In the Break is an extended riff on “The Burton Greene Affair,” exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance—culture, politics, sexuality, identity, and blackness itself—is improvisation.For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten’s concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other.Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition.

    But what is missing from the picture--sexual difference--can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology--Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson--has measured African Americans' unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans' culture and behavior deviated from those norms, they would not achieve economic and racial equality. Aberrations in Black tells the story of canonical sociology's regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories--the narrative of capital's emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture--works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story--one in which people who presumably manifest the dys-functions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery--a never-published chapter of Invisible Man that deals with a gay character in a way thatcomplicates and illuminates Ellison's project. Unique in the way it situates critiques of race, gender, and sexuality within analyses of cultural, economic, and epistemological formations, Ferguson's work introduces a new mode of discourse--which Ferguson calls queer of color analysis--that helps to lay bare the mutual distortions of racial, economic, and sexual portrayals within sociology. A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture.

    immigration policy--a process that profoundly shaped ideas and practices about citizenship, race, and state authority in the 20th century.Mae Ngai offers a close reading of the legal regime of restriction that commenced in the 1920s--its statutory architecture, judicial genealogies, administrative enforcement, differential treatment of European and non-European migrants, and long-term effects. In well-drawn historical portraits, Ngai peoples her study with the Filipinos, Mexicans, Japanese, and Chinese who comprised, variously, illegal aliens, alien citizens, colonial subjects, and imported contract workers.She shows that immigration restriction, particularly national-origin and numerical quotas, re-mapped the nation both by creating new categories of racial difference and by emphasizing as never before the nation's contiguous land borders and their patrol. This yielded the illegal alien, a new legal and political subject whose inclusion in the nation was a social reality but a legal impossibility--a subject without rights and excluded from citizenship. Questions of fundamental legal status created new challenges for liberal democratic society and have directly informed the politics of multiculturalism and national belonging in our time.Ngai's analysis is based on extensive archival research, including previously unstudied records of the U.S. Border Patrol and Immigration and Naturalization Service. Contributing to American history, legal history, and ethnic studies, Impossible Subjects is a major reconsideration of U.S. immigration in the 20th century.

    Not long afterward, he himself would fall prey to those powers, a victim of suicide following a failed attempt to flee the Nazis. However insistently the idea of catastrophe hangs over Benjamin's writings in the final years of his life, the "victories wrested" in this period nonetheless constitute some of the most remarkable twentieth-century analyses of the emergence of modern society. The essays on Charles Baudelaire are the distillation of a lifetime of thinking about the nature of modernity. They record the crisis of meaning experienced by a civilization sliding into the abyss, even as they testify to Benjamin's own faith in the written word.This volume ranges from studies of Baudelaire, Brecht, and the historian Carl Jochmann to appraisals of photography, film, and poetry. At their core is the question of how art can survive and thrive in a tumultuous time. Here we see Benjamin laying out an ethic for the critic and artist--a subdued but resilient heroism. At the same time, he was setting forth a sociohistorical account of how art adapts in an age of violence and repression.Working at the height of his powers to the very end, Benjamin refined his theory of the mass media that culminated in the final version of his essay "The Work of Art in the Age of Its Technological Reproducibility." Also included in this volume is his influential piece "On the Concept of History," completed just before his death. The book is remarkable for its inquiry into the nature of "the modern" (especially as revealed in Baudelaire), for its ideas about the transmogrification of art and the radical discontinuities of history, and for its examples of humane life and thought in the midst of barbarism. The entire collection is eloquent testimony to the indomitable spirit of humanity under siege.

    She argues for the importance of recognizing---and archiving---accounts of trauma that belong as much to the ordinary and everyday as to the domain of catastrophe. Cvetkovich contends that the field of trauma studies, limited by too strict a division between the public and the private, has overlooked the experiences of women and queers. Rejecting the pathologizing understandings of trauma that permeate medical and clinical discourses on the subject, she develops instead a sex-positive approach missing even from most feminist work on trauma. An Archive of Feelings challenges the field to engage more fully with sexual trauma and the wide range of feelings in its vicinity, including those associated with butch-femme sex and AIDS activism and caretaking.An Archive of Feelings brings together oral histories from lesbian activists involved in act/up New York; readings of literature by Dorothy Allison, Leslie Feinberg, Cherrie Moraga, and Shani Mootoo; videos by Jean Carlomusto and Pratibha Parmar; and performances by Lisa Kron, Carmelita Tropicana, and the bands Le Tigre and Tribe 8. Cvetkovich reveals how these cultural formations---activism, performance, and literature---give rise to public cultures that both work through trauma and transform the conditions producing it. By looking closely at connections between sexuality, trauma, and the creation of lesbian public cultures, Cvetkovich makes those experiences that have been pushed to the peripheries of trauma culture the defining principles of a new construction of sexual trauma-one in which trauma catalyzes the creation of cultural archives and political communities.About the Author: Ann Cvetkovich is Associate Professor of English at the University of Texas at Austin. She is the author of Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism.

    Founded on rock music, celebrity, boom-time economics, and fleeting political optimism, this was "Cool Britannia." Records sold in the millions, a new celebrity elite emerged, and Tony Blair's Labour Party found itself returned to government. Drawing on interviews from all the major bands including Oasis, Blur, Elastica, and Suede, and from music journalists, record executives, and those close to government, Britpop! charts the rise and fall of the Britpop moment. In this wonderfully engaging, page-turning narrative, John Harris, currently the hottest young music journalist in the UK, argues that the high point of British music's cultural impact also signaled its effective demise. After all, if rock stars were now friends of government, how could they continue to matter?"Cool Britannia was an empty promise that was bound to end in tears. John Harris captures the moment when New Labour, desperately wanting to seem hip, invited Britpop into Downing Street. Irresistible."-Billy Bragg

    In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.

    Basbanes continues the lively, richly anecdotal exploration of book people, places, and culture he began in 1995 with A Gentle Madness (a finalist that year for the National Book Critics Circle Award) and expanded in 2001 with Patience & Fortitude, a companion work that prompted the two-time Pulitzer Prize-winning historian and biographer David McCullough to proclaim him "the leading authority of books about books." In this beautifully packaged edition, Basbanes brings to a close his wonderful trilogy on the remarkable world of books and bibliophiles.

    From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice.Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.

    . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times"People are right to be shocked." –The New YorkerFrom the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject.All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.

    The Haraway Reader brings together a generous selection of Donna Haraway's work, she is one of our keenest observers of nature, science, and the social world and this volume is ideal introduction to her thought.

    The book’s heartfelt words, from some of the world’s greatest visionary leaders, are set to original soul-stirring music, creating an atmosphere of relaxation, insight, and healing. Created by the cofounders of the Companion Arts Foundation, Graceful Passages addresses themes of letting go, closure, expressing love, forgiveness, appreciation of life, and continuity of spirit from different perspectives and faith traditions. Catholic, Protestant, and Jewish clergy are represented as well as Native American, Confucian, and Buddhist voices, creating a truly multifaith resource. A compelling musical score, created by a pioneering healing music artist and award-winning composer, lovely still-life photographs, and elegant design create a gentle invitation for the reader and listener to reflect upon what matters most in life.

    This rich collection, filled with interviews, essays, and color reproductions of testosterone-heavy thirty-five-cent magazines with names like Man's Exploits, Rage, and Escape to Adventure (to name a few), illustrates the culture created to help veterans confront the confusion of jobs, girls, and the Cold War on their return from World War II and the Korean War.Contributions from the original men's magazine talent like Bruce Jay Friedman, Mario Puzo, and Mort Künstler bring the reader inside the offices, showing us how the writers, illustrators, editors, and publishers put together decades of what were then called "armpit slicks." Reproductions of original paintings from Norman Saunders, Künstler, and Norm Eastman are featured within, and Bill Devine's annotated checklist of the many thousands of adventure magazines is essential for collectors of the genre.The expanded paperback edition includes wartime illustrations and advertisements from mass-produced magazines that preview the xenophobia and racist ideas later seen throughout men's adventure magazines of the '50s and '60s.

    Spanning nearly 25 years of scholarship, criticism, and journalism, this unprecedented anthology showcases the evolution and continuing influence of one of the most creative and contested elements of global popular culture since its advent in the late 1970s. That's the Joint presents the most important hip-hop scholarship in one comprehensive volume, addressing hip-hop as both a musical and a cultural practice. Think of it as "Hip-Hop 101."

     Jacob Sullum goes beyond the debate on legalization or the proper way to win the "war on drugs," to the heart of a social and individual defense of using drugs. Saying Yes argues that the all-or-nothing thinking that has long dominated discussions of illegal drug use should give way to a wiser, subtler approach exemplified by the tradition of moderate drinking. Saying Yes further contends that the conventional understanding of addiction, portraying it as a kind of chemical slavery in which the user's values and wishes do not matter, is also fundamentally misleading.

    Demonstrates the historical, biblical, and theological consistency of Reformed theology, the richness of the African-American Christian experience, and the merit of bringing the two together.

    Four see-through vellum sections, of four layers each, begin with a "naked" geisha; they show, stage by stage, how her distinctive costume and make-up are assembled. You'll view the subtle changes of appearance through the round of seasonal events, and the elaborate array of equipment in the geisha's wardrobe, as well as everything she needs to do her demanding jobs. Equally revealing is the incredibly detailed information about the women's training, lives, and history.

    Product youll find a vibrantly colorful tribute to such pop-culture icons as the Jolly Green Giant, natty Mr. Peanut, the cute little Morton Salt Girl, and the countless other advertising characters who have been helping us navigate the grocery aisles and choose our products for years. Offering up a bustling gallery of over 500 spokescharacters, this chunky compendium charts the origins and development of the advertising character and gives brief glimpses into some of their most intimate secrets. (Did you know that the Michelin Man has been spotted with glamorous ladies on his arm? Or that Bordens Elsie the Cow was married to Elmer of household glue fame?) Famous faces and a host of recently rediscovered characters fill Meet Mr. Products pages to bursting.

    But economic changes like this don't occur in a vacuum; they're always linked to politics. The Twilight of Equality? searches out these links through an analysis of the politics of the 1990s, the decade when neoliberalism-free market economics-became gospel. After a brilliant historical examination of how racial and gender inequities were woven into the very theoretical underpinnings of the neoliberal model of the state, Duggan shows how these inequities play out today. In a series of political case studies, Duggan reveals how neoliberal goals have been pursued, demonstrating that progressive arguments that separate identity politics and economic policy, cultural politics and affairs of state, can only fail. Ultimately, The Twilight of Equality? not only reveals how the highly successful rhetorical maneuvers of neoliberalism have functioned but, more importantly, it shows a way to revitalize and unify progressive politics in the U.S. today.

    In their absence, commonly held perceptions of black women as teenage mothers, welfare recipients, mammies, or exotic sexual playthings remain unchanged. For fear that telling their stories will fulfill society's implicit expectations about their sexuality, most black women have retreated into silence. Tricia Rose seeks to break this silence and jump-start a dialogue by presenting, for the first time, the sexual testimonies of black women who span a broad range of ages, levels of education, and socioeconomic backgrounds. Both brilliantly conceived and sensitively executed, Longing to Tell is required reading for anyone interested in issues of race and gender.

    This dazzling collection of original essays from some of the country's leading thinkers asks the rather intriguing question - Are Italians White? Each piece carefully explores how, when and why whiteness became important to Italian Americans, and the significance of gender, class and nation to racial identity.

    Images of Latinos and Latinas in mainstream news and in popular culture suggest a Latin Explosion at center stage, yet the topic of queer identity in relation to Latino/a America remains under examined.Juana Mar�a Rodr�guez attempts to rectify this dearth of scholarship in Queer Latinidad: Identity Practices, Discursive Spaces, by documenting the ways in which identities are transformed by encounters with language, the law, culture, and public policy. She identifies three key areas as the project's case studies: activism, primarily HIV prevention; immigration law; and cyberspace. In each, Rodr�guez theorizes the ways queer Latino/a identities are enabled or constrained, melding several theoretical and methodological approaches to argue that these sites are complex and dynamic social fields.As she moves the reader from one disciplinary location to the other, Rodr�guez reveals the seams of her own academic engagement with queer latinidad. This deftly crafted work represents a dynamic and innovative approach to the study of identity formation and representation, making a vital contribution to a new reformulation of gender and sexuality studies.

    From feet to buttocks, hair, skin, face and beyond to soul and spirit, the author explores the endeavors, ordeals and triumphs of this body with some of the major dancers and choreographers of our time--Fernando Bujones, Brenda Bufalino, Trisha Brown, Garth Fagan, Rennie Harris, Bill T. Jones, Ralph Lemon, Susanne Linke, Meredith Monk and a cadre of their esteemed colleagues. Since race and color are usually taboo subjects in the dance world, what the author finds out is sure to cause controversy and turn heads. Written by one of the foremost American dance critics of our day, The Black Dancing Body is a key to the ineffable rhythms and movement of dance in America.

    Many aspects of the life and lore of Joe Hill receive their first and only discussion in IWW historian Franklin Rosemont’s opus. In great detail, the issues that Joe Hill raised and grappled with in his life: capitalism, white supremacy, gender, religion, wilderness, law, prison, and industrial unionism are shown in both the context of Hill’s life and for their enduring relevance in the century since his death. Collected too is Joe Hill’s art, plus scores of other images featuring Hill-inspired art by IWW illustrators. As Rosemont suggests in this remarkable book, Joe Hill never really died as he lives in the minds of rebels as long as his songs are sung, his ideas are circulated, and his political descendants keep fighting for a better day.

    Covering an extensive period—from the earliest Greek texts in the late seventh century b.c.e. to Greco-Roman texts of the third and fourth centuries c.e.—the volume includes well-known writings by Plato, Sappho, Aeschines, Catullus, and Juvenal, as well as less well known but highly relevant and intriguing texts such as graffiti, comic fragments, magical papyri, medical treatises, and selected artistic evidence. These fluently translated texts, together with Thomas K. Hubbard's valuable introductions, clearly show that there was in fact no more consensus about homosexuality in ancient Greece and Rome than there is today. The material is organized by period and by genre, allowing readers to consider chronological developments in both Greece and Rome. Individual texts each are presented with a short introduction contextualizing them by date and, where necessary, discussing their place within a larger work. Chapter introductions discuss questions of genre and the ideological significance of the texts, while Hubbard's general introduction to the volume addresses issues such as sexual orientation in antiquity, moral judgments, class and ideology, and lesbianism. With its broad, unexpurgated, and thoroughly informed presentation, this unique anthology gives an essential perspective on homosexuality in classical antiquity.

    This new volume explores two successive transformations of the Western legal tradition under the impact of the sixteenth-century German Reformation and the seventeenth-century English Revolution, with particular emphasis on Lutheran and Calvinist influences. Berman examines the far-reaching consequences of these apocalyptic political and social upheavals on the systems of legal philosophy, legal science, criminal law, civil and economic law, and social law in Germany and England and throughout Europe as a whole.Berman challenges both conventional approaches to legal history, which have neglected the religious foundations of Western legal systems, and standard social theory, which has paid insufficient attention to the communitarian dimensions of early modern economic law, including corporation law and social welfare.Clearly written and cogently argued, this long-awaited, magisterial work is a major contribution to an understanding of the relationship of law to Western belief systems.

    It not only places the language in its natural context but also highlights along the way key aspects of Tibetan civilization and Vajrayana Buddhism. The Manual, which consists of forty-one lessons, is illustrated with many drawings and photographs and also includes two informative political and linguistic maps of Tibet. Two CDs provide an essential oral complement to the manual. A detailed introduction presents a linguistic overview of spoken and written Tibetan.

    It defines racism not only as extreme acts of hatred, but as "any attitude, action or institutional structure or social policy that subordinates a person or group because of their color." This landmark work offers an antidote to this pervasive social problem.*Shows how each of us has a role in the oppression of others, and what we can do about it*Offers a way to overcome racism on a very intimate level*Outlines specific guidelines and suggested activities

    Gathered from the great speeches of the civil rights movement of African Americans, Asian Americans, gays, Hispanic Americans, and women, Ripples of Hope includes voices as diverse as Sister Souljah, Spark Matsui, and Harvey Milk, which, taken as a whole, constitute a unique chronicle of the modern civil rights movement. Featuring a foreword by President Bill Clinton and an afterword by Mary Frances Berry, this collection represents not just a historical first but also an indispensable resource for readers searching for an alternative history of American rhetoric. Edited and with an introduction by former Clinton speechwriter Josh Gottheimer, the stirring speeches that make up this volume provide an important perspective on our nation's development, and will inform the future debate on civil rights.

    Yet this interest is overlooked by social and political theory at a time when we need to steer an adaptive course through the unnatural modern world of uneven population growth and decline, global mobility, and loss of family and communal ties. In modern Darwinian theory, bearing children is only one way to reproduce. Since we share genes with our families, ethnic groups, and the species as a whole, ethnocentrism and humanism can be adaptive. They can also be hazardous when taken to extremes. On Genetic Interests canvasses strategies and ethics for conserving our genetic interests in an environmentally sustainable manner sensitive to the interests of others.

    

    Street punks. Supermodels. Plenty of tattoos and lots of bling bling. Big Up is a photographic scrapbook of Americas raucous youth culture, created by one of the brightest young photographers in the fashion industry. Our limited hardcover edition of this extraordinary document was so eagerly sought that all 1,500 copies were accounted for before we even released the book. Now we're reissuing it -- how could we not? -- in a handy and inexpensive paperback format that's sure to once again capture the imagination. But don't just take our word for it. Here are what the critics have to say about Big Up: "Big Up, a hectic insider's view of the past dozen years of urban youth culture by London-born, Australian-raised Ben Watts, is too wild and too idiosyncratic to go unmentioned. The spontaneity and verve Watts packs into his pictures are perfectly mirrored in the book's...scrapbook-style design. Cut up, collaged, crayoned, and tagged with markers, the photos feel less like fixed, flattened documents than little time bombs about to explode. This sense of terrific, barely contained energy makes Big Up big fun, and the ideal time capsule for a style moment that just won't quit." --Village Voice"British photographer Ben Watts shot some rad pictures of wrestlers for us a short while ago. We were in love with his images then, and we haven't fallen out of love since. Big Up collects a variety of his raw, high-energy hip-hop portraits into one inspiring scrapbook." --Tokion

    In Tanzania, Bernardi's mute grandfather makes him a wonderful music box and then helps him realize his dream of owning a soccer ball and going to school.

    Divided into four parts and comprising Tarek Heggy's writings on the Egyptian mind, this volume makes an attempt to diagnose the illnesses of contemporary Egyptian political and socio-economic actuality and prescribe two solutions: a liberal political system and a modern market economy.

    Jason Read suggests that what characterizes contemporary capitalism is the intimate intersection of the production of commodities with the production of desire, beliefs, and knowledge.

    What they share is that, for them, the fact that they are white is more than an incidental, insignificant, or peripheral aspect of their being; it is central to how they view themselves and conduct their lives. The men and women you will meet in this book aren't public figures or leaders of organizations. They are everyday people: a postal worker from Philadelphia, a college student from Texas, an attorney from New York City, a bookstore owner from Washington State, an appliance repair man from Connecticut, a teacher from Chicago, and so on. We have a very negative image of racially conscious and committed whites gained largely from the media: neo-Nazi bigots, menacing skin heads, thugs who commit hate crimes. We are informed about people of this sort, but we don't hear from them. They aren't on television news shows speaking for themselves. They don't make movies or publish books. Politicians don't articulate their perspective or advocate their positions. Journalists and intellectuals don't write about them unless it is to be little them. Schools make no attempt to deal with them objectively. In this book, you'll hear from them. The words in this book are the speakers' as they spoke them; they haven't been altered, softened, or censored. And more than come to know their thoughts on race, you'll meet these people as human beings. Some of them you won't soon forget. Democracy depends on the free exchange of ideas. You make the call whether what these Americans have to say is to any extent valid. You decide whether what they say has any implications for what you believe and the way you believe.

    Focusing on hagiographical literature, Virginia Burrus pursues a fresh path of interpretation, arguing that the early accounts of the lives of saints are not antierotic but rather convey a sublimely transgressive countereroticism that resists the marital, procreative ethic of sexuality found in other strands of Christian tradition.Without reducing the erotics of ancient hagiography to a single formula, The Sex Lives of Saints frames the broad historical, theological, and theoretical issues at stake in such a revisionist interpretation of ascetic eroticism, with particular reference to the work of Michel Foucault and Georges Bataille, David Halperin and Geoffrey Harpham, Leo Bersani and Jean Baudrillard. Burrus subsequently proceeds through close, performative readings of the earliest Lives of Saints, mostly dating to the late fourth and early fifth centuries--Jerome's Lives of Paul, Malchus, Hilarion, and Paula; Gregory of Nyssa's Life of Macrina; Augustine's portrait of Monica; Sulpicius Severus's Life of Martin; and the slightly later Lives of so-called harlot saints. Queer, s/m, and postcolonial theories are among the contemporary discourses that prove intriguingly resonant with an ancient art of saintly loving that remains, in Burrus's reading, promisingly mobile, diverse, and open-ended.

    Latacz, one of Korfmann's closest collaborators, traces the course of theseexcavations, and the renewed investigation of the imperial Hittite archives they have inspired. As he demonstrates, it is now clear that the background against which the plot of the Iliad is acted out is the historical reality of the thirteenth century BC. The Troy story as a whole must have arisenin this period, and we can detect traces of it in Homer's great poem.

    Fredric Wertham! This collection is profusely illustrated by award-winning Mad cartoonist (and Mark's collaborator of 20 years on Groo The Wanderer), Sergio Aragones, including a new cover!

    From the divine to the sensual, women have long exercised a profound influence on world cultures, and so have become integral to the stories they tell. These tales, from ancient Egypt to old Ireland, from classical Greece to China, praise the divine and human heroines who demonstrate courage, daring, wit, creativity, and loyalty. The unforgettable women portrayed in these pages include Deborah, the brilliant Biblical judge and priestess who planned a winning battle against the Canaanite general Sisera and his mighty army; the Chinese general Mulan, who brought her soldiers safely through combat and saved her country; the ferocious Amazon Myrine, who conquered Atlantis; and Medb, queen of Connacht, whose adventures in war--and love--inspired a great Irish epic.

    David Chalmers skillfully shows how Klan violence actually aided the civil rights movement of the 1960s and revolutionized the role of the national government in the protection of civil rights. He follows the forty-year struggle to punish Klan murderers through the courts of Alabama, Georgia, and the U.S. Supreme Court, and how Morris Dees and the Southern Poverty Law Center finally found a way to bring the Klan down. As it looks to the future, Backfire examines the emergence of today's violent conspiracies of the white supremacist Right.

    He considers how the work of writers such as Toni Morrison, Ama Ata Aidoo, Dionne Brand, photographer Lorna Simpson, and many others, inform debates over the concept of identity. Quashie argues that these authors and artists replace the notion of a stable, singular identity with the concept of the self developing in a process both communal and perpetually fluid, a relationship that functions in much the same way that an adult woman negotiates with her girlfriend(s). He suggests that memory itself is corporeal, a literal body that is crucial to the process of becoming. Quashie also explores the problem language poses for the black woman artist and her commitment to a mastery that neither colonizes nor excludes.The analysis throughout interacts with schools of thought such as psychoanalysis, postmodernism, and post-colonialism, but ultimately moves beyond these to propose a new cultural aesthetic, one that ultimately aims to center black women and their philosophies.

    Through detailed readings of how discourses of race, sexuality, colonialism, and animality interact in twentieth-century American culture, Wolfe explores what it means, in theory and critical practice, to take seriously "the question of the animal."

     Assembles key anthropological articles that challenge accepted definitions and ideas of space and place Reveals how both the conceptual and material dimensions of space as well as of built forms and landscape characteristics are central to the production of social life Includes introduction that synthesizes existing literature, highlights core issues, and maps potential directions for future research Brings classics in cultural anthropology together with new theoretical approaches

    Brent Edwards suggests that diaspora is less a historical condition than a set of practices: the claims, correspondences, and collaborations through which black intellectuals pursue a variety of international alliances.Edwards elucidates the workings of diaspora by tracking the wealth of black transnational print culture between the world wars, exploring the connections and exchanges among New York based publications (such as "Opportunity," "The Negro World," and "The Crisis") and newspapers in Paris (such as "Les Continents," "La Voix des Negres," and "L'Etudiant noir"). In reading a remarkably diverse archive--the works of writers and editors from Langston Hughes, Rene Maran, and Claude McKay to Paulette Nardal, Alain Locke, W. E. B. Du Bois, George Padmore, and Tiemoko Garan Kouyate--The Practice of Diaspora takes account of the highly divergent ways of imagining race beyond the barriers of nation and language. In doing so, it reveals the importance of translation, arguing that the politics of diaspora are legible above all in efforts at negotiating difference among populations of African descent throughout the world."

    Against a backdrop of competing national priorities, changing technologies, globalization, and academic capitalism, these industries have sought to reach increasingly differentiated local audiences, even as distributed production practices have made the lack of authorial control increasingly obvious. As Katie King describes in Networked Reenactments, science-styled television—such as the Secrets of Lost Empires series shown on the PBS program Nova—demonstrates how new technical and collaborative skills are honed by television producers, curators, hobbyists, fans, and even scholars. Examining how transmedia storytelling is produced across platforms such as television and the web, she analyzes what this all means for the humanities. What sort of knowledge projects take up these skills, attending to grain of detail, evoking affective intensities, and zooming in and out, representing multiple scales, as well as many different perspectives? And what might this mean for feminist transdisciplinary work, or something sometimes called the posthumanities?

    Scott called a “suave, scholarly tour de force,” J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one.This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate—as well as the tele-saturation of the American market and the advent of Pop art. In “elegant, epigrammatic prose,” as Scott put it, Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop culture events.With entertaining reinterpretations of key Hollywood movies (such as Bonnie and Clyde, The Wild Bunch, and Shampoo), and meditations on personages from Che Guevara, John Wayne, and Patty Hearst to Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman reconstructs the hidden political history of 1960s cinema and the formation of America’s mass-mediated politics.

    Drawing on the Bible and the Western history of ideas, Oliver and Joan Lockwood O'Donovan explore key Christian voices on "the political" - political action, political institutions, and political society. Covered here are Bonaventure, Thomas, Ockham, Wycliff, Erasmus, Luther, Grotius, Barth, Ramsey, and key modern papal encyclicals. The authors' discussion takes them across a wide range of political concerns, from economics and personal freedom to liberal democracy and the nature of statehood. Ultimately, these insightful essays point to political judgment as the strength of the past theological tradition and its eclipse as the weakness of present political thought.

    In this biography, Nicholas Rankin reveals his extraordinary life.

    Several essays highlight the creative leading role played by women’s groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The authors – who include Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen – trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public – and often emotionally charged – debate about how the South’s past should be remembered.The editors: Art Historian Cynthia Mills, a specialist in nineteenth-century public sculpture, is executive editor of American Art, the scholarly journal of the Smithsonian American Art Museum. Pamela H. Simpson is the Ernest Williams II Professor of Art History at Washington and Lee University. She is the coauthor of The Architecture of Historic Lexington.

    Sexy and tart, low-down and high-hearted poems such as Suture, Slash, Vamp, and Bride of Reanimator articulate the dark desires, fears, and traumas out of which pop culture is made. Author Daphne Gottlieb is the winner of the 2002 Firecracker Award and a 2002 Lambda Finalist.

    Now feminist critics must confront a different issue. In Public Rape Tanya Horeck considers the public investment in images of rape and the figure of the raped woman. Introducing the idea of 'public rape', Horeck looks at how images of rape serve as cultural fantasies of sexual, racial and class difference. Looking at rape in real life as well as in literature and films such as The Accused and Boys Don't Cry, Horek reveals how representations of rape raise vital questions about the relationship between reality and fantasy, and between violence and spectacle

    Many people in the old European colonial powers -- and not only the dwindling band of "old Africa hands" who served in the colonies - are in despair, lamenting maladministration, corruption, civil and inter-state wars, poverty, famine, and the seemingly unstoppable march of AIDS. And all in a great continent with abundant human and natural resources. The other side of the coin is that hope is beginning to dawn as Africa's plight is recognized by the Africans themselves and its vital strategic, political and economic importance in the age of globalization is gaining universal appreciation. An "African renaissance" may seem far-fetched but there is perhaps light at the end of the tunnel. This is the backdrop against which Andrew Sardanis's fascinating story is set. It begins with his work as a journalist in Cyprus -- on the receiving end of British colonialism -- and moves to Northern Rhodesia where he played a leading role as an international businessman and in the politics of independence leading to the new nation of Zambia. He was at the heart of Zambia's political and business development, and always a sympathetic but critical observer and adviser, both in government and in business, also a close but objective friend of leaders including Kenneth Kaunda.

    Introduction to the lives and accomplishments of the Tuskegee Airmen, the famed African-American pilot group of WWII.

    A Cultural History of Madrid: Modernism and the Urban Spectacle corrects that oversight by presenting an urban and cultural history of the city from the turn of the century to the early 1930s.Between 1900 and 1930, Madrid's population doubled to almost one million, with less than half the population being indigenous to the city itself. Far from the 'Castilian' capital it was made out to be, Madrid was fast becoming a socially magnetic, increasingly secular and cosmopolitan metropolis. Parsons explores the interface between elite, mass and popular culture in Madrid while considering the construction of a modern madrileño identity that developed alongside urban and social modernization. She emphasizes the interconnection of art and popular culture in the creation of a metropolitan personality and temperament.The book draws on literary, theatrical, cinematic and photographic texts, including the work of such figures as Ramón Mesonero Romanos, Benito Pérez Galdós, Pío Baroja, Ramón Gomez de la Serna, Ramón Valle-Inclán and Maruja Mallo. In addition, the author examines the development of new urban-based art forms and entertainments such as the zarzuela, music halls and cinema, and considers their interaction with more traditional cultural identities and activities. In arguing that traditional aspects of culture were incorporated into the everyday life of urban modernity, Parsons shows how the boundaries between 'high' and 'low' culture became increasingly blurred as a new identity influenced by modern consumerism emerged. She investigates the interaction of the geographical landscape of the city with its expression in both the popular imagination and in aesthetic representations, detailing and interrogating the new freedoms, desires and perspectives of the Madrid modernista.

    It explains the often puzzling and confusing terms and phrases used routinely in Britain and by British people. This easy-reference alphabetical guide sheds light on a comprehensive selection of words, phrases, organizations and institutions. All these are fundamental features of British civilization and society, and include aspects of: * Politics and government * The Law, economics and industry * Education * The media * Religion and social welfare * Health and housing * Leisure and transport.

    This study explores the patterns of gender-related policy reform in these countries and reveals their implications for the peoples of Latin America. In addition, it offers a broader understanding of the logic behind the state's role in affecting private lives and gender relations everywhere.