So, on October 1, 1966, McNamara lowered mental standards and inducted thousands of low-IQ men. Altogether, 354,000 of these men were taken into the Armed Forces and a large number of them were sent into combat. Many military men, including William Westmoreland, the commanding general in Vietnam, viewed McNamara’s program as a disaster. Because many of the substandard men were incompetent in combat, they endangered not only themselves but their comrades as well. Their death toll was appallingly high. In addition to low-IQ men, tens of thousands of other substandard troops were inducted, including criminals, misfits, and men with disabilities. This book tells the story of the men caught up in McNamara’s folly.

    Taking cues from ideas hinted as by artists such as El Greco, Goya, Van Gogh, and Munch, Expressionists sought to transform reality rather than depict it in any sort of literal fashion. Egon Schiele, Max Beckmann, Paul Klee, and Wassily Kandinsky are among Expressionism's most famous exponents.

    This region is full of the macabre, the grim, and the ghastly—and all of it is worth visiting, for the traveler who dares! Author J. W. Ocker supplements directions and site information with entertaining personal anecdotes.Topics include:Legends and personalities of the macabreInfamous crimes and killersDreadful tragediesHorror movie localesNotable cemeteries and gravestonesIntriguing memento moriClassic monsters

    In this hilarious essay, originally published in the collection A Supposedly Fun Thing I'll Never Do Again, he ventures to the Illinois State Fair, where he examines butter sculptures, munches on corndogs, and swaps stories with local exhibitors. As he wanders through this endlessly fascinating world, Wallace's one-of-a-kind blend of humor and insight is on full display. "Getting Away from Already Being Pretty Much Away from It All" is an uproarious and ultimately unforgettable foray into a classic part of American life and culture.

    Body of book contains 35 of most important works of epoch with interpretationand artist biography.

    He also addresses the phenomenon of art critiques as a microcosm for teaching art as a whole and dissects real-life critiques, highlighting presuppositions and dynamics that make them confusing and suggesting ways to make them more helpful.Elkins's no-nonsense approach clears away the assumptions about art instruction that are not borne out by classroom practice. For example, he notes that despite much talk about instilling visual acuity and teaching technique, in practice neither teachers nor students behave as if those were their principal goals. He addresses the absurdity of pretending that sexual issues are absent from life-drawing classes and questions the practice of holding up great masters and masterpieces as models for students capable of producing only mediocre art. He also discusses types of art -- including art that takes time to complete and art that isn't serious -- that cannot be learned in studio art classes.Elkins's incisive commentary illuminates the experience of learning art for those involved in it, while opening an intriguing window for those outside the discipline.

    Joe took toy soldiers to a whole new level by giving them the ability to pose via moveable parts, as well as interchangeable clothing and accessories, the business of creating pop sculpture icons for the mass market was off and running. Superheroes came next, followed by TV show and movie characters, most notably those from Star Wars. Today, action figures exist for sports stars, rock stars, even presidents.With today's blockbuster success of animated films, action figures and collectibles have become a behemoth industry--with a growing need for skilled artists who can bring these characters to life. So how do you get started?The trio of veteran industry insiders who authored this book take you on an incredibly thorough journey that begins with drawing conceptual drafts and continues through rough sculpting and honing the final product. Along the way, you'll learn how to research your character, shape casts from a variety of materials including wax and resin, make accessories, articulate characters so that they are poseable, paint them, and ultimately convince an art director to buy and manufacture them. Whether you want to make small PVC toys, collectible statues, or larger high-end collectibles, Pop Sculpture offers step-by-step demos and words of wisdom from the pros.

    He was a Jew living in a Muslim world, a rationalist living in a time of superstition. Eight hundred years after his death, his notions about God, faith, the afterlife, and the Messiah still stir debate; his life as a physician still inspires; and the enigmas of his character still fascinate.Sherwin B. Nuland—best-selling author of How We Die—focuses his surgeon’s eye and writer’s pen on this greatest of rabbis, most intriguing of Jewish philosophers, and most honored of Jewish doctors. He gives us a portrait of Maimonides that makes his life, his times, and his thought accessible to the general reader as they have never been before.

    The difficulty he, and others, had with Quantum Physics was the great conceptual leap it requires taking from conventional ways of thinking about the physical world. Alastair Rae's introductory exploration into this area has been hailed as a masterpiece of clarity and is an engaging guide to the theories offered. This revised edition contains a new chapter covering theories developed during the past decade. Alastair Rae has been a Lecturer, a Senior Lecturer, then Reader in Quantum Physics in the School of Physics and Astronomy at University of Birmingham from 1967-2003. His publications include the First Edition of Quantum Physics, (Cambridge, 1994) and Quantum Mechanics (Institute of Physics, 2002), now in its Fourth Edition. First Edition Pb (1994): 0-521-46716-0

    We witness the centuries-old festivals that regularly crowd the city’s jumbled streets, and eavesdrop on conversations that continue deep into the night. We browse the countless curio shops where treasures mingle with kitsch, and meet the locals he befriends. In and out of these encounters slips Benedetta, the object of the author’s affections, at once inviting and unfathomable. Weaving the tale of an elusive love together with a vivid portrayal of a legendary metropolis, this is a startling evocation of a magical place.

    Naturalist. Warrior. President. There are so many sides to Theodore Roosevelt that it is easy to overlook one of his most enduring contributions to American public life: the use of fame to fuel his political career.In this concisely written, enlightening book, presidential historian Lewis L. Gould goes beyond the bully pulpit stereotypes to reveal how Roosevelt used his celebrity to change American politics. Based on research gleaned from the personal papers of Roosevelt and his contemporaries, TheodoreRoosevelt recaptures its subject's bold activism and irrepressible, larger-than-life personality. Beginning with his privileged childhood in New York City, the narrative traces his election to the New York Assembly, where he quickly rose through the ranks of the Republican Party. It is here that hefirst applied his shrewd ability to keep himself in the spotlight--a skill that served him well as commander of a volunteer regiment (dubbed Roosevelt's Rough Riders) in the Spanish-American War. Gould shows how Roosevelt rode a wave of popular acclaim at the war's end, assuming the governorshipof New York and serving as president from 1901 to 1909. While covering his major accomplishments as chief executive, including his successes as a trust-buster, labor mediator, and conservationist, Gould explains how fame both sustained and limited Roosevelt when he ran for president in 1912 andopposed Woodrow Wilson's policies during World War I.Theodore Roosevelt delivers the most insightful look yet at a pioneer of political theater--a man whose vigorous idealism as a champion of democracy serves as a counterpoint to the cynicism of today's political landscape. The book will coincide with the 100th anniversary of Roosevelt's third partyrun for the Progressive or Bull Moose Party.

    This edition is designed to attain a thorough understanding of this vital branch of chemistry.

    From war correspondents, farmers, and slaves to foot soldiers, officers, wives and lovers on both sides of the conflict, Tom Wicker creates a most memorable cast.

    Artists such as Mariko Mori, Paul McCarthy, Matthew Barney and Forced Entertainment can now be seen in the context of previous innovators, from the Dadaists to Laurie Anderson.First published in 1979, now extensively updated and expanded, this pioneering book has been supplemented by the definitive account of the current technological, political and aesthetic shifts in performance art.

    As word began to spread, similar establishments popped up across the country. Men lined up outside these cafés waiting to pay three times the usual cost for coffee served by a panty-free young woman, hoping to catch a fortuitous glimpse. Within a few years, a new craze took hold: the no-panties "massage" parlor. Competition for customers led these new types of businesses to offer an increasingly bizarre range of services: fondling clients through holes in coffins whilst they lie naked inside playing dead, interiors catering to commuter-train fetishists, young virgin role-playing, etc. Amongst these many destinations was a Tokyo club called Lucky Hole. Here, the premise was ridiculously simple: clients stood on one side of a plywood partition, a hostess on the other; in between them was simply a hole big enough for a certain part of the male anatomy to pass through. Nobuyoshi Araki was a frequent visitor to the sex clubs of Tokyo's Shinjuku neighborhood, and he photographed them profusely until the golden age of Japan's sex industry came to a screeching halt in February 1985, with the enactment of the New Amusement Business Control and Improvement Act. In over 800 photos, Tokyo Lucky Hole documents the free-for-all spirit of those clubs via Araki's lens.