Morbid, cynical, eerie, they take you to a twilight region of flesh and spirit — and into the darkest recesses of the human mind. These are unusual constructions of terror and grim irony, reminiscent of Poe, the Gothic novel, and the Romantic short story, but having the unmistakable individual stamp of a man who knew first-hand something of the fears and specters which haunt men.In this volume you will come across a number of old favorites: "An Inhabitant of Carcosa," "The Eyes of the Panther," "The Death of Halpin Frayser," "An Adventure at Brownville," and such classics as "The Middle Toe of the Right Foot," "The Damned Thing," and "Moonlit Road," a minor masterpiece in which events of the story are told from three different points of view, including that of the victim as spoken through a medium. You will also find some less familiar, but equally fascinating stories and pieces not available elsewhere, including "Visions of the Night," in which Bierce gives us a rationale for his "reverse holiness" and the surrealistic morality that permeates these writings. Bierce's characters — possessed poets, shabby aristocrats, grimy professional men, revived corpses, haunted malefactors — live in a spare, perverse world. Patricide, the revenge of the dead, inexplicable disappearances, dreadful ironies, hypnotism and second sight, and the like, form much of the substance of these unsettling tales.

    Half these stories never published before in U.S.

    350 copies.(Out of print).Contents: "Introduction by Glen Cavaliero, "The School Friend", "Ringing the Changes", "Choice of Weapons", "The Waiting Room", "The View" and "Bind Your Hair".As Dr Glen Cavaliero states in his introduction to this new edition of Dark Entries, "It is Robert Aickman's peculiar achievement that he should invest the daylight world with all the terrors of the night".Dark Entries was the first solo collection of "strange stories" by British short story writer, critic, lecturer and novelist, Robert Aickman. First published in 1964 it contains the classic "Ringing the Changes" and perhaps Aickman's best femme fatale in "Choice of Weapons." The version of "The View" is slightly re-written from its first appearance in We are for the Dark.

    From the moment of her arrival at the gloomy Bascomb mansion in the New England port Scots Harbor, Miranda becomes the target of a strange, hostile conspiracy.She knows she must sift out the truth by herself. She can trust no one in the bizarre household; least of all the dour Brock McLean, whom the Captain insists she marry....

    When she set eyes on the handsome Comte, she knew she would never leave willingly. What she didn't know was that she might never leave ...alive.

    Devery, whose whole world is Staten Island, strangers are not people: they are Jews or Catholics or Cubans or whatever is unlike herself, and therefore very strange indeed. All of which is rather ironic, of course, since the children of the neighborhood look upon the provincial, autocratic old woman herself as a witch.How well the label fits, thirteen-year-old Robin Ward is in a better position than most to know. She and her family are newcomers to secluded, fading Catalpa Court. From the window of her third-floor bedroom she commands a perfect view of the balconies and turrets of the house next door-can see everything that happens within the shrouded grounds of the big, forbidding Devery place.None of that first weird scene seems real. Round and round on the front lawn turns a girl in a white dress, her arms out wide as if she were flying, her voice making the tuneless, high-pitched sound of an insect. Suddenly the white-haired mistress of the house, dressed in clothes of another era, rushes toward the girl, grasps her angrily by the arm and virtually drags her away.A famous sculptor also living in Catalpa Court is willing to teach a limited number of talented beginners. Robin's eagerness to qualify becomes inextricably involved not only with the strange girl and her grim "jailer" but with the fate of a valuable pin made of emeralds and a diamond and shaped like a star. Mystery and menace progressively deepen with Mrs. Devery's behavior amid the ruins of an old house and her association with a short, fat man whose white moon face, bald head, and habit of sucking lemon drops add chills to each sinister moment he appears. Completely unmysterious is the point dramatized by this excellent and exciting book that prejudices about people can only harm the prejudiced.

    

    P. Hartley 31 • The Ghost Ship • (1912) • shortstory by Richard Middleton (aka The Ghost-Ship) 41 • Squire Toby's Will • (1868) • novelette by Joseph Sheridan Le Fanu [as by J. Sheridan Le Fanu ] 70 • The Voice in the Night • (1907) • shortstory by William Hope Hodgson 82 • Three Miles Up • (1951) • shortstory by Elizabeth Jane Howard 100 • The Rocking-Horse Winner • (1926) • shortstory by D. H. Lawrence 115 • The Wendigo • (1910) • novella by Algernon Blackwood 160 • The Crown Derby Plate • (1933) • shortstory by Marjorie Bowen 172 • The Trains • (1951) • novelette by Robert Aickman 209 • The Old Nurse's Story • (1852) • novelette by Mrs. Gaskell 229 • Seaton's Aunt • (1922) • novelette by Walter de la Mare