Even the selfless physician who saves him cannot soften the boy's hardened spirit. Angry with the world and desiring vengeance against those who caused his parents' suicides, Hachiro feels rejection almost everywhere and reacts in kind. This anger he forges into an amazing skill with a sword. He becomes the most famous swordsman in the city. Many deaths are due to Hachiro’s reputation, until he seeks solitude and redemption by leaving the capital.The love of women proves even less kind than the cut of a sword. His obsession with a forbidden passion forces Hachiro to join the war between two powerful clans where he finds another dangerous woman and treachery.When at last he returns home, he finds Kyoto in ruin and his beloved master dead. In the midst of the tragedy of this ravaged city, he discovers his redemption, something he had given up hoping for. But first he must face the danger of losing all when a secret enemy sets his trap.

    Though Tom never makes it to the moon, his journey through life takes him to places just as unique. But not even the prestige of working in the Eisenhower White House and the CIA can take away Tom's disillusionment and despair when he loses the most important person in his life. Convinced that God has turned his back, Tom buries himself in his work and turns his back on God. Or does God even exist? Then an unexpected voice and an unpretentious Amish man change Tom Kirkman’s life. This biographical fiction echoes the true story of Thomas E. Kirkman, White House artist, CIA spy, engine designer, and Amish man.

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

    While Hitler rebuilds Germany, and French and English leaders focus on appeasement, one man risks everything to smuggle information out of Munich – and into the hands of a young woman. Evelyn Ainsworth is enjoying a carefree summer in Paris high society with her French relatives. When her father stops to visit on his way from London to Prague, she never dreams that one favor for him will change her life forever. For beneath the glittering gaiety on the continent, a menacing shadow is growing. While many choose to look the other way, there are some who are desperate to combat the growing evil. And others even more desperate to empower it. Offered a chance to make a difference, Evelyn is drawn unexpectedly into a world she didn’t know existed. A world where war is much closer than anyone thinks, information is gold... ...and no one is safe.

    The twist in the tale comes with themurder of a well-known man in the Mumbai finance circle. Roy is hired bythe self made tycoon Jayesh Kumar to probe the case. While Roy isexcited at the chance at redemption, he fails to understand why hebecame the chosen one.What looks at first an open and shut case, quite rapidly evolves into a taleof deceit and revenge. Roy must take care not to fall for the suspect, andnot to see things as they appear. As his personal life gets tied to thesuccess of the case, the question becomes, not whether he can havefaith in strangers, but whether he can trust his friends.Inspired from real life cases, The Monsoon Murders is afast-paced detective novel, taking the Indian crime fiction genre tomysterious depths.

    Becca struggles to make sense of her new relationship with an outcast dad, and the code of the Prophet which promises a superior existence with strict obedience. Blanketed by apocalyptic prophecies of world destruction for unbelievers and looming threats of being declared an apostate, she strives to “Keep Sweet” alongside an enormous new family of three mothers, a new father, and dozens of brothers and sisters. Underneath the beauty of wholesome childhood adventures with family and friends is an aching awareness that something isn’t right as she grows into womanhood and realizes her future is not her own. She must break the code before it is too late.

    But I wrote a lot of good poems.”So maintains Anita Liberty, the caustically funny New York City performance artist who was going along happily healing her hurt by hating and humiliating her detestable ex-boyfriend on stage and in print until the unthinkable happened: she had a good date. And one good date deserves another. And another. And another. And, all of the sudden, Anita Liberty finds herself in a predicament. Getting dumped launched Anita’s career–Will falling in love finish it? Who’s more important: her devoted audience or her newly devoted boyfriend? And on top of everything, Hollywood won’t stop calling and Anita can’t figure out if It wants a serious commitment or just a little bit of no-strings-attached fun. From digging mercilessly into the minutiae of her new relationship to dramatically torching every professional bridge she crosses in L.A., Anita refuses to let a big load of bliss get dumped right in the middle of her career path.“He said that my work was amazing and hilarious and smart and that he can’t wait to see me perform.So I had sex with him.”“My boyfriend asked me to change my look.To something other than contemptuous.”{BARGAIN} Whatever Hollywood ends up paying me for the rights to the story of my life.“It’s easier to go back to fantasizing about perfection . . .than to accept that perfection is just a fantasy.”“Boyfriend thinks I’d rather be right than happy.Boyfriend’s right.But I’m not telling him that.”Through blog entries, film scenes, poems, and to-do lists, Anita Liberty documents the perils and pitfalls of dating, sex, relationships, artistic success, and the kind of true love that sucks the creative life out of you to the point where you just end up staring at a blank computer screen and thinking gooey thoughts about your new boyfriend even though you should be writing.

    A large stone Venus. Nothing unusual about it_except that it was found on an island in the Pacific Northwest. Archaeologist Hannah Green and her shovelbum nephew find themselves in a tangled web of competing interests avaricious land owners, hungry media, and a cult of goddess worshippers while investigating one of the finds of the century. In untangling the mystery of the Washington Venus, Hannah and Sean have to confront questions of archaeological evidence, of ethics, of conflicting interpretation of data, and of the very nature of archaeological truths. Helping them are a cadre of disdainful graduate students who propose various theories processualist, marxist, feminist, postmodernist to explain the bizarre events. Teach your students archaeological theory in a fashion they'll enjoy, while they solve the mystery in Adrian Praetzellis's delightful textbook-as-novel.

    After eleven years in the remote Mahlangeni region they are transferred, first to Crocodile Bridge and then to Pretorius Kop. Fully at peace in the wild and lonely landscapes of the North, Kobie fears she will never adapt to the relatively people-populated southern area. It takes time, but eventually she is able to acknowlege that the move has shown her "other Edens" and has given her a store of the new and precious memories. Foremost among these memories is the unique experience of raising Leo, an abandoned lion cub. It is a facinating and emotional encounter with the king of the beasts, which brings her and her family equal measures of joy and sorrow.

    Whatever happens, nobody must know what you are carrying…’Life changes overnight for fifteen-year-old Rory McAlister, an apprentice wheelwright, when his master, John Cornwallis, who had been kind to Rory and his poverty-stricken family, is injured in an accident and asks Rory to take his place on a vital errand.With a secret letter hidden under a patch on his shirt, Rory travels south to meet the sinister Miss Bluett – who sends him off on a terrifying voyage across the seas to Jersey. But what is the mysterious ‘blue baccy’ he is to carry home? And why is it so important that they can only come for it by night? Plunged into terrible danger, Rory’s very life is suddenly at stake as he finds himself caught up in the dangerous world of smuggling.Set in the mid-nineteenth century, Rory’s Fortune is a dramatic and action-packed tale of one young man remaining loyal to his master only to find his life changed forever.

    He paints the culture into words and takes you on a journey into the belly of the beast with an authentic look at gang warfare behind bars.Only for adults...Inside this story you will find a horrific description of the deadly, 28 minute long blood bath, race war riot at Pelican Bay on a cold Febuary day in 2000...A penetrating look inside of one of California's most dangerous prisons.B.J, a drug dealer serving time, struggling to hold on to truth and his faith in God, takes the reader on a never before seen, inside look at a California level 4 prison. The inner dynamics between prison guards, gang investigators and the Warden are on display along with the political climate between races with a war brewing between the Mexicans and Blacks. A piercing account of the process for gang validation into solitary confinement at Pelican Bay's SHU through the eyes of inmates struggling to survive gang wars, in prison drug debts, prison politics, rules and regulations, and ultimately power and control, while desperately trying to find a path for redemption along the way.

    . .Annette Edwards was a vivacious 19-year-old on her way to watch the Fourth of July fireworks. Eighteen-year-old Pam Moore was a former beauty pageant contestant, hitching a ride on a busy street. Linda Slavik was a young mother enjoying a night out with a friend. Annette Selix was just eleven, an innocent child on her way home from the market. Each of them was attacked without warning, brutally assaulted, and left for dead by a bitter, disfigured man in the grip of a violent frenzy: the so-called "Hilltop Rapist." But serial predator Darrell Rich didn't stop at just four victims. He couldn't stop. . ."Scott tells a true story with compassion and taste." --Reviewing the Evidence Praise for Robert Scott and Shattered Innocence "Compelling and shocking. . .a ground-breaking book." --Robert K. Tanenbaum "Fascinating and fresh. . .a fast-paced, informative read." --Sue Russell

    G. Sebald, and Joseph Conrad. The prefatory lyric, "Burial Practice," imagines the posthumous narrative of "then’s" that follows an individual's extinction; in the poem "Aria," a stagehand steps onto the floorboards to wax poetic after the curtain has dropped on an opera; and the extended sequence of "Circle" poems obliquely revisits Dante's ethical landscape of the afterlife.Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as "Monsoon Eclogue" and "Thieves’ Market." Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as "Fundamentals of Esperanto." Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other "formless" modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry.

    —New York Times Book ReviewNo writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon ReviewProfound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers WeeklyThis is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew DickmanThe accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco ExaminerOver the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award.Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.