In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a job. The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others.

    Words spoke to you, gave up their secrets; at that moment, whole universes opened. You became, irrevocably, a reader. Noted essayist Alberto Manguel moves from this essential moment to explore the 6000-year-old conversation between words and that magician without whom the book would be a lifeless object: the reader. Manguel lingers over reading as seduction, as rebellion, as obsession, and goes on to trace the never-before-told story of the reader's progress from clay tablet to scroll, codex to CD-ROM.

    David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged.Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements.

    Subjective feelings and objective color principles are described in detail and clarified by color reproductions.

    Medieval Spaniards introduced Europeans to papermanufacture, Hindu-Arabic numerals, philosophical classics, algebra, citrus fruits, cotton, and new medical techniques. Her mystics penned classics of Kabbalah and Sufism. More astonishing than Spain's wide-ranging accomplishments, however, was the simple fact that until the destruction of thelast Muslim Kingdom by King Ferdinand and Queen Isabella in 1492, Spain's Muslims, Christians, and Jews often managed to bestow tolerance and freedom of worship on the minorities in their midst. A Vanished World chronicles this panoramic sweep of human history and achievement, encompassing both the agony of Jihad, Crusades, and Inquisition, and the glory of a multi-religious, multi-cultural civilization that forever changed the West. Lowney shows how these three controversialreligious groups once lived and worked together in Spain, creating commerce, culture, art, and architecture. He reveals how these three faith groups eventually veered into a thicket of resentment and violence, and shows how our current policies and approaches might lead us down the same path. Rising above politics, propaganda, and name-calling, A Vanished World provides a hopeful meditation on how relations among these three faith groups have gone wrong and some ideas on how to make their interactions right.

    Social forms and institutions no longer have enough time to solidify and cannot serve as frames of reference for human actions and long-term life plans, so individuals have to find other ways to organise their lives. They have to splice together an unending series of short-term projects and episodes that don't add up to the kind of sequence to which concepts like 'career' and 'progress' could meaningfully be applied. Such fragmented lives require individuals to be flexible and adaptable - to be constantly ready and willing to change tactics at short notice, to abandon commitments and loyalties without regret and to pursue opportunities according to their current availability. In liquid modernity the individual must act, plan actions and calculate the likely gains and losses of acting (or failing to act) under conditions of endemic uncertainty. Zygmunt Bauman's brilliant writings on liquid modernity have altered the way we think about the contemporary world. In this short book he explores the sources of the endemic uncertainty which shapes our lives today and, in so doing, he provides the reader with a brief and accessible introduction to his highly original account, developed at greater length in his previous books, of life in our liquid modern times.

    Braudel's scope embraces the natural world and material life, economics, demography, politics, and diplomacy.

    He spent a large part of his life on the run, leaving a trail of illuminated chaos wherever he passed, most of it recorded in criminal justice records. When he did settle for long enough to paint, he produced works of staggering creativity and technical innovation. He was famous throughout Italy for his fulminating temper, but also for his radical and sensitive humanization of biblical stories, and in particular his decision to include the brutal and dirty life of the street in his paintings. Caravaggio was a rebel and a violent man, but he eyed the world with deep empathy, realism, and an unrelenting honesty.

    To tell the story of its evolution, Ackroyd ranges across literature and painting, philosophy and science, architecture and music, from Anglo-Saxon times to the twentieth-century. Considering what is most English about artists as diverse as Chaucer, William Hogarth, Benjamin Britten and Viriginia Woolf, Ackroyd identifies a host of sometimes contradictory elements: pragmatism and whimsy, blood and gore, a passion for the past, a delight in eccentricity, and much more. A brilliant, engaging and often surprising narrative, Albion reveals the manifold nature of English genius.

    This present work, based on over 30 years of new research, is not simply a complete revision of the earlier book. Innovative in its presentation, point of view, information, and themes, it will revolutionize further study in the field.

    In exploring the public meaning of ingeniously defended private meanings, de Certeau draws brilliantly on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology--to speak of an apposite use of imaginative literature.

    In Bakhtin's view, the spirit of laughter and irreverence prevailing at carnival time is the dominant quality of Rabelais's art. The work of both Rabelais and Bakhtin springs from an age of revolution, and each reflects a particularly open sense of the literary text. For both, carnival, with its emphasis on the earthly and the grotesque, signified the symbolic destruction of authority and official culture and the assertion of popular renewal. Bakhtin evokes carnival as a special, creative life form, with its own space and time.Written in the Soviet Union in the 1930s at the height of the Stalin era but published there for the first time only in 1965, Bakhtin's book is both a major contribution to the poetics of the novel and a subtle condemnation of the degeneration of the Russian revolution into Stalinist orthodoxy. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

    An archaeological and linguistic monograph on the origins and expansion of the Indo-European

    His words set Christendom afire. Some 100,000 men, from knights to paupers, took up the call--the largest mobilization of manpower since the fall of the Roman Empire. Now, in The First Crusade, Thomas Asbridge offers a gripping account of a titanic three-year adventure filled with miraculous victories, greedy princes and barbarity on a vast scale. Readers follow the crusaders from their mobilization in Europe (where great waves of anti-Semitism resulted inthe deaths of thousands of Jews), to their arrival in Constantinople, an exotic, opulent city--ten times the size of any city in Europe--that bedazzled the Europeans. Featured in vivid detail are the siege of Nicaea and the pivotal battle for Antioch, the single most important military engagement ofthe entire expedition, where the crusaders, in desperate straits, routed a larger and better-equipped Muslim army. Through all this, the crusaders were driven on by intense religious devotion, convinced that their struggle would earn them the reward of eternal paradise in Heaven. But when a hardenedcore finally reached Jerusalem in 1099 they unleashed an unholy wave of brutality, slaughtering thousands of Muslims--men, women, and children--all in the name of Christianity. The First Crusade marked a watershed in relations between Islam and the West, a conflict that set these two world religions on a course toward deep-seated animosity and enduring enmity. The chilling reverberations of this earth-shattering clash still echo in the world today.

    Each work is accompanied by a detailed description to enhance the appreciation of the artist's creation.