But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave.This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein has created a moving parable for readers of all ages that offers an affecting interpretation of the gift of giving and a serene acceptance of another's capacity to love in return.

     Following the astonishing success of his first novel, One Flew Over the Cuckoo's Nest, Ken Kesey wrote what Charles Bowden calls "one of the few essential books written by an American in the last half century." This wild-spirited tale tells of a bitter strike that rages through a small lumber town along the Oregon coast. Bucking that strike out of sheer cussedness are the Stampers. Out of the Stamper family's rivalries and betrayals Ken Kesey has crafted a novel with the mythic impact of Greek tragedy.

    "One of the great works of the American musical theatre. It is darling, touching, beautiful, warm, funny and inspiring. It is a work of art." -John Chapman, Daily News

    Celebrated as one of the most popular and path-breaking novels of its time, it has received continual critical acclaim: the Rabindra Puraskar (the Tagore Prize) in 1966 and the Bharitiya Jnanpith, India’s highest literary award, in 1977. Spanning the late eighteenth and early twentieth centuries, Ashapurna tells the story of the struggles and efforts of women in nineteenth-century, colonial Bengal in a deceptively easy and conversational style. The charming eight-year old heroine, Satyabati is a child bride who leaves her husband’s village for Calcutta, the capital of British India where she is caught in the social dynamics of women’s education, social reform agendas, modern medicine and urban entertainment. As she makes her way through this complex maze, making sense of the rapidly changing world around her, Satyabati nurtures hopes and aspirations for her daughter. But the promises held out by modernity turn out to be empty, instigating Satyabati to break away from her inherited world and initiate a quest that takes her to the very heart of tradition.Indira Chowdhury’s confident translation, with its conscious choice of Indian English equivalents over British and American colloquialisms, carries across the language divide the flavour of Ashapurna’s unique idiomatic style. This edition also includes the translator’s reflections on the process of translation itself.

    And the winners are: Augustus Gloop, an enormously fat boy whose hobby is eating; Veruca Salt, a spoiled-rotten brat whose parents are wrapped around her little finger; Violet Beauregarde, a dim-witted gum-chewer with the fastest jaws around; Mike Teavee, a toy pistol-toting gangster-in-training who is obsessed with television; and Charlie Bucket, Our Hero, a boy who is honest and kind, brave and true, and good and ready for the wildest time of his life!

    Willy Wonka's precious Golden Tickets and wins a whole day inside the mysterious chocolate factory. Little does he know the surprises that are in store for him!(back cover)

    Over the course of almost 50 years, he created 150 poems, including nonsense verse, parodies, burlesques, acrostics, inscriptions, and more, many of them hilarious lampoons of some of the more sentimental and moralistic poems of the Victorian era. This carefully chosen collection contains 38 of Carroll's most appealing verses, including such classics as "The Walrus and the Carpenter," "The Mock Turtle's Song," and "Father William," plus such lesser-known gems as "My Fancy," "A Sea Dirge," "Brother and Sister," "Hiawatha's Photographing," "The Mad Gardener's Song," "What Tottles Meant," "Poeta Fit, non Nascitur," "The Little Man That Had a Little Gun," and many others. Filled with Carroll's special brand of imaginative whimsy and clever wordplay, this original anthology will delight fans of the author as well as other readers who relish a little laughter with their lyrics.

    Picador 1988, the famous African Trilogy by the recently late Chinua Achebe, 'the man whose writing redefined Colonialism' Achebe was a towering literary figure whose work always repays the reader.

    Availing herself of a single character, Lispector transforms a banal situation—a woman at home, alone—into an amphitheater for philosophical investigations. The first-person narration jousts with language, playfully but forcefully examining the ambiguous nature of words, with results ranging from the profound to the pretentious: "Prehuman divine life is a life of singeing nowness" or "The world interdepended with me, and I am not understanding what I say, never! never again shall I understand what I say. For how will I be able to speak without the word lying for me?" These linguistic games frame existential and experiential crises that Lispector savors and overcomes. Although this idiosyncratic novel will not have wider appeal, those with academic or markedly erudite tastes should find much to savour.

    Morbid, cynical, eerie, they take you to a twilight region of flesh and spirit — and into the darkest recesses of the human mind. These are unusual constructions of terror and grim irony, reminiscent of Poe, the Gothic novel, and the Romantic short story, but having the unmistakable individual stamp of a man who knew first-hand something of the fears and specters which haunt men.In this volume you will come across a number of old favorites: "An Inhabitant of Carcosa," "The Eyes of the Panther," "The Death of Halpin Frayser," "An Adventure at Brownville," and such classics as "The Middle Toe of the Right Foot," "The Damned Thing," and "Moonlit Road," a minor masterpiece in which events of the story are told from three different points of view, including that of the victim as spoken through a medium. You will also find some less familiar, but equally fascinating stories and pieces not available elsewhere, including "Visions of the Night," in which Bierce gives us a rationale for his "reverse holiness" and the surrealistic morality that permeates these writings. Bierce's characters — possessed poets, shabby aristocrats, grimy professional men, revived corpses, haunted malefactors — live in a spare, perverse world. Patricide, the revenge of the dead, inexplicable disappearances, dreadful ironies, hypnotism and second sight, and the like, form much of the substance of these unsettling tales.

    George, the protagonist, is adjusting to life on his own after the sudden death of his partner, determined to persist in the routines of his daily life. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the true textures of life itself."--BOOK JACKET.

    Half these stories never published before in U.S.

    With this act of violence--which is loosely based on the notorious 1955 killing of Emmett Till--James Baldwin launches an unsparing and at times agonizing probe of the wounds of race. For where once a white storekeeper could have shot a boy like Richard Henry with impunity, times have changed. And centuries of brutality and fear, patronage and contempt, are about to erupt in a moment of truth as devastating as a shotgun blast.In his award-winning play, Baldwin turns a murder and its aftermath into an inquest in which even the most well-intentioned whites are implicated--and in which even a killer receives his share of compassion.

    A series of addresses.

    But as night falls and the season begins to change, Neddy sinks from optimistic bliss to utter despair.

    Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald - he recalls the time when, poor, happy, and writing in cafes, he discovered his vocation. Written during the last years of Hemingway's life, his memoir is a lively and powerful reflection of his genius that scintillates with the romance of the city.

    The narrator creates the story of this man -- or, rather, two stories, based on the two personae that he has imagined. One of these is named Enderlin; the other, Gantenbein.Originally published as A Wilderness of Mirrors.

    This volume also includes four of London's acclaimed short stories.

    This is a story filled with humor, adventure, and gadgetry that only a genius like Fleming could create.From the Hardcover edition.

    The parallel plot is his inability to handle life, love, success. Great story.

    This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930.It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.

    This is no exaggeration. When Pushkin started writing, Russian poetry was either composed from the lofty, solemn language of the old Church Slavonic, or from elements of French and German poetry, with a characteristic abundance of barbarism and cliché. Pushkin cast aside the conventional poetic language of his time, stripping it of pompous embellishments and incorporating into his work everyday words and expressions that his predecessors had regarded as vulgarisms. This transformation revitalised Russian literary language and opened the way for a new generation of poets to experiment further with new forms and subject matter.This book traces the development of Pushkin's verse from the Romantic poetry of his youth to the more mature and original style of his later works. With prose translations at the foot of each page, John Fennell's selection is designed to appeal to the general reader as well as the student of Russian language.

    In the course of an afternoon, Hagar’s life unfolds: her childhood in a small prairie town, her Scottish immigrant father, the tumultuous relationship with her now-estranged husband, her sons, and their partners. Based on the novel by Margaret Laurence.

    

    Based on the Walt Disney motion picture.Story adapted by Georgess McHargueWith photographs from the motion picture and Illustrations by Betty Fraser and Craig Pineo

    An anthology of literature.The principal idea behind this book is that the best way to study literature is to read it--that the work of literature itself is more important than anything that can be said about it....Therefore, with the hope that it will be read and discussed by thousands of women throughout the world, this book has been prepared and published for use in the literature program of the Relief Society of The Church of Jesus Christ of Latter-day Saints.

    

    We should not mock scientific materialism and naturalistic art. These have their place in human culture. But the starting point for a new life of art can come only through direct stimulation from the spiritual realm. We must become artists, not by developing symbolism or allegory, but by rising, through spiritual knowledge, more and more into the spiritual world." --Rudolf Steiner In these lectures, Steiner offers insights into architecture, sculpture, painting, drama, costuming, music, poetry, and eurythmy.The Arts and Their Mission is a translation from German of Das K�nstlerische in seiner Weltmission. Der Genius der Sprache. Die Welt des sich offenbarenden strahlenden Scheins - Anthroposophie und Kunst. Anthroposophie und Dichtung (GA 276).

    In between, Dante describes Purgatory (Purgatorio). It is the first great poetic work written in Italian.

    Scholars had considered Sallust to be a mere political hack or pamphleteer, but Syme's text makes important connections between the politics of the Republic and the literary achievement of the author to show Sallust as a historian unbiased by partisanship. In a new foreword, Ronald Mellor delivers one of the most thorough biographical essays of Sir Ronald Syme in English. He both places the book in the context of Syme's other works and details the progression of Sallustian studies since and as a result of Syme's work.

    

    Two little girls adopt a tiny vacant house and transform it into a playhouse, a home for a little old lady, and a cookie shop for everyone.

    

    Although he undoubtedly drew on Mark (and perhaps on the source known as Q), Matthew always shaped and supplemented such material to make it his own. It is Matthew, for example, who lays most stress on miracles and the fulfilment of prophecies, on the Jews' rejection of Jesus, on reward and punishment in the next life and on the imminent end of the world. All these themes reflect a first-century outlook that is alien to modern readers. In this commentary, however, J.C. Fenton cuts through the details and penetrates to the heart of the Gospel to help the reader "use it as Matthew intended it to be used".

    Based on real event.

    Petite. Library of Congress Catalog Card Number 64-13827

    An eleven-year-old orphan temporarily working at Miss Bessie's hotel hopes arrangements can be made to enable him to stay there instead of being sent to an orphans' home.

    She hasn't been back to the family courthouse home for more than two years, and isn't quite prepared for her five rambunctious brothers, two eccentric maiden aunts, bibliophile uncle, and eighty-nine year old Babbett, not to mention the demands laid on her by energetic Mama. How can she cope with the mess of it all? There is barely time to think each day. Her father, Judge Eisenberth, at first seems to be the only one who understands her frustration. Even Adolf, her favorite brother, cannot fathom why she longs to go back to the convent and become a nun. Paula and Adolf, who is going through his own trials must face her problems and learn how to deal with everyday dilemmas as a part of the growing up process.Age 14-up"

    

    

    Tilly, who had Mamma's knack of "looking on the bright side," thought it was a house where exciting things could happen. And Frank was delighted to be off by himself in a back-porch bedroom. But to Jessie the house was just one more family dream that had fallen flat, like the fire alarm Papa had invented, or his uncollapsible water wings. Papa's latest project was a punctureless tire. Now that automobiles were fast replacing the horse and buggy, whoever patented such a tire first, he said, would be a wealthy man. But Papa needed money to buy equipment, and when Jessie offered to help out at Warren's store, and then was paid for it, she started the whole family on a "material fund" for Papa. Even Tilly, who had discovered that their closest neighbors on Hackberry Street were two witches and a wailing white cat, dropped her voodoo schemes long enough to earn some money baby tending and picking blackberries. But it was Mamma, always willing to forget how hard she worked and to think about someone else's dream, who reminded all of them the rainy night of the "celebration" how rich they were on the things that really counted.

    

    

    Includes an introduction by Philip Van Doren Stern.Contains:The Beckoning Fair One, by Oliver OnionsThe Mezzotint, by M. R. JamesTarnhelm, by Sir Hugh WalpoleThe Willows, by Algernon BlackwoodAugust Heat, by W. F. HarveyThe Mark of the Beast, by Rudyard KiplingCrouching at the Door, by D. K. BrosterThe Familiar, by Sheridan Le FanuThe Upper Berth, by F. Marion CrawfordThe Tell-Tale Heart, by Edgar Allan PoeThe Yellow Wall Paper, by Charlotte Perkins GilmanAfterward, by Edith WhartonFull Fathom Five, by Alexander Woolcott