We meet Arlene, Hanff's high-flying friend who's social life (and wardrobe) put Hanff's one-and-one-half room apartment and simple writer's life in perspective. We walk through Nina's garden, 16 stories up and witness famous New York rites of passage from the hysteria of St. Patrick's Day to Shakespeare's Garden and the neighbors who saved it, to block parties, with their 'sizzling Italian sausages and shish kebab and flossy plates of pate and brie,' all told in Hanff's inimitable style. We join Hanff as she flies to London to realize a lifetime dream at the Ambassador Theatre: opening night for the play, '84, Charing Cross Road.' And we witness the elegant Arlene as she meets and falls in love with a New York City cop.

    Alas the newlyweds decide to settle out of the county but Tessa and her husband are delighted when a new young couple arrive in the village fresh from the city. However what looks such a promising new friendship turns to a nightmare as these are people who think money can buy them acceptance - and the village is soon in quiet revolt. Tessa finds herself in the thick of it - and realises that she has grown very strong roots in the community in the two years she has been in Cornwall. Like so many in the country, she has to think about turning her house into a source of income in the summer months. Having finally got the place up to scratch, she and her family are wondering whether to camp for a couple of months when they are asked to take over a B&B owned by friends of friends. Tessa is bubbly, outgoing - but quite inexperienced at being a landlady. She muddles through only with the generous help of the 'customers' on her postal round. Written with her usual warmth and good humour, Tessa Hainsworth enchants us again with her stories of life as a newcomer to 'deep' Cornwall and makes us dwell on the true value and meaning of 'home'.

    His characters, for whom the closest-though hopelessly inadequate-description might be "eccentrics," share the stage with swamp elves and midgets living in the backyard. His fiction is unlike anybody else's and is as dark, hilarious, and affecting as any ever written. It's also writing that lays bare the agony of adolescence and plows, as the Cleveland Plain Dealer once put it, "the fields of puzzling wonder that precede the responsibilities and disappointments of adulthood."What bred and fed Nordan's imagination, his originality, his indefatigable sense of humor? The answers aren't obvious. But now that Lewis Nordan produces, directs, and stars in his own story, we just might find out.Nordan's mother was widowed when he was a baby, and she went back to her home town to remarry and raise her only son "Buddy." Itta Bena, Mississippi, was a prototypical fifties Delta town, so drowsy that even before puberty, Nordan had made his escape plans. What happened next was pretty typical-a stint in the Navy, college in Mississippi, very early marriage, young fatherhood, alcoholism, infidelities, broken hearts. But in Nordan's hands, the typical turns into the transcendent and, at the heart of things, there is always the irrepressible laughter.Horrible things and horribly funny things happen in Boy with Loaded Gun, but it's that heart that leads us through Lewis Nordan's dark tunnel and back into the light.

    But in a world where we sometimes know more about the Kardashians than we do the people sleeping right down the hall, it's easy to forget that walking through life with our family offers all sorts of joy wrapped up in the seemingly mundane. There's even a little bit of sacred sitting smack-dab in the middle of the ordinary. And since time's-a-wastin', we need to be careful that we don't take our people--and their stories--for granted. Whether it's a marathon bacon-frying session, a road trip gone hysterically wrong, or a mother-in-law who makes every trip to the grocery store an adventure, author Sophie Hudson reminds us how important it is to slow down and treasure the day-to-day encounters with the people we love the most.Written in the same witty style as Sophie's BooMama blog, "A Little Salty to Cut the Sweet" is a cheerful, funny, and tender account of Sophie's very Southern family. It's a look into the real lives of real people--and a real, loving God right in the middle of it all.

    White's stroll around Manhattan remains the quintessential love letter to the city, written by one of America's foremost literary figures. The New York Times has named Here is New York one of the ten best books ever written about the metropolis, and The New Yorker calls it "the wittiest essay, and one of the most perceptive, ever done on the city.

    When Matt Haig developed panic disorder, anxiety, and depression as an adult, it took him a long time to work out the ways the external world could impact his mental health in both positive and negative ways. Notes on a Nervous Planet collects his observations, taking a look at how the various social, commercial and technological "advancements" that have created the world we now live in can actually hinder our happiness. Haig examines everything from broader phenomena like inequality, social media, and the news; to things closer to our daily lives, like how we sleep, how we exercise, and even the distinction we draw between our minds and our bodies.

    Because I wrote it, I had to figure out what to put on the back cover to explain what it is. I tried to write a long, third-person summary that would imply how great the book is and also sound vaguely authoritative--like maybe someone who isn’t me wrote it--but I soon discovered that I’m not sneaky enough to pull it off convincingly. So I decided to just make a list of things that are in the book:PicturesWordsStories about things that happened to meStories about things that happened to other people because of meEight billion dollars*Stories about dogsThe secret to eternal happiness**These are lies. Perhaps I have underestimated my sneakiness!

    It is a story of mid-life longings and discoveries, of lessons learned in the search for home and a new sense of purpose, and the bittersweet intensity of life with teenagers--holding on, letting go. Poised on the threshold between family life as she's always known it and her older son's departure for college, Kenison is surprised to find that the times she treasures most are the ordinary, unremarkable moments of everyday life, the very moments that she once took for granted, or rushed right through without noticing at all. The relationships, hopes, and dreams that Kenison illuminates will touch women's hearts, and her words will inspire mothers everywhere as they try to make peace with the inevitable changes in store.

    Along the way he reflects on the American character, racial hostility, the particular form of American loneliness he finds almost everywhere, and the unexpected kindness of strangers.

    He chronicles the torture of finding a job before the internet when you had to talk on the phone all the time, and fantasizes, as we all do, about who to tell off when he finally wins an Oscar. As Gary himself says, "These are essays from my childhood and young adulthood about things that still annoy me."Original, brazen, and laugh out loud funny, Do You Mind if I Cancel? is something not to be missed.

    In her unique, spellbinding way, she re-creates intimate personal experiences and gives us her wisdom on a wide variety of subjects. She tells us how a house can both hurt its occupants and heal them. She talks about Africa. She gives us a profile of Oprah. She enlightens us about age and sexuality. She confesses to the problems fame brings and shares with us the indelible lessons she has learned about rage and violence. And she sings the praises of sensuality.

    Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald - he recalls the time when, poor, happy, and writing in cafes, he discovered his vocation. Written during the last years of Hemingway's life, his memoir is a lively and powerful reflection of his genius that scintillates with the romance of the city.

    With no hiking experience to draw on, they embarked on a journey of physical challenge, discovering just how far they could push themselves. For Nathan a parallel journey took him inside himself. Having grown up in the shadow of a famous father, Richard J. Foster, author of Celebration of Discipline, Nathan had a lot of questions about who his father really was. Would hiking open the door for him to get to know this distant figure? As the one-time experiment evolved into a decade of challenging hikes up Colorado's 14,000-foot peaks, the Fourteeners, Nathan navigated his twenties--finishing college, choosing a career, a possible cross-country move, the early years of marriage and a major personal crisis. Along the way he would discover exactly what his father could offer him. This book also includes an afterword by Richard J. Foster, author of Celebration of Discipline and coauthor of Longing for God.

    This is the bilingual edition with German verso, English recto.

    This Life-Size Omnibus edition of ALEC includes all the stories from The King Canute Crowd, Three-Piece Suit, How to be an Artist, and After the Snooter, as well as the very early, out-of-print ALEC stories and a staggering amount of bonus material.