He is also the author of bestsellers "Naked" and "Me Talk Pretty One Day." 1 CD.

    And they are dangerous." In The Truth About Stories, Native novelist and scholar Thomas King explores how stories shape who we are and how we understand and interact with other people. From creation stories to personal experiences, historical anecdotes to social injustices, racist propaganda to works of contemporary Native literature, King probes Native culture's deep ties to storytelling. With wry humor, King deftly weaves events from his own life as a child in California, an academic in Canada, and a Native North American with a wide-ranging discussion of stories told by and about Indians. So many stories have been told about Indians, King comments, that "there is no reason for the Indian to be real. The Indian simply has to exist in our imaginations." That imaginative Indian that North Americans hold dear has been challenged by Native writers - N. Scott Momaday, Leslie Marmon Silko, Louis Owens, Sherman Alexie, and others - who provide alternative narratives of the Native experience that question, create a present, and imagine a future. King reminds the reader, Native and non-Native, that storytelling carries with it social and moral responsibilties. "Don't say in the years to come that you would have lived your life differently if only you had heard this story. You've heard it now."

    She adds two beautifully crafted essays, "Owls," selected for the Best American Essays series, and "Bird," one that will surely take its place among the classics of the genre.

    It is a city with cats sleeping under parked cars, two stone armadillos crawling up St. Patrick's Cathedral, and thousands of ants creeping on top of the Empire State Building. Attention to detail and observation of the unnoticed is the hallmark of Gay Talese's writing, and The Gay Talese Reader brings together the best of his essays and classic profiles. This collection opens with "New York Is a City of Things Unnoticed" and includes "Silent Season of a Hero" (about Joe DiMaggio), "Ali in Havana" and "Looking for Hemingway" as well as several other favorite pieces. It also features a previously unpublished article on the infamous case of Lorena and John Wayne Bobbitt, and concludes with the autobiographical pieces that are among Talese's finest writings. These works give insight into the progression of a writer at the pinnacle of his craft.Whether he is detailing the unseen and sometimes quirky world of New York City or profiling Blue Eyes in "Frank Sinatra Has a Cold" Talese captures his subjects be they famous, infamous, or merely unusual in his own inimitable, elegant fashion. The essays and profiles collected in The Gay Talese Reader are works of art, each carefully crafted to create a portrait of an unforgettable individual, place or moment.

    K. Rowling achieved astounding commercial success with her series of novels about Harry Potter, the boy-wizard who finds out about his magical powers on the morning of his eleventh birthday. The books' incredible popularity, and the subsequent likelihood that they are among this generation's most formative narratives, call for critical exploration and study to interpret the works' inherent tropes and themes. The essays in this collection assume that Rowling's works should not be relegated to the categories of pulp fiction or children's trends, which would deny their certain influence on the intellectual, emotional, and psychosocial development of today's children. The variety of contributions allows for a range of approaches and interpretive methods in exploring the novels, and reveals the deeper meanings and attitudes towards justice, education, race, foreign cultures, socioeconomic class, and gender.Following an introductory discussion of the Harry Potter phenomenon are essays considering the psychological and social-developmental experiences of children as mirrored in Rowling's novels. Next, the works' literary and historical contexts are examined, including the European fairy tale tradition, the British abolitionist movement, and the public-school story genre. A third section focuses on the social values underlying the Potter series and on issues such as morality, the rule of law, and constructions of bravery.

    How does the spectacle of the sufferings of others (via television or newspapers) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001. In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.Features an analysis of our numbed response to images of horror. This title alters our thinking about the uses and meanings of images, and about the nature of war, the limits of sympathy, and the obligations of conscience.

    Convinced that there is "a finite number of excuses" for violence and that some excuses "are more valid than others," Vollmann spent two decades consulting hundreds of sources, scrutinizing the thinking of philosophers, theologians, tyrants, warlords, military strategists, activists and pacifists. He also visited more than a dozen countries and war zones to witness violence firsthand -- sometimes barely escaping with his life.Vollmann makes deft use of these tools and experiences to create his Moral Calculus, a structured decision-making system designed to help the reader decide when violence is justifiable and when it is not.

    The Office constructs propositions and documents for the advancement of a natural history of civic surface. Three books of Robertson's poetry have been published: XEclogue (Tsunami Editions, 1993, reissued by New Star, 1999) Debbie: An Epic (1997, nominated for the Governor General's Award for Poetry) and The Weather (2001) (both co-published by New Star in Canada and Reality Street in the U.K.). Her prose has appeared in Cabinet, Front, Jacket, Mix, Collapse, Nest magazine, and many art catalogs and monographs.

    Materials prepared for presentation to authorities when making an application for citizenship. 2. Documents presented as proof of citizenship.There are those in America today who seem to feel we must audition for our citizenship, with "Patriot" offered as the badge for those found narrowly worthy. Let this book stand as Wendell Berry’s application, for he is one of those faithful, devoted critics envisioned by the Founding Fathers to be the life’s blood and very future of the nation they imagined. Adams, Jefferson and Madison would have found great clarity in his prose and great hope in his vision. And today’s readers will be moved and encouraged by his anger and his refusal to surrender in the face of desperate odds. Books get written for all sorts of reasons, and this book was written out of necessity.Citizenship Papers collects nineteen new essays, from celebrations of exemplary lives to critiques of American life, including "A Citizen’s Response [to the new National Security Strategy]"—a ringing call of caution to a nation standing on the brink of global catastrophe.

    Contributors include bestselling legend David Brin, critically acclaimed novelist Scott Westerfeld, cult-favorite vampire author Chelsea Quinn Yarbro, and award-winner Sarah Zettel. The show and its cast are the topics of such critical pieces as Lawrence Watt-Evans's “Matchmaking in Hellmouth” and Sherrilyn Kenyon's “The Search for Spike's Balls.” An informed introduction for those not well acquainted with the show, and a source of further research for Buffy buffs, this book raises interesting questions concerning a much-loved program and future cult classic.

    To commemorate the anniversary, a breathtakingly diverse and illuminating anthology has been assembled. The greatest writers here write and speak upon the greatest subjects of our time:*Lorrie Moore and Raymond Carver on "Heartbreak"*Vladimir Nabokov on SEX*Kurt Vonnegut and Susan Sontag on "War"*Jonathan Franzen on "Betrayal"*Jeffrey Eugenides and Norman Mailer on "Death"*Philip Roth on "God"Inspiring a dizzying range of thought and emotion, the collection holds a mirror to the world we live in and to the reader's own hopes, dreams, fears, and joy.

    to the precepts of nonviolence during the Montgomery Bus Boycott, thereby launching the birth of the Civil Rights Movement in 1955. Widely acclaimed as a founding father of modern black protest, Rustin reached his pinnacle of notoriety in 1963 as organizer of the March on Washington.Long before the March on Washington and King’s ascendance to international prominence, Rustin put his life on the line to challenge racial segregation. His open homosexuality, however, remained a point of contention among black church leaders, with controversy sometimes embroiling even King himself.Time on Two Crosses showcases the extraordinary career of this black gay civil rights pioneer. Spanning five decades, the book combines classic texts ranging in topic from Gandhi’s impact on African Americans, white supremacists in Congress, the antiwar movement, and the assassination of Malcolm X, with never-before published selections on the call for gay rights, Louis Farrakhan, affirmative action, AIDS, and women’s rights. Also included are twenty-five photos from the Rustin estate.

    In this collection of essays, Brian Doyle celebrates the mystery of life. Advertising

    -Invited to lecture as part of the prestigious Lannan -Foundation series on the first anniversary of the unconscionable attacks of September 11, 2001, Roy challenged those who equate dissent with being "anti-American." Her previous essays on globalization and dissent have led many to see Roy as "India's most impassioned critic of globalization and American influence" (New York Times).War Talk collects new essays by this prolific writer. Her work highlights the global rise of religious and racial violence. From the horrific pogroms against Muslims in Gujarat, India, to U.S. demands for a war on Iraq, Roy confronts the call to militarism. Desperately working against the backdrop of the nuclear recklessness between her homeland and Pakistan, she calls into question the equation of nation and ethnicity. And throughout her essays, Roy interrogates her own roles as "writer" and "activist.""If [Roy] continues to upset the globalization applecart like a Tom Paine pamphleteer, she will either be greatly honored or thrown in jail," wrote Pawl Hawken in Wired Magazine. In fact she was jailed in March 2002, when -India's Supreme Court found Roy in contempt of the court after months of attempting to silence her criticism of the government.Fully annotated versions of all Roy's most recent -essays, including her acclaimed Lannan Foundation -lecture from September 2002, are included in War Talk. Arundhati Roy is the winner of the Lannan Foundation’s Prize for Cultural Freedom, 2002, and will be returning to the U.S. in association with the Lannan Foundation in 2003. Roy’s most recent collection of essays, Power Politics, now in its second edition, sold over 25,000 copies in its first 12 months.

    Ours is such a time, and rising to the challenge, novelist and poet Fanny Howe suggests new and fruitful ways of thinking about both the artist's role and the condition of doubt. In these original meditations on bewilderment, motherhood, imagination, and art-making, Howe takes on conventional systems of belief and argues for another, brave way of proceeding. In the essays "Immanence" and "Work and Love" and those on writers such as Carmelite nun Edith Stein, French mystic Simone Weil, Thomas Hardy, and Ilona Karmel—who were particularly affected by political, philosophical, and existential events in the twentieth century--she directly engages questions of race, gender, religion, faith, language, and political thought and, in doing so, expands the field of the literary essay. A richly evocative memoir, "Seeing Is Believing," situates Howe's own domestic and political life in Boston in the late '60s and early '70s within the broader movement for survival and social justice in the face of that city's racism. Whether discussing Weil, Stein, Meister Eckhart, Saint Teresa, Samuel Beckett, or Lady Wilde, Howe writes with consummate authority and grace, turning bewilderment into a lens and a light for finding our way.

    His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including "Aperture," "Artforum" and "The Nation." In "Between the Eyes: Essays on Photography and Politics," Strauss tackles subjects as diverse as "Photography and Propaganda," the imagery of dreams, Sebastiao Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay "Photography and Belief," and in "The Highest Degree of Illusion," Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media "pandemonium" in its root meaning of "the place of all howling demons," we need a mind and voice like Levi Strauss' to bring clarity to our vision.

    It follows that the belief that there is a significant chance that we will one day become posthumans who run ancestor-simulations is false, unless we are currently living in a simulation. A number of other consequences of this result are also discussed.

    However over the past decade there has been a rising movement to accurately describe Native cultures and histories. In particular, people have begun to explore the experience of urban Indians—individuals who live in two worlds struggling to preserve traditional Native values within the context of an ever-changing modern society. In Genocide of the Mind, the experience and determination of these people is recorded in a revealing and compelling collection of essays that brings the Native American experience into the twenty-first century. Contributors include: Paula Gunn Allen, Simon Ortiz, Sherman Alexie, Leslie Marmon Silko, and Maurice Kenny, as well as emerging writers from different Indian nations.

    Spanning her work from the early 1980s, in which she pioneered a broadly poststructuralist approach to African American literature, and extending through her turn to cultural studies in the 1990s, these essays display her passionate commitment to reading as a fundamentally political act-one pivotal to rewriting the humanist project.Spillers is best known for her race-centered revision of psychoanalytic theory and for her subtle account of the relationships between race and gender. She has also given literary criticism some of its most powerful readings of individual authors, represented here in seminal essays on Ralph Ellison, Gwendolyn Brooks, and William Faulkner. Ultimately, the essays collected in Black, White, and in Color all share Spillers's signature style: heady, eclectic, and astonishingly productive of new ideas. Anyone interested in African American culture and literature will want to read them.

    With shades of wit, insomnia, and terror, The Midnight becomes a kind of dialogue in which the prose and poetry sections seem to be dreaming fitfully of each other.

    Through poetry and essays, writers from the Anglophone, Hispanic, and Francophone Caribbean, including Puertorriquenas and Cubanas, grapple with their hybrid American political identities. Gloria Anzaldua, the founder of Chicana queer theory; Rigoberta Menchu, the first Indigenous person to win a Nobel Peace Prize; and Michelle Cliff, a searing and poignant chronicler of colonialism and racism, among many others, highlight how women can collaborate across class, race, and nationality to lead a new wave of resistance against neoliberalism, patriarchy, state terrorism, and white supremacy.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    . . . This is a book woven through with hope and awe at all the people who slip beyond imperial control and establish real democracy . . . a treasure-trove."—The IndependentIn this collection of essays from 1969 to 2013, many in book form for the first time, Noam Chomsky examines the nature of state power, from the ideologies driving the Cold War to the War on Terror, and reintroduces the moral and legal questions that all too often go unheeded. With unrelenting logic, he holds the arguments of empire up to critical examination and shatters the myths of those who protect the power and privilege of the few against the interests and needs of the many. A new introduction by Marcus Raskin contextualizes Chomsky's place among some of the most influential thinkers of modern history.Noam Chomsky is Institute Professor in the department of linguistics and philosophy at MIT. His work is widely credited with having revolutionized the field of modern linguistics. He is the author of numerous best-selling political works, which have been translated into scores of countries worldwide. His most recent books include the New York Times bestseller Hegemony or Survival, Failed States, Power Systems, Occupy, and Hopes and Prospects.Marcus Raskin, co-founder of the Institute for Policy Studies and professor of public policy at George Washington University, is a social critic, activist, and philosopher.

    Word for word, no one punched with the force of Miss King’s clock-cleaning verbiage! During her National Review tenure, no one but no one better expressed what was on our minds, as Florence derided dunderheads, disemboweled sacred cows, trashed trends, and lampooned the lame-brained. For over a decade her wise words were the proverbial two-by-four that smacked upside the thick and dense heads of busybodies, chin-droolers, feel-gooders, store-greeters, plagiarists, teddy-bear memorializers, whiners, wanna-be victims, crisis-counseling apostles, and many more of society’s more annoying types.Now all that crackling prose, all that slashing, burning, vim, vigor, and verbal vinegar that made Florence King and “The Misanthrope’s Corner” a must-read has been collected — every single enjoyable, nincompoop-poohing word — in STET, Damnit! This handsome hardcover edition contains 524 pages of 200-proof pure-grain Florence, distilling every word from every column (including the typos we let slip through in the originals!) that the Mother of All Curmudgeons wrote for her revered National Review column. Florence’s back-page masterpieces still resound and reverberate — even a dozen years later, no matter how “dated” the topic, Miss King’s magic still dazzles. Her unorthodox and unexpected take on a sweeping array of subjects — politics, fads, court rulings, murderesses, scandals, recounts, you name it — remains crisp, fresh, insightful, intelligent, engaging, and always entertaining. The prose still snaps — and the terrible swift pen still slashes.

    Throughout a century of conflict he remained convinced that wars simply don’t work. In his writings, Stafford showed it is possible—and crucial—to think independently when fanatics act, and to speak for reconciliation when nations take sides. He believed it was a failure of imagination to only see two options: to fight or to run away.This book gathers the evidence of a lifetime’s commitment to nonviolence, including an account of Stafford’s near-hanging at the hands of American patriots. In excerpts from his daily journal from 1951-1991, Stafford uses questions, alternative views of history, lyric invitations, and direct assessments of our political habits to suggest another way than war. Many of these statements are published here for the first time, together with a generous selection of Stafford’s pacifist poems and interviews from elusive sources.Stafford provides an alternative approach to a nation’s military habit, our current administration’s aggressive instincts, and our legacy of armed ventures in Europe, the Pacific, Korea, Vietnam, the Persian Gulf, Afghanistan, and beyond.

    The whole stands as his choice of the pieces he would have us read today if we are curious about what he’s been up to all this time. The result is an exciting and invigorating selection, a testament to one of the prose masters at work today. As the Louisville Courier-Journal noted, "Guy Davenport has few peers. Who can match his broad erudition, his mastery of forms—poetry, short fiction, essay, translation—and his wizardry with language?"

    In addition to readings from well-known authors in the field, this edition includes pieces from contemporary scholars breaking new ground in superordinate studies. Seventeen carefully selected essays explore the multifaceted aspects of privilege: how race, gender, class, and sexual preference interact in the lives of those who are privileged by one or more of these identities. Written from a variety of viewpoints, personal and analytic, the essays in this volume help students understand that “race” can mean white people, “gender” can mean men, and “sexuality” can mean heterosexuals.I. MAKING PRIVILEGE VISIBLE1. McIntosh, Peggy. “White Privilege and Male Privilege.”2. Woods, Jewel.“Black Male Privilege.” *3. Larew, John, “Why are Droves of Unqualified, Unprepared Kids Getting Into our Top Colleges?”4. Dunbar-Ortiz, Roxanne. “On Being Okie.”5. Messner, Michael A. “Becoming 100% Straight” 6. Rochlin, M. “The Heterosexual Questionnaire.” II. UNDERSTANDING PRIVILEGE7. Johnson, Allan. “Privilege Power and Difference and Us,” from Privilege Power and Difference.*8. Brodkin Sacks, Karen. “How Jews Became White”9. Kimmel, Michael S. “Masculinity as Homophobia.” 10. Wise, Tim. “Anti-Racist Reflections From an Angry White Male.” *11. Kendall, Diana. “Class in the United States: Not Only Alive but Reproducing.” *III. EXAMINING INTERSECTIONS12. Redding, Maureen T. “Invisibility/Hypervisibility: The Paradox of Normative Whiteness.” *13. hooks, bell. “Class and Race: The New Black Elite.”14. Bérubé, Allan. “How Gay Stays White and What Kind of White it Stays.”IV. MOVING FORWARD15. Thompson, Becky. “Subverting Racism From Within.”16. Hill Collins, Patricia. “Toward a New Vision.” 17.Ferber, Abby. “Dismantling Privilege and Becoming an Ally.” *

    Spanning nearly 25 years of scholarship, criticism, and journalism, this unprecedented anthology showcases the evolution and continuing influence of one of the most creative and contested elements of global popular culture since its advent in the late 1970s. That's the Joint presents the most important hip-hop scholarship in one comprehensive volume, addressing hip-hop as both a musical and a cultural practice. Think of it as "Hip-Hop 101."

    For each volume, a series editor reads pieces from hundred of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. The Best American Science and Nature Writing 2003, edited by Richard Dawkins, is another "eloquent, accessible, and even illuminating" collection (Publishers Weekly). Here are the best and brightest writers on science and nature, writing on such wide-ranging subjects as astronomy's new stars, archaeology, the Bible, "terminal" ice, and memory faults.Natalie Angier Timothy Ferris Ian Frazier Elizabeth F. Loftus Steven Pinker Oliver Sacks Steven Weinberg Edward O. Wilson

    The Answers Are Inside the Mountains lives up to those deceptively simple ethics, and confirms William Stafford's enduringly important voice for our uncertain age.William Stafford (1914-93) authored more than thirty-five books of poetry and prose, including the highly acclaimed Writing the Australian Crawl, You Must Revise Your Life, Crossing Unmarked Snow: Further Views on the Writer's Vocation, and Traveling Through the Dark, winner of the National Book Award for Poetry.

    But above all, she aims to remind us that we hold the essence of power and the foundation of genuine democracy—the power of the people to counter their self-appointed leaders’ tyranny.First delivered as fiery speeches to sold-out crowds, together these essays are a call to arms against “the apocalyptic apparatus of the American empire.” Focusing on the disastrous US occupation of Iraq, Roy urges us to recognize—and apply—the scope of our power, exhorting US dockworkers to refuse to load materials war-bound, reservists to reject their call-ups, activists to organize boycotts of Halliburton, and citizens of other nations to collectively resist being deputized as janitor-soldiers to clear away the detritus of the US invasion.Roy’s Guide to Empire also offers us sharp theoretical tools for understanding the New American Empire—a dangerous paradigm, Roy argues here, that is entirely distinct from the imperialism of the British or even the New World Order of George Bush, the elder. She examines how resistance movements build power, using examples of nonviolent organizing in South Africa, India, and the United States. Deftly drawing the thread through ostensibly disconnected issues and arenas, Roy pays particular attention to the parallels between globalization in India, the devastation in Iraq, and the deplorable conditions many African Americans, in particular, must still confront.With Roy as our “guide,” we may not be able to relax from the Sisyphean task of stopping the U.S. juggernaut, but at least we are assured that the struggle for global justice is fortified by Roy’s hard-edged brilliance.

    His dictionary, dramas, and poetry established his reputation, but it was the essays that demonstrated the range of his talent. This new edition presents both the forcefully argued moral pieces of Johnson's middle years and the more light-hearted essays of his later work. Tackling ethical questions—such as the importance of self-knowledge, awareness of mortality, the role of the novel, and, in a lighter vein, marriage, sleep, and deceit—these brilliant and thought-provoking essays are a mirror of the time in which they were written and a testament to Johnson's stature as the leading man of letters of his age.

    An essential collection from one of the finest thinkers and stylists in contemporary letters.The celebrated author of The New York Trilogy, The Book of Illusions, and Oracle Night presents here a highly personal collection of essays, prefaces, true stories, autobiographical writings, and collaborations with artists, as well as occasional pieces written for magazines and newspapers, including The Invention of Solitude his "breathtaking memoir." (Financial Times Magazine London)Ranging in subject from Sir Walter Raleigh to Kafka, Nathaniel Hawthorne to the high-wire artist Philippe Petit, conceptual artist Sophie Calle to Auster's own typewriter, the World Trade Center catastrophe to his beloved New York City itself, Collected Prose records the passions and insights of a writer who "will be remembered as one of the great writers of our time" (San Francisco Chronicle).

    Passionate and opinionated, often funny, and using ample material from daily life to underline their ideas and observations, Tatyana Tolstaya’s essays range across a variety of subjects. They move in one unique voice from Soviet women, classical Russian cooking, and the bliss of snow to the effect of Pushkin and freedom on Russia writers; from the death of the czar and the Great Terror to the changes brought by Gorbachev, Yeltsin, and Putin in the last decade. Throughout this engaging volume, the Russian temperament comes into high relief. Whether addressing literature or reporting on politics, Tolstaya’s writing conveys a deep knowledge of her country and countrymen. Pushkin’s Children is a book for anyone interested in the Russian soul.

    Nauman's work is often interpreted in terms of movements and mediums, including performance, postminimalism, process, and conceptual art, thereby emphasizing its apparent eclecticism. But what is often overlooked is that underlying these seemingly disparate artistic tendencies are conceptual continuities, one of which is an investigation of the nature of language.Unlike many of his contemporaries, Nauman has refrained from participating in the critical discourse surrounding his own work. He has given relatively few interviews over the course of his career and has little to do with the art press or critical establishment. Indeed, he granted Janet Kraynak and The MIT Press almost complete autonomy in the preparation of this volume. In contrast to Nauman's reputation for silence, however, from the beginning of his career, the incorporation of language has been a central feature of his art. This collection takes as its starting point the seeming paradox of an artist of so few words who produces an art of so many words.Please Pay Attention Please contains all of Nauman's major interviews from 1965 to 2001, as well as a comprehensive body of his writings, including instructions and proposal texts, dialogues transcribed from audio-video works, and prose texts written specifically for installation sculptures. Where relevant, the texts are accompanied by illustrations of the artworks for which they were composed. In the critical essay that serves as the book's introduction, the editor investigates Nauman's art in relation to the linguistic turn in art practices of the 1960s -- understanding language through the speech act -- and its legacy in contemporary art.

    Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France’s most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois’s work to appear in any language.These thirty-two essays with commentaries strike a balance between Caillois’s political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois’s consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois’s intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Lévi-Strauss.

    Representing a great diversity of habitats, from the Andes in the north down to the tundra and sub-Antarctic rainforest of Tierra del Fuego in the far south, Chile is the breeding ground or temporary abode of 473 known species including 9 found nowhere else in the world. Birds of Chile covers them all, embracing not only the mainland but points offshore such as Easter Island as well as the Antarctic Peninsula and adjacent islands, plus the Falklands and South Georgia. In addition to being a friendly and fruitful birding destination in its own right, Chile is the starting point for many Antarctic cruises.Succinct, identification-focused text and distribution maps share a page opposite each of the 97 color plates to allow quick and easy reference. Between the boldfaced English name and the scientific name comes the Spanish name as used in Chile; this is important, for birders will find their quest far more enjoyable and effectual if they can explain to Chileans exactly what they are looking at, think they are looking at, or hope to be looking at.Since Chile's list of resident species is yet far from conclusive, vagrants and rarities are also included. Indeed, some birds once thought to be accidentals in Chile have since proved to be regulars, including the Westland Petrel, Least Sandpiper, Cliff Swallow, and Golden-billed Saltator. Compact, comprehensive, and easy to use, Birds of Chile is the essential field guide to the birds of this spectacular and tourist-friendly country. The essential new field guide to the birds of Chile 97 color plates with succinct text and maps on facing pages for quick reference and easy identification All 473 known species breeding in or visiting Chile, from the Andes in the north down to the tundra and sub-Antarctic rainforest of Tierra del Fuego in the south Also covers points offshore such as Easter Island as well as the Antarctic Peninsula and adjacent islands, plus the Falklands and South Georgia Compact, portable, and user-friendly

    Organized in six parts (Childhood; Youth; Early Marriage and Bachelorhood; Teaching and Work; Fiction; Politics, Religion, Movies, Books, Cities; The Style of Middle Age) Getting Personal tells two stories: the development of Lopate's career as a writer and the story of his life.

    It contains a complete episode guide, character and behind-the-scenes information and details of Xena fandom.

    After the revolutionary novelist's death in the fall of 2001, one of his closest friends, acclaimed writer Ed McClanahan, decided to carry out Kesey's vision and put together a final issue of Spit as a tribute to Kesey's genius and imperturbable spirit. Featuring contributions from cultural luminaries-including Robert Stone, Paul Krassner, Wendell Berry, Bill Walton, and Grateful Dead lyricists Robert Hunter and John Perry Barlow-as well as "regular folk," and several pieces by Kesey himself, Spit in the Ocean #7 is a loving and fitting homage to the gigantic and unique spirit of the merriest of the Merry Pranksters.

    His essays from Report from a Parisian Paradise evoke a world of suppleness, beauty and promise. So prophetic were Roth's perceptions of a world where the girls became increasingly more lost and innocent that he increasingly resorted to drink to douse his vision of a conflagration that could not be averted. the erotic hill country around Avignon Roth's, and from the socialist workers and cattlemen with whom Roth ate breakfast to prostitutes and Sunday bullfighters, Roth's book is a swan song to a European order that could no longer hold.

    He revisits the meme, the unit of cultural information that he named and wrote about in his groundbreaking work The Selfish Gene. He makes moving tributes to friends and colleagues, including a eulogy for novelist Douglas Adams; he shares correspondence with the evolutionary biologist Stephen Jay Gould; and he visits with the famed paleoanthropologists Richard and Maeve Leakey at their African wildlife preserve. He concludes the essays with a vivid note to his ten-year-old daughter, reminding her to remain curious, to ask questions, and to live the examined life.

    In the tradition of Edmund Wilson, James is a brilliant stylist so perceptive (and funny) that he renders the twisted literary terrain of the twentieth century remarkably accessible. In As of This Writing James has assembled his most ambitious and expansive collection to date, a book that features forty-nine essays on poetry, film, culture, and fiction written between 1967 and 2001. Whether commenting on poets like Auden or Jarrell, novelists like D. H. Lawrence and James Agee (not to mention Judith Krantz), or filmmakers like Fellini or Bogdanovich, James delights his readers with his manic energy and critical aplomb. This volume is a literary education that few recent books can rival.

    He was responsible for bringing the phenomenological methods of the German philosophers - Husserl and Heidegger - to France and instigated a new wave of interest in this approach. His influence extended well beyond the boundaries of philosophy and can be seen in theories of politics, psychology, art and language.This is the first volume to bring together a comprehensive selection of Merleau-Ponty's writing. Sections from the following are included: The Primacy of PerceptionThe Structure of BehaviourThe Phenomenology of PerceptionThe Prose of the WorldThe Visible and the InvisibleSense and Non-SenseThe Adventures of the DialecticIn a substantial critical introduction Thomas Baldwin provides a critical discussion of the main themes of Merleau-Ponty's philosophy, connecting it to subsequent philosophical debates and setting it in the context of the ideas of Bergson, Husserl, Heidegger and Sartre. Each text is also prefaced with an explanation which sets it in its context in Merleau-Ponty's work; and there are extensive suggestions for further reading to enable students to pursue the issues raised by Merleau-Ponty. Thus the book provides the ideal materials for students studying Merleau-Ponty for the first time.

    Generations of readers have been stirred by Emerson's ideal of self-reliance, and his vision of nature as a manifestation of the divine spirit has profoundly influenced American naturalists and environmentalists from Thoreau's time to the present. Poets as diverse as Emily Dickinson, Robert Frost, and Allen Ginsberg were inspired by the transcendental flavor of Emerson's work. This volume brings together selections from Emerson's best-loved writings, particularly drawing upon his early work, which is some of his most poignant. Included are excerpts from Nature, the famous "Divinity School Address," "Self-Reliance," "The Over-Soul," "Compensation," "Spiritual Laws," "The Poet," and "Circles." Several of his most moving poems appear here as well.

    His topics include alder and cedar; jellyfish, geoducks, crabs, and killer whales; mosquitoes and spiders; gulls, crows, and bald eagles; and sea otters, coyotes, raccoons, possums, deer, and cougars.This informative and engaging selection of natural history essays is adapted from articles published in the Seattle Times magazine, Pacific Northwest. A native Washingtonian, Dietrich has watched the Northwest double in population during his lifetime. Our rapidly changing view of nature is an underlying theme throughout his wide-ranging essays, as is the timely and essential question of how best to share and conserve the natural world that drew us to the region in the first place.Not a field guide nor an environmental policy book, Natural Grace is intended as a primer for people who are curious about the environment they live in and the pressures upon it. "We only care about what we know," says the author. "I've concluded that enthusiasm and commitment begin from learning just how marvelous this region is: Passion has to precede purpose." And there is much to marvel over. Dietrich has unearthed fascinating and unexpected facts about his subjects, and he has a gift for expressing complex information in clear and vivid language. He asks intriguing questions and makes good use of interviews with Northwest scientists and experts to convey current and historic attitudes and economic realities, and to consider where we go from here.For more information about the author go to: http: //www.williamdietrich.com/

    His subjects range from the natural history of owls to the delicious mystery of wolves ("Howling Back at the Wolves"); the demise of the red wolf ("Lament the Red Wolves"); our relationship with dogs ("Dogs, and the Tug of Life"); the nature of a bear-stalker ("Bears, Bears, Bears"); and the intricate workings of an old farm's ecosystem. Hoagland's exploration, from the boreal forests of Maine to the brawny Belize River, illuminates both the exotic and the wilds of our own backyards. Hoagland reports from the frontlines of life. He recounts fascinating detail with exacting prose. He's irascible, brilliant, probing, sharp-witted, and brutally honest about himself and the state of the natural world.No one who admires John Muir, Henry David Thoreau, John Burroughs, and Edward Abbey should miss this definitive collection. It will forever change the way you view the natural world.

    Now, with The Passion for Gardening, Druse writes about this inspiration, the underlying spirit that is shared by all gardeners. This is not a simple how-to book, but a why-to. Why do we garden? And how are our lives immeasurably enriched by the process? As the world around us grows more chaotic each day, Druse, in rich and thoughtful prose, reminds us to slow down, put a trowel to the earth, and consider the wonders and healing powers of tending a garden. Gardening, he tell us, is an antidote for today’s hectic pace.In The Passion for Gardening, Druse meditates on the issues close to heart of all gardeners: the notions of giving back and of conservation, of taking risks and the creative process of collaborating with nature and one’s community. Along the way, he introduces us to a variety of extraordinary gardeners and their gardens, revealing how they have cultivated their natural spaces and, in turn, have themselves been transformed in the process. Druse visits ten remarkable gardens, including a Michigan landscaper’s 60-acre natural habitat, a West Coast garden inspired by “the Japanese aesthetic,” and Chanticleer, a delightful public estate on Philadelphia’s Main Line that Druse dubs “a paradise in progress.” Of particular note is a special section on Druse’s own garden, including an unprecedented view of nature’s contribution through the seasons that provides us with a deeper understanding of how gardens truly live.With more than 250 dazzling color photographs, as well as practical advice on replanting shrubs and trees, creating garden paths and sculptures, and controlling pests naturally, The Passion for Gardening is an inspirational and intimate look at gardening for a lifetime.

    It includes over forty specially commissioned essays by an outstanding team of scholars. Each essay is written in an accessible and engaging styleand is followed by annotated suggestions for further reading. Shakespeare: An Oxford Guide is divided into four key parts. Part One offers concise introductions to the literary and historical contexts in which Shakespeare lived and worked. It covers the society, culture, language, theatre, and playwriting conventions of Shakespeare's time and alsodiscusses his contemporary impact. Part Two offers critical overviews of Shakespeare's achievements in the major genres. Each overview is followed by a reading that explores Shakespeare's use of the traditions, scope, and boundaries of that genre in one of his key works. Part Three discusses currentcritical approaches to the study of Shakespeare. Each chapter outlines a specific approach and is followed by a reading applying that approach to one of Shakespeare's works. Part Four offers chapters on Shakespeare's intellectual and cultural impact over the ages.

    Published in small circulation literary and arts journals, they were gathered later into such books as Metaphors on Vision and Film at Wit's End. Beginning in 1989, and for a decade thereafter, Brakhage wrote the essays in Telling Time as an occasional column for Musicworks, a Toronto quarterly. Ostensibly about the relation of film to music, they soon enlarged to explore primary concerns beyond film, including Brakhage's aesthetic theories based on the phenomenology of human cognition. In these essays he is as brilliant discussing Gertrude Stein or romantic love as he is on child psychology, astronomy, and physiology, all the while teasing out vital correspondences between the arts, and upending conventional ideas of how we perceive. His investigations of other artists are models of sympathetic intuition and generosity. Above all, he shares his theories, discoveries and understandings in the spirit of establishing a groundwork for many varieties of human liberation. His prose is filled with flashes of insight, elaborated metaphors, playful elisions, shorthand puns and neologisms, personal digressions, surprising epiphanies, leaps of faith, affronts to authority. He appeals to the imagination, and invites us to a more profound and personal experience of art.

    Understanding disability as a major variety of human experience, he urges us to establish it as a category of social, political, and historical analysis in much the same way that race, gender, and class already have been. The essays here search for the often hidden pattern of systemic prejudice and probe into the institutionalized discrimination that affects the one in five Americans with disabilities. Whether writing about the social critic Randolph Bourne, contemporary political activists, or media representations of people with disabilities, Longmore demonstrates that the search for heroes is a key part of the continuing struggle of disabled people to gain a voice and to shape their destinies. His essays on bioethics and public policy examine the conflict of agendas between disability rights activists and non-disabled policy makers, healthcare professionals, euthanasia advocates, and corporate medical bureaucracies. The title essay, which concludes the book, demonstrates the necessity of activism for any disabled person who wants access to the American dream.

    He wanders apple orchards in Washington State, sand dunes on Massachusetts' lovely Plum Island, forest paths in the rainy Catskills, and he meanders along the banks of the Mississippi River.

    In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field.Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.

    In both the church and the public square, people are turning away from partisan politics and shrill ideologies and looking for social and personal renewal through the imagination—and, more specifically, the imaginative space where religious faith and artistic vision meet. In short, they are seeking ways to reconnect beauty to goodness and truth.One of the forces helping to spearhead this cultural revolution has been Image: A Journal of the Arts & Religion, the premier publication devoted to showcasing original creative work—fiction, poetry, visual art, music and more—by Christian and Jewish artists at work today. Image, which has received accolades from both the professional art world and the religious community, has published not only Nobel and Pulitzer prize winners but also a whole generation of emerging artists.Intruding Upon the Timeless: Meditations on Art, Faith, and Mystery is a collection of Gregory Wolfe's editorial statements that preface each issue of Image. These short, evocative essays constitute a new Christian aesthetic for our time. Each of the meditations is like a polished gem: radiant, gracefully written, beautiful in itself, but also serving as a stimulus to further reflection. They remind us of the way that both faith and imagination reach beyond the limits of reason to intuit the mystery of redemption.

    B. White's essays to become famous. This affectionate tribute recalls the days of $12 tires and 90-cent anti-rattlers. It is rich in humorous descriptions of the eccentricities of the car, the demands it put on its willing drivers, and the accessories that kept owners poring over the Sears Roebuck catalog. In the second essay, "From Sea to Shining Sea," White deftly conjures a classic America - the country that he had discovered as a 22-year-old in a coast-to-coast trip in his Model T.

    Her eloquent essay about this region, reprinted here with a selection of her black-and-white photographs, is a reflection on the development and history of these lands in the old American Southwest in a time before and in the years just after the Louisiana Purchase.Originally published in Harper's Bazaar in 1944, this piece evokes both the elemental terrain and notables who traversed it via the river and the Natchez Trace--Aaron Burr, the flatboatman Mike Fink, the villainous Harpe brothers, and John James Audubon, as well as assorted fire-and-brimstone preachers, bandits, planters, and Native Americans.In Some Notes on River Country, a dreamlike meandering through the landscape in eloquent prose and evocative photographs, Welty's empathetic presence is felt. Taking the reader on an imagined journey, Welty combines the genres of travel narrative, character study, and geographical history to give a grand tour of the region. This brilliant portrait of a place is both elegiac and animated as she shows how much has changed, how much can never be recovered, and how much of the old river country remains in its contemporary incarnation. The essay and photographs explore the Natchez Trace, Grand Gulf, Port Gibson, Vicksburg, Natchez, Rodney's Landing, and other locales, offering insight on their quirky denizens, their significant history, and their entrancing uniqueness.In this setting Welty discovered a presence and a sense of place that stimulated her artistic vision and imbued her work forever after.

    Diaspora is a photographic record of his 25-year search for the Jewish population in 40 countries over five continents. Volume I, 344 pages, is a collection of 262 of Brenner's more than 80,000 photographs, the most extensive and diverse visual record of Jewish life ever created. A four page color insert includes two full-color photographs. Volume II is 164 pages of evocative essays by leading intellectuals on the meaning and significance to each of them of 60 of Brenner's photographs, reproduced here in smaller format. Diaspora is a landmark project that captures the scope and dynamism of one of the world's oldest, most diverse communities, and challenges stereotypes held by Jews and non-Jews alike.

    A good book, wrote John Milton, is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life. In this generous posthumous collection of her literary essays and reviews, Penelope Fitzgerald celebrates the life beyond life of dozens of master-spirits--their afterlife not only in the pages of their works but in the minds of their readers, critics, and biographers. Here are Fitzgerald's brilliant introductions to the classics-Jane Austen's Emma, George Eliot's Middlemarch, the works of Mrs. Oliphant-as well as considerations of recent novels by Barbara Pym, Carol Shields, Roddy Doyle, and Amy Tan. Here too are reviews of several late-twentieth-century literary biographies, including Richard Holmes's Coleridge, A. N. Wilson's C. S. Lewis, and Martin Stannard's Evelyn Waugh-reviews that together form a memorable criticism both of life and the art of life-writing. And here especially are extended explorations of minor figures, the creators of modest,

    World famous in the 1970s for such songs as "We Will Rock You," "We Are The Champions," "Another One Bites The Dust," and "Bohemian Rhapsody," Queen’s music is embedded in our public consciousness, in our sports stadiums, in TV commercials, and Wayne’s World.But it is a source of a deeper obsession for the author, poet and journalist Daniel Nester—in God Save My Queen, a short essay or riff accompanies, in order of album and track, every song recorded by the band, in chronological order, until its flopped "disco" album, 1982’s Hot Space. Part memoir, part prose poetry part rock book, Nester draws connections betwen everyone from Liza Minelli, Leni Riefenstahl, Billie Jean King, Michael Jackson and Freddie Mercury sharing a kiss in 1981, even a rant on Courtney Love’s giggling over Kurt Cobain’s mention of Freddie Mercury in his suicide note. The entries for the songs add up to a love letter to a band, and a time when all that mattered was a record player and a pair of headphones.

    The finalists and winners are chosen from more than a thousand submissions, and the stories in this anthology represent the very best of those outstanding works by some of the most eminent writers in the country. Among them are:"The Most Dangerous Beauty"Michael Paterniti, GQ"A Piece of Cotton"Anne Fadiman, The American Scholar"Lying in Wait"Gary Smith, Sports Illustrated"Horseman, Pass By"John Jeremiah Sullivan, Harper’s"In the Party of God"Jeffrey Goldberg, The New Yorker"Jewish Power, Jewish Peril"Christopher Hitchens, Vanity Fair"The Fifty-first State?"James Fallows, The Atlantic Monthly"Terminal Ice"Ian Frazier, OutsideThe American Society of Magazine Editors is the professional organization for editors of consumer magazines that are edited, published, and sold in the United States. It sponsors the National Magazine Awards in association with the Columbia University Graduate School of Journalism.

    Believers and seekers alike will see Christ's passion, sense His power, and hear His promise. NO WONDER THEY CALL HIM THE SAVIOR In this compelling quest for the Messiah, Lucado invites readers to meet the blue-collar Jew whose claim altered a world and whose promise has never been equaled. THE GIFT FOR ALL PEOPLE This collection of inspirational stories will help Christians treasure the assurance of their salvation and will lead non-Christians to embrace the gift of abundant, eternal life in Jesus Christ.

    The book focuses on those questions that give students the most trouble, namely problem questions, but its techniques are equally applicable to othertypes of essays. Designed for law students of all levels, the text helps students understand their substantive courses while at the same time teaching vital writing and analytical skills.

    Original.

    Louise Cowan, general editor of this collection of eighteen essays on tragedy is the third in a series on literary genre, tragedy, comedy, epic, and lyric, issued by Dallas Institute of Humanities and Culture publications. Dr. Glenn Arbery is editor of this volume on the genre most emphasized by Aristotle and most debated through the centuries by critics and commentators. The essays explore tragedies from the Old Testament and the ancient Greeks to the most contemporary instances of the tragic action in dramatic and narrative forms. Contributors include Louise Cowan, Glenn Arbery, Robert S. Dupree, Bainard Cowan, Daniel Russ, Dennis Slattery, Virginia Arbery, Judith Stewart Shank, Mary Mumbach, James Walter, Paul Connell, Gregory Marks, Larry Allums, and Kathleen Marks. Dallas Institute Publications publishes works concerned with the imaginative, mythic, and symbolic sources of culture.

    Covering everything from toxics to electric power plays, St. Clair gives you a shocking view of how money and power determine the state of our environment.St. Clair names the culprits and exposes the deeds. The book opens with Oregon as a metaphor for the nation. Now becoming "Californicated," Oregon’s mythological beauty is transforming into just that: more myth every day.In Been Brown So Long, It Looked Like Green to Me you’ll meet:Bill Clinton, "saving" Yellowstone National Park from the miners. This turned out to be a thinly disguised a payoff of Noranda who was given leases on other federal lands.Not to be outdone is Chainsaw George. Bush II is out to stop forest fires by stopping forests.But St. Clair also profiles the heroes like David Chain who gave his life fighting for the forest, and founder of Friends of the Earth David Brower railing against the -increasing conformity of the environmental movement.From the struggle over the lobo wolf in New Mexico to the fight to save the Grizzly (in Idaho), from the shooting of wild Bison in Montana to how the Sierra Club provided the cover for a federal program that shoveled federal lands into the hands of private investors, St. Clair gives a well-rounded account of where the environment stands -today—and what to do about it.Praise for Jeffrey St. Clair’s White Out: The CIA, Drugs and the Press:"A history of hypocrisy and political interference the like of which only Frederick Forsyth in a dangerous caffeine frenzy could make up."—The Guardian

    Starting with James Weldon Johnson and Robert Frost, the book offers diverse and often conflicting accounts of the nature and function of poetry. The collection includes rarely anthologized essays by Jack Spicer, Rhina Espaillat, Anne Stevenson, and Ron Silliman, as well as work by some of the finest younger critics in America, including William Logan, Alice Fulton, and Christian Wiman.

    Liebling, Jimmy Breslin, George Plimpton, Wallace Stegner, William Faulkner, and John Steinbeck.

    This volume focuses on the three themes that were closest to his own heart: hope in suffering, a personal relationship with God, and living for others.

    Publishers Weekly has called Michael Thomas Ford a "cranky, bemused, and extremely funny." Lambda Book Report has described Ford as "genially misanthropic," and Southern Voice has named him "our freshest, most fearless satirist." Ford’s series of My Queer Life books (Alec Baldwin Doesn’t Love Me, That’s Mister Faggot to You, It’s Not Mean If It’s True, and The Little Book of Neuroses) have racked up four Lambda Literary Award nominations, with two back-to-back wins, and appeared on bestseller lists from New York to Dallas to Sacramento. Now the best of his writing has been collected along with five new, brilliantly funny essays to create the essential My Queer Life -compendium.Raves for Michael Thomas Ford’s My Queer Life:"Ford is a delightfully inventive wit."—Publishers Weekly"He truly entertains by being meaningfully hilarious."—Booklist"One of the funniest books I’ve read this year."—Kelly Justice, Carrytown Books—Richmond, VA; Book Sense 76 Pick"A fresh voice, unafraid to tackle any subject and tickle, if not outright hit, below the belt."—Rain TaxiMichael Thomas Ford is the author of more than fifty books in a variety of genres, including biographies and young-adult fiction. His books in the My Queer Life series have been national bestsellers and earned him two Lambda Literary Awards. He lives in San Francisco.

    W. H. Auden, James Baldwin, Gore Vidal, John Gardner, Gloria Steinem, Tom Wolfe, and Gay Talese are among the legendary writers offered.

    The Rooster Trapped in the Reptile Room gathers generous portions of all thirteen novels and novellas, as well as first-person essays, generous helpings of poetry, journalism, and a new interview with the author. The broad contours of an episodic output emerge—a full-length view of the freaks and freakish incidents that populate Gifford’s unique human comedy. A world, as Lula, the author’s favorite of all his characters, reflects, "wild at heart and weird on top."The Rooster Trapped in the Reptile Room provides essential reading for anyone after the soul of American writing.

    Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet "culture." In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin.From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and "sold" as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls "a cartography of power" -- an organization of the entire country into "a hierarchy of spheres of relative sacredness," with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central.Examining representations of space in objects as diverse as postage stamps, a hikers' magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

    Ranging from Shakespeare's sonnets to Eliot, Frost, and Simic, Melodies Unheard offers profound insight into poetic form, meter, rhyme, and meaning--into the mysteries of poetry itself. Anthony Hecht's vast knowledge of literature and his gift for mesmerizing argument are both amply present in Melodies Unheard. Whether defending the sestina against accusations of boredom and dolefulness or examining the structure of Shakespeare's sonnets or unraveling some of the complexity of Moby-Dick, these essays are models of civility, candor, and grace. I know of no other poet, certainly none of Anthony Hecht's stature, who sheds as much light on the intricacies and hidden designs of poems and who does it with such style.--Mark Strand Anthony Hecht declares himself 'a poet first and only secondarily a critic, ' but Melodies Unheard proves again that he is a master in both trades. His discourse on such subjects as rhyme, the sestina, and 'the music of forms' is both scholarly and delightful; his articles on individual poets are finely done; and best of al

    Although their relationship lasted only a short time, it won the attention of the literary world with the 1952 publication of Kafka's letters to Milena. Her own letters did not survive. Later biographies showed her as a fascinating personality in her own right. In the Czech Republic, she is remembered as one of the most prominent journalists of the interwar period and as a brave one: in 1939 she was arrested for her work in the resistance after the German occupation of Bohemia and Moravia, and died in Ravensbrück concentration camp in 1944.It is estimated that Jesenská wrote well over 1,000 articles but only a handful have been translated into English. In this book her own writings provide a new perspective on her personality, as well as the changes in Central Europe between the two world wars as these were perceived by a woman of letters. The articles in this volume cover a wide range of topics, including her perceptions of Kafka, her understanding of social and cultural changes during this period, the threat of Nazism, and the plight of the Jews in the 1930s.

    What is particularly impressive about this collection is the thoughtfulness with which it is put together.” —Gary Saul Morson, Northwestern University Vladimir S. Soloviev (1853–1900), moral philosopher, social and literary critic, theologian, and poet, is considered one of Russia’s greatest philosophers. But Soloviev is relatively unknown in the West, despite his close association with Fyodor Dostoevsky, who modeled one of his most famous literary characters, Alyosha Karamazov, on Soloviev. In The Heart of Reality, Vladimir Wozniuk offers a lucid translation, careful annotations, and a substantive introduction that make many of Soloviev’s writings accessible for the first time to an English-speaking audience. Soloviev worked tirelessly in the name of the mystical body of the Universal Church. The vast bulk of his writings can be construed as promoting, in one way or another, the cause of ecumenism. His essays also display the influence of Platonic and German Idealism and strands of Thomistic thinking. Wozniuk demonstrates the consistency of Soloviev’s biblically-based thought on the subjects of aesthetics, love, and ethics, while at the same time clarifying Soloviev’s concept of vseedinstvo (the unity of spiritual and material), especially as applied to literature. Containing many previously untranslated essays, The Heart of Reality situates Soloviev more clearly in the mainstream of Western religious philosophy and Christian thought.

    Cobb, Jr., the foremost process theologian, addresses many questions and misunderstandings about process theology. He writes for everyday people of faith, seeking to put process ideas into plain language with clear implications for faithful living. Through thirty-six questions relating to God, Christ, the church, the Bible, humankind, and ethics and society, Cobb explores the thought and application of process theology to all aspects of a faithful life. How are we to understand God? What does it mean to be a faithful Christian? Do traditional doctrines such as incarnation and atonement really make sense? Must people choose between faith and fact? In answering these and other questions, Cobb opens our minds to new understandings and gives us new ways to relate to our world and the God at work within it.

    It is a book full of stories--about early Indian/Anglo connections, about the ghost town of Opal City, about homestead ranches and the families who struggled to make their lives there. Each chapter offers a new perspective on the interplay of human and natural history in a challenging time and place. Although Ramsey's focus is intensely local, he explores how these local details have larger Western and American meanings, too. In his introduction, Ramsey writes that the title of his book comes from the name of our little country school, and if it catches a sense of the indomitable optimism of the homesteaders who established it for their children, I also want it so suggest my concern ... with changes in the land, and with what can get thrown aside and lost in the name of newness and progress. The stories gathered in New Era capture these changing and changed lives and landscapes. Jarold Ramsey was born in Central Oregon and grew up on his family's ranch there. He left the ranch to attend college, and became an award-winning essayist and poet, as well as a published playwright and a respected authority on traditional American Indian literature. New Era will appeal to a wide range of readers beyond those interested in the Oregon high desert country, especially those who value story-telling and the literature of place.

    . . . Every one of the chapters enacts a debate that should have a living resonance, not just for Jews, although obviously for them, but for everyone with a historical sense and a political conscience.”—Hilary Putnam, Boston Review “A vast and important resource which will be consulted for years to come by all interested in any aspect of Judaism and Jewish history.”—Ira Robinson, Journal of Religion & Culture (praise for the series)

    Throughout the collection, Mathews examines the relationship between form and literature in a lucid, intimate voice, arguing with erudition, grace and humour for the importance of artifice.

    use of nuclear bombs in 1945, his socialism and his passionate opposition to war as a profound advocate of radical humanism. "What I like most about Albert Einstein is that he was a troublemaker."—Fred Jerome, author of The Einstein File -------------- "We were born into an unjust system. We are not prepared to grow old in it."—Bernadette Devlin Rebel Lives books feature writings both by and about individuals who have played significant roles in humanity’s ongoing fight for a better world. The series shows the not-so-well-recognized political views of some well-known figures and introduces some not-so-famous rebels. Strongly representative of race, class and gender, these books are smaller format, inexpensive, accessible and provocative.

    McClatchy Carl Phillips Stanley Plumly Mary Ruefle Adam Zagajewski and many others!

    Lycan, Galen Strawson, Jeffrey Poland, Georges Rey, Frances Egan, Paul Horwich, Peter Ludlow, Paul Pietroski, Alison Gopnik, and Ruth Millikan -- address a variety of conceptual issues raised in Noam Chomsky's work. Distinguished list of critics: William G. Lycan, Galen Strawson, Jeffrey Poland, Georges Rey, Frances Egan, Paul Horwich, Peter Ludlow, Paul Pietroski, Alison Gopnik, and Ruth Millikan. Includes Chomsky's substantial new replies and responses to each essay. The best critical introduction to Chomsky's thought as a whole.

    Joris maps the success and limitations of contemporary avant-garde poetics, from Tristan Tzara to the most contemporary American experimental poetry, an investigation that leads him to envision a "nomadic poetics" as a strategy for new poetic work, for translation and, fundamentally, for an ethics of early 21st century life. Extending concepts and concerns voiced by Gilles Deleuze and F�lix Guattari, A Nomad Poetics is a daring first step in deploying the method of the rhizome, one grounded in Paul Celan's insight that "Reality is not. It has to be searched for and won." With articulate immediacy, Joris's essays announce a metamorphosis of language-based art, much needed if poetry is to be of essential use in shaping the world to come.

    It breaks down this often foreboding and overwhelming goal into achievable steps, presenting models that prepare readers for each stage of the process. Within each step, the authors supply all the tools and detailed instructions necessary for the successful completion of a thesis or dissertation. Along the way, the book offers readers skills and techniques that can help them cope more effectively with the psychological or emotional blocks that often get in the way of accomplishing their goal.

    This son of Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist -- or, as he put it, "the bitter patriotism of loving what one knows." Editor Ted Solotaroff hasselected material from Kazin's three classic memoirs to accompany his critical writings. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that he regarded as his heritage and endeavored to pass on.

    His immigrant Jewish heritage and his bodily history--from the travails of childhood obesity to the sexual triumphs of post-adolescent leanness--form the core of this series of essays, all of which will win the interest and admiration of readers. More-over, this film-flavored confection is so infused with Lazar's fascinating turn of mind and memory, forever digressing and reflecting upon his digressions, without ever losing the thread of his story, that his essays will give the reader the distinctive pleasure of witnessing an extraordinary mental performance.

    Tadiar probes the consequences of dominant Philippine imaginations by examining a broad range of phenomena which characterize the contemporary Philippine nation, including the mass migration overseas of domestic workers, the ‘prostitution economy’, urban restructuring, the popular revolt toppling the Marcos dictatorship, as well as various works of art, poetry, historiography, and film. This will be one of the first books available widely in English that provides a sustained theoretical engagement with the cultural dimensions of contemporary socio-political and economic developments in the Philippines.

    Stand by to blast off! Spa fon! HC, 288pg, FC

    Ranging from Charles Dickens to Oliver Sacks, Anton Chekhov to Raymond Queneau, Fanny Burney to Virginia Woolf, Miguel Torga to Guido Ceronetti, The Body in the Library is an anthology of poems, stories, journal entries, Socratic dialogue, table-talk, clinical vignettes, aphorisms, and excerpts written by doctor-writers themselves.Engaging and provocative, philosophical and instructive, intermittently funny and sometimes appalling, this anthology sets out to stimulate and entertain. With an acerbic introduction and witty contextual preface to each account, it will educate both patients and doctors curious to know more about the historical dimensions of medical practice. Armed with a first-hand experience of liberal medicine and knowledge of several languages, Iain Bamforth has scoured the literatures of Europe to provide a well-rounded and cross-cultural sense of what it means to be a doctor entering the twenty-first century.

    Deep Gossip addresses the willful misreading of Freud's views on homosexuality among American psychoanalysts; reconsiders sexual practice during England's eighteenth century; assesses the contemporary relevance of Thoreau's Walden, particularly to queer politics; and traces the emergence of a queer critique of previous approaches to lesbian and gay history. Abelove uncovers the origins of American studies as a scholarly discipline and evaluates the impact of literature - specifically the same-sex eroticism found in works by such writers as James Baldwin, Elizabeth Bishop, Paul Bowles, and Ned Rorem - on the gay liberation movement of the 1970s. The essays gathered in Deep Gossip confirm Henry Abelove's reputation as one of America's leading thinkers on the cultural politics of sexuality.

    Collected here are some of his most important essays on this influential subject. Dating back from the late 1960's to the present, they chronicle the development of Plantinga's thoughts about some of the most fundamental issues in metaphysics: what is the nature of abstract objects like possible worlds, properties, propositions, and such phenomena? Are there possible but non-actual objects? Can objects that do not exist exemplify properties? Plantinga gives thorough and penetrating answers to all of these questions and many others.This volume contains some of the best work in metaphysics from the past 30 years, and will remain a source of critical contention and keen interest among philosophers of metaphysics and philosophical logic for years to come.

    Meet Arsène Lupin the Gentleman Burglar and Fantômas the Lord of Evil; Captain Nemo and Robur the Conqueror; Alexandre Dumas' Count of Monte-Cristo and Cagliostro; the Phantom of the Opera and Belphegor, the Ghost of the Louvre; Monsieur Lecoq and Rouletabille, the first detectives; the gangs of the Black Coats and the Vampires; Rocambole, Judex, and the Nyctalope, the first super-heroes; Harry Dickson, the American Sherlock Holmes; Doctor Cornelius and Doctor Omega; Fascinax and the Sâr Dubnotal, investigators of the occult; Antinea, Queen of Atlantis and Eugene Sue's Mysteries of Paris! Shadowmen book includes biographies of the authors, reviews of their major works, biographies of the characters, timelines and concordances, bibliographies and filmographies, including television, radio and comics, and an index.

     Brings together important essays that have helped to establish sexuality as one of the most vital areas of study in the humanities and social sciences. Includes an introductory essay by the editors that provides a context for this pivotal scholarship and promotes dialogue across disciplines. Discusses key issues in the field, including sexual politics, cultural construction of sexuality, transnationalism, race, community, sexual citizenship and the nation-state. Functions as a primary text for introductory as well as advanced courses, as a general introduction to the field, and as a scholarly resource.

    He describes the dour Sundays of Calvinist Pittsburgh, punctuated by his parents' weekly battles. We have glimpses of him as a wilderness camp counselor, and later, having been declared 4-F, as a postwar draftee (a stint that includes jail). In the 1950s he savors the romance of Paris. Stern also tells of being shot in Newark—the bullet is still in his neck to prove it. Other scenes include being mistaken for Allen Ginsberg and encounters with Andy Warhol. And in the ineffably tender "The Ring," Stern recalls his mother's second engagement ring, "when they were a bit richer, if a bit broader and a bit more weary."As in his poetry, Stern discovers his subject as he goes along, relishing that discovery and expanding on it. There is no other voice like Gerald Stern's, funny and reflective and opinionated—and forgiving.

    Levin’s tenth anniversary as president of Yale University, reflects both the range of his intellectual passions and the depth of his insight into the work of the university. By turns analytical, reflective, and exhortatory, Levin explores what it means to be a world-class university, how the university intersects with local and global communities, and why a liberal education matters. He offers personal recollections of schools, teachers, and traditions of particular importance in his own life. And, returning to his roots as a professor of economics, he discusses the competitiveness of American industry and the relations between the market economy and American democracy. Throughout these writings Levin illuminates and inspires. Always his affection for the university shines through. Whether greeting incoming freshmen, meditating on September 11, remembering an intellectual hero, saluting graduating seniors, addressing the League of Women Voters, or celebrating Yale’s Tercentennial, Levin, by example, shows what a liberal education can achieve.

    Book by Sterne, Martha, Taylor, Barbara Brown

    By the 19th century, they were perceived as dusty and dried up, dead from the waist down, as Browning so wickedly put it. In this study, a literary critic explores the various ways we have thought about scholars and scholarship through the ages. classical scholar Isaac Casaubon who lived from 1559 to 1614; Mark Pattison, 19th-century rector at Oxford; and Mr Casaubon in George Eliot's Middlemarch. The three are intricately related, for Pattison was seen by many as the model for Eliot's Mr Casaubon and he was also the author of the best book on Isaac Casaubon. Nuttall offers a penetrating interpretation of Middlemarch and then describes how Pattison recorded his own introverted intellectual life and self-lacerating depression. He presents Isaac Casaubon, on the other hand, as a fulfilled scholar who personifies the ideal of detailed, unspectacular truth-telling, often imperilled in our own culture. Nuttall concludes with a meditation on morality, sexuality and the true virtues of scholarship.

    

    Set in the 30th Century, the Legion was originally conceived as a spin-off of Superman, featuring his adventures with the team while he was still Superboy.

    And indeed something of that spirit—a curious, open engagement with the now, in its slippery and uncertain character—animates this book." —Mark Doty, from his IntroductionIn a shifting world, concepts of place and home take many forms. Mark Doty gathers an impressive group of writers to describe their contemporary sense of home. Victoria Redel lives her teenage years from inside a fifteen-pound body cast—loving and hating the loss of her body; Barbara Hurd finds that within a cave, the absence of all light allows for clarity of vision; and Andrea Barrett wipes filth from a sill in her Brooklyn apartment only to realize that the dirt is actually “ash of buildings, ash of planes. Ash of people.” Surroundings—walls, trees, or states of mind—are defined by our reactions to them. These essays are about how the mind can create a home—for a moment, or for a lifetime.Contributors include Bernard Cooper, Carol Muske-Dukes, Deborah Lott, Elizabeth McCracken, Mary Morris, and Terry Tempest Williams.