamilton - 1997
Vampires call me The Executioner. What I call them isn't repeatable. Ever since the Supreme Court granted the undead equal rights, most people think vampires are just ordinary folks with fangs. I know better. I carry the scars. . . In my job -- I'm an animator; I raise the dead -- I've seen just about everything. I've dined with shapeshifters, danced with werewolves and been wooed, but not won, by Jean-Claude, the most powerful bloodsucker in St. Louis. When a serial killer started murdering vampires, it was Jean-Claude who wanted me to find the killer. Later a rogue vamp named Alejandro hit town and wanted to make me his human servant. A war of the undead had begun. Over me. I'd have been flattered, if my life weren't at stake.Books in this collection:* Guilty Pleasures (Anita Blake, Vampire Hunter, Bk 1)* The Laughing Corpse (Anita Blake, Vampire Hunter, Bk 2)* Circus of the Damned (Anita Blake, Vampire Hunter, Bk 3)
In the Shadow of the Vampire: Reflections from the World of Anne Rice
Jana Marcus - 1997
In The Shadow Of The Vampire offers a close up view of her devotees and disciples, fangs and all. Over 100 photographs from Anne Rice's Memnoch Ball in New Orleans as well as other events serve as a portrait of this growing subculture. The photographs illustrate the themes the readers relate to in their fantasies and everyday lives and the extremes to which they will go to be close to their mentor. The subjects of the photographs, the fans themselves, explain in accompanying interviews their spiritual relationships to romance, eroticism, loneliness, bloodlust or outsider status of the characters in the book. From the people who sleep in coffins to the teenage Goth-rockers to the HIV-positive man who found a deep allegorical comfort in the vampire Lestat, their responses range from the burlesque to the sublime.
The Last Vampire and Black Blood
Christopher Pike - 1997
Alisa Perne is not your average teenager. Alisa has lived for 5000 years. She has endured heartbreak, betrayal and narrowly escaped death enough for several lifetimes. Now Alisa is living in the present day and is still plagued by enemies from the past - an ancient and powerful enemy. She will protect herself and her secret no matter what the cost - she must...the last vampire will not die!
Gimme a Kiss / The Starlight Crystal / Bury Me Deep / The Phantom
Christopher Pike - 1997
New! Titles include Last Vampire #4: The Phantom, Bury Me Deep, Starlight Crystal and Gimme a Kiss.
Vampire Hunt
Willis Hall - 1997
He wouldn't hurt a fly -- but sadly the vengeful villagers of Tolokovin don't realize this. Chased from his castle, Count Alucard stumbles upon a troupe of traveling actors and, to his horror, finds himself center stage and in the limelight Can his friend Henry Hollins help the poor Count melt back into the shadows, or will an actor's life be the death of him?
Bram Stoker's Dracula: Sucking Through the Century, 1897-1997
Carol Margaret Davison - 1997
That novel, Dracula, has gone on to become perhaps the most influential novel of all time. To commemorate the centennial of that great novel, Carol Margaret Davison has brought together this collection of essays by some of the world's leading scholars. The essays analyze Stoker's original novel and celebrate its legacy in popular culture. The continuing presence of Dracula and vampire fiction and films provides proof that, as Davison writes, Dracula is "alive and sucking.""Dracula is a Gothic mandala, a vast design in which multiple reflections of the elements of the genre are configured in elegant sets of symmetries. It is also a sort of lens, bringing focus and compression to diverse Gothic motifs, including not only vampirism but madness, the night, spoiled innocence, disorder in nature, sacrilege, cannibalism, necrophilia, psychic projection, the succubus, the incubus, the ruin, and the tomb. Gathering up and unifying all that came before it, and casting its great shadow over all that came and continues to come after, its influence on twentieth-century Gothic fiction and film is unique and irresistible."-from the Preface by Patrick McGrath