This is a book about a piece of cloth, and how it is able to weave its way into the hearts of people, causing multiple and different chains of reactions.This book aims to shed light on the bigger picture, and the deeper meaning that comes with a person’s choice to either keep it or discard it, giving us a different perspective to consider our side before making assumptions and drawing conclusions.

    This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.

    She has written a stunningly original book of essays whose concerns range from the most minimal and personal subjects to the most encompassing matters of art and culture. The titles themselves speak to the volume's uniqueness: "On lice," "On sleeping in the theater," "On motherhood and stools (the furniture kind)," "Greek masks and Bell's palsy."100 Essays I Don't Have Time to Write is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life.

    They share their knitting triumphs and disasters as well as their life triumphs and disasters…These essays will break your heart. They will have you laughing out loud." —Ann Hood, from the introductionWhy does knitting occupy a place in the hearts of so many writers? What’s so magical and transformative about yarn and needles? How does knitting help us get through life-changing events and inspire joy? In Knitting Yarns, twenty-seven writers tell stories about how knitting healed, challenged, or helped them to grow. Barbara Kingsolver describes sheering a sheep for yarn. Elizabeth Berg writes about her frustration at failing to knit. Ann Patchett traces her life through her knitting, writing about the scarf that knits together the women she’s loved and lost. Knitting a Christmas gift for his blind aunt helped Andre Dubus III knit an understanding with his girlfriend. Kaylie Jones finds the woman who used knitting to help raise her in France and heals old wounds. Sue Grafton writes about her passion for knitting. Also included are five original knitting patterns created by Helen Bingham.Poignant, funny, and moving, Knitting Yarns is sure to delight knitting enthusiasts and lovers of literature alike.

    What is fate, in a culture of free will and self-determination? Where do we project our doom, that ancient and evolving belief in predestination? In this issue of Granta, twenty-two writers meditate on fate in all its many forms.Includes contributions by Anjan Sundaram, Andrea Stuart, Fatima Bhutto, Sam Coll, Joanna Kavenna, Joseph Roth, Michael Cunningham, and Will Self.

    Rozan, Lawrence Osborne, Suchen Christine Lim, Ovidia Yu, Damon Chua, Johann S. Lee, Dave Chua, and Nury Vittachi.From the introduction by Cheryl Lu-Lien Tan:"Say Singapore to anyone and you'll likely hear one of a few words: Caning. Fines. Chewing gum.For much of the West, the narrative of Singapore--a modern Southeast Asian city-state perched on an island on the tip of the Malay Peninsula--has been marked largely by its government's strict laws and unwavering enforcement of them...As much as I understand these outside viewpoints, I have always lamented that the quirky and dark complexities of my native country's culture rarely seem to make it past its borders...Beneath its sparkling veneer is a country teeming with shadows...And its stories remain. The rich stories that attracted literary lions W. Somerset Maugham and Rudyard Kipling to hold court at the Raffles Hotel (where the Singapore Sling was created) are still sprinkled throughout its neighborhoods. And in the following pages, you'll get the chance to discover some of them...You'll find stories from some of the best contemporary writers in Singapore--three of them winners of the Singapore Literature Prize, essentially the country's Pulitzer: Simon Tay, writing as Donald Tee Quee Ho, tells the story of a hard-boiled detective who inadvertently wends his way into the underbelly of organized crime, Colin Cheong shows us a surprising side to the country's ubiquitous cheerful 'taxi uncle,' while Suchen Christine Lim spins a wistful tale of a Chinese temple medium whose past resurges to haunt her...As for mine, I chose a setting close to my heart--the kelongs, or old fisheries on stilts, that once dotted the waters of Singapore but are gradually disappearing. I have a deep sense of romance about these kelongs, along with the many other settings, characters, nuances, and quirks that you'll see in these stories. They're intense, inky, nebulous. There is evil, sadness, a foreboding. And liars, cheaters, the valiant abound.This is a Singapore rarely explored in Western literature--until now. No Disneyland here; but there is a death penalty."

    From the self-appointed historian of the title piece to the wage slaves of ?Our Spring Catalog? and ?The Pipe, ? these are characters you?ve met before. They?re quirky visionaries and misguided dreamers sprung from a world of high school ambitions and misunderstood intentions. Laugh-out-loud funny, absurd, and always human, Jack Pendarvis's debut collection is the work of a writer of rare comedic literary talent.

    Unbeknownst to him, there’s a reason why he’s always the odd boy out: he is an Oddfit, a rare type of human with access to the More Known World, a land invisible to most people. Yet unfortunate circumstances keep Murgatroyd stranded in the Known World, bumbling through life with the feeling that an extraordinary something is waiting for him just beyond reach.Seventeen years later, that something finally arrives when a secret organization dedicated to exploring the More Known World invites Murgatroyd on a mission. But as the consummate loser begins to grow into the Oddfit he was meant to be, the Known World becomes bent on exterminating him. For once in his underachieving life, will Murgatroyd Floyd exceed expectations and outsmart those trying to thwart his stupendous destiny?

    Here some of Japan’s best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the “crazy” iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are “The Crazy Iris” by Masuji Ibuse, “Summer Flower” by Tamiki Hara, “The Land of Heart’s Desire” by Tamiki Hara, “Human Ashes” by Katsuzo Oda, “Fireflies” by Yoka Ota, “The Colorless Paintings” by Ineko Sata, “The Empty Can” by Kyoko Hayashi, “The House of Hands” by Mitsuharu Inoue, and “The Rite” by Hiroko Takenishi.

    He prefers action over talk,cartoons over words and speed over due process. The maverick wasblunt, direct and not afraid to challenge the status quo, earninghim a reputation not only as one of Singapore’s most accomplishedgovernment officials, but also among its most colourful bureaucrats. Neither Civil Nor Servant captures the half a century career of theformer Economic Development Board chairman, telling the storiesof brilliant achievements almost unparalleled in the history of theSingapore civil service. Yeo was the man who turned Batam into ahousehold name in Singapore, created Jurong Island from seawaterand put the country on the biomedical map globally with its iconicBiopolis. The famous rule breaker bulldozed his way through thebureaucracy he was a part of, blazing new paths in a manner moreakin to an entrepreneur than a civil servant. In the process, he offendedmore than a few and was never afraid to challenge naysayers publicly,regardless of status and background. In the hands of acclaimed journalist and author Peh Shing Huei,this authorised biography brings out Philip Yeo the private man behindthe public figure and uncovers the behind-the-scene stories of someof Singapore’s biggest post-independence military, economic andpolitical adventures. Neither Civil Nor Servant is an engaging andenthralling book, offering fascinating insights

    These seven true stories show that drugs, deceit, scams and sordid ping pong shows have become an undeniable and accepted part of the most popular tourist destinations in Thailand, namely Pattaya, Bangkok and Phuket. Caught on Camera and Pattaya Youtuber are two gripping modern stories that show the old saying ‘what happens in Thialand, stays in Thailand’ no longer holds true. Visitors to Thailand beware!

    K. Narayan, this text is a collection of spine-chilling tales of the supernatural from India.

    Edited by literary critic Isagani R. Cruz, this collection spans from 1925 to 1998. In this book readers will meet both famous and unfamiliar writers in both conventional and unexpected renditions of the genre. Although many of the stories are acknowledged masterpieces, the editor also chose stories on the basis of their ability to represent a particular author or decade. The stories of the 25 men and women writers represented here depict a vast gamut of human experience and emotions that, collectively, produce a stunning portrait of Philippine life and society. Dr. Cruz is a professor of literature at De Lasalle University, where he is also publisher of DLSU Press. He is himself a multi-awarded author and columnist, and the founding chair of the Manila Critics Circle. In a country where English has been the medium of instruction since the turn of the century, it is but fitting for the Philippines to share with the rest of the world its own vibrant treasury of short fiction. This richly satisfying collection represents the very best to emerge out of the Philippines in our century.

    The stories have been selected and introduced by Haruki Murakami.

    Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through backyards, a bookish teenager memorizes the poetry of Rimbaud—with beauty and irony. These essays invite readers into sweeping landscapes, to join Dillard in exploring the complexities of time and death, often with wry humor. On one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar.Marking the vigor of this powerful writer, The Abundance highlights Annie Dillard’s elegance of mind.