Shaw

    This collection includes Elsa Beskow's "When Mother Troll Took in the King's Washing"; "The Magician's Cape" by Anna Wahlenberg; "The Seven Wishes" by Alfred Smedberg; "The Ring" by Helena Nyblom; "Stalo and Kauras" by PA. Lindholm; and "The Maiden in the Castle of Rosy Clouds" by Harald Ostenson.

    

    Responding to people's overwhelming attraction to anything frightening, this marvelous anthology of some of the very best English ghost stories combines a serious literary purpose with the simple intention of arousing a pleasurable fear of the doings of the dead. As the first volume to present the full range and vitality of the ghost fiction tradition, this selection of forty-two stories, written between 1829 and 1968, demonstrates the tradition's historical development, as well as its major themes and characteristics. Though the genre reached its peak in the nineteenth century, it enjoyed a second flowering between the two World Wars and even now still attracts dedicated practitioners and readers. The anthology includes stories by Walter Scott, M. R. James, Bram Stoker, Rudyard Kipling, Edith Wharton, Somerset Maugham, T. H. White, and many others. Stressing the important contribution women writers have made to the genre, the collection also offers eight stories by women, ranging from Amelia Edward's "The Phantom Ghost" (1864) to Elizabeth Bowen's "Hand in Glove" (1952).The tapestried chamber / Walter Scott --The phantom coach / Amelia B. Edwards --Squire Toby's will / J.S. Le Fanu --The shadow in the corner / M.E. Braddon --The upper berth / F. Marion Crawford --A wicked voice / Vernon Lee --The judge's house / Bram Stoker --Man-size in marble / E. Nesbit --The roll-call of the reef / Arthur Quiller-Couch --The friends of the friends / Henry James --The red room / H.G. Wells --The monkey's paw / W.W. Jacobs --The lost ghost / Mary E. Wilkins --"Oh, whistle, and I'll come to you, my lad" / M.R. James --The empty house / Algernon Blackwood --The cigarette case / Oliver Onions --Rose Rose / Barry Pain --The confession of Charles Linkworth / E.F. Benson --On the Brighton Road / Richard Middleton --Bone to his bone / E.G. Swain --The true history of Anthony Ffryar / Arthur Gray --The Taipan / W. Somerset Maugham --The victim / May Sinclair --A visitor from down under / L.P. Hartley --Fullcircle / John Buchan --The clock / W.F. Harvey --Old man's beard / H. Russell Wakefield --Mr Jones / Edith Wharton --Smee / A.M. Burrage --The little ghost / Hugh Walpole --Ahoy, sailor boy! / A.E. Coppard --The hollow man / Thomas Burke --Et in sempiternum pereant / Charles Williams --Bosworth summit pound / L.T.C. Rolt --An encounter in the mist / A.N.L. Munby --Hand in glove / Elizabeth Bowen --A story of Don Juan / V.S. Pritchett --Cushi / Charistopher Woodforde --Bad company / Walter de la Mare --The bottle of 1912 / Simon Raven --The Cicerones / Robert Aickman --Soft voices at Passenham / T.H. White

    First published in 1948 by Schocken Books, this volume includes all the works Kafka intended for publication, and published during his lifetime (the only exception in The Stoker which serves as a first chapter for the novel Amerika). It also includes critical pieces by Kafka, "The First Long Train Journey" by Kafka and Brod (which was initially intended to be the first chapter of a book), and an Epilogue by Brod. This collection was translated by Willa and Edwin Muir.

    Thankfully, with the publication of The Dark Domain in 1994, new blooms of acolytes have sprung up to champion his cause both in Poland and elsewhere.We at Hieroglyphic believe that his work forms an important thematic bridge between European Symbolists such De L'Isle-Adam and English language writers of metaphysical fiction such as Algernon Blackwood and Arthur Machen. As such we are very proud to announce what we hope to be the first in a series of translations.To begin this parade of letters we present On the Hill of Roses . Originally published in 1919 it was Grabinski's first collection under his own name and served as the official start of his arduous search for artistic recognition. Nearly a hundred years later these pieces stand as testament to their author's talent and on-going literary quest for the bizarre: in The Frenzied Farmhouse we witness the effect of a malignant anima mundi, Strabismus explores the conflict of beings over corporal identity while in the title story, On the Hill of Roses , the Decadents fascination with synthesia is used to unveil a tragic history.CONTENTS:Foreword by Mark SamuelsIntroduction by Miroslaw LipinskiOn the Hill of RosesThe Frenzied FarmhouseOn a TangentStrabismusShadowAt the Villa by the SeaProjections

    Sherwood Anderson, introducing a collection of Dreiser stories, said of him: "If there is a modern movement in American prose writing, a movement toward greater courage and fidelity to life in writing, then Theodore Dreiser is the pioneer and the hero of the movement." Indeed, his bold example paved the way for a new generation of American writers.The five superb stories in this volume vividly attest to the sincerity and depth of Dreiser's gifts as a powerful and original storyteller. They are "Free," the story of a man trying, as his wife lies dying, to understand why he never found happiness in marriage; "The Second Choice" and "Married," two insightful tales of the complex relationships of men and women; "Nigger Jeff," a powerful, disturbing story of a lynching; and "The Lost Phœbe," a poignant tale of a man's search for a lost life partner.

    Now the Headquarters Troop are a cavalry organisation, their particular function being, so far as the lay mind can grasp it, to form a circle round the general and keep shells from falling on him. Not that this close affiliation gives them any right to friendly relations with that aloof and powerful personage. "It just gives him a few more to yell at that can't yell back," grumbled the stable sergeant. He had been made stable sergeant because he had been a motorcycle racer. By the same process of careful selection the chief mechanic had once kept a livery stable. The barracks hummed day and night. By day boxes were packed, containing the military equipment of horses and men in wartime. By night tired noncoms pored over pay rolls and lists, and wrote, between naps on the table, such thrilling literature as this: "Sergeant Gray: fr. D. to Awol. 10 A. M., 6–1–'18. "Sergeant Gray: fr. Awol. to arrest, pp. 2. Memo. Hdq. Camp 6–1–'18 to 6–2–'18." Which means, interpreted, that Sergeant Gray was absent without leave from duty at ten A. M. on the first of June, 1918, and that on his return he was placed under arrest, said arrest lasting from the first to the second of June. On the last night in camp, at a pine table in a tiny office cut off from the lower squad room, Sergeant Gray made the above record against his own fair name, and sitting back surveyed it grimly. It was two A. M. Across from him the second mess sergeant was dealing in cans and pounds and swearing about a missing cleaver. "Did you ever think," reflected Sergeant Gray, leaning back in his chair and tastefully drawing a girl's face on his left thumb-nail, "that the time would come when you'd be planning bran muffins for the Old Man's breakfast? What's a bran muffin, anyhow?" "Horse feed." "Ever eat one?" "No. Stop talking, won't you?" Sergeant Gray leaned back and stretched his long arms high above his head. "I've got to talk," he observed. "if I don't I'll go to sleep. Lay you two dollars to one I'm asleep before you are." "Go to the devil," said the second mess sergeant peevishly. "Never had breakfast with the Old Man, did you?" inquired Sergeant Gray, beginning on his forefinger with another girl's face. There was no reply to his question. The second mess sergeant was completely immersed in beans.

    So do fables of little men and treasures of gold, fairy servants, and spirits of water, forest, and meadow. Nearly 50 charming fairy tales and fantasies — gathered from Scotland, Ireland, Sweden, China, and other faraway places — are retold here. For ages 10 and up.