Your child will discover a God that she or he can love, because God is love, as are all the Little Souls who are a part of God. And perhaps parents, too, will rediscover who they really are.

    Its major themes are language and determinism.

    His historical importance is indisputable.” Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin’s reputation as a writer who fused unblinking realism and rare verbal eloquence.His first novel, Go Tell It on the Mountain (1953), tells the story, rooted in Baldwin’s own experience, of a preacher’s son coming of age in 1930’s Harlem. Ten years in the writing, its exploration of religious, sexual, and generational conflicts was described by Baldwin as “an attempt to exorcise something, to find out what happened to my father, what happened to all of us.”Giovanni’s Room (1956) is a searching, and in its day controversial, treatment of the tragic self-delusions of a young American expatriate at war with his own homosexuality. Another Country (1962), a wide-ranging exploration of America’s racial and sexual boundaries, depicts the suicide of a gifted jazz musician and its ripple effect on those who knew him. Complex in structure and turbulent in mood, it is in many ways Baldwin’s most ambitious novel.Going to Meet the Man (1965) collects Baldwin’s short fiction, including the masterful “Sonny’s Blues,” the unforgettable portrait of a jazz musician struggling with drug addiction in which Baldwin came closest to defining his goal as a writer: “For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it must be heard. There isn’t any other tale to tell, it’s the only light we’ve got in all this darkness.”

    While vast military forces converge for one of the most decisive battles of the war, a squad of U.S. Army soldiers undertake a mission to save one man: paratrooper James Ryan, the last survivor of a family of four brothers, the others having already been killed in action. Based on the screenplay by Robert Rodat and Frank Darabont.

    S. of A. States all over the country were waking up, having their first cups of coffee, reading the morning paper, and enjoying the beautiful sunrise.All the states, that is, except for Kansas."At the first annual "states party," Virginia and Idaho hatch a plan to swap spots so each can see another part of the country. Before the party is over, all the states decide to switch places. In the beginning, every state is happy in its new location. But soon things start to go wrong. Will the states ever unscramble themselves and return to their proper places?Packed with madcap humor and whimsical illustrations, this quirky story-starring all fifty states-is chock-full of introductory facts and silly antics that will make learning geography as much fun as taking a vacation.

    But awakened one morning by the crackle of musket fire, Horwitz starts filing front-line dispatches again this time from a war close to home, and to his own heart.Propelled by his boyhood passion for the Civil War, Horwitz embarks on a search for places and people still held in thrall by America's greatest conflict. The result is an adventure into the soul of the unvanquished South, where the ghosts of the Lost Cause are resurrected through ritual and remembrance.In Virginia, Horwitz joins a band of 'hardcore' reenactors who crash-diet to achieve the hollow-eyed look of starved Confederates; in Kentucky, he witnesses Klan rallies and calls for race war sparked by the killing of a white man who brandishes a rebel flag; at Andersonville, he finds that the prison's commander, executed as a war criminal, is now exalted as a martyr and hero; and in the book's climax, Horwitz takes a marathon trek from Antietam to Gettysburg to Appomattox in the company of Robert Lee Hodge, an eccentric pilgrim who dubs their odyssey the 'Civil Wargasm.'Written with Horwitz's signature blend of humor, history, and hard-nosed journalism, Confederates in the Attic brings alive old battlefields and new ones 'classrooms, courts, country bars' where the past and the present collide, often in explosive ways. Poignant and picaresque, haunting and hilarious, it speaks to anyone who has ever felt drawn to the mythic South and to the dark romance of the Civil War.

    . . . Its effects remain the nation's most pressing business. Trouble in Mind is an absolutely essential account of its dreadful history and calamitous legacy."  --The Washington Post"The most complete and moving account we have had of what the victims of the Jim Crow South suffered and somehow endured."--C. Vann WoodwardIn April 1899, black laborer Sam Hose killed his white boss in self-defense. Wrongly accused of raping the man's wife, Hose was mutilated, stabbed, and burned alive in front of 2,000 cheering whites. His body was sold piecemeal to souvenir seekers; an Atlanta grocery displayed his knuckles in its front window for a week.With the same narrative skill he brought to the Pulitzer Prize-winning Been in the Storm So Long, Leon Litwack constructs a searing history of life under Jim Crow. Drawing on new documentation and first-person accounts by blacks and whites, he describes the injustices--both institutional and personal--inflicted against a people. Here, too, are the black men and women whose activism, literature, and music preserved the genius of their human spirit. Painstakingly researched, important, and timely, Trouble in Mind recalls the bloodiest and most repressive period in the history of race relations in the United States--and the painful record of discrimination that haunts us to this day."Moving, elegant, earthy and pointed. . . . It forces us to reckon with the tragic legacies of freedom as well as of slavery. And it reminds us of the resilience and creativity of the human spirit." --Steven Hahn, The San Diego Union-Tribune"A chilling reminder of how simple it has been for Americans to delude themselves about the power of race."         --The Raleigh News & Observer

    In Achieving Our Country, one of America's foremost philosophers challenges this lost generation of the Left to understand the role it might play in the great tradition of democratic intellectual labor that started with writers like Walt Whitman and John Dewey.How have national pride and American patriotism come to seem an endorsement of atrocities--from slavery to the slaughter of Native Americans, from the rape of ancient forests to the Vietnam War? Achieving Our Country traces the sources of this debilitating mentality of shame in the Left, as well as the harm it does to its proponents and to the country. At the center of this history is the conflict between the Old Left and the New that arose during the Vietnam War era. Richard Rorty describes how the paradoxical victory of the antiwar movement, ushering in the Nixon years, encouraged a disillusioned generation of intellectuals to pursue High Theory at the expense of considering the place of ideas in our common life. In this turn to theory, Rorty sees a retreat from the secularism and pragmatism championed by Dewey and Whitman, and he decries the tendency of the heirs of the New Left to theorize about the United States from a distance instead of participating in the civic work of shaping our national future.In the absence of a vibrant, active Left, the views of intellectuals on the American Right have come to dominate the public sphere. This galvanizing book, adapted from Rorty's Massey Lectures of 1997, takes the first step toward redressing the imbalance in American cultural life by rallying those on the Left to the civic engagement and inspiration needed for achieving our country.

    Davis has written on liberation theory and democratic praxis. Challenging the foundations of mainstream discourse, her analyses of culture, gender, capital, and race have profoundly influenced democratic theory, antiracist feminism, critical studies and political struggles. Even for readers who primarily know her as a revolutionary of the late 1960s and early 1970s (or as a political icon for militant activism) she has greatly expanded the scope and range of social philosophy and political theory. Expanding critical theory, contemporary progressive theorists - engaged in justice struggles - will find their thought influenced by the liberation praxis of Angela Y. Davis.The Angela Y. Davis Reader presents eighteen essays from her writings and interviews which have appeared in If They Come in the Morning, Women, Race, and Class, Women, Culture, and Politics, and Black Women and the Blues as well as articles published in women's, ethnic/black studies and communist journals, and cultural studies anthologies. In four parts - Prisons, Repression, and Resistance, Marxism, Anti-Racism, and Feminism, Aesthetics and Culture, and recent interviews - Davis examines revolutionary politics and intellectualism.Davis's discourse chronicles progressive political movements and social philosophy. It is essential reading for anyone interested in contemporary political philosophy, critical race theory, social theory, ethnic studies, American studies, African American studies, cultural theory, feminist philosophy, gender studies.

    Both qualities are omnipresent whether he's tackling dysfunctional family memories in 'The Most Awful Lullaby', or broken-hearted romance in poems like 'Another Long Day in the Office of Dreams'.

    In a unique blend of travel writing, historical reflection, and passionate polemic, Egan has produced a moving study of the West: how it became what it is, and where it is going.Winner of the Mountains and Plains Book Seller's Association Award

    Featuring the complete lyrics and musical notation to the beloved anthem "This Land is Your Land," as well as a photo-essay about Woody, a note from his daughter Nora Guthrie, and a tribute by beloved folk singer Pete Seeger, this stunning book paints an unforgettable picture of our diverse land. Now an award-winning CD containing nine popular folk songs performed by Woody and Arlo Guthrie is bound into the book, making this a treasure for the whole family or classroom to share.

    The first and only authorized book about the band, The Phish Book is an extraordinary verbal and visual chronicle of a year in the life of Phish, featuring extensive interviews with the four band members--Trey Anastasio, Jon Fishman, Mike Gordon, and Page McConnell--conducted by writer Richard Gehr, who also serves as guide to the history, mythology, musical context, and unique audience-band relationship in which the Vermont quartet flourishes.        While it contains many of the trappings of other lavish rock monuments--including more than two hundred pieces of previously unpublished art and photography from the band's private archive--The Phish Book elevates the form by means of an innovative roundtable-style discussion format. Richard Gehr and Phish use the events of 1997 as a jumping-off point from which the band members free-associate about themselves, their music, and the dedicated and colorful community that springs up wherever they perform.        Beginning with the backstage scene at Boston's Fleet Center on New Year's Eve, 1996, The Phish Book explores the band's earliest days in Burlington, Vermont; their musical influences, which include James Brown, Frank Zappa, and the Grateful Dead; their legendary Halloween shows; the two European and two American tours the group undertook in 1997; the stories behind their 1996 studio album, Billy Breathes, and the following year's live Slip Stitch and Pass; life onstage and off; the sixty-thousand-fan Maine campout and art project known as the Great Went; and the experimental recording and performing techniques that informed the band's most recent studio album, The Story of the Ghost.        More than a retrospective journal of the group's evolution, The Phish Book is a glorious snapshot of a band much bigger than its parts and at the height of its collective power.

    This collection teams up dog portraits by Valerie Shaff and verse by humorist Roy Blount Jr., to give an original portrayal of what dogs really think.

    Grace Lee Boggs, Chinese American, middle class, highly educated, discovers through her encounters with remarkable rebels, blue collars as well as philosophers, where the body is buried: who is doing what to whom in our society. It is an adventure that is truly liberating". Studs Terkel"Grace Lee Boggs has made a fundamental difference in keeping alive the traditions of the struggles for freedom and democracy". Cornel WestLiving for Change is a sweeping account of the life of an untraditional radical from the end of the thirties, through the cold war, the civil rights era, and the rise of Black Power, the Nation of Islam, and the Black Panthers to the present efforts to rebuild our crumbling urban communities. This fascinating autobiography traces the story of a woman who transcended class and racial boundaries to pursue her passionate belief in a better society.Grace Lee Boggs was raised in New York City during a time when her father was not allowed to buy land for their home because he was Chinese. Educated at Barnard and Bryn Mawr, Boggs was in her twenties when radical politics beckoned, and she was inspired to become a revolutionary focusing on the black community.During her early years as an activist in New York, Boggs began a twenty-year friendship and collaboration with C. L. R. James, the brilliant and influential West Indian Marxist to whom she devotes a revelatory chapter of this book. In 1953, she moved to Detroit where, she writes, "radical history had been made and could be made again". It was also the home of James Boggs, an African American auto worker (and later author and revolutionarytheoretician) who would become one of the movement's freshest and most persuasive voices, as well as Grace's husband. Beginning with their work together on the newsletter Correspondence, Grace and James formed the core of a network that over the years would include Malcolm X, Lyman Paine, Ping Ferry, Ossie Davis and Ruby Dee, Kwame Nkrumah, Stokely Carmichael, and inner-city youth.Rich in the personalities and anecdotes of twentieth-century progressive activism, Living for Change is an involving and inspiring look at a remarkable woman who continues to dedicate her life to social justice.

    And that includes the crucial zone below the belt, both fore and aft. There was nothing ambiguous about Tom of Finland's interest in his objects of desire: "lf I don't have an erection when I'm doing a drawing, I know it's no good", he himself said. The eroti-cism is naked, even aggressive. The poses inevitably consigned his work to the pornography shelves, and the walls of leather bars in the gay scene. So far there has been no account of the artistic virtuosity of his work.The present volume traces the life and career of this important artist. Born in southern Finland, Tom played the piano at local coffee shops to supplement his income as a graphic artist until his watercolors of male sexuality began to appear as covers on major American gay publications. His impact as an artist has since stretched far beyond the gay scene.

    From the bestselling author of "The Basketball Diaries", "Void of Course" is a collection of poetry that vibrates with the details of everyday city life.

    Spring '98---copy being written at this moment

    It is even more remarkable if the book is set where we live, a place we thought we'd been. These poems make up a dramatic and lyrical portrait of the migration of poor Buncombe County farmers to a mill village outside Chester, S.C. However, the book is much more than documentary. Rash, whose grandparents and parents worked in the Eureka Mill interweaves his family's personal history with the broader texture of mill life, giving us at once intimacy and perspective, heart and understanding.

    Kahn sought the spiritual in his powerful forms, and encouraged his students to seek the essential nature of architecture. His Philadelphia-based practice was responsible for such masterpieces as the Richards Medical Research building in Philadelphia, Pennsylvania; the Yale Art Gallery extension in New Haven, Connecticut; the Kimbell Art Museum in Fort Worth, Texas; the government complex at Dhaka, Bangladesh; and the Salk Institute in La Jolla, California.This title, in the same format as our highly successful Rem Koolhaas: Conversations with Students, contains a little-known essay by Kahn on his sources of inspiration, an interview with the architect on his working methods and his vision for the future of the profession, and writings on Kahn by Michael Bell and Lars Lerup, contributors to our title Stanley Saitowitz. Louis Kahn: Conversations with Students is the latest title in the series from the Rice University School of Architecture.

    Also included are incisive reader's questions--useful for educators and book clubs--in a volume that makes an essential contribution to a wider understanding of the Vietnam War.An indispensable and provocative read for anyone who wants to know more about the war that changed the face of late-twentieth-century America.

    Kooper's quirky keyboard style was a seminal force in popularizing the Hammond B3 organ as a major voice in rock music. Bob Dylan, Jimi Hendrix, The Rolling Stones, B.B. King, George Harrison, The Who, Trisha Yearwood, and a plethora of other artists have benefited from having Kooper perform on their albums and singles. Backstage Passes & Backstabbing Bastards, Kooper's insightful and amusing autobiography, puts you in the passenger seat as you cruise the entire history of rock 'n roll as well as the various cultural landmarks and idiosyncrasies of the '50s, '60s, '70s, '80s, and '90s.

    The result was a powerful body of graphic and critical news reports that helped shaped public opinion back in the U.S.

    At the greatest moments and in the cruelest times, black women have been a crucial part of America's history.  Now, the inspiring history of black women in America is explored in vivid detail by two leaders in the fields of African American and women's history.A Shining Thread of Hope chronicles the lives of black women from indentured servitude in the early American colonies to the cruelty of antebellum plantations, from the reign of lynch law in the Jim Crow South to the triumphs of the Civil Rights era, and it illustrates how the story of black women in America is as much a tale of courage and hope as it is a history of struggle.  On both an individual and a collective level, A Shining Thread of Hope reveals the strength and spirit of black women and brings their stories from the fringes of American history to a central position in our understanding of the forces and events that have shaped this country.

    The story of an attempt by the government to seize and constrain possible victims of leprosy and the determination of one small family not to be taken. A tale of the perils and glories of their flight into the wilds of the island of Kauai, pursued by a gunboat full of soldiers.A brilliant capturing -- inspired by the poet's respect for the people of these islands -- of their life, their history, the gods and goddesses of their mythic past. A somber revelation of the wrecking of their culture through the exploitative incursions of Europeans and Americans. An epic narrative that enthralls with the grandeur of its language and of its vision.

    military learned from Vietnam, it was: Never again. Never again let the media run around the theater of war, reporting whatever they wanted from wherever they wanted. It was a lesson the Pentagon acted on in the Gulf War, severely limiting media access. It was also a lesson hard learned.As was happening on college campuses, on concert stages, and at political rallies across the country, journalism underwent a revolution in the '60s and early '70s. Though led by patrician families that were firmly entrenched in the political and cultural elite of the nation, newspapers and magazines were being written by young reporters who came of age with Elvis, the Beatles, and the civil rights movement. All previous generations of journalists had accepted that an American war was a good war. The Vietnam press corps held no such belief.Reporting Vietnam collects the best writing and reportage from the war into two volumes of gripping, painful reading. Part one covers the war from 1959 to 1969 -- from the first American deaths to the bloody battle of Hamburger Hill. Along the way, reporters fan out to uncover the military blunders, the political minefields, and the cultural changes spreading from America to Vietnam: from the Tet Offensive to the 1968 Democratic Convention in Chicago, from a violent Christmas in Saigon to Black Power in the U.S. armed forces.Part two, covering 1969 through 1975, begins with My Lai and ends with the fall of Saigon and the evacuation of the U.S. embassy. This was the war at its most chaotic, its mostlawless, its most tragic. Concluding this volume, and summarizing the complete experience of reporting on Vietnam, is Michael Herr's Dispatches, a stunning book-length memoir of his experience of the war.The two volumes compile the works of the best and boldest writers who covered the war: David Halberstam, Russell Baker, Stanley Karnow, Peter Arnett, Walter Cronkite, Wallace Terry, Sydney Schanberg, Neil Sheehan, Gloria Emerson, Philip Caputo, and Michael Herr, to name just some of the more than 80 writers whose work appears in the collection.Reporting Vietnam is a valuable collection of primary-source narratives from reporters in the field. It is also a comprehensive document of the pain America went through in Vietnam. — Greg Sewel, barnesandnoble.com

    The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism.No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light.Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.

    Soxx & the Blue Jeans she toured the country.Later, she sang backup—and collected numerous scintillating backstage stories—with, among others, Dionne Warwick, the Mamas and the Papas, and Sonny and Cher. Now in My Name Is Love, Darlene is ready to tell her tales about Elvis coming on to her backstage during his famous '68 Comeback Special, about wild parties she witnessed at Tom Jones's house, and about her love affair with Bill Medley of the Righteous Brothers. She also recalls how she found herself cleaning houses in Beverly Hills, heard herself on the radio, and vowed to make a comeback. That comeback has included roles in all of the Lethal Weapon movies, starring roles on Broadway, and headlining concert appearances worldwide.A dishy, behind-the-scenes showbiz memoir, My Name Is Love is also the inspiring story of a woman who refused to give up.

    But that veil is about to be drawn away. Amidst the majestic beauty of 1857 Utah, the members of one secluded religious group claim to want nothing more than to practice their beliefs without persecution. Yet among them are many who engage in secret vows and brutal acts of atonement…all in the name of God.But one young woman, Hannah McClary, dares to question the truth behind the shroud. Soon Hannah and the young man she loves–Lucas Knight, who has been trained from childhood to kill on behalf of the Church–find themselves fighting for their very lives.As a group of unwary pioneer families marches into Utah toward a tragic confrontation with the Saints at a place called Mountain Meadows, Hannah and Lucas are thrust into the most difficult conflict of all–a battle for truth and justice–even as they are learning for the first time about unconditional love, acceptance, and forgiveness.…

    The most troubled of the men may be Bill, the therapist who is also Trish's husband, as he struggles with his desires for his son Billy's pubescent classmates. When the police begin to close in, everyone's lives -- and everyone's relationships -- are changed forever.

    This concept was first proposed by Louis Sullivan in his 1891 article, “The High-Building Question” (inspired by William Le Baron Jenney’s recently completed Manhattan Building in Chicago.) Hugh Ferriss (1889-1962), American draftsman and architect, studied architecture at Washington University in St. Louis where the Beaux Arts school was favored. Early in his career he worked as a draftsman in the office of Cass Gilbert until he became a freelance delineator. In 1922, Ferris took part in a series of zoning envelope studies that sought to comply with the earlier city legislation. Such were the key ingredients that gave rise to the book at hand.In The Metropolis of Tomorrow, 49 stunning illustrations depict towering structures, personal space, wide avenues, and rooftop parks — features that now exist in many innovative, densely populated urban landscapes. Ferriss uses metaphors from nature that lend his text a poetic quality. It is no wonder that the work inspired critics of the time to remark: “As a creative entity, as a symbol of the American spirit, it is superb” (Survey), and as “magically stirring as a prophecy” (Albert Guerard in Books).With its eloquent commentary and powerful renderings, The Metropolis of Tomorrow is an indispensable resource for students, architects, and anyone else with an interest in American architecture.

    Reporting back candidly at human lives steeped in urban sewers of pornography, prostitution, drug abuse, murder, and anonymous, unprotected sexual encounters, Sotos also exposes media hypocrisy surrounding these issues with ruthless clarity. Index contains reviews of the wildest porno videos and magazines, intersected by candid and shocking confessions of encounters in America's sleaziest sex bars, meat racks and glory holes. The result is a compendium of total abuse which achieves in its own right a pornographic intensity and remove.

    In truth, traditionally, the practice of meditation goes hand-in-hand with moral conduct. In Invoking Reality, John Daido Loori, one of the leading Zen teachers in America today, presents and explains the ethical precepts of Zen as essential aspects of Zen training and development. The Buddhist teachings on morality—the precepts—predate Zen, going all the way back to the Buddha himself. They describe, in essence, how a buddha, or awakened person, lives his or her life in the world. Loori provides a modern interpretation of the precepts and discusses the ethical significance of these vows as guidelines for living. “Zen is a practice that takes place within the world,” he says, “based on moral and ethical teachings that have been handed down from generation to generation.” In his view, the Buddhist precepts form one of the most vital areas of spiritual practice.

    African-American Philosophers brings into conversation seventeen of the foremost thinkers of color to discuss issues such as Black existentialism, racism, Black women philosophers within the academy, affirmative action and the conceptual parameters of African-American philosophy.

    Daniel Belgrad shows how a startling variety of artistic movements actually had one unifying theme: spontaneous improvisation."A compelling narrative, putting living flesh on shorthand intuitions that connect North Beach to Black Mountain College, Fenollosa to Pollock, Jackson Lears's No Place of Grace to Todd Gitlin's The Sixties."—Joel Smith, Boston Review"An invaluable introduction to postwar modernism across the arts."—Thomas Augst, Boston Book Review"Belgrad's extensive probing of the artists and movements with their profound sociological roots is timely as well as comprehensive....A major contribution for serious scholars."—Choice

    The months that follow, as he fights his way to a new idea of life, death, and God, are part of his human season. But he also reflects on the years behind him.

    Northup, a family man and hack driver in upstate New York, was kidnapped, whisked away from his home, and sold into slavery.

    Four decades later, she was revered as their leader by thousands of churches in the U.S. and Europe, had founded a national newspaper, and had become probably the most powerful woman in America.Who was this astonishing woman, the mother of the Mother Church? How did she prepare for her illustrious career during her years of obscurity, and what was her inspiration for the healing practices and doctrine of Christian Science? Gillian Gill, a non-Christian Science Scientist scholar, who managed to win unparalleled access to the Church archives, offers here an entirely new look at Mary Baker Eddy.For the first time readers will see the extraordinary leadership skills exercised by Mrs. Eddy despite the repressive forces facing women in her time. For the first time we learn the full story of the bizarre attack on Mrs. Eddy by Joseph Pulitzer and his New York World—alleging that she was at least senile and possibly not even alive. In this enthralling biography, we rediscover Mary Baker Eddy as a radical Christian thinker, pioneer in the recognition of mind/body connections, survivor of scandal, and target of both admiration and scorn from such eminent contemporaries as Mark Twain. Gillian Gill's sense of drama, her critical acumen, and her delicious wit bring to life a brilliant religious leader whose message has new meaning in our time.

    women's collective history! A landmark work, The Reader's Companion to U.S. Women's History, gathers together more than 400 articles to offer a diverse, rich, and often neglected panorama of the nation's past. Written by more than 300 contributors, drawn from various areas of expertise, these narrative and interpretive entries "effectively cover five centuries of women's experiences" (Bloomsbury Review). Here are articles on cowgirls and child care, on the daily lives of single women and the changing notions of motherhood, on the artistic contributions of women of color and the history of Jewish feminism. Wide-ranging in scope and wonderfully accessible, this unique resource reexamines with fresh clarity and brio the issues and concerns that color the lives of all women. Articles and their contributors include: African American Women, Darlene Clark Hine; Cult of Domesticity, Carroll Smith-Rosenberg; Fashion and Style, Lynn Yaeger; Jazz and Blues, Daphne Duval Harrison; Lesbians, Elizabeth Lapovsky Kennedy; Native American Cultures, Clara Sue Kidwell; Picture Brides, Judy Yung; Salem Witchcraft Trials, Mary Beth Norton; Vietnam Era, Sara M. Evans.

    A chapter by Abbot John Daido Loori anchors the book and presents an introduction to this powerful practice.

    The only comprehensive readers' tour of the nation's richest array of historic residences open to the public, the book is complete with maps, touring information, and historical notes on fifty distinctive homes.Entries on each home begin by listing name, date of construction, architect, and location, followed by a description placing the house in its architectural, historical, social, and cultural context. Readers learn about the style of the house, who built it and why, what major events were connected with the home, and what outstanding characteristics and furnishings make it remarkable.A Barra Foundation Book

    Her Gaelic Symphony, given its premiere by the Boston Symphony Orchestra in 1896, was the first work of its kind by an American woman to be performed by an American orchestra. Almost all of her more than 300 works were published soon after they were composed and performed, and today her music is finding new advocates and audiences for its energy, intensity, and sheer beauty. Yet, until now, no full-length critical biography of Beach's life or comprehensive critical overview of her music existed. This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies.Born into a musical family in Victorian times, Amy Beach started composing as a child of four and was equally gifted as a pianist. Her talent was recognized early by Boston's leading musicians, who gave her unqualified support. Although Beach believed that the life of a professional musician was the only life for her, her parents had raised her for marriage and a career of amateur music-making. Her response to this parental (and later spousal) opposition was to find creative ways of reaching her goal without direct confrontation. Discouraged from a full-scale concert career, she instead found her m�tier in composition.Success as a composer of art songs came early for Beach: indeed, her songs outsold those of her contemporaries. Nevertheless, she was determined to separate her work from the genteel parlor music women were writing in her day by creating large-scale works--a Mass, a symphony, and chamber music--that challenged the accepted notion that women were incapable of creating high art. She won the respect of colleagues and the allegiance of audiences. Many who praised her work, however, considered her an exception among women. Beach's reaction to this was to join with other women composers of serious music by promoting their works along with her own.Adrienne Fried Block has written a biography that takes full account of issues of gender and musical modernism, considering Beach in the contexts of her time and of her composer contemporaries, both male and female. Amy Beach, Passionate Victorian will be of great interest to students and scholars of American music, and to music lovers in general.

    Book annotation not available for this title.

    Cook your heart out with generations of hand-me-down recipes and food lore! Barbara Swell has whisked up weather and cooking folklore, food insults, old-time home remedies, vintage photos, romance superstitions, hearth crafts and 19th century chores.

    A reader that gathers a diverse range of writers like Aristotle, Rousseau, Kant, Marx and Jefferson to examine the nature of 'citizenship'

    They are wrong, contends Richard Posner in this book. Posner characterizes the current preoccupation with moral and constitutional theory as the latest form of legal mystification--an evasion of the real need of American law, which is for a greater understanding of the social, economic, and political facts out of which great legal controversies arise. In pursuit of that understanding, Posner advocates a rebuilding of the law on the pragmatic basis of open-minded and systematic empirical inquiry and the rejection of cant and nostalgia--the true professionalism foreseen by Oliver Wendell Holmes a century ago. A bracing book that pulls no punches and leaves no pieties unpunctured or sacred cows unkicked, The Problematics of Moral and Legal Theory offers a sweeping tour of the current scene in legal studies--and a hopeful prospect for its future.

    A self-described "suicidal, strung-out, psychotic Jew under thirty" Ilyana retreats into her astonishing mind, prays to obscure Catholic saints, and seeks her equilibrium in six white lines laid out on the kitchen table of a squalid Lower East Side apartment. Masochism and nihilism form the twin poles of Ilyana's heroin blurred existence, but this was not always so.

    Simple text describes the creatures' movements and activities.

    Superb illustrations by Todd Telander make identifications easy.

    As the community's demand for labor grew, the Moravian Brethren bought slaves to help operate their farms, shops, and industries. Moravians believed in the universalism of the gospel and baptized dozens of African Americans, who became full members of tightly knit Moravian congregations. For decades, white and black Brethren worked and worshiped together--though white Moravians never abandoned their belief that black slavery was ordained by God. Based on German church documents, including dozens of rare biographies of black Moravians, "A Separate Canaan" is the first full-length study of contact between people of German and African descent in early America. Exploring the fluidity of race in Revolutionary era America, it highlights the struggle of African Americans to secure their fragile place in a culture unwilling to give them full human rights. In the early nineteenth century, white Moravians forsook their spiritual inclusiveness, installing blacks in a separate church. Just as white Americans throughout the new republic rejected African American equality, the Moravian story illustrates the power of slavery and race to overwhelm other ideals.

    Follow the money and find how the prison-industrial complex fits into the New World Order of free trade and imprisoned people, the war on drugs, and capital flight.

    Includes work by: Jack London, Nelson Algren, Chester Himes,Jack Henry Abbott, Robert Lowell, Malcolm X, Mumia Abu-Jamal, and Piri Thomas.

    The book supplies a crucial chapter in the history of twentieth-century American politics as well as a valuable and clear perspective on the state of our nation's politics today.Liberalism and Its Discontents moves from a penetrating interpretation of Franklin D. Roosevelt and the New Deal to an analysis of the profound and frequently corrosive economic, social, and cultural changes that have undermined the liberal tradition. The book moves beyond an examination of the internal weaknesses of liberalism and the broad social and economic forces it faced to consider the role of alternative political traditions in liberalism's downfall. What emerges is a picture of a dominant political tradition far less uniform and stable--and far more complex and contested--than has been argued. The author offers as well a masterly assessment of how some of the leading historians of the postwar era explained (or failed to explain) liberalism and other political ideologies in the last half-century. He also makes clear how historical interpretation was itself a reflection of liberal assumptions that began to collapse more quickly and completely than almost any scholar could have imagined a generation ago. As both political history and a critique of that history, Liberalism and Its Discontents, based on extraordinary essays written over the last decade, leads to a new understanding of the shaping of modern America.

    Simple text describes the creatures' movements and activities.

    What did it mean to be queer and Asian American at the turn of the century? This volume considers how Asian American racial and queer sexuality interconnect in mutually shaping and complicating ways.