Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    Comprised of spine-chilling tales published by Stoker’s widow after his death, as well as The Lair of the White Worm, an intensely intriguing novel of myths, legends, and unspeakable evils, this collection demonstrates the full range of Stoker’s horror writing.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Some of the celebrated tales contained in this unique volume include the world's first detective stories -- "The Murders in the Rue Morgue" and "The Purloined Letter", and three stories sure to make a reader's hair stand on end -- "The Cask of Amontillado", "The Tell-Tale Heart", and "The Masque of the Red Death".The work includes a new introduction by Stephen Marlowe, author of "The Memoirs of Christopher Columbus" and "The Lighthouse at the End of the World."Besides the five stories already mentioned, it also contains: "The Balloon-Hoax", "Ms. Found in a Bottle", "A Descent into a Maelstrom", "The Black Cat", "The Pit and the Pendulum", The Assignation", "Diddling", "The Man That Was Used Up", and the novel, "Narrative of A. Gordon Pym". These may vary with different editions.The Signet Classic Edition of "The Fall of the House of Usher and Other Tales" has over 250,000 copies in print!Librarian's note: this is a collection by the author of short stories, and one novel, Entries for each of them on their own can be found elsewhere on Goodreads, including the specific entry for the story, "The Fall of the House of Usher".

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    Responding to people's overwhelming attraction to anything frightening, this marvelous anthology of some of the very best English ghost stories combines a serious literary purpose with the simple intention of arousing a pleasurable fear of the doings of the dead. As the first volume to present the full range and vitality of the ghost fiction tradition, this selection of forty-two stories, written between 1829 and 1968, demonstrates the tradition's historical development, as well as its major themes and characteristics. Though the genre reached its peak in the nineteenth century, it enjoyed a second flowering between the two World Wars and even now still attracts dedicated practitioners and readers. The anthology includes stories by Walter Scott, M. R. James, Bram Stoker, Rudyard Kipling, Edith Wharton, Somerset Maugham, T. H. White, and many others. Stressing the important contribution women writers have made to the genre, the collection also offers eight stories by women, ranging from Amelia Edward's "The Phantom Ghost" (1864) to Elizabeth Bowen's "Hand in Glove" (1952).The tapestried chamber / Walter Scott --The phantom coach / Amelia B. Edwards --Squire Toby's will / J.S. Le Fanu --The shadow in the corner / M.E. Braddon --The upper berth / F. Marion Crawford --A wicked voice / Vernon Lee --The judge's house / Bram Stoker --Man-size in marble / E. Nesbit --The roll-call of the reef / Arthur Quiller-Couch --The friends of the friends / Henry James --The red room / H.G. Wells --The monkey's paw / W.W. Jacobs --The lost ghost / Mary E. Wilkins --"Oh, whistle, and I'll come to you, my lad" / M.R. James --The empty house / Algernon Blackwood --The cigarette case / Oliver Onions --Rose Rose / Barry Pain --The confession of Charles Linkworth / E.F. Benson --On the Brighton Road / Richard Middleton --Bone to his bone / E.G. Swain --The true history of Anthony Ffryar / Arthur Gray --The Taipan / W. Somerset Maugham --The victim / May Sinclair --A visitor from down under / L.P. Hartley --Fullcircle / John Buchan --The clock / W.F. Harvey --Old man's beard / H. Russell Wakefield --Mr Jones / Edith Wharton --Smee / A.M. Burrage --The little ghost / Hugh Walpole --Ahoy, sailor boy! / A.E. Coppard --The hollow man / Thomas Burke --Et in sempiternum pereant / Charles Williams --Bosworth summit pound / L.T.C. Rolt --An encounter in the mist / A.N.L. Munby --Hand in glove / Elizabeth Bowen --A story of Don Juan / V.S. Pritchett --Cushi / Charistopher Woodforde --Bad company / Walter de la Mare --The bottle of 1912 / Simon Raven --The Cicerones / Robert Aickman --Soft voices at Passenham / T.H. White

    Morbid, cynical, eerie, they take you to a twilight region of flesh and spirit — and into the darkest recesses of the human mind. These are unusual constructions of terror and grim irony, reminiscent of Poe, the Gothic novel, and the Romantic short story, but having the unmistakable individual stamp of a man who knew first-hand something of the fears and specters which haunt men.In this volume you will come across a number of old favorites: "An Inhabitant of Carcosa," "The Eyes of the Panther," "The Death of Halpin Frayser," "An Adventure at Brownville," and such classics as "The Middle Toe of the Right Foot," "The Damned Thing," and "Moonlit Road," a minor masterpiece in which events of the story are told from three different points of view, including that of the victim as spoken through a medium. You will also find some less familiar, but equally fascinating stories and pieces not available elsewhere, including "Visions of the Night," in which Bierce gives us a rationale for his "reverse holiness" and the surrealistic morality that permeates these writings. Bierce's characters — possessed poets, shabby aristocrats, grimy professional men, revived corpses, haunted malefactors — live in a spare, perverse world. Patricide, the revenge of the dead, inexplicable disappearances, dreadful ironies, hypnotism and second sight, and the like, form much of the substance of these unsettling tales.

    Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these tales. The Last Séance gathers twenty stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.

    In addition to works by Edgar Allan Poe, Arthur Conan Doyle, Bram Stoker, Wilkie Collins!, and other well-known writers, it features several sensationalized retellings of famous folk legends and accounts of notorious highwaymen. The book includes two full-length novels: the original 1818 text of Frankenstein, which was considered more shocking before Mary Shelley toned down its gruesomeness for the better-known 1831 edition, and Sweeney Todd: The Demon Barber of Fleet Street, a genuine penny dreadful that has served as the foundation for all accounts of Sweeney Todd written since. The book will appeal to readers who are currently enjoying the literary horror mash-ups featured on the hit Sky Atlantic series Penny Dreadful.Includes: - Aurelia, or, The Tale of a Ghoul by E.T.A. Hoffman

    Justice Harbottle, The Room in the Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience. This new annotated edition includes an introduction, notes on the text, and explanatory notes.NB: The Familiar is a revision of The Watcher; Mr. Justice Harbottle is a revision of An Account of Some Strange Disturbances in Aungier Street.

    Running through it is the theme of evil, deftly woven into a story as memorable for its action as for its astonishingly vivid set of characters. In fin de siecle Paris, Arthur and Margaret are engaged to be married. Everyone approves and everyone seems to be enjoying themselves—until the menacing and repulsive Oliver Haddo appears.

    350 copies.(Out of print).Contents: "Introduction by Glen Cavaliero, "The School Friend", "Ringing the Changes", "Choice of Weapons", "The Waiting Room", "The View" and "Bind Your Hair".As Dr Glen Cavaliero states in his introduction to this new edition of Dark Entries, "It is Robert Aickman's peculiar achievement that he should invest the daylight world with all the terrors of the night".Dark Entries was the first solo collection of "strange stories" by British short story writer, critic, lecturer and novelist, Robert Aickman. First published in 1964 it contains the classic "Ringing the Changes" and perhaps Aickman's best femme fatale in "Choice of Weapons." The version of "The View" is slightly re-written from its first appearance in We are for the Dark.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    The present volume selects thirteen other tales of mystery and the macabre, including the works of James Hogg, J.S. LeFanu, Letitia Landon, Edward Bulwer, and William Carelton. The introduction surveys the genesis and influence of The Vampyre and its central themes and techniques, while the Appendices contain material closely associated with its composition and publication, including Lord Byron's prose fragment Augustus Darvell.JOHN POLIDORI - The VampyreHORACE SMITH - Sir Guy Eveling's DreamWILLIAM CARLETON - Confessions of a Reformed RibbonmanEDWARD BULWER - Monos and DaimonosALLAN CUNNINGHAM - The Master of LoganANONYMOUS - The VictimJAMES HOGG - Some Terrible Letters from ScotlandANONYMOUS - The CurseANONYMOUS - Life in DeathN. P. WILLIS - My Hobby,--RatherCATHERINE GORE - The Red ManCHARLES LEVER - Post-Mortem Recollections of a Medical LecturerLETITIA E. LANDON - The Bride of LindorfJOSEPH SHERIDAN LE FANU - Passage in the Secret History of an Irish Contess