. . . It was no ordinary murder. Though the torture and abuse that killed him were real, Andy Gage's death wasn't. Only his soul actually died, and when it died, it broke in pieces. Then the pieces became souls in their own right, coinheritors of Andy Gage's life. . . .While Andy deals with the outside world, more than a hundred other souls share an imaginary house inside Andy's head, struggling to maintain an orderly coexistence: Aaron, the father figure; Adam, the mischievous teenager; Jake, the frightened little boy; Aunt Sam, the artist; Seferis, the defender; and Gideon, who wants to get rid of Andy and the others and run things on his own.Andy's new coworker, Penny Driver, is also a multiple personality, a fact that Penny is only partially aware of. When several of Penny's other souls ask Andy for help, Andy reluctantly agrees, setting in motion a chain of events that threatens to destroy the stability of the house. Now Andy and Penny must work together to uncover a terrible secret that Andy has been keeping . . . from himself.

    'The Fall of the House of Usher' describes the final hours of a family tormented by tragedy and the legacy of the past. In 'Tell-Tale Heart', a murderer's insane delusions threaten to betray him, while stories such as 'The Pit and the Pendulum' and 'The Cask of Amontillado' explore extreme states of decadence, fear and hate. These works display Poe's startling ability to build suspense with almost nightmarish intensity.David Galloway's introduction re-examines the myths surrounding Poe's life and reputation. This edition includes a new chronology and suggestions for further reading.PREVIOUSLY PUBLISHED AS SELECTED WRITINGSChronologyIntroductionFurther ReadingA Note on the TextPOEMSStanzasSonnet — To ScienceA/ AaraafRomanceTO HelenIsrafelThe City in the SeaThe SleeperLenoreThe Valley of UnrestThe RavenUlalumeFor AnnieA ValentineAnnabel LeeThe BellsEldoradoTALESMS. Found in a BottleLigeiaThe Man that was Used UpThe Fall of the House of UsherWilliam WilsonThe Man of the CrowdThe Murders in the Rue MorgueA Descent into the MaelströmEleonoraThe Oval PortraitThe Masque of the Red DeathThe Pit and the PendulumThe Tell-Tale HeartThe Gold-BugThe Black CatThe Purloined LetterThe Facts in the Case of M. ValdemarThe Cask of AmontilladoHop-FrogESSÄYS AND REVIEWSLetter to B—Georgia ScenesThe Drake—Halleck Review (excerpts)Watkins TottleThe Philosophy of FurnitureWyandottéMusicTime and SpaceTwice-Told TalesThe American Drama (excerpts)HazlittThe Philosophy of CompositionSong-WritingOn ImaginationThe Veil of the SoulThe Poetic Principle (excerpts)Notes

    This is a wonderfully vibrant, unashamedly feel-good debut. BIG CHERRY HOLLER is the extraordinary sequel to BIG STONE GAP, taking us back to mountain life in Virginia and also to Italy. A deeply felt, brilliantly evoked story of two lovers who have lost their way, and their struggle to find each other again. The third in the series, MILK GLASS MOON sees Ave Maria led to places she never dreamed she would go, and to people who enter her life and rock its foundation.

    There's only one problem -- Raj's overlord, whose paranoid suspicion of Raj has grown with every famous victory, until now he has room for only one thought: Raj Whitehall must die. . . .

    There follows tales of life away from home, student days, early marriage and young families, and finally Updike's experimental stories on 'The Single Life'. Here, then, is a rich and satisfying feast of Updike - his wit, his easy mastery of language, his genius for recalling the subtleties of ordinary life and the excitements, and perils, of the pursuit of happiness.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In 'The Life and Times of Estelle Walks Above', an intellectual feminist Spokane Indian woman saves the lives of dozens of white women all around her, to the bewilderment of her only child. In 'Do You Know Where I Am?' two college sweethearts rescue a lost cat - a simple act that has profound moral consequences for the rest of their lives together. In 'What You Pawn I Will Redeem', a homeless Indian man must raise $1,000 in twenty-four hours to buy back the fancy dance outfit stolen from his grandmother fifty years earlier.Even as they often make us laugh, Sherman Alexie's stories are driven by a haunting lyricism and naked candour that cut to the heart of the human experience.

    Turning to the present, he maps America's expanding empire of military bases and the vast web of services that supports them. He offers a vivid look at the new caste of professional warriors who have infiltrated multiple branches of government, who classify as "secret" everything they do, and for whom the manipulation of the military budget is of vital interest.Among Johnson's provocative conclusions is that American militarism is putting an end to the age of globalization and bankrupting the United States, even as it creates the conditions for a new century of virulent blowback. The Sorrows of Empire suggests that the former American republic has already crossed its Rubicon—with the Pentagon leading the way.

    

    Convinced that there is "a finite number of excuses" for violence and that some excuses "are more valid than others," Vollmann spent two decades consulting hundreds of sources, scrutinizing the thinking of philosophers, theologians, tyrants, warlords, military strategists, activists and pacifists. He also visited more than a dozen countries and war zones to witness violence firsthand -- sometimes barely escaping with his life.Vollmann makes deft use of these tools and experiences to create his Moral Calculus, a structured decision-making system designed to help the reader decide when violence is justifiable and when it is not.

    This volume also includes poems and translations never previously collected, and a selection of drafts that demonstrate the poet's constant drive to reimagine his work. Collected Poems at last offers readers the opportunity to take in, in its entirety, one of the great careers in twentieth-century poetry.

    It shouldn’t have mattered, since the steamship was chartered only for a languid excursion from Manhattan to Long Island Sound. But a fire erupted minutes into the trip, forcing hundreds of terrified passengers into the water. By the time the captain found a safe shore for landing, 1,021 had perished. Ship Ablaze draws on firsthand accounts to examine why the death toll was so high and how the city responded. Masterfully capturing both the horror of the event and the heroism of men, women, and children who faced crumbling life jackets and inaccessible lifeboats as the inferno quickly spread, historian Edward T. O’Donnell brings to life a bygone community while honoring the victims of that forgotten day.

    Her nonfiction is equally eloquent, and this lovely memoir offers a vivid glimpse of the landscape, the people, and the long tradition of storytelling that give her work its magical, elemental force. In a small boat like those her Native American ancestors have used for countless generations, she travels to Ojibwe home ground, the islands of Lake of the Woods in southern Ontario. Her only companions are her new baby and the baby's father, an Ojibwe spiritual leader, on a pilgrimage to the sacred rock paintings their people have venerated for centuries as mystical "teaching and dream guides," and where even today Ojibwe leave offerings of tobacco in token of their power. With these paintings as backdrop, Erdrich summons to life the Ojibwe's spirits and songs, their language and sorrows, and the tales that are in their blood, echoing through her own family's very contemporary American lives and shaping her vision of the wider world. Thoughtful, moving, and wonderfully well observed, her meditation evokes ancient wisdom, modern ways, and the universal human concerns we all share.

    What Night Brings is the unforgettable story of Marci's struggle to find and maintain her identity against all odds - a perilous home life, an incomprehensible Church, and a largely indifferent world. Winner of the Miguel Marmol prize focusing on human rights, the Paterson Fiction Prize, the Latino Literary Foundation Latino Book Award, the Bronze Medal from Foreword Magazine, and Honorable Mention for the Gustavus Meyers Books Award. Also shortlisted for a Lambda Literary Award.

    In this generous gathering from collections no longer available, longtime fans and new readers alike can savor the development of a master of idiosyncrasy.Properly celebrated for his range, Carlson offers us a rural sheriff who's wary of UFOs ("Phenomena"), a lawyer on a mission in remote Alaska ("Blazo"), a baseball player turned killer-by-accident ("Zanduce at Second"), and a nineteen-year-old who experiences an unsettling sexual awakening during an Arizona summer ("Oxygen"). Here also is a man accusing Bigfoot of stealing his wife, followed by Bigfoot's incomparable response. Not least of the treasures is "The H Street Sledding Record," a story perfect for family holiday reading, in which a young father creates the magic of Santa by throwing manure on his roof on Christmas Eve.This book proves Carlson's axiom that "a short story is not a single thing done a single way," and it offers us—finally—a full view of his remarkable talents.

    A Colorado best seller in hardcover, new in pb.

    When thunder and lightning strike on the morning of Zoe Clark's wedding, her seemingly perfect world is turned upside-down as she loses her fiance to a pregnant girlfriend she never knew he had. With her engagement shattered, all her life's plans seem over. Unemployed, sinking deeply into depression, and wrongly blaming God for her troubles, Zoe seriously contemplates ending her life. But God sends Chase Farr to reintroduce Zoe to the importance of having God in her life. Yet when Zoe's friendship with Chase turns romantic, he suddenly backs away--further confusing Zoe with his decision to remain a virgin. Through life's twists and turns of celebration and sorrow, Zoe ultimately learns what it means to truly trust in God--but in the end, does this revelation come too late to fix things with Chase?

    This is his story.

    When John F. Kennedy called America "the land we love" more than 42 years ago, he was reminding us of the lofty ideals on which our country was founded. But what are those ideals, and how have Americans defined them Is America the land of George Washington and Franklin Delano Roosevelt, who rallied the country's spirits for unity in wartime, or is it a land of dissent, a land in which Frederick Douglass, Elizabeth Cady Stanton, and Martin Luther King, Jr. remind us of our duty to protect our most fundamental freedoms? Are we defined by the speeches of Thomas Jefferson and Ronald Reagan or by the humor of H.L. Mencken and Mark Twain? Caroline Kennedy's answer in A Patriot's Handbook is that we are all of those things and more. The poems, songs, speeches, letters, and historical documents that Caroline Kennedy has chosen for this remarkable collection remind us of the foundations on which America was built. But they also ask us to examine what it truly means to be a "patriot," even if our assumptions are challenged along the way, because it is only by doing so that America can "truly be our own." Voices as diverse as the nation itself:Thomas Jefferson Cole Porter Chief Red Jacket Amy Tan Betty Friedan Albert Einstein George W. Bush Loretta Lynn John F. Kennedy Martin Luther King, Jr. Bob Dylan Cesar Chavez Toni Morrison Groucho Marx and many more

    Newly repackaged.

    Experience Roman history with self-guided tours of the Pont du Gard aqueduct, Roman theater in Orange, and Arena in Arles. Explore sun-soaked Riviera beaches and resort towns, from cosmopolitan Nice to colorful Villefranche-sur-Mer. Get inspired by artistic masterpieces by Renoir, Matisse, Picasso, and Chagall. After a day of sightseeing, relax at a café with a view, dive into a bowl of bouillabaisse, and watch fishermen return to the harbor.Rick's candid, humorous advice will guide you to good-value hotels and restaurants. You'll learn which sights are worth your time and money, and how to get around by train, bus, car, or boat. More than just reviews and directions, a Rick Steves guidebook is a tour guide in your pocket.

    From afar he watches the ones he so desperately wants. Willing to do whatever it takes to prove his love. But should his latest obsession betray him, he will have no choice but to punish her.

    But on a blistering day in early autumn four of the men pay the ultimate price—leaving behind one man who wishes he had.In one brief moment a tragedy binds Randi, Anna, Meredith, Helena and Crystal closer together than a lifetime of friendship. As they gather at the hospital, waiting to learn who among them will not have to bury her husband, they turn to one another for support. And so begins a journey of faith, of strength, of tears and of love.

    This anthology serves as an introduction to Jeffers's work for the general reader and for students in courses on American poetry. Jeffers composed each volume of his verse around one or two long narrative or dramatic poems. The Wild God of the World follows this practice: in it, Cawdor, one of Jeffers's most powerful narratives, is surrounded by a representative selection of shorter poems. At the end of the book, the editor has provided revealing statements about Jeffers's poetry and poetics, and about his philosophy of nature and human nature.

    A Featured Alternate of Black Expressions Book Club, this bestseller by Rochelle Alers examines what happens when a woman who has it all must decide if her marriage is worth fighting for.

    It's the story of The Bride, a world-class assassin and a retired member of the elite, all-female Deadly Viper Assassination Squad (DiVAS), who's ready to settle down to a quiet life of marriage and family.

    . .The American dream-quickly becoming your worst nightmare!Financial stress, social pressures, and the never-ending anxiety of life . . .Looking like good Christians, but powerless and miserable behind closed doors.In search of authentic Christianity, author Jim Hohnberger and his family found the restorative power of God's love. As a result, the Hohnbergers have helped others remove life's draining distractions, and countless lives have been transformed.Part personal memoir and part handbook for cultivating an intimate relationship with the Creator, Escape to God will challenge and inspire you to put aside the card-punching religion of "Churchianity" and experience the indescribable peace and empowerment God intends for His people.If you are fed up with going through the motions, dive into an intimate fellowship with the Creator. Are you ready to escape to God?

    This seventh volume trade paperback reprints issues twenty-five through twenty-eight of the critically acclaimed and Eisner Award winning series - Stray Bullets Truly horrifying The kidnapping and nightmarish search for Virginia Applejack The Collected Stray Bullets Series is a perfect introduction for new readers, a great way for fans to complete the series.

    One winter night, Aya is shot by a white police officer in a case of mistaken identity. Keeping vigil by her daughter's hospital bed, Miriam remembers her own youth: her battle for independence from her parents, her affair with Aya's father, and the challenges of raising her daughter. But as Miriam confronts her past—her losses and regrets—she begins to heal and discovers a tentative hopefulness. Moving between past and present, the novel builds to a dramatic, heart-wrenching but ultimately redemptive conclusion. Daughter is a novel that appears to be about police brutality, but police brutality is only the landscape. The heart of the story is about the silence between generations--the secrets mothers keep from their children in an effort to protect them.

    She had been given the stolen black eyes of an Indian girl. Pigment drugs drained color from her skin. Then surgeries and cell knitters completed her transformation into a performance artist for the rich. This story is part of the publisher's Great Science Fiction Stories audio series. It's on 1 CD approximately 62 minutes in length. The author was recently awarded the Theodore Sturgeon Memorial Award for best short science fiction.

    Thompson’s life as a rebel—from a smart-mouthed Kentucky kid flaunting all authority to a convention-defying journalist who came to personify a wild fusion of fact, fiction, and mind-altering substances.Brilliant, provocative, outrageous, and brazen, Hunter S. Thompson's infamous rule breaking—in his journalism, in his life, and under the law—changed the shape of American letters, and the face of American icons. Call it the evolution of an outlaw. Here are the formative experiences that comprise Thompson’s legendary trajectory alongside the weird and the ugly. Whether detailing his exploits as a foreign correspondent in Rio, his job as night manager of the notorious O’Farrell Theatre in San Francisco, his epic run for sheriff of Aspen on the Freak Power ticket, or the sensational legal maneuvering that led to his full acquittal in the famous 99 Days trial, Thompson is at the peak of his narrative powers in Kingdom of Fear. And this boisterous, blistering ride illuminates as never before the professional and ideological risk taking of a literary genius and transgressive icon.

    Huston has never before written about that time—an era of racism and repression, a time when this country was still relatively young, an age of quirky individualism and almost frontier-style freedom that largely has ceased to exist. Fearful he would not be believed, on one hand, but desirous of the freedom to embellish, on the other, Curtiss chronicles that time in Sins of the Seventh Sister, a book he characterizes as “a novel based on a true story of the gothic South.” It is his story and the story of the people of Elkins, West Virginia, a small town whose inhabitants included his mother, Billy-Pearl Curtiss, and her many sisters—all stunning blondes. Billy-Pearl would prove to be an irresistibly romantic figure in her son’s life. She was the seventh of eleven children, all girls to her father’s consternation. By the time of her arrival, her father felt he had been patient enough and insisted on calling her Billy; he taught her everything he had intended to impart to his firstborn son. She would grow up to be one of the most beautiful women in the county, but also one of the most opinionated and liberal. Her aim was so precise that she was barred from the local turkey shoot because none of the men had a chance against her. When a Klansman accused her of attempted homicide after she shot him through the shoulder to stop him from setting fire to the home of her black neighbors, she told the sheriff, “If I had meant to kill him, he’d be dead.” And with that defense, she was exonerated.Curtiss Farm was large and the house had many rooms, which Billy-Pearl got in the habit of gathering people to fill, especially the downtrodden who had nowhere to go. In May 1929, Billy-Pearl brought home a boy from the local orphanage. Stanley was sixteen, the age at which the orphanage kicked children out, and Billy-Pearl, knowing his sad history, could not allow him to end up on the streets. Stanley had witnessed his father beat his mother to death in a drunken rage and had taken a straight razor and slit his father’s throat while he slept. A country judge had the boy castrated to control his aggressive ways. Not a boy, but not yet a man, Stanley was tall, willowy, and frightened as a colt upon his arrival at Curtiss Farm—not at all the playmate for whom Huston had hoped. But quickly a friendship developed between the two that would last a lifetime—a friendship that would survive murder, suicide, madness, and Stanley’s eventual transformation into Stella, a singer who would live her adult life as a glamorous woman.Sins of the Seventh Sister is brilliantly conceived and masterfully written, as alive with flamboyant characters and wildly uncontained emotions as any book to come out of the South.

    This Library of America volume collects all three of Bellow’s early works, beginning with Dangling Man (1944), an incisive character study cast in the form of a diary that depicts the anguish and uncertainty of a man known only as Joseph. Expecting to be deployed to the war overseas, Joseph quits his job and finds himself increasingly on edge when his draft board defers his enlistment. The first of his many books to take place in Chicago, Dangling Man is a spare, haunting novel in which Bellow lays bare Joseph’s dilemma with rigorous precision and subtlety.The Victim (1947), which Bellow described as “a novel whose theme is guilt,” is an unsettling moral parable. Left alone in New York City while his wife is visiting her family, Asa Leventhal is confronted by a former co-worker whom he can barely remember. What seems like a chance encounter evolves into an uncanny bond that threatens to ruin Leventhal’s life. As their relationship grows ever more volatile, Bellow stages a searching exploration of our obligations toward others.In a radical change of direction, Bellow next wrote The Adventures of Augie March (1953). Its eponymous hero grows up in a bustling Chicago peopled by characters as large as vital as the city itself, then sets off on travels that lead him through the byways of love and the disappointments of a fast-vanishing youth. Exuberant, uninhibited, jazzy, infused with Yiddishisms and a panoply of Depression-era voices, Augie March is borne aloft by an ebullient sense of irony. Winner of the 1954 National Book Award and praised by writers and critics ranging from Alfred Kazin to Salman Rushdie and Martin Amis, The Adventures of Augie March has had a lasting impact that shows no sign of abating.

    In fact, the first three novels in the Browns' Mrs. Murphy bestselling mystery series are reprinted here in their entirety. Whether you are already familiar with the detective work of postmistress Mary Minor "Harry" Haristeen and her tiger cat Mrs. Murphy or are new to the team, you are sure to be intrigued by their unique approach. It's murder with a touch of whimsy, all set in the cozy hamlet of Crozet, Virginia. Meet Harry's friends, neighbors...and suspects--folks like notorious society vamp Boom Boom Craycroft in "Rest in Pieces," or the nice Miranda Hogendobber in "Murder at Monticello," and get a good taste of Brown's wickedly observant take on manners below the Mason-Dixon line. Cat lovers, mystery aficionados, and anyone who might like an armchair visit to a delightful old town down South, is sure to enjoy these witty, cleverly-plotted tales of suspense.

    USA Today" raves, "There's never been anything else like it on TV."Irreverent, hilarious, and brave, "Queer as Folk" chronicles the lives and loves of a group of Pittsburgh's most fabulous gay men and women. Packed with hundreds of full-color photographs, this "Queer" book features episode guides that go behind the scenes and in-depth interviews with the actors, producers, and crew who bring the show to life. With synopses, trivia, quotable quotes, and never-before-seen photos, it's the ultimate companion to one of Showtime Network's highest rated shows!Look inside for special features like "The Anatomy of a Sex Scene," a riveting glimpse into the sensitive work involved in taking a love scene from page to screen. Visit the sets of Babylon, Deb & Vic's house, Brian's loft, and more. And don't miss out on Deb's words of wisdom, a collection of wise and memorable gems ("You smother a pork chop, not a son") from one of "Queer as Folk'"s most beloved characters. It's all here.As spirited and edgy as the show it honors, "Queer as Folk: The Book" is the only official companion book there is!

    A stirring collection of never-before-seen photographs of the Kennedy family presented in this seminal work by JFK's personal photographer, Jacques Lowe.

    Collected here to commemorate the 200th anniversary of foe's birth are sixteen of his best tales accompanied by twenty essays from beloved authors, including T. Jefferson Parker, Lawrence Block. Sara Paretsky, and Joseph Wambaugh, among others, on how Poe has changed their life and work.Michael Connelly recounts the inspiration he drew from Poe's poetry while researching one of his books. Stephen King reflects on Poe's insight into humanity's dark side in "The Genius of 'The Tell-Tale Heart.'" Jan Burke recalls her childhood terror during late-night reading sessions. Tess Gerritsen, Nelson DeMille, and others remember the classic B-movie adaptations of Poe's tales. And in "The Thief," Laurie R. King complains about how Poe stole all the good ideas ... or maybe he just thought of them first.Powerful and timeless, In the Shadow of the Master is a celebration of one of the greatest literary minds of all time.--back cover

    The girl’s murder would be the catalyst for an epic saga that to this day holds a singular place in America’s collective imagination—a saga that would climax in 1915 with the lynching of Leo Frank, the Cornell-educated Jew who was convicted of the murder. The case has been the subject of novels, plays, movies and even musicals, but only now, with the publication of And the Dead Shall Rise, do we have an account that does full justice to the mesmerizing and previously unknown details of one of the most shameful moments in the nation’s history.In a narrative reminiscent of a nineteenth-century novel, Steve Oney recounts the emerging revelations of the initial criminal investigation, reconstructs from newspaper dispatches (the original trial transcript mysteriously disappeared long ago) the day-to-day intrigue of the courtroom and illuminates how and why an all-white jury convicted Frank largely on the testimony of a black man. Oney chronicles as well the innumerable avenues that the defense pursued in quest of an appeal, the remarkable and heretofore largely ignored campaign conducted by William Randolph Hearst and New York Times publisher Adolph Ochs to exonerate Frank, the last-minute commutation of Frank’s death sentence and, most indelibly, the flawlessly executed abduction and brutal lynching of Frank two months after his death sentence was commuted.And the Dead Shall Rise brings to life a Dickensian cast of characters caught up in the Frank case—zealous police investigators intent on protecting their department’s reputation, even more zealous private detectives, cynical yet impressionable factory girls, intrepid reporters (including a young Harold Ross), lawyers blinded by their own interests and cowed by the populace’s furor. And we meet four astonishing individuals: Jim Conley, who was Frank’s confessed “accomplice” and the state’s star witness; William Smith, a determined and idealistic lawyer who brilliantly prepared Conley for the defense’s fierce cross-examination and then, a year later, underwent an extraordinary change of heart; Lucille Frank, the martyred wife of the convicted man; and the great populist leader Tom Watson, who manipulated the volatile and lethal outrage of Georgians against the forces of Northern privilege and capital that were seeking to free Frank.And the Dead Shall Rise also casts long-awaited fresh light on Frank’s lynching. No participant was ever indicted, and many went on to prominent careers in state and national politics. Here, for the first time, is the full account of the event—including the identities of the influential Georgians who conceived, carried out and covered up the crime. And here as well is the story of the lynching’s aftermath, which saw both the revival of the Ku Klux Klan and the evolution of the Anti-Defamation League.At once a work of masterful investigative journalism and insightful social history, And the Dead Shall Rise does complete justice to one of history’s most repellent and most fascinating moments.

    In this charming book, he describes his travels across the United States, illustrating his adventures with the works he created on his journeys. In a series of short essays, each only a few paragraphs in length, Kahn recalls the places in America where he has traveled to work as well as the problems those diverse locations presented to him as an artist, and how he solved them. In one section, he writes of the difficulty of capturing the dark tones and rough textures of the sea, with the special light effects that signal a given time of day. In another he writes of the gradations of color and value density in a bramble thicket in the Maine woods. Other short essays are simply personal memories, charming and anecdotal reminiscences of life on the road. This is delightful and refreshing look at the world of a painter, seen through the candid and unpretentious eyes of one of America's most popular artists, is accompanied by 100 of Kahn's superbly reproduced oil paintings and pastels. John Updike's introduction, a tribute to an admired fr

     Each book will also include an A+ Essay; an actual literary essay written about the Spark-ed book, to show students how an essay should be written.

    Famous for its star-studded clientele, a beautiful room in the chic SoHo neighborhood, and superbly executed food, Balthazar has been embraced by New Yorkers and visitors alike for its perfect evocation of a French brasserie. The Balthazar Cookbook captures that energy, that style, and that cuisine, with recipes for the most-loved and most-accessible French dishes: seafood ranging from the ultra-simple Moules à la Marinière to more ambitious Bouillabaisse; chicken and game favorites that include Coq au Vin and Cassoulet; red-meat classics such as Braised Short Ribs and Blanquette de Veau; sides like the perfect French Fries or sublime Macaroni Gratin; and finales that include Crème Brûlée and Chocolate Pot de Crème. This is the best of French cooking, from one of the best-loved French restaurants in the country.

    Approximately 140 people were slaughtered; only 17 children under the age of eight were spared. This incident in an open field called Mountain Meadows has ever since been the focus of passionate debate: Is it possible that official Mormon dignitaries were responsible for the massacre? In her riveting book, Sally Denton makes a fiercely convincing argument that they were.The author–herself of Mormon descent–first traces the extraordinary emergence of the Mormons and the little-known nineteenth-century intrigues and tensions between their leaders and the U.S. government, fueled by the Mormons’ zealotry and exclusionary practices. We see how by 1857 they were unique as a religious group in ruling an entire American territory, Utah, and commanding their own exclusive government and army. Denton makes clear that in the immediate aftermath of the massacre, the church began placing the blame on a discredited Mormon, John D. Lee, and on various Native Americans. She cites contemporaneous records and newly discovered documents to support her argument that, in fact, the Mormon leader, Brigham Young, bore significant responsibility–that Young, impelled by the church’s financial crises, facing increasingly intense scrutiny and condemnation by the federal government, incited the crime by both word and deed.Finally, Denton explains how the rapidly expanding and enormously rich Mormon church of today still struggles to absolve itself of responsibility for what may well be an act of religious fanaticism unparalleled in the annals of American history. American Massacre is totally absorbing in its narrative as it brings to life a tragic moment in our history.

    From the swirling center of poetic change he excited the powerful energies of Eliot, Joyce, and William Carlos Williams and championed the Imagism and Vorticism movements. This volume, the most comprehensive collection of his poetry and translations ever assembled, gathers all his verse except "The Cantos." In addition to the famous poems that transformed modern literature, it features dozens of rare and out-of-print pieces, such as the handmade first collection "Hilda's Book" (1905-1907), late translations of Horace, rare sheet music translations, and works from a 1917 "lost" manuscript. Pound's influential "Cathay" (1915), "Lustra" (1917), and "Hugh Selwyn Mauberley" (1920)-as surely as his later masterly Confucian odes and Sophoclean dramas-followed the poet's own directive to "make it new," opening fresh formal pathways into ancient traditions. Through these works and others representing more than 30 different volumes and dozens of pieces that Pound never collected, "Poems and Translations" reveals the breadth of his daring invention and resonant music: lyrics echoing the Troubadors and Browning, chiseled 1920s free verse, and dazzling translations that led Eliot to call Pound "the inventor of Chinese poetry for our time." An extensive chronology offers guidance to Pound's tumultuous life. Detailed endnotes of unprecedented range and depth clarify Pound's fascinatingly recondite allusions.

    An essential collection from one of the finest thinkers and stylists in contemporary letters.The celebrated author of The New York Trilogy, The Book of Illusions, and Oracle Night presents here a highly personal collection of essays, prefaces, true stories, autobiographical writings, and collaborations with artists, as well as occasional pieces written for magazines and newspapers, including The Invention of Solitude his "breathtaking memoir." (Financial Times Magazine London)Ranging in subject from Sir Walter Raleigh to Kafka, Nathaniel Hawthorne to the high-wire artist Philippe Petit, conceptual artist Sophie Calle to Auster's own typewriter, the World Trade Center catastrophe to his beloved New York City itself, Collected Prose records the passions and insights of a writer who "will be remembered as one of the great writers of our time" (San Francisco Chronicle).

    The whole stands as his choice of the pieces he would have us read today if we are curious about what he’s been up to all this time. The result is an exciting and invigorating selection, a testament to one of the prose masters at work today. As the Louisville Courier-Journal noted, "Guy Davenport has few peers. Who can match his broad erudition, his mastery of forms—poetry, short fiction, essay, translation—and his wizardry with language?"

    They have selected a wide range of works, from graphic depictions of the body to abstract images suggesting or inviting different ideas of the erotic, and have arranged them into "rooms" just as in a real exhibition. Andy Warhol, Larry Clark, Richard Kern, Sarah Lucas, Cy Twombly, Lily van der Stokker, Jeff Burton, Karen Kilimnik and Paul McCarthy are just some of the 70 well known artists in the book, which includes paintings, drawings, sculpture, photography and video. The authors talk about their selection in a frank and elucidating conversation, presented in three parts. They consider many of the issues thrown up by the art and discuss - with humour and seriousness alike - how it reflects attitudes towards sex and the body.

    The life of of one of the greatest American heroes is captured in fiction. While logic would dictate that life under the iron fist of slavery would be enough to shatter the spirit of a young girl, Sojourner struggles to maintain her dignity despite all odds, despite the theft of her son, and her eventual flight to freedom.

    Today, a number of these sturdy, beautifully proportioned barns and bridges are still standing — monuments to the skill and keen eye of their original builders. This lovingly written book, accompanied by more than 75 of the author's own sketches, provides a reliable record of those vanishing forms of architecture. Accurate line drawings depict a variety of barns, such as those in Maine, attached to houses; an "open" log barn in Virginia, and a "top hat" barn in North Carolina. Covered bridges — like barns, built for soundness and endurance — are also illustrated, among them a saltbox structure in New England, a bridge with a pedestrian walkway in rural New York State, and a 10-span-long bridge at Clark's Ferry, Pennsylvania. Possessing a deep feeling for what might be called the Age of Wood, the author writes with "warmth and astonishing comprehension." — New York Herald Tribune Book Review. Americana enthusiasts and lovers of these traditional symbols of early American life will delight in this priceless tribute to a bygone era. Over 75 black-and-white illustrations.

    In the play, Martin—a hugely successful architect who has just turned fifty—leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters.The playwright himself describes it this way: “Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."

    Wise beyond her years and wildly creative, Varl must choose between the only life she's knownher Mamalee, her friends (especially her beloved Dob), the farmland she's explored since childhoodand her growing need for self-determination. Standing in her path, waiting to quash her spirit, is her master, the cunning Peter Perry, "a collector of rare things" who aims to add Varl herself to his perverse assortment of oddities.With Slave Moth, Thylias Moss shows herself yet again to be "a visionary storyteller" (Charles Simic). Written in gorgeous verse, it is an explosion of life in the face of servitude.

    Comprising over two hundred portraits and portrait sketches in oil and watercolor painted between 1900 and the artist’s death in 1925, this book completes the trilogy of portrait volumes. The catalogued works have been grouped into two chronological sections, each with an introduction that sets the particular group in context. There is also a section of undated portraits and an appendix listing previously unrecorded works. Each work is documented in depth: entries include traditional data about the painting or watercolor; details of the work’s provenance, exhibition history, and bibliography; a short biography of the sitter; a discussion of the circumstances in which the work was created; and a critical discussion of its subject matter, style, and significance in Sargent’s career. Most of the works are reproduced in color. There is also an illustrated inventory of Sargent’s studio props and accessories and a cross-referenced checklist of the portraits in which they appear.

    His cult hit comic, Get Your War On, turned him into an underground phenomenon. His trash-talking karate comic, My New Fighting Technique Is Unstoppable, made him a publishing sensation. Now, combining Rees's trademark gangsta vocabulary with the merciless absurdity (and eerie, quotidian accuracy) of Office Space and an uproariously profane sense of humor, Rees unleashes his volatile energy on a new comic that brings back the foul-mouthed cubicle slaves who starred in Get Your War On to (panel by panel) knock Dilbert on his ass and establish Rees as the Lenny Bruce of clockwatchers.

    Product youll find a vibrantly colorful tribute to such pop-culture icons as the Jolly Green Giant, natty Mr. Peanut, the cute little Morton Salt Girl, and the countless other advertising characters who have been helping us navigate the grocery aisles and choose our products for years. Offering up a bustling gallery of over 500 spokescharacters, this chunky compendium charts the origins and development of the advertising character and gives brief glimpses into some of their most intimate secrets. (Did you know that the Michelin Man has been spotted with glamorous ladies on his arm? Or that Bordens Elsie the Cow was married to Elmer of household glue fame?) Famous faces and a host of recently rediscovered characters fill Meet Mr. Products pages to bursting.

    The love between team and borough was equally storied, an iron bond of loyalty forged through years of adversity and sometimes legendary ineptitude. Coming off their first World Series triumph ever in 1955, against the hated Yankees, the Dodgers would defend their crown against the Milwaukee Braves and the Cincinnati Reds in a six-month neck-and-neck contest until the last day of the playoffs, one of the most thrilling pennant races in history.But as The Last Good Season so richly relates, all was not well under the surface. The Dodgers were an aging team at the tail end of its greatness, and Brooklyn was a place caught up in rapid and profound urban change. From a cradle of white ethnicity, it was being transformed into a racial patchwork, including Puerto Ricans and blacks from the South who flocked to Ebbets Field to watch the Dodgers’ black stars. The institutions that defined the borough – the Brooklyn Eagle, the Brooklyn Navy Yard – had vanished, and only the Dodgers remained. And when their shrewd, dollar-squeezing owner, Walter O’Malley, began casting his eyes elsewhere in the absence of any viable plan to replace the aging Ebbets Field and any support from the all-powerful urban czar Robert Moses, the days of the Dodgers in Brooklyn were clearly numbered.Michael Shapiro, a Brooklyn native, has interviewed many of the surviving participants and observers of the 1956 season, and undertaken immense archival research to bring its public and hidden drama to life. Like David Halberstam’s The Summer of ’49, The Last Good Season combines an exciting baseball story, a genuine sense of nostalgia, and hard-nosed reporting and social thinking to reveal, in a new light, a time and place we only thought we understood.From the Hardcover edition.

    But it was from her mother -- a woman who was dressed by Givenchy and sculpted by Alexander Calder, yet rejected by many a casting agent for her "dark," unconventional looks -- that Susan drew inspiration, particularly when she faced challenges in her own career as a television writer in Hollywood, a town that wasn't always receptive to positive images of people of color. As a result the two developed a bond that mothers and daughters everywhere will find inspiring. Both a universally touching mother-daughter story and a portrait of a dazzling American family, Always Wear Joy is a memoir readers won't soon forget.

    Organized in six parts (Childhood; Youth; Early Marriage and Bachelorhood; Teaching and Work; Fiction; Politics, Religion, Movies, Books, Cities; The Style of Middle Age) Getting Personal tells two stories: the development of Lopate's career as a writer and the story of his life.

    Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.

    At the center of Okrent's riveting story are four remarkable individuals: tycoon John D. Rockefeller, his ambitious son Nelson Rockefeller, real estate genius John R. Todd, and visionary skyscraper architect Raymond Hood. In the tradition of David McCullough's The Great Bridge, Ron Chernow's Titan, and Robert Caro's The Power Broker, Great Fortune is a stunning tribute to an American landmark that captures the heart and spirit of New York at its apotheosis.

    Now Gordon Hamersley of acclaimed Hamersley's Bistro in Boston helps home cooks bring these classic dishes into their own kitchens. "Bistro Cooking at Home "offers a complete menu of versatile selections for cooks who crave sophisticated but easy-to-prepare comfort food. Many of the dishes allow for "walk-away cooking," such as stews, roasts, or braises. And many of these same dishes taste best if prepared a day or two ahead, making entertaining foolproof. Although the accent is French, dishes such as hamburgers stuffed with blue cheese and Pear Cranberry Crumble reflect Gordon Hamersley's all-American roots. Start a bistro meal at home with Hamersley's classic Onion Soup au Gratin or signature Wild Mushroom and Roasted Garlic Sandwich. For a main course there is roast chicken (you can cook it ahead and reheat it under the broiler), New England Bouillabaisse with Rouille and Croutons, or Moroccan lamb shanks. Pasta, polenta, and risotto are given French finesse in dishes such as Lemon-Scented Risotto with Morels and Chives and Oven-Baked Penne with Onions, Walnuts, and Goat Cheese. The Savory Tarts, Gratins, and Galettes chapter holds such richly satisfying dishes as Portobello Mushroom and Roquefort Galette or Creamy Bistro Potato and Leek Gratin, each practically a meal in itself. Even vegetables are made exciting in dishes ranging from Roasted Artichokes with Garlic and Pancetta Bread Crumbs to Garlicky Mashed Potato Cakes. Bistro-inspired desserts include Maple Creme Brulee, Profiteroles with Easy Chocolate Sauce, and a dense Chocolate Truffle Cake. All the main dishes are accompanied by knowledgeable, down-to-earth wine recommendations from Fiona Hamersley, Gordon's wife, who runs the wine service at the restaurant. With the Hamersleys's expert guidance every step of the way, you can re-create the romance of bistro dining--at home.

    Standard procedure. You pick it up the first time a white friend leads you across a room just to stand you up by another Indian, arrange you like furniture, like you should have something to say to each other. As one character after another tells it in these stories, much that happens to them does so because "I'm an Indian." And, as Stephen Graham Jones tells it in one remarkable story after another, the life of an Indian in modern America is as rich in irony as it is in tradition. A noted Blackfeet writer, Jones offers a nuanced and often biting look at the lives of Native peoples from the inside. A young Indian mans journey to discover America results in an unsettling understanding of relations between whites and Natives in the twenty-first century, a relationship still fueled by mistrust, stereotypes, and almost casual violence. A character waterproofs his boots with transmission fluid; another steals into Glacier National Park to hunt. One man uses watermelon to draw flies off poached deer; another, in a modern twist on the captivity narrative, kidnaps a white girl in a pickup truck; and a son bleeds into the father carrying him home. Rife with arresting and poignant images, fleeting and daring in presentation, weighty and provocative in their messages, these stories demonstrate the power of one of the most compelling writers in Native North America today.

    Living between the two worlds of being Latino and American can generate great uncertainty. And the strange mixture of ethnic pride and racial prejudice creates another sort of confusion.Who are you as a Latino? Who are you as an American? What has Christ to say about your dilemma? How can you accept who you are in Christ with joy and confidence? Orlando Crespo has taken his own journey from Puerto Rico to an immigrant neighborhood in Springfield, Massachusetts, and back again to his Latino roots. In this books he helps you to reflect on your own voyage of self-understanding and on what it means to have a mixed heritage from the days of the original Spanish Conquest to the present. His straightforward approach also takes him to what the Bible says about ethnic identity--about a people who were often oppressed by more powerful cultures. He helps you to see how Jesus' own humanity unfolded in the context of a people who were considered to be inferior. Thus Crespo finds both realism and hope in the good news of Jesus. There is more, however, than merely coming to terms with who you are. Crespo also shows how Latinos are called to step out positively in ministry to the world. You can make a positive impact in on the world in racial reconciliation, in bicultural ministry and more because of who God has uniquely made you to be. Here is a book for all Latinos who want to live confidently in Christ.

    Philip Randolph's defiant call in 1941 for African Americans to march on Washington to Alice Walker in 1973, "Reporting Civil Rights" presents firsthand accounts of the revolutionary events that overthrew segregation in the United States. This two-volume anthology brings together for the first time nearly 200 newspaper and magazine reports and book excerpts, and features 151 writers, including James Baldwin, Robert Penn Warren, David Halberstam, Lillian Smith, Gordon Parks, Murray Kempton, Ted Poston, Claude Sitton, and Anne Moody. A newly researched chronology of the movement, a 32-page insert of rare journalist photographs, and original biographical profiles are included in each volume Vivid reports by Robert Richardson and Bob Clark capture the nightmarish Watts and Detroit riots, while Paul Good records the growing schism in 1966 between King's nonviolence and Stokely Carmichael's "Black Power" advocacy. Joan Didion and Gilbert Moore cover the Black Panthers; Garry Wills and Pat Watters chronicle the traumatic aftermath of King's assassination and the failure of the 1968 Poor People's Campaign; Willie Morris and Marshall Frady assess the early 1970s South; Tom Wolfe caustically explores new forms of racial confrontation; and Richard Margolis depicts post-integration consciousness among African American college students. Singly or together, "Reporting Civil Rights" captures firsthand the impassioned struggle for freedom and equality that transformed America.

    Here is power that strikes." Reversing the course of Dante's Divine Comedy, Seidel's trilogy begins in the heavens, with The Cosmos Poems, and descends, passing through the Purgatorio of Life on Earth to arrive in Manhattan in Area Code 212.

    Totally absorbing, it is a thriller of verve, accomplishment, tension, and imaginative power. This is the kind of story that keeps us awake and reading into the early morning hours, makes us miss our stop, forces us to be late for appointments.Shikar pits Grady Brickhouse, sheriff of Harte County, Georgia, against an unlikely but fearsome opponent-a full-grown Bengal tiger that has somehow found its way into his jurisdiction. Brickhouse happens to be very good at his job: keeping the peace in his sleepy corner of the huge forested wilderness at the southern terminus of the Appalachian Trail. A former high-school principal, Brickhouse is known as a gentle and fair man, people like him. But he's no match for the tiger, one of the most powerful and cunning predators on the planet-few humans are, and every hunter who goes into the woods after the beast is taken out in pieces. Grady is going to have to find someone or something that can do something damn quick-the death toll mounts every day, the media and the politicians are clamoring for something to be done . . . and something strange is going on that Grady just can't put his finger on, something that doesn't add up. . . .Shikar is fresh and inventive. Jack Warner performs storytelling magic in the clear, resonant style of the classic adventures of Jack London, Rudyard Kipling, and Michael Crichton.It is a novel you will never forget.

    Joining the counterculture, she spent two decades on a spiritual search. Then, in 1990, she met Papaji, an awakened master in the lineage of Sri Ramana Maharshi. She had never wanted a guru, and she certainly hadn't wanted an Indian name. But when she met Papji, he stopped her in her tracks. In meeting him, she discovered the source of true fulfillment. Since that time, Gangaji, a beloved spiritual teacher, has been holding public meetings and retreats across the United States and around the world. In her autobiography, written with Roslyn Moore, Gangaji tells her story. It is a candid, inspiring, and often humorous account. "Just Like You" includes dozens of pictures, a section of penetrating questions and answers, and an appendix with letters exchanged between Gangaji and her teacher. Gangaji says she is just like you and me, that she would be happy to tell us if she weren't, but she is. By sharing the experience of her life she is offering herself as living proof that it is possible for anyone to stop telling their endless story of suffering, to wake up to what is, and to live life truly and freely.

    African American Studies. Straddling fiction and poetry, Renee Gladman's writing operates on the level of the sentence, constructing suprise and oblique meanings at every turn, and somehow managing the supremely difficult trick of both engaging and pushing the reader. "THE ACTIVIST begins in the middle of a revolution....There is a bridge that may or may not have been bombed. People speak in nonsense and cannot stop themselves. In the mids of all this, the language of news reports mixes with the language of confession. The art of this beautifully written book is in how it touchingly illustrates that relations between humans and cities are linked in a more complex interface than most realize"--Juliana Spahr.

    This book enriches the saga of mankind’s greatest scientific undertaking, Project Apollo, and conveys the human cost of the space race – by telling the stories of those sixteen astronauts and cosmonauts who died reaching for the moon. Many people are aware of the Apollo launch pad disaster in which three men lost their lives, but few know of the other five fallen astronauts whose stories this book tells as well: among them, Ted Freeman and C.C. Williams, who died in the crashes of their -38 jets; the “Gemini Twins,” Charlie Bassett and Elliot See, killed when their jet slammed into the building where their Gemini capsule was undergoing final construction; and Ed Givens, whose fatal car crash has until now been obscured by rumors. The extraordinary lives and accomplishments of these and other fallen astronauts – including eight Russian cosmonauts who lost their lives during training – unfold here in intimate and compelling detail, supported by extensive interviews and archival material. Their stories return us to a stirring time in the history of our nation and remind us of the cost of fulfilling our dreams.

    On this dark and lovely winter night, he will sift through the shards of his memories, trying to make sense of a lifetime of psychic visions and his family’s tumultuous history on an Indiana farmstead.As a young man, Noah, a true innocent, fell deeply in love with Opal, a young woman with a penchant for flames. Once married, the couple move into their own house on his family’s farm. After forty-two idyllic days, Opal is overcome by her fascination with fire and institutionalized. Though Noah embarks on a journey to save her, he cannot, and must instead rely on her letters, his memories, and the strength of his family to sustain him.Written in a masterful elegiac style that echoes Faulkner and Steinbeck, Indiana, Indiana is a compellingly beautiful and surreal Midwestern saga firmly grounded in an Indiana landscape populated by farmers, drifters, sheriffs, and ministers, and overflowing with musical saws, family bibles stuffed with flowers, and appliances rusting in the fields.

    His argument has important implications for both literary studies and narrative theory.Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels as Pride and Prejudice, Great Expectations, and Le P�re Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The character-space, as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation.Woloch's discussion of character-space allows for a different history of the novel and a new definition of characterization itself. By making the implied person indispensable to our understanding of literary form, this book offers a forward-looking avenue for contemporary narrative theory.

    He discusses the fate of virtue, the legacy of racism, the moral issues implicated in the war on terrorism, and the objectivity of ethical norms. Against those who see no place for religious reasoning in the democratic arena, Stout champions a space for religious voices. But against increasingly vocal antiliberal thinkers, he argues that modern democracy can provide a moral vision and has made possible such moral achievements as civil rights precisely because it allows a multitude of claims to be heard.Stout's distinctive pragmatism reconfigures the disputed area where religious thought, political theory, and philosophy meet. Charting a path beyond the current impasse between secular liberalism and the new traditionalism, Democracy and Tradition asks whether we have the moral strength to continue as a democratic people as it invigorates us to retrieve our democratic virtues from very real threats to their practice.

    Through Ellis Island's halls and corridors more than twelve million immigrants-of nearly every nationality and race-entered the country on their way to new experiences in North America. With an astonishing array of nineteenth- and twentieth-century photographs, Ellis Island leads the reader through the fascinating history of this small island in New York harbor from its pre-immigration days as one of the harbor's oyster islands to its spectacular years as the flagship station of the U.S. Bureau of Immigration to its current incarnation as the National Park Service's largest museum.

    So in March 2001 he opened a new restaurant, Craft, that offered diners simple, soulful dishes centered around single ingredients that went on to shake up many people's ideas of what "restaurant food" should be like.Craft of Cooking leads you through Colicchio's thought process in choosing raw materials--like what to look for in fresh fish, or how to choose the perfect mushroom--to show that good food is available to anyone with access to a good supermarket, farm stand, or gourmet grocery. The book also features "Day-in-the-Life-of-Craft" portraits, which offer a fascinating, behind-the-scenes glimpse at areas of the restaurant beyond the dining room. These segments allow you to peer into the fast-paced prep kitchen, to witness the high drama of reservations, and to get a taste of the humor and empathy necessary to serve New York's colorful visitors and foodies.Using Tom's straightforward and friendly voice, Craft of Cooking offers recipes suited to any purpose--from a quick family meal to a festive dinner party for twelve.

    Bonnie and Clyde: A Twenty-First Century update includes eyewitness accounts not seen elsewhere.

    These events include burglary, sex, conversation, reading, humiliation, child raising, and porn. Gluck's previous books include MARGERY KEMPE and JACK THE MODERNIST, both newly available from SPD. "Flaubert says in a letter to Louise Colet that good prose should be stuffed with things. This is good prose indeed, filled with shells and duck meat and sunlight and flesh and gardening tools and sperm..."--Samuel R. Delany.

     Here is the story of an anonymous counter-terrorism expert, a young woman, who, in disguise, has penetrated front groups of anti-American terrorist organizations operating in this country. In this edge-of-the-seat memoir, she chronicles her escape from Iraq via Iran to Israel, following a great tragedy that befell her family at the hands of Saddam Hussein. She also details how she became involved in intelligence gathering for the United States, her adoptive country, while working for an antiterrorism group. With her unique insights into how terrorist groups veil their true operations by various means, she was able to infiltrate and identify dangerous terrorist organizations and entities working undetected in the United States.Terrorist Hunter provides fascinating and shocking information on how federal agencies, chiefly the FBI and the State Depart-ment, repeatedly ignored or mishandled important information she provided. She reveals her role in exposing terrorist supporters who the White House considered to be friends, in preventing the government from funding terrorist activities, and in the deportation of terrorists and their supporters. She also reveals how she discovered a billion-dollar scheme that rich Saudi Arabians set up to filter money to terrorist groups, through charities and businesses in the United States -- information that the FBI sat on for years, until after 9-11.

    Featuring contributions from such writers as Pearl Cleage, Timmothy McCann, and Earl Sewell, an anthology of stories drawn from African, African-American, and biblical proverbs provides wit, inspiration, and wisdom.

    It is important that we be in charge again of our cooking, working with fresh, unadulterated ingredients. Enclosed you will find many simple-to-make, good-tasting, inexpensive dishes from the past that taste better than ever today. I urge you to try them. · Good soups—satisfying one-dish meals that can be made ahead· Dishes that can be made with what’s on hand—First-Prize Onion Casserole, Shepherd’s Pie, Salmon or Tuna Loaf· Vegetables baked and ready for the table· Real salads, substantial enough for lunch or supper, with snappy dressings· Breads and cookies, puddings and cakes that you loved as a childPS: There is nothing like the satisfaction of sharing with others something you have cooked yourself

    

    In Imagine There's No Woman, Joan Copjec shows how Freud's ragtag, nearly incoherent notion of sublimation was refashioned by Lacan to become the key term in his ethics. To trace the link between feminine being and Lacan's ethics of sublimation, Copjec argues, one must take the negative proposition about the woman's existence not as just another nominalist denunciation of thought's illusions about the existence of universals, but as recognition of the power of thought, which posits and gives birth to the difference of objects from themselves. While the relativist position currently dominant insists on the difference between my views and another's, Lacan insists on this difference within the object I see. The popular position fuels the disaffection with which we regard a world in a state of decomposition, whereas the Lacanian alternative urges our investment in a world that awaits our invention. In the book's first part, Copjec explores positive acts of invention/sublimation: Antigone's burial of her brother, the silhouettes by the young black artist Kara Walker, Cindy Sherman's Untitled Film Stills, and Stella Dallas's final gesture toward her daughter in the well-known melodrama. In the second part, the focus shifts to sublimation's adversary, the cruelly uncreative superego, as Copjec analyzes Kant's concept of radical evil, envy's corruption of liberal demands for equality and justice, and the difference between sublimation and perversion. Maintaining her focus on artistic texts, she weaves her arguments through discussions of Pasolini's Salo, the film noir classic Laura, and the Zapruder film of the Kennedy assassination.

    Since then, over 9,000 poets have joined this grassroots peace movement by submitting poems and statements to www.poetsagainstthewar.org, registering their opposition to the Bush administration's headlong plunge toward war in Iraq. Poets Against the War features a selection of the best poems that were submitted to the website. Contributors include: Adrienne Rich, W.S. Merwin, Galway Kinnell, Robert Bly, Marilyn Hacker, Grace Schulman, Shirley Kaufman, Wanda Coleman, Yusef Komunyakaa, Hayden Carruth, Jane Hirshfield, Tess Gallagher, Sandra Cisneros, former Poet Laureate Rita Dove, and many others.

    Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems.

    After decades of patient work, Hopper enjoyed a success and popularity that since the 1950s have continually grown. Living in a secluded country house with his wife Josephine, he depicted the loneliness of big-city people in canvas after canvas. Many of Hopper's pictures represent views of streets and roads, rooftops, abandoned houses, depicted in brilliant light that strangely belies the melancholy mood of the scenes. On the other hand, Hopper's renderings of rocky landscapes in warm brown hues, or his depictions of the sea coast, exude an unusual tranquillity that reveals another, more optimistic side of his character. Hopper's paintings are marked by striking juxtapositions of colour, and by the clear contours with which the figures are demarcated from their surroundings. His extremely precise focus on the theme of modern men and women in both the natural and the man-made environment sometimes lends his pictures a mood of eerie disquiet.The Edward Hopper portfolio features high quality prints that beg to be framed. Tucked in the portfolio are 14 large-format reproductions, each with a brief description.

    Cameo appearances by Alexander the Great and his horse Bucephalus, God strolling in the Garden of Eden, and Josef Stalin lead the reader through the epochs. In Hudgins's adroit hands, a lake, and even a joke become personified.

    (The artists he championed include Jackson Pollock, Joseph Cornell, Grace Hartigan, Jane Freilicher, Joan Mitchell, and Robert Rauschenberg.) The flowering of O'Hara's talent, cut short by a fatal car accident in 1966, produced some of the most exuberant, truly celebratory lyrics of the twentieth century. And it produced America's greatest poet of city life since Whitman.Alternating between O'Hara's poems and LeSueur's memory of the circumstances that inspired them, Digressions on Some Poems by Frank O'Hara is a literary commentary like no other--an affectionate, no-holds-barred memoir of O'Hara and the New York that animated his work: friends, lovers, movies, paintings, streets, apartments, music, parties, and pickups. This volume, which includes many of O'Hara's best-loved poems, is the most intimate, true-to-life portrait we will ever have of this quintessential American figure and his now legendary times.

    Everything is just lovely to these sweet rabbits: Even when Bad Wolf Peter snatches up all four bunnies for his soup, Cuddlemop, Sweetsnuffle, and Pretty look on the bright side-they simply adore the warm, steamy water in the soup pot. But Grumblebunny knows that being grumbly will get them out of the soup. Can he convince the other rabbits to toughen up and play along? Illustrated by David Clark.

    Many of the best examples office buildings, movie theaters, hotels, and churches are still in use. Deco architects, artists, and designers drew on European styles but were most committed to a style that grew organically, as they saw it, from their native soil. Two themes bound Deco buildings and their decorative schemes together: a regional pride that tied buildings to their specific locales and functions, and a growing national symbolism that asserted the buildings' identity as uniquely, independently American. American Art Deco features description sand over 500 color photographs of seventy-five lavish and innovatively designed buildings across the country that have been preserved both outside and in, giving the full scope of this beloved, exciting style.

    Topics include Pythagorean arithmetic, Plato's use and philosophy of mathematics, an in-depth analysis of Euclid's "Elements," the beginnings of Greek algebra and trigonometry, and other mathematical milestones. 1931 edition.

    Yet the problem with a lot of Southern cooking is the ever-present can of cream of mushroom soup. In this lively, humorous cookbook, Robert St. John shows Southerners (and all fans of the cuisine) how to indulge in the ideas and tastes that inspired Southern cooking, without resorting to ingredients like that canned soup in the recipe. The classic dishes are all here; they just taste better! Sections include cocktail party fare, funeral food, breakfasts, salads and soups, summer suppers, cakes, vegetables, chitlins, desserts, sides, and much more. Recipes include Buttermilk Chicken, Pecan Crusted Redfish, Fried Catfish, Cajun Popcorn, Corn Fritters, and lots of other Southern classics.

    The contents of this book are totally radical and uncompromising. This message is a rare and singular expression of absolute non-dualism. It bypasses the mind and speaks directly to the very core of a wisdom that is imminent in all of us. When there is a readiness to hear, all seeking and need for personal endeavour falls away, leaving simply the wonder of what is.

    Earlier in the year the three young men who received the gifts cruelly hurt both grandmother and grandson, pushing them down in the snow and taking their coats and Grandmother's moccasins. In this true story told from his own childhood, Ray Buckley tells how Grandmother labored through the year to produce moccasins for each of the young men that were of extraordinary design and loveliness. In her giving and through her forgiveness she draws the young men into the compassion of God's love. Walking back through the trees, her grandson realizes that same love has made the two of them truly free.

    It provides a historical and cultural context and explores how poetry informed, and was informed by, the issues of the day.

    McGowan identifies many of the social ills of American culture today as symptoms of this transformation: the sense of disconnection, the increase in aggression and violence, widespread cynicism, political apathy, incivility, and loss of meaning. Discussing these various symptoms, he examines various texts from film, literature, popular culture, and everyday life, including Toni Morrison's Paradise, Tony Kushner's Angels in America, and such films as Dead Poets Society and Trigger Effect. Paradoxically, The End of Dissatisfaction? shows how the American cultural obsession with enjoying ourselves actually makes it more difficult to do so.

    The four--Arthur Rothstein, Marion Post Wolcott, Russell Lee, and John Vachon--captured the many facets of the Depression in Montana: rural and urban, agricultural and industrial, work and play, and hard times and the promise of a brighter future.Taken by men and women who became some of America's best-known photographers, the photographs of Rothstein, Wolcott, Lee, and Vachon are both stunning pieces of art and important historical documents. Today these striking images present an unforgettable portrait of a little-studied period in the history of Montana. Selected from the FSA Collection at the Library of Congress in Washington, D.C., the photographs in Hope in Hard Times offer viewers an unparalleled look at life in Montana in the years preceding the United States' entry into World War II.

    Dynamic artwork and lively narrative create a warm, personable portrait of the stubborn man from Braintree, Massachusetts, whose passion for liberty spurred him on to extraordinary roles as a Founding Father, first Vice President, and second President of the United States. Through Adams's eyes, kids witness the tension-enflamed streets of Boston, the bickering Continental Congress, the complexities of waging the War for Independence, and the challenges of governing a new nation. Vivid quotes from both John and Abigail Adams provide great primary source material for school reports, and three illustrated maps show readers where key events took place."How wonderful now to see his story told for children in such an appealing fashion. Cheryl Harness's illustrations and text are first rate, appropriately full of life and understanding." —David McCullough, Pulitzer Prize-winning author of John AdamsNational Geographic supports K-12 educators with ELA Common Core Resources.Visit www.natgeoed.org/commoncore for more information.

    An unprecedented infusion of hundreds of millions of dollars in development capital is revitalizing the community and transforming a cityscape marred by decades of poverty. In a striking show of exuberance, upscale shops are materializing in once-abandoned buildings, new homes are popping up in vacant lots, and sheets of glass twinkle in place of grim, boarded-up windows. The economic renewal has lured a host of new people to the neighborhood—doctors, lawyers, investment bankers, and even a former president. But it has also posed a threat to many residents who have lived through the worst of times and now fear that they will lose their homes and livelihoods as boom times sweep in. Spirit of Harlem documents this extraordinary period of transition through the words and faces of newcomers and longtime residents alike. There are reminiscences of Harlem during the 1920s through the 1960s, stories of friends and families gathering at churches, in local shops, and on the streets, and thoughts on what the future holds for the neighborhood. Millions of tourists visit Harlem each year, and many people in the United States can trace their roots to this legendary area or have read about its remarkable history and impact on American life and culture. In more than fifty stunning portraits and essays, Spirit of Harlem brings all its splendor, rancor, drama, and glamour vividly to life. The voices of Spirit of Harlem:“The minute you step out your door, everything in Harlem is in your face. There is a beauty and a poetry in all that . . .” —Lana Turner, real estate broker“Bubba and me thought Harlem was Heaven, all the lights and the sights. I asked my aunt, ‘Where do all the white people live?’” —Rev. Betty Neal“When I came up from the subway, I said, ‘Oh man, I'm lost!’ But then I saw the Apollo and it blew me away. I said, ‘Wow, this is it! I’m in Harlem!’ I had never been to Harlem before, but I just knew I belonged here.” —Bryan Collier, author and artist

    At its center lies Sherwin Nuland’s Rembrandtesque portrait of his father, Meyer Nudelman, a Jewish garment worker who came to America in the early years of the last century but remained an eternal outsider. Awkward in speech and movement, broken by the premature deaths of a wife and child, Meyer ruled his youngest son with a regime of rage, dependency, and helpless love that outlasted his death. In evoking their relationship, Nuland also summons up the warmth and claustrophobia of a vanished immigrant New York, a world that impelled its children toward success yet made them feel like traitors for leaving it behind. Full of feeling and unwavering observation, Lost in America deserves a place alongside such classics as Patrimony and Call It Sleep.

    This declaration of African-American independence became known as the Harlem Renaissance and this is a study of the era.

    Speak the right lingo in country after country, for over 5,000 miles! This book covers the local Spanish of: Argentina, Bolivia, Chile, Colombia, Cuba, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Nicaragua, Panama, Paraguay, Peru, Puerto Rico, Uruguay, Venezuela.

    He wanted equality for blacks and whites in America and an end to discrimination and prejudice. Read the amazing story of his non-violent struggle in the 1950s and 1960s and learn about the power of his dream as it works even today.

    Every year millions of tourists visit these mountains, drawn by the region's great natural beauty and diverse cultural traditions. Many popular aspects of Cherokee culture are readily apparent; beneath the surface, however, lies a deeper Cherokee heritage--rooted in sacred places, community ties, storytelling, folk arts, and centuries of history. Cherokee Heritage Trails Guidebook is your introduction to this vibrant world. The book is organized around seven geographical hubs or communities within the original Cherokee homeland. Each chapter covers sites, side trips, scenic drives, and events. Cherokee stories, history, poems, and philosophy enrich the text and reveal the imagination of Cherokees past and present. The Museum of the Cherokee Indian in Cherokee, North Carolina, is the main interpretive center for the Cherokee Heritage Trails. Among the many other featured sites are Kituhwa Mound, origin of the mother town of the Cherokees; Junaluska Memorial and Museum, with a preserved gravesite and medicine plant trail; and Unicoi Turnpike Trail, part of the Trail of Tears and one of sixteen national millennium trails in the United States.