Focusing on two romances - Jessica's dizzying infatuation with a hugely successful young heroin dealer, Boy George, and Coco's first love with Jessica's little brother, Cesar - Random Family is the story of young people trying to outrun their destinies. Jessica and Boy George ride the wild adventure between riches and ruin, while Coco and Cesar stick closer to the street, all four caught in a precarious dance between survival and death. Friends get murdered; the DEA and FBI investigate Boy George; Cesar becomes a fugitive; Jessica and Coco endure homelessness, betrayal, the heartbreaking separation of prison, and, throughout it all, the insidious damage of poverty.Charting the tumultuous cycle of the generations - as girls become mothers, boys become criminals, and hope struggles against deprivation - LeBlanc slips behind the cold statistics and sensationalism and comes back with a riveting, haunting, and true story.

    It is a city with cats sleeping under parked cars, two stone armadillos crawling up St. Patrick's Cathedral, and thousands of ants creeping on top of the Empire State Building. Attention to detail and observation of the unnoticed is the hallmark of Gay Talese's writing, and The Gay Talese Reader brings together the best of his essays and classic profiles. This collection opens with "New York Is a City of Things Unnoticed" and includes "Silent Season of a Hero" (about Joe DiMaggio), "Ali in Havana" and "Looking for Hemingway" as well as several other favorite pieces. It also features a previously unpublished article on the infamous case of Lorena and John Wayne Bobbitt, and concludes with the autobiographical pieces that are among Talese's finest writings. These works give insight into the progression of a writer at the pinnacle of his craft.Whether he is detailing the unseen and sometimes quirky world of New York City or profiling Blue Eyes in "Frank Sinatra Has a Cold" Talese captures his subjects be they famous, infamous, or merely unusual in his own inimitable, elegant fashion. The essays and profiles collected in The Gay Talese Reader are works of art, each carefully crafted to create a portrait of an unforgettable individual, place or moment.

    Why he was in Karachi; how he saw his role as an international journalist: why he was singled out for kidnapping; and where the incredible search effort led - are the subject of Mariane Pearl's book. A journalist in her own right, Mariane is, as was her husband, profoundly committed to the idea that a more informed public makes for a better world, and to the idea that risks are taken to uncover a story. A superb writer, she presents a truly illuminating tale - including her own crucial role in the investigative team, where she was responsible for negotiating unprecedented cooperation between the FBI and Pakistani intelligence and able to forge alliances with an array of people, from the Karachi chief of police to George Bush. A Mighty Heart is an extraordinary book - a fitting tribute to a dedicated reporter and a profound and heartbreaking love story.

    Curtis argues that Britain is an 'outlaw state', often a violator of international law and ally of many repressive regimes. He reasons not only that Britain's foreign policies are generally unethical but that they are also making the world more dangerous and unequal. The Web of Deceit describes the staggering gulf that has arisen between New Labour's professed commitment to upholding ethical values and the reality of current policies. It outlines the new phase in global intervention, the immorality of British policy in Afghanistan, Kosovo, Iraq and Indonesia and support for repressive governments in Israel, Russia, Turkey and Saudi Arabia. Curtis also reveals Britain's acquiescence in the Rwanda genocide and economic policies in the World Trade Organisation that are increasing poverty and inequality around the world. Drawing on formerly secret government files, the book also shows British complicity in the slaughter of a million people in Indonesia in 1965; the depopulation of the island of Diego Garcia; the overthrow of governments in Iran and British Guiana; repressive colonial policies in Kenya, Malaya and Oman; and much more.

    Now she turns her steely gaze on the multiple threats to Russian stability, among them President Putin himself.Putin's Russia depicts a far-reaching state of decay. Politkovskaya describes an army in which soldiers die from malnutrition, parents must pay bribes to recover their dead sons' bodies, and conscripts are even hired out as slaves. She exposes rampant corruption in business, government, and the judiciary, where everything from store permits to bus routes to court appointments is for sale. And she offers a scathing condemnation of the ongoing war in Chechnya, where kidnappings, extrajudicial killings, rape, and torture are begetting terrorism rather than fighting it.Sounding an urgent alarm, Putin's Russia is both a gripping portrayal of a country in crisis and the testament of a great and intrepid reporter.

    There the doctors faced the most intense professional, ethical, and personal predicaments of their lives.Drawing on extensive interviews, documents, and recorded materials she collected over four and a half years, doctor and journalist Sheri Fink tells the harrowing--and ultimately enlightening--story of these physicians and the three who try to help them: an idealistic internist from Doctors without Borders, who hopes that interposition of international aid workers will help prevent a massacre; an aspiring Bosnian surgeon willing to walk through minefields to reach the civilian wounded; and a Serb doctor on the opposite side of the front line with the army that is intent on destroying his former colleagues.With limited resources and a makeshift hospital overflowing with patients, how can these doctors decide who to save and who to let die? Will their duty to treat patients come into conflict with their own struggle to survive? And are there times when medical and humanitarian aid ironically prolong war and human suffering rather than helping to relieve it?

    She is renowned for direct, down-to-earth, insightful reportage, and for her independent take on what she sees. One of only sixteen un-embedded American journalists who stayed in Baghdad's now-legendary Palestine Hotel throughout the American invasion of Iraq, she was at the very center of the storm. Naked in Baghdad gives us the sights, sounds, and smells of our latest war with unparalleled vividness and immediacy.Garrels's narrative starts with several trips she made to Baghdad before the war, beginning in October 2002. At its heart is her evolving relationship with her Iraqi driver/minder, Amer, who becomes her friend and confidant, often serving as her eyes and ears among the populace and taking her where no other reporter was able to penetrate. Amer's own strong reactions and personal dilemma provide a trenchant counterpoint to daily events. The story is also punctuated by e-mail bulletins sent by Garrels's husband, Vint Lawrence, to their friends around the world, giving a private view of the rough-and-tumble, often dangerous life of a foreign correspondent, along with some much-needed comic relief.The result is enthralling, deeply personal, utterly authentic--an on-the-ground picture of the war in Iraq that no one else could have written. As Chicago Sun-Times critic Lloyd Sachs wrote about Garrels's work in Baghdad, a few choice words, honestly delivered, are worth more than a thousand pictures . . . In your mind's eye, they carry lasting truth.

    The preeminent-and often the only-female correspondent on the scene, she broke new ground for women in the male preserve of journalism. Her wartime dispatches, marked by a passionate desire to expose suffering in its many guises and an inimitable immediacy, rank among the best of the twentieth century. A deep-seated love of travel complemented this interest in world affairs. From her birth in St. Louis in 1908 to her death in London in 1998, Gellhorn passed through Africa, Cuba, China, and most of the great cities of Europe, recording her experiences in first-rate travel writing and fiction. A tall, glamorous blonde, she made friends easily-among the boldface names that populated her life were Eleanor Roosevelt, Leonard Bernstein, and H. G. Wells-but she was as incapable of settling into comfortable long-term relationships as she was of sitting still, and happiness often eluded her despite her professional success. Both of her marriages ended badly-the first, to Ernest Hemingway, publicly so. Drawn from extensive interviews and with exclusive access to Gellhorn's papers and correspondence, this seminal biography spans half the globe and almost an entire century to offer an exhilarating, intimate portrait of one of the defining women of our times.

    “A sweeping, poetic homage to Africa, a continent made vivid by Hartley’s capable, stunning prose” (Publishers Weekly). In his final days, Aidan Hartley’s father said to him, “We should have never come here.” Those words spoke of a colonial legacy that stretched back through four generations of one British family. From a great-great-grandfather who defended British settlements in nineteenth-century New Zealand, to his father, a colonial officer sent to Africa in the 1920s and who later returned to raise a family there—these were intrepid men who traveled to exotic lands to conquer, build, and bear witness. And there was Aidan, who became a journalist covering Africa in the 1990s, a decade marked by terror and genocide. After encountering the violence in Somalia, Uganda, and Rwanda, Aidan retreated to his family’s house in Kenya where he discovered the Zanzibar chest his father left him. Intricately hand-carved, the chest contained the diaries of his father’s best friend, Peter Davey, an Englishman who had died under obscure circumstances five decades before. With the papers as his guide, Hartley embarked on a journey not only to unlock the secrets of Davey’s life, but his own. “The finest account of a war correspondent’s psychic wracking since Michael Herr’s Dispatches.” —Rian Malan, author of My Traitor’s Heart

    Philip Randolph's defiant call in 1941 for African Americans to march on Washington to Alice Walker in 1973, "Reporting Civil Rights" presents firsthand accounts of the revolutionary events that overthrew segregation in the United States. This two-volume anthology brings together for the first time nearly 200 newspaper and magazine reports and book excerpts, and features 151 writers, including James Baldwin, Robert Penn Warren, David Halberstam, Lillian Smith, Gordon Parks, Murray Kempton, Ted Poston, Claude Sitton, and Anne Moody. A newly researched chronology of the movement, a 32-page insert of rare journalist photographs, and original biographical profiles are included in each volume Roi Ottley and Sterling Brown record African American anger during World War II; Carl Rowan examines school segregation; Dan Wakefield and William Bradford Huie describe Emmett Till's savage murder; and Ted Poston provides a fascinating early portrait of Martin Luther King, Jr. In the early 1960s, John Steinbeck witnesses the intense hatred of anti-integration protesters in New Orleans; Charlayne Hunter recounts the hostility she faced at the University of Georgia; Raymond Coffey records the determination of jailed children in Birmingham; Russell Baker and Michael Thelwell cover the March on Washington; John Hersey and Alice Lake witness fear and bravery in Mississippi, while James Baldwin and Norman Podhoretz explore northern race relations. Singly or together, "Reporting Civil Rights" captures firsthand the impassioned struggle for freedom and equality that transformed America.

    From the start, the drug's manufacturer aggressively marketed its patented time-release formula as a breakthrough in the effort to reduce prescription drug abuse. It wasn't long, however, before thrill-seeking teenagers shattered that illusion of safety; by simply crushing an "Oxy," they were able to tap into a high so seductive it would come to dominate their lives. Some patients, seeking relief from pain, also found themselves drawn to the drug's dark side. Pain Killer takes readers on a journey of discovery that begins with the true story of Lindsay, a high-school cheerleader in Virginia who gets hooked on Oxys, and expands outward to explore the critical issues of legitimate pain management, prescription drug abuse, and how the misuse of science by the drug industry threatens the public good. With the fast-rising abuse of prescription drugs by young people ringing alarm bells within government, the how and why behind the OxyContin disaster is a gripping read not only for parents, but also for medical professionals, community leaders, business executives, and all those concerned with this crisis. The dangers described in Pain Killer also reverberate far beyond the threat from a single drug at a particular moment in time. The focus of our government's war on drugs has clearly misled many of us into thinking that only illegal drugs smuggled from beyond our borders can be abused. As Meier tells the dramatic story, some of the most deadly substances are produced and sold legally right here at home.THE EXTRAORDINARY AND TRUE STORY OF OXYCONTIN EQUAL PARTS crime thriller, medical detective story, and business exposé, Pain Killer takes a hard-hitting look at how a powerful drug touted as the salvation for millions triggered a national tragedy. At its inception, the legal narcotic OxyContin was seen as a pharmaceutical dream, a "wonder" drug that would herald a sea change in medical care while reaping vast profits for its maker. It did do that; but it also unleashed a public health crisis that cut a swath of despair and crime through unsuspecting small towns, suburbs, and cities across the country. As reports of OxyContin overdoses made front-page and network news, doctors, narcotics agents, regulators, industry executives, and lawmakers raced in, scrambling to slow the damage. Behind it all stood one of America's wealthiest families, and a drug company whose relentless promotion helped fuel the problem Written by award-winning journalist Barry Meier, whose special report in the New York Times triggered national interest in OxyContin, Pain Killer chronicles the rise of the multibillion dollar pain management industry and lays bare its excesses and abuses.

    With unflinching sensitivity, Madness Visible follows the arc of the wars in the Balkans through the experience of those caught up in them: soldiers numbed by the atrocities they commit, women driven to despair by their life in paramilitary rape camps, civilians (di Giovanni among them) caught in bombing raids of uncertain origin, babies murdered in hate-induced rage.Di Giovanni’s searing memoir examines the turmoil of the Balkans in acute detail, and uncovers the motives of the leaders who created hell on earth; it raises challenging questions about ethnic conflict and the responsibilities of foreign governments in times of mass murder. Perceptive and compelling, this unique work of reportage from the physical and psychological front lines makes the madness of war wholly visible.

    the material released should dispel any notions of 'lone nuts' or coincidence... These articles cut a clear path through the thick jungle of disinformation that has grown around these events and expose the truly hideous teratomas that thrive and bloom under the canopy of 'national security.'"—New York Press

    In this revealing account, he characterizes it is a broad movement with profound roots in the politics, societies and history of the Islamic world. Using hundreds of interviews and thousands of documents, Burke shows how "Al-Qaeda" is a convenient label applied misleadingly to a diverse, disorganized global movement dedicated to fighting a "cosmic battle" with the West. This is the definitive account of the mysterious organization, retelling its story from scratch and challenging many myths that threaten the very foundations of the "War on Terror."

    Philip Randolph's defiant call in 1941 for African Americans to march on Washington to Alice Walker in 1973, "Reporting Civil Rights" presents firsthand accounts of the revolutionary events that overthrew segregation in the United States. This two-volume anthology brings together for the first time nearly 200 newspaper and magazine reports and book excerpts, and features 151 writers, including James Baldwin, Robert Penn Warren, David Halberstam, Lillian Smith, Gordon Parks, Murray Kempton, Ted Poston, Claude Sitton, and Anne Moody. A newly researched chronology of the movement, a 32-page insert of rare journalist photographs, and original biographical profiles are included in each volume Vivid reports by Robert Richardson and Bob Clark capture the nightmarish Watts and Detroit riots, while Paul Good records the growing schism in 1966 between King's nonviolence and Stokely Carmichael's "Black Power" advocacy. Joan Didion and Gilbert Moore cover the Black Panthers; Garry Wills and Pat Watters chronicle the traumatic aftermath of King's assassination and the failure of the 1968 Poor People's Campaign; Willie Morris and Marshall Frady assess the early 1970s South; Tom Wolfe caustically explores new forms of racial confrontation; and Richard Margolis depicts post-integration consciousness among African American college students. Singly or together, "Reporting Civil Rights" captures firsthand the impassioned struggle for freedom and equality that transformed America.

    'You can't really argue with much that John Simpson says-there is no foreign correspondent left on TV who has a fraction of his recognition and his credibility, a fact which may be unfair on the others, but happens to be true.' That was Simon Hoggart reviewing Simpson's devastating Panorama profile of Saddam Hussein, broadcast in early November 2002. This riveting, important and timely new book is the summation of more than twenty years covering Saddam Hussein's Iraq. The War Against Saddam offers, in five acts, the full story of his rise to power and the West's relationship with Saddam throughout his dictatorship. The fifth act will draw on Simpson's first-hand experience of the 2003 war in Iraq, in what will be a major work of serious reportage and essential reading for us all.

    It was McLuhan who made the distinction between hot and cool media. And it was he who coined the phrases the medium is the message and the global village and popularized other memorable terms including feedback and iconic.McLuhan was far more than a pithy phrasemaker, however. He foresaw the development of personal computers at a time when computers were huge, unwieldy machines available only to institutions. He anticipated the wide-ranging effects of the Internet. And he understood, better than any of his contemporaries, the transformations that would be wrought by digital technology--in particular, the globalization of communications and the instantaneous-simultaneous nature of the new, electric world. In many ways, we're still catching up to him--forty years after the publication of Understanding Media.In Understanding Me, Stephanie McLuhan and David Staines have brought together nineteen previously unpublished lectures and interviews either by or with Marshall McLuhan. They have in common the informality and accessibility of the spoken word. In every case, the text has been transcribed from the original audio, film, or videotape of McLuhan's actual appearances. This is not what McLuhan wrote but what he said--the spoken words of a surprisingly accessible public man. He comes across as outrageous, funny, perplexing, stimulating, and provocative. McLuhan will never seem quite the same again.The foreword by Tom Wolfe provides a twenty-first century perspective on McLuhan's life and work, and co-editor David Staines's insightful afterword offers a personal account of McLuhan as teacher and friend.Lectures and InterviewsElectronic Revolution: Revolutionary Effects of New Media (1959) -Popular/Mass Culture: American Perspectives (1960) - Technology, the Media, and Culture - The Communications Revolution - Cybernetics and Human Culture (1964) - The Future of Man in the Electric Age (1965) - The Medium Is the Massage (1966) - Predicting Communication via the Internet (1966) - The Marfleet Lectures (1967) - Canada, the Borderline Case - Towards an Inclusive Consciousness - Fordham University: First Lecture (1967) - Open-Mind Surgery (1967) - TV News as a New Mythic Form (1970) - The Future of the Book (1972) - The End of the Work Ethic (1972) - Art as Survival in the Electric Age (1973) - Living at the Speed of Light (1974) - What TV Does Best (1976) - TV as a Debating Medium (1976) - Violence as a Quest for Identity (1977) - Man and Media (1979)

    This book tells the strange story of their discovery, and the medical controversies that swirl around them.

    His subjects range from the natural history of owls to the delicious mystery of wolves ("Howling Back at the Wolves"); the demise of the red wolf ("Lament the Red Wolves"); our relationship with dogs ("Dogs, and the Tug of Life"); the nature of a bear-stalker ("Bears, Bears, Bears"); and the intricate workings of an old farm's ecosystem. Hoagland's exploration, from the boreal forests of Maine to the brawny Belize River, illuminates both the exotic and the wilds of our own backyards. Hoagland reports from the frontlines of life. He recounts fascinating detail with exacting prose. He's irascible, brilliant, probing, sharp-witted, and brutally honest about himself and the state of the natural world.No one who admires John Muir, Henry David Thoreau, John Burroughs, and Edward Abbey should miss this definitive collection. It will forever change the way you view the natural world.

    Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.Included in this volume are Maximillian Potter’s “The Body Farm” from GQ, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk’s “My Undertaker, My Pimp,” from Harper’s, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth’s “The Day Treva Throneberry Disappeared” from Texas Monthly, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright’s “The Counterterrorist” from The New Yorker, the story of John O’Neill, the FBI agent who tracked Osama bin Laden for a decade—until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, Best American Crime Writing has established itself as a much-anticipated annual.

    Avoiding land mines and bullets, he spent months travelling through Iraq and Iran negotiating a way into Afghanistan. Joining forces with the war-weary Mujahedeen, he found unexpected allies and unforgettable friends.

    Gold reserves that exceed those of industrialized nations. Real estate holdings that equal the total area of many countries. Opulent palaces containing the world's greatest art treasures. These are some of the riches of the Roman Catholic Church. Yet in 1929 the Vatican was destitute. Pope Pius XI, living in a damaged, leaky, pigeon-infested Lateran Palace, could hear rats scurrying through the walls, and he worried about how he would pay for even basic repairs to unclog the overburdened sewer lines and update the antiquated heating system. How did the Church manage in less than seventy-five years such an incredible reversal of fortune? The story here told by Church historian Paul Williams is intriguing, shocking, and outrageous.The turnaround began on February 11, 1929, with the signing of the Lateran Treaty between the Vatican and fascist leader Benito Mussolini. Through this deal Mussolini gained the support of the staunchly Catholic Italian populace, who at the time followed the lead of the Church. In return, the Church received, among other benefits, a payment of $90 million, sovereign status for the Vatican, tax-free property rights, and guaranteed salaries for all priests throughout the country from the Italian government. With the stroke of a pen the pope had solved the Vatican's budgetary woes practically overnight, yet he also put a great religious institution in league with some of the darkest forces of the 20th century.Based on his years of experience as a consultant for the FBI, Williams produces explosive and never-before published evidence of the Church's morally questionable financial dealings with sinister organizations over seven decades through today. He examines the means by which the Vatican accrued enormous wealth during the Great Depression by investing in Mussolini's government, the connection between Nazi gold and the Vatican Bank, the vast range of Church holdings in the postwar boom period, Paul VI's appointment of Mafia chieftain Michele Sindona as the Vatican banker, a billion-dollar counterfeit stock fraud uncovered by Interpol and the FBI, the "Ambrosiano Affair" called "the greatest financial scandal of the 20th Century" by the New York Times, the mysterious death of John Paul I, profits from an international drug ring operating out of Gdansk, Poland, and revelations about current dealings.For both Catholics and non-Catholics this troubling exposé of corruption in one of the most revered religious institutions in the world will serve as an urgent call for reform.

    The finalists and winners are chosen from more than a thousand submissions, and the stories in this anthology represent the very best of those outstanding works by some of the most eminent writers in the country. Among them are:"The Most Dangerous Beauty"Michael Paterniti, GQ"A Piece of Cotton"Anne Fadiman, The American Scholar"Lying in Wait"Gary Smith, Sports Illustrated"Horseman, Pass By"John Jeremiah Sullivan, Harper’s"In the Party of God"Jeffrey Goldberg, The New Yorker"Jewish Power, Jewish Peril"Christopher Hitchens, Vanity Fair"The Fifty-first State?"James Fallows, The Atlantic Monthly"Terminal Ice"Ian Frazier, OutsideThe American Society of Magazine Editors is the professional organization for editors of consumer magazines that are edited, published, and sold in the United States. It sponsors the National Magazine Awards in association with the Columbia University Graduate School of Journalism.

    Read this book and I suspect you will be too."—from the foreword by Robert Kanigel, author of The Man Who Knew InfinityFrom the latest breakthroughs in medical research and information technologies to new discoveries about the diversity of life on earth, science is becoming both more specialized and more relevant. Consequently, the need for writers who can clarify these breakthroughs and discoveries for the general public has become acute.In Ideas into Words, Elise Hancock, a professional writer and editor with thirty years of experience, provides both novice and seasoned science writers with the practical advice and canny insights they need to take their craft to the next level. Rich with real-life examples and anecdotes, this book covers the essentials of science writing: finding story ideas, learning the science, opening and shaping a piece, polishing drafts, overcoming blocks, and conducting interviews with scientists and other experts who may not be accustomed to making their ideas understandable to lay readers.Hancock's wisdom will prove useful to anyone pursuing nonfiction writing as a career. She devotes an entire chapter to habits and attitudes that writers should cultivate, another to structure, and a third to the art of revision. Some of her advice is surprising (she cautions against slavish use of transitions, for example); all of it is hard-earned, astute, and wittily conveyed. This concise guide is essential reading for every writer attempting to explain the world of science to the rest of us.

    An exceptional photographic history of the changing face of war and combat photo journalism through the last 150 years fully illustrated with over 200 photographs

    Internationally acclaimed photographer Sebastiao Salgado offers an inspiring and poignant chronicle of the global initiative to eradicate polio

    W. H. Auden, James Baldwin, Gore Vidal, John Gardner, Gloria Steinem, Tom Wolfe, and Gay Talese are among the legendary writers offered.

    And no one told that story with more impact than Edward R. Murrow and the remarkable band of reporters he assembled.World War II on the Air recounts the dramatic stories behind these extraordinary correspondents. And it lets you hear their actual broadcasts, culled from the archives and collected here-many for the first time-on audio CD, narrated by Dan Rather.When war broke out, there was no TV, no satellites, no Internet to spread the news. There was radio. Murrow and his fellow CBS radio correspondents reported directly to listeners as news unfolded. They invented a new kind of reporting while bringing the events of the war into America’s living rooms from capitals and battlefields all over the world. Hear the history of the war through more than 50 broadcasts, including reports from:--a rooftop looking out over London as German bombers buzzed the skies, to…--a clearing in a forest where Hitler was laying down the terms of France’s surrender…--a Normandy beach on D-Day…--soldiers parachuting from a C-47 into Holland…--a street battle in a crumbling German city before the Battle of the Bulge…Experience World War II as it happened-with the reporters who lived it and the broadcasts that defined the war for a nation.

    Although their relationship lasted only a short time, it won the attention of the literary world with the 1952 publication of Kafka's letters to Milena. Her own letters did not survive. Later biographies showed her as a fascinating personality in her own right. In the Czech Republic, she is remembered as one of the most prominent journalists of the interwar period and as a brave one: in 1939 she was arrested for her work in the resistance after the German occupation of Bohemia and Moravia, and died in Ravensbrück concentration camp in 1944.It is estimated that Jesenská wrote well over 1,000 articles but only a handful have been translated into English. In this book her own writings provide a new perspective on her personality, as well as the changes in Central Europe between the two world wars as these were perceived by a woman of letters. The articles in this volume cover a wide range of topics, including her perceptions of Kafka, her understanding of social and cultural changes during this period, the threat of Nazism, and the plight of the Jews in the 1930s.

    What they share is that, for them, the fact that they are white is more than an incidental, insignificant, or peripheral aspect of their being; it is central to how they view themselves and conduct their lives. The men and women you will meet in this book aren't public figures or leaders of organizations. They are everyday people: a postal worker from Philadelphia, a college student from Texas, an attorney from New York City, a bookstore owner from Washington State, an appliance repair man from Connecticut, a teacher from Chicago, and so on. We have a very negative image of racially conscious and committed whites gained largely from the media: neo-Nazi bigots, menacing skin heads, thugs who commit hate crimes. We are informed about people of this sort, but we don't hear from them. They aren't on television news shows speaking for themselves. They don't make movies or publish books. Politicians don't articulate their perspective or advocate their positions. Journalists and intellectuals don't write about them unless it is to be little them. Schools make no attempt to deal with them objectively. In this book, you'll hear from them. The words in this book are the speakers' as they spoke them; they haven't been altered, softened, or censored. And more than come to know their thoughts on race, you'll meet these people as human beings. Some of them you won't soon forget. Democracy depends on the free exchange of ideas. You make the call whether what these Americans have to say is to any extent valid. You decide whether what they say has any implications for what you believe and the way you believe.

    Oliver Sacks, "the poet laureate of medicine" New York Times writes that "the best science writing . . . cannot be completely 'objective' -- how can it be when science itself is so human an activity? -- but it is never self-indulgently subjective either. It is, at best, a wonderful fusion, as factual as a news report, as imaginative as a novel." Following this definition of "good" science writing, Dr. Sacks has selected the twenty-five extraordinary pieces in the latest installment of this acclaimed annual.This year, Peter Canby travels into the heart of remote Africa to track a remarkable population of elephants; with candor and tenderness, Floyd Skloot observes the toll Alzheimer's disease is taking on his ninety-one-year-old mother, and is fascinated by the memories she retains. Gunjan Sinha explores the mating behavior of the common prairie vole and what it reveals about the human pattern of monogamy. Michael Klesius attempts to solve what Darwin called "an abominable mystery": How did flowers originate? Lawrence Osborne tours a farm where a genetically modified goat produces the silk of spiders in its milk. Joseph D'Agnese visits a home for retired medical research chimps. And in the collection's final piece, Richard C. Lewontin and Richard Levins reflect on how the work of Stephen Jay Gould demonstrated the value of taking a radical approach to science.As Dr. Sacks writes of Stephen Jay Gould -- to whose memory this year's anthology is dedicated -- an article of his "was never predictable, never dry, could not be imitated or mistaken for anybody else's." The same can be said of all of the good writing contained in this diverse collection.

    No two are written exactly the same way. But they all hold to one constant: strong emotions and content--powerful, touching, frightening, harrowing journalism." The rules for winning a Pulitzer Prize in feature writing are simple, yet demanding: the prize is awarded for "a distinguished example of feature writing giving prime consideration to high literary quality and originality." For over two decades, the Pulitzer has been given annually to journalists whose work best exemplifies those high ideals.The second edition of Pulitzer Prize Feature Stories: America's Best Writing is an unabridged collection of this award-winning work, now covering 25 years. Editor David Garlock analyzes each story, and readers are given a glimpse at the circumstances surrounding the narrative. Each feature is followed by an insightful analysis by Garlock that probes the tactics the feature writer used in both writing and reporting the work. Journalism students and experienced professional writers will find Pulitzer Prize Feature Stories an essential compendium of the best feature writing of the last quarter century.

    Fredric Wertham! This collection is profusely illustrated by award-winning Mad cartoonist (and Mark's collaborator of 20 years on Groo The Wanderer), Sergio Aragones, including a new cover!

    Studs Terkel's legacy to the younger generation is a chronicle of optimism, determination and activism in 20th-century America, retelling history through the stories of those who stood up and fought for their beliefs in the face of justice or adversity.

    They include: long analyses of John Major's premiership; interviews with Margaret Thatcher; detailed responses to the Salman Rushdie Fatwa; and pieces on the Balkan War and the murder of Stephen Lawrence.

    A collection of George Plimpton's finest pieces on the contemporary sports scene, selected by Sports Illustrated as one of the top sports books of 2003

    Much praised for its accessibility, this text covers essential editing skills in an engaging, student-friendly style. This thoroughly revised edition includes new coverage of electronic media and online news along with updated chapters on layout and design.

    For them, Israel is no more than a subsidiary of an army that knows no limits and settlements that know no borders. Recipient of the UNESCO Guillermo Camo World Press Freedom Prize in 2003, Amira Hass is the only Jewish Israeli correspondent on Palestinian affairs to live among the people about whom she reports. The child of Holocaust survivors, Hass prefers the title "expert in Israeli occupation," and, as such, is relentless in her quest for both truth and justice.

    In this biography, Nicholas Rankin reveals his extraordinary life.

    Day by day story of the French Resistance Movement during WWII, written by its active participants, selected and edited by the famous American war correspondent who was intimately familiar with France.

    In that regard, animal stories have proven to be the most beloved of all. Now, veteran Journal reporter and Page One editor Ken Wells gathers the finest, funniest, and most fascinating of these animal tales in one exceptional book. Here are lighthearted, witty stories of breakthroughs in goldfish surgery, the untiring efforts of British animal lovers who guide lovesick toads across dangerous motorways, and the quest to tame doggy anxieties by prescribing the human pacifier Prozac. Other pieces reflect on mankind's impact on the animal kingdom: a close-up look at the nascent fish-rights movement, the retirement of U.S. Air Force chimpanzees that once soared through space, and ongoing scientific efforts to defeat that most hardy enemy -- the cockroach. Each of these fifty-odd stories -- from the outlandish to the poignant -- exemplifies the superb feature writing that makes The Wall Street Journal one of America's best-written newspapers. This charming and utterly captivating collection will be a joy not only to animal lovers, but to all those who appreciate artful storytelling by writers who are obviously having a wonderful time spinning the tales.

    Though much of the rhetoric sounds ridiculous today, few analysts have explored how the New Economy moment emerged from deep within America’s economic and ideological machinery—instead, they’ve preferred to treat it as an episode of mass delusion.Now, with customary irreverence and acuity, journalist Doug Henwood dissects the New Economy, arguing that the delirious optimism was actually a manic set of variations on ancient themes, all promoted from the highest of places. Claims of New Eras have plenty of historical precedents; in this latest act, our modern mythmakers held that technology would overturn hierarchies, democratizing information and finance and leading inexorably to a virtual social revolution. But, as Henwood vividly demonstrates, the gap between rich and poor has never been so wide, wealth never so concentrated. After the New Economy offers an accessible and entertaining account of the less-than-lustrous reality beneath the gloss of the 1990s boom.

    Now The Library of America restores to print his vibrant travel books-"Rosinante to the Road Again (1922), Orient Express (1927), In All Countries (1934)," and the Spanish Civil War material added to "Journeys Between Wars" (1938)-American classics Dos Passos wrote concurrently with his fictional masterpieces "Three Soldiers, Manhattan Transfer" (see opposite page), and U.S.A. Featured in this edition are full-color reproductions of Dos Passos' own remarkably vivid "Orient Express" watercolors. This volume also restores to print the rare travel poems cycle "A Pushcart at the Curb" (1922); political and literary essays that dramatize his complicated relationship with communism; and a selection of early letters and diaries from World War I.

    In this collection, Micah L. Sifry and Christopher Cerf, coeditors of the acclaimed Gulf War Reader, have assembled essays and documents that present an eminently readable, up-to-the-moment guide -- from every imaginable perspective -- to the continuing crisis in the Gulf and Middle East. Here, in analysis and commentary from some of the world's leading writers and opinion makers -- and in the words of the key participants themselves -- is the engrossing saga of how oil economics, power politics, dreams of empire, nationalist yearnings, and religious fanaticism -- not to mention naked aggression, betrayal, and tragic miscalculation -- have conspired to bring us to the fateful collision of the West and the Arab world over Iraq. Contributors include: Fouad Ajami George W. Bush Richard Butler John le Carré Noam Chomsky Ann Coulter Thomas Friedman Al Gore Seymour Hersh Christopher Hitchens Arianna Huffington Saddam Hussein Terry Jones Robert Kagan Charles Krauthammer William Kristol Nicholas Lemann Kanan Makiya Kevin Phillips Kenneth Pollack Colin Powell Condoleezza Rice Arundhati Roy Edward Said William Safire Jonathan Schell Susan Sontag George Will

    For 40 years, the Swiss police office recorded the wrecked cars left in the wake of excessive speed, drunk driving, right-of-way errors, and plain foolishness, in poignant, sometimes funny, and always strange atmospheric photographs. Though Odermatt was not formally trained as a photographer, he made images that evidence a studied appreciation for romantic landscape scenes and a simultaneous attention to the clinical detail of an accident of police procedure. He created them as a personal corollary to the documentary photographs that typically accompany police and accident reports in his picturesque Alpine country. Art historically, they call to mind such diverse sources as Weegee's scene-of-the-crime pictures from the 1930s and 40s, and Andy Warhol's interest in the banal spectacle of disaster and accident in the 1960s. Wholly original and surprising, beautiful and haunting, Odermatt's pictures were only recently introduced to the art world--when Harald Szeeman exhibited them at the 49th Venice Biennale, they were virtually unknown. magically lucid --Ken Johnson, The New York Times

    Wells is also remembered as a leading political commentator of the late 19th and early 20th centuries. This volume presents the worldview of Wells as developed between his student days at the Normal School of Science (1884-1887) and his death in 1946. During this time, Wells developed a unique political philosophy, grounded on the one hand in the theory of Ethical Evolution as propounded by his professor, T.H. Huxley, and on the other in late Victorian socialism. From this basis Wells developed a worldview which rejected class struggle and nationalism and embraced global co-operation for the maintenance of peace and the advancement of the human species in a world society. antagonistic to the nation state as a political unit during the carnage of World War I. He began moving away from the position of an internationalist to one of a cosmopolitan in 1916, and throughout the inter-war period he advanced the notion of regional and, ultimately, functional world government to a greater and greater extent. Wells first demonstrated a functionalist society in Men Like Gods (1923) and further elaborated this system of government in most of his works, both fictional and non-fictional, throughout the rest of his life. inception to fruition, this study argues that Wells's political thoughts rank him alongside David Mitrany as one of the two founders of the functionalist school of international relations, an acknowledgement hitherto denied to Wells by scholars of world-government theory.