It will be years before he understands that his burgeoning friendship with the Vietnam vet Rodney Falk, a strange and solitary man, will reshape his life, or that he will become obsessed with Rodney's mysterious past.Why does Rodney shun the world? Why does he accept and befriend the narrator? And what really happened at the mysterious ‘My Khe' incident? Many years pass with these questions unanswered; the two friends drift apart. But as the narrator's literary career takes off, his personal life collapses. Suddenly, impossibly, the novelist finds that Rodney's fate and his own are linked, and the story spirals towards its fascinating, surreal conclusion. Twisting together his own regrets with those of America, Cercas weaves the profound and personal story of a ghostly past.

    There's nothing more Spanish than bullfighting, and nothing less like its stereotype. For matadors and aficionados, it is not a blood sport but an art, an ancient subculture steeped in ritual, machismo, and the feverish attentions of fans and the press. Lewine explains Spain and the art of the bulls by spending a bullfighting season traveling Spanish highways with the celebrated matador Francisco Rivera Ordónez, following Fran, as he's known, through every region and social stratum. Fran's great-grandfather was a famous bullfighter and the inspiration for Hemingway's matador in The Sun Also Rises. Fran's father was also a star matador, until a bull took his life shortly before Fran's eleventh birthday. Fran is blessed and haunted by his family history. Formerly a top performer himself, Fran's reputation has slipped, and as the season opens he feels intense pressure to live up to his legacy amid tabloid scrutiny in the wake of his separation from his wife, a duchess. But Fran perseveres through an eventful season of early triumph, serious injury, and an unlikely return to glory.

    Although the Granada riot was a local phenomenon that was soon contained, subsequent widespread rebellion provided the Christian government with an excuse—or justification, as its leaders saw things—to embark on the systematic elimination of the Islamic presence from Spain, as well as from the Iberian Peninsula as a whole, over the next hundred years.Picking up at the end of his earlier classic study, Islamic Spain, 1250 to 1500— which described the courageous efforts of the followers of Islam to preserve their secular, as well as sacred, culture in late medieval Spain—L. P. Harvey chronicles here the struggles of the Moriscos. These forced converts to Christianity lived clandestinely in the sixteenth century as Muslims, communicating in aljamiado— Spanish written in Arabic characters. More broadly, Muslims in Spain, 1500 to 1614, tells the story of an early modern nation struggling to deal with diversity and multiculturalism while torn by the fanaticism of the Counter-Reformation on one side and the threat of Ottoman expansion on the other. Harvey recounts how a century of tolerance degenerated into a vicious cycle of repression and rebellion until the final expulsion in 1614 of all Muslims from the Iberian Peninsula.Retold in all its complexity and poignancy, this tale of religious intolerance, political maneuvering, and ethnic cleansing resonates with many modern concerns. Eagerly awaited by Islamist and Hispanist scholars since Harvey's first volume appeared in 1990, Muslims in Spain, 1500 to 1614, will be compulsory reading for student and specialist alike. “The year’s most rewarding historical work is L. P. Harvey’s Muslims in Spain 1500 to 1614, a sobering account of the various ways in which a venerable Islamic culture fell victim to Christian bigotry. Harvey never urges the topicality of his subject on us, but this aspect inevitably sharpens an already compelling book.”—Jonathan Keats, Times Literary Supplement

    "I want my museum to be a single block, a labyrinth, a great surrealist object," Dali said. "It will be a museum that is theatrical to the extreme. Those who come to see it will leave with the feeling they have been dreaming. Offering a unique insight into the last great design of Dalinesque genius, this book was produced from the first-hand knowledge of its authors. It is a guide to introduce us to the personal and chaotic, imaginative, labyrinthine and ever creative world of Dali.

    Consider the reborn cities of Madrid, Barcelona, and Bilbao; the new respect afforded Spanish wines; the popularity of tapas bars in the U.S.; and Spain's widely influential Michelin three-star chefs, Ferran Adria and Juan Mari Arzak. Despite the world-wide acclaim for these chefs, arguably the greatest Spanish food is found not in the nation's restaurants, but in private homes off-limits to tourists, where women still cook the recipes their mothers and grandmothers cooked before them. Now, Penelope Casas takes us into those homes to uncover the secrets of this simple, easily reproduced, and altogether marvelous cuisine. For" La Cocina de Mama," Penelope Casas has collected recipes from great chefs and traditional home cooks in every region of Spain, all of whom have shared with her the dishes they grew up loving and still cook for themselves today. There are recipes for tapas, like Clams in Garlic Sauce; elegant soups and hearty one-pot meals like Stewed Potatoes with Pork Ribs; many wonderful seafood dishes like Fish Steaks with Peas in Saffron Sauce; meat and poultry dishes, such as Pork Tenderloin in Orange Sauce, Rack of Lamb Stuffed with Mushrooms and Scallions, and Lemon Chicken with Ginger and Pine Nuts; paella and other rice dishes--and even a few pasta dishes; unusual vegetable preparations, including Sauteed Spinach with Quince and Toasted Sesame Seeds; and desserts like Basque Apple Custard Tart. Whether of Roman, Moorish, or peasant origin, all of the dishes appeal to today's tastes and exemplify the virtues of the Mediterranean diet--lots of olive oil, lean meats and fish, and vegetables. Sidebars throughout discuss ingredients, areas of Spain unfamiliar to most Americans, travel vignettes, and more. At last, Americans can discover the unique and irresistible flavors of authentic Spanish home cooking in "La Cocina de Mama."

    Hemingway was fuming; Dos Passos was caught off guard. They were there to witness the Spanish Civil War firsthand, but something more personal was going on: as Spain was unraveling thread by thread, so was their friendship." "Dos Passos was widely regarded as the literary voice of America's new socially engaged generation - his face had been on the cover of Time the week the war broke out. And he had long considered Hemingway one of his best friends. Yet they were completely opposite in personality, with Dos Passos's calm temperament and mild manner standing in stark contrast to Hemingway's machismo. Dos Passos was probably oblivious even to Hemingway's envy of him - an envy that was soon to erupt into full-blown resentment." "They had arrived in Spain as comrades, leftist writers-in-arms. But when Dos Passos went looking for his close friend Jose Robles - a Spanish-born Johns Hopkins professor who had moved back to Spain to help save the Spanish Republic - Robles was nowhere to be found. Dos Passos's search for Robles would eventually take his literary career and his friendship with Hemingway to the breaking point." Stephen Koch explores the short time the two men shared in Spain, and how their split changed the life and work of each man - and changed the course of American literature. The Breaking Point is the story of two lives at the intersection of friendship and murder, of love and death, and of literature and history.

    It is a portrait documenting the deep physical and psychological effects on the veterans whose bodies and minds are changed forever. It is not the “politics” of a particular war that the people in this work represent, but rather a portrayal of our culture of warring and the aftermath of war in human terms.Organized in reverse chronological order, from the most recently ended conflicts to the early part of the century, the book includes Sri Lanka, Liberia, Northern Ireland, Bosnia, Israel-Palestine, El Salvador, Cambodia, Eritrea-Ethiopia, the Persian Gulf, Afghanistan, Lebanon, the Falkland Islands, Vietnam, the Middle East, Bangladesh, Malaysia, Algeria, Indochina, Korea, China, World War II, Spain and World War I.Lori Grinker, born in 1957 in New York, is a member of the photo agency Contact Press Images. Her social-humanistic work has taken her to the Middle East, Southeast Asia, Eastern Europe, the USSR, Africa and throughout the United States. Her work has been featured in Life, The New York Times Magazine, Newsweek, People, the Sunday Times Magazine (London), Stern, GEO, French Photo and American Photo. She is the author/photographer of The Invisible Thread: A Portrait of Jewish American Women.Chris Hedges is a former war correspondent in El Salvador, Kosovo, the Balkans, the Middle East and the first Gulf War. He joined the staff of The New York Times in 1990, and he was a member of newspaper’s team that won the 2002 Pulitzer Prize for Explanatory Reporting for coverage of global terrorism. He is the author of War Is a Force That Gives Us Meaning.

    

    Stanley G. Payne, an internationally known scholar of modern Spanish history, details the political shifts that occurred from 1933 to 1936 and examines the actions and inactions of key actors during these years. Using their own memoirs, speeches, and declarations, he challenges previous perceptions of various major players, including President Alcalá Zamora.  The breakdown of political coalitions and the internal rifts between Spain’s bourgeois and labor classes sparked many instances of violent dissent in the mid-1930s. The book addresses the election of 1933 and the destabilizing insurrection that followed, Alcalá Zamora's failed attempts to control the major parties, and the backlash that resulted.  The alliances of the socialist left with communism and the right with fascism are also explored, as is the role of forces outside Spain in spurring the violence that eventually exploded into war.

    This Very Short Introduction integrates the political, social and cultural history of the Spanish Civil War. It sets out thedomestic and international context of the war for a general readership. In addition to tracing the course of war, the book locates the war's origins in the cumulative social and cultural anxieties provoked by a process of rapid, uneven and accelerating modernism taking place all over Europe. Thisshared context is key to the continued sense of the war's importance. The book also examines the myriad of political polemics to which the war has given rise, as well as all of the latest historical debates. It assesses the impact of the war on Spain's transition to democracy and on the country'scontemporary political culture.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundredsof key topics, from philosophy to Freud, quantum theory to Islam.