After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them.

    The novel is at once serious and light. With a deep understanding of human psychology combined with flashes of humour, with occasional barbs at religious bigots, skillfully woven with respect for women, Saratchandra has created a delightful story that cannot grow old in its appeal.

    This attachment gives Old Jolyon pleasure, but exhausts his strength. He leaves Irene money in his will with Young Jolyon, his son, as trustee. In the end Old Jolyon dies under an ancient oak tree in the garden of the Robin Hill house.

    

    Responding to people's overwhelming attraction to anything frightening, this marvelous anthology of some of the very best English ghost stories combines a serious literary purpose with the simple intention of arousing a pleasurable fear of the doings of the dead. As the first volume to present the full range and vitality of the ghost fiction tradition, this selection of forty-two stories, written between 1829 and 1968, demonstrates the tradition's historical development, as well as its major themes and characteristics. Though the genre reached its peak in the nineteenth century, it enjoyed a second flowering between the two World Wars and even now still attracts dedicated practitioners and readers. The anthology includes stories by Walter Scott, M. R. James, Bram Stoker, Rudyard Kipling, Edith Wharton, Somerset Maugham, T. H. White, and many others. Stressing the important contribution women writers have made to the genre, the collection also offers eight stories by women, ranging from Amelia Edward's "The Phantom Ghost" (1864) to Elizabeth Bowen's "Hand in Glove" (1952).The tapestried chamber / Walter Scott --The phantom coach / Amelia B. Edwards --Squire Toby's will / J.S. Le Fanu --The shadow in the corner / M.E. Braddon --The upper berth / F. Marion Crawford --A wicked voice / Vernon Lee --The judge's house / Bram Stoker --Man-size in marble / E. Nesbit --The roll-call of the reef / Arthur Quiller-Couch --The friends of the friends / Henry James --The red room / H.G. Wells --The monkey's paw / W.W. Jacobs --The lost ghost / Mary E. Wilkins --"Oh, whistle, and I'll come to you, my lad" / M.R. James --The empty house / Algernon Blackwood --The cigarette case / Oliver Onions --Rose Rose / Barry Pain --The confession of Charles Linkworth / E.F. Benson --On the Brighton Road / Richard Middleton --Bone to his bone / E.G. Swain --The true history of Anthony Ffryar / Arthur Gray --The Taipan / W. Somerset Maugham --The victim / May Sinclair --A visitor from down under / L.P. Hartley --Fullcircle / John Buchan --The clock / W.F. Harvey --Old man's beard / H. Russell Wakefield --Mr Jones / Edith Wharton --Smee / A.M. Burrage --The little ghost / Hugh Walpole --Ahoy, sailor boy! / A.E. Coppard --The hollow man / Thomas Burke --Et in sempiternum pereant / Charles Williams --Bosworth summit pound / L.T.C. Rolt --An encounter in the mist / A.N.L. Munby --Hand in glove / Elizabeth Bowen --A story of Don Juan / V.S. Pritchett --Cushi / Charistopher Woodforde --Bad company / Walter de la Mare --The bottle of 1912 / Simon Raven --The Cicerones / Robert Aickman --Soft voices at Passenham / T.H. White

    

    Tons of trouble plague the long-eared prankster after he decides it'd be great fun to see the barrel — with Jimmy inside — roll down from its resting point high on a hill.Reddy Fox gets the blame for Jimmy's wild ride (as well as a dose of the skunk's "perfume"); Peter gets his comeuppance for playing nasty tricks; and before the day is out, Jimmy Skunk and Unc' Billy Possum go egg-hunting and wind up in a pretty pickle in Farmer Brown's henhouse.Children will delight in these warm, whimsical adventures that combine all the interest and excitement of a good story with gentle lessons about nature, wildlife and such virtues as courtesy, kindness, and preparedness.Newly reset in large, easy-to-read type, the text is enhanced by six black-and-white illustrations by Thea Kliros, based on Harrison Cady's originals.

    He portrays the reality of the interest groups which cut across the newly emerging Hindu-Muslim divide, but also conceives of an ideal community that gives new direction to the life of a fallen woman and allows her to lead a meaningful existence. The stream of idealism that runs through Premchand's works has often been criticized by scholars, but it is the counterpart of a relentless psychological and social realism, which has remained unmatched to this day. A hugely popular novel, Sevasadan went through several editions after its first publication in 1918. It was made into a film in 1938 with M.S. Subbulakshmi in the lead role. It is not only a gripping novel but also a sensitive and perceptive document on the lives of young urban men and women at the beginning of the twentieth century.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    A sort of fairyland transformation takes place. Beyond the once solid wall strange figures move on -- a new mise en scene, with the old blotted out in darkness. The lady, whom we left knitting by the fire, becomes a fairy -- Sara Lee became a fairy, of a sort -- and meets the prince. Adventure, too; and love, of course. And then the lights go out, and it is the same old back drop again, and the lady is back by the fire -- but with a memory. This is the story of Sara Lee Kennedy's memory -- and of something more. . . .

    There is a dominant father and a socially ambitious mother who adores her son Dennis. When he arrives it is at once clear to the reader why he does not fit in with his smugly conventional family. Then, with the outbreak of war, the tone of the book changes: it focuses on Dennis’s refusal to fight, indeed on his abhorrence of violence; his falling in love with Alan; and his close friendship with Antoinette, who has not realised she is lesbian but is unabashed when she does. Dennis, however, is in agony about being ‘a musical man’ (slang for being gay): ‘Abnormal – perverted – against nature – he could hear the epithets that would be hurled against him. But what had nature been about, in giving him the soul of a woman in the body of a man?’Running through all this is the background of the war. At first everyone thought it would be over by Christmas. Then there were the horrors of 1915. And then conscription started. Month by month one sees what happens to Dennis and the other COs (conscientious objectors) he knows.The book was published by C.W. Daniel, a pacifist publisher, in May 1918. In September the book was banned for being ‘likely to prejudice the recruiting, training, and discipline of persons in his Majesty’s forces.’ Unsold copies were seized and the publisher was fined.

    Burgess, told with great warmth and charm, draw young readers into the timeless world of the creatures who live in the Green Forest and around the Smiling Pool.In this engaging episode, Bobby Raccoon suffers a series of mishaps. Following a bad dream, he bites his own tail, is given a dreadful fright, survives an encounter with Buster Bear, gets a terrible shaking and more, but, happily, is rescued by Peter Rabbit and eventually finds a new home.Reset in easy-to-read type and enhanced with six new illustrations adapted from originals by Harrison Cady, The Adventures of Bobby Raccoon will delight today's young readers while offering gentle lessons about nature and wildlife.

    First published in 1948 by Schocken Books, this volume includes all the works Kafka intended for publication, and published during his lifetime (the only exception in The Stoker which serves as a first chapter for the novel Amerika). It also includes critical pieces by Kafka, "The First Long Train Journey" by Kafka and Brod (which was initially intended to be the first chapter of a book), and an Epilogue by Brod. This collection was translated by Willa and Edwin Muir.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

    

    Twenty-year-old Beatrice Corliss (known until recently as Trixie) has inherited her family's 30,000-acre ranch and a gold mine that brings in $20,000 a year. She rules her property like an empress, fining and dismissing the staff at will but doing little physical work herself. Happy-go-lucky mining engineer Bill Steele sees the true potential in Beatrice and sets out to bring her humanity and decency to the surface. But an old enemy is set on robbing Bill of the woman he has come to love.