Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.For the first time in many years the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur.

    It includes examples of the Haystacks, Poplars, Morning on the Seine, Japanese Footbridge and Water Lilies series, an account of Monet's life at Giverny and photographs of Monet and his house and garden.

    Handy size, concise monogram.

    It presents art history as an essential part of the development of humankind, encompassing the arts of Asia, Africa, Oceania, Europe, and the Americas-spanning from the primitive art of hunters 30,000 years ago to the most controversial art forms of today.

    When the Natives judge the white man's magic as evil, John Smith is condemned to death— - only the intervention of Pocahontas saves his life and a tentative friendship is established between Pocahontas's tribe and the new colonists. The King of England sends a crown, rich robes and a royal bed to honor Powhatan and he is pleased, but the white man's insistence that the Indians give them corn to sustain them through the long winters threatens their tenuous relationship. Pocahontas's ultimate marriage to John Rolfe, the birth of their son, their voyage to England and presentation to the King and Queen is the stuff of fairy tales except that it is one of the great true stories of America's earliest days. 46pg

    "To understand it, you have to see how it mirrors my life." Richardson, who lived near the artist in Provence for ten years and became a trusted friend, was able to observe and record this phenomenon at first hand. Later, Picasso's widow continued to give Richardson access to the artist's studios and storerooms. This close personal friendship and the privilege of working in hitherto inaccessible archives make Richardson uniquely qualified to write the artist's life, rescuing his renown from sensationalist legend and specialist pleading and analyzing anew the traumas and obsessions that triggered his explosive genius.Richardson is the first biographer to make sense of the myriad contradictions that leave so many statements about Picasso's nature equally true in reverse. The artist's ambivalence is one of the author's central themes. At last we are able to see how his courage and terror misogyny and tenderness, generosity and thrift, superstition and skepticism, cynicism and sentiment, are reflected in the conflicts and paradoxes in his work.Richardson's eye is finely attuned to the complexities of Picasso's art, and his extensive knowledge of cultural history enables him to show how Picasso plundered the art of the past, the imaginations of his poet friends, the beliefs of mystics and magi, to create a revolutionary new synthesis. The author's evocation of Picasso's ferocious ego, demonic loves and hates and black fears is the more absorbing for its terse and lively prose and freedom from jargon.This first volume of Richardson's prodigiously detailed and documented four-volume study takes Picasso to the age of twenty-five. It reveals how the adolescent Picasso struggled, through determination and study, to escape the shadow of his father's artistic failures. It describes his precocious success in Barcelona and Paris and the period of rejection and despair that followed. We watch Picasso transform the prostitutes of the Saint-Lazare prison into Blue period madonnas and, later, the performers of the Montmartre circuses into Rose period harlequins. Volume I culminates in Picasso's dawning perception of himself as the messiah of the modern movement.Some nine hundred illustrations, many of them unfamiliar, enable the reader to follow Picasso's mesmerizing development in images as well as words.

    Full-color reproductions and thorough text provide a quick yet solid introduction to this master.

    0-8109-4964-4$60.00 / Harry N. Abrams, Inc.

    Thisoften leads exasperated viewers to exclaim--is this really art?In this invaluable primer on aesthetics, Freeland explains why innovation and controversy are so highly valued in art, weaving together philosophy and art theory with many engrossing examples. Writing clearly and perceptively, she explores the cultural meanings of art in different contexts, and highlights the continuities of tradition that stretch from modern, often sensational, works back to the ancient halls of the Parthenon, to the medieval cathedral of Chartres, and to African nkisi nkondi fetish statues. She explores the difficulties of interpretation, examines recent scientific research into the ways the brain perceives art, and looks to the still-emerging worlds of art on the web, video art, art museum CD-ROMS, and much more. In addition, Freeland guides us through the various theorists of art, from Aristotle and Kant to Baudrillard. Lastly, throughout this nuanced account of theories, artists, and works, Freeland provides us with a rich understanding of how cultural significance is captured in a physical medium, and why challenging our perceptions is, and always has been, central to the whole endeavor.It is instructive to recall that Henri Matisse himself was originally derided as a "wild beast." To horrified critics, his bold colors and distorted forms were outrageous. A century later, what was once shocking is now considered beautiful. And that, writes Freeland, is art.

    Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a broad survey of the range of series and titles published - from early Penguins and Pelicans, to wartime and 1960s Specials, Classics, fiction and reference - this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration and printing techniques.

    It quickly established itself as a classic anthology, equal to Palgrave's Golden Treasury in popularity and public recognition. Having sold half a million copies in 21 impressions, a second edition appeared in 1939, extending the book by a hundred pages and increasing the representation of the early part of the twentieth century. Concentrating for the most part on lyrical poetry, Sir Arthur Quiller-Couch sought to range over the whole field of English verse from the thirteenth century to the close of the First World War. He established an arrangement of the poets by date of birth, using modernized spelling after the very earliest poems. He held firmly to the belief that old favourites deserved their place as much as new discoveries, and held himself at odds with those who sneer 'at things long by catholic consent accounted beautiful'. In declaring the enduring nature of the English verse tradition, 'Q' ensured that The Oxford Book of English Verse would itself endure and prosper.

    Selecting the best of our literary heritage, Baldwin cast it into a form that delights children of all ages. Beginning with stories of heroes from British history, including King Alfred and the Cakes, King Canute on the Seashore, and Bruce and the Spider, the book moves on to tales of other lands. From Ancient Greece come stories of The Brave Three Hundred, Alexander and Bucepahlus, and Diogenes the Wise Man. Introducing the history of Rome are the Story of Cincinnatus, Horatius at the Bridge, and Julius Caesar. The stories of William Tell, Arnold Winkelried, and Robin Hood impart a bit of the flavor of the Middle Ages. Rounding out the collection are a number of timeless tales that show heroes in action: Damon and Pythias, The Sword of Damocles, Picciola, and The King and His Hawk.Children naturally take a deep interest in such stories. The reading of them will not only give pleasure but will help to lay the foundation for broader literary studies since nearly all are the subjects of frequent allusions in poetry and prose. Young children will enjoy having these stories read to them, while older children will delight in reading them to themselves.Book Details: Format: Paperback Publication Date: 11/1/2005 Pages: 200

    "Provides a picture-by-picture introduction to 35 of the world's best-known, best-loved paintings -- from oil paintings to prints -- all beautifully reproduced and explained in a simple, engaging way"--Back cover.

    His photographic sketchbook and personal visual diary, comprising photographs from the mid-1880s until the end of his life, constitutes a unique and profound artistic statement. This mosaic of captured moments reveals the intimate and personal basis of both Mucha's own life as an artist and the time period in which he lived. The behind-the-scenes glimpses of his studio provided here prove that Mucha--the creator of the ideal of Art Nouveau beauty--was one of the pioneers of the classic nude in Czech photography. This is the first time such a large selection of Mucha's extensive photographic work has been assembled as a book. Many of the photos in this book, never before published, reveal hitherto unknown aspects of Mucha's work, which will be of interest to the general reader and the photographic connoisseur alike.

    Manifestoes of Surrealism is a book by André Breton, describing the aims, meaning, and political position of the Surrealist movement.The translators of this edition were finalists of the 1970 National Book Awards in the category of translation.