Thomas Sowell sees what has happened not as a series of isolated mistakes but as a logical consequence of a vision whose defects have led to disasters in education, crime, family disintegration, and other social pathology. In this book, "politically correct" theory is repeatedly confronted with facts -- and sharp contradictions between the two are explained in terms of a whole set of self-congratulatory assumptions held by political and intellectual elites. These elites -- the anointed -- often consider themselves "thinking people," but much of what they call thinking turns out, on examination, to be rhetorical assertion, followed by evasions of mounting evidence against those assertions.

    Encompassing more than a decade of research around the globe, this book shows that cultural capital has far more impact than politics, prejudice, or genetics on the social and economic fates of minorities, nations, and civilization.

    Pope John Paul II extols the "genius of women" and applauds the contributions of women as they "enrich the world's understanding and help to make human relations more honest."

    According to Chomsky, "propaganda is to democracy as the bludgeon is to a totalitarian state," and the mass media is the primary vehicle for delivering propaganda in the United States. From an examination of how Woodrow Wilson’s Creel Commission "succeeded, within six months, in turning a pacifist population into a hysterical, war-mongering population," to Bush Sr.'s war on Iraq, Chomsky examines how the mass media and public relations industries have been used as propaganda to generate public support for going to war. Chomsky further touches on how the modern public relations industry has been influenced by Walter Lippmann’s theory of "spectator democracy," in which the public is seen as a "bewildered herd" that needs to be directed, not empowered; and how the public relations industry in the United States focuses on "controlling the public mind," and not on informing it. Media Control is an invaluable primer on the secret workings of disinformation in democratic societies.From the Audiobook Download edition.

    A comprehensive handbook to urban ministry introduces and shows how to implement a Christian community development program.

    Although the role big money plays in defining political outcomes has long been obvious to ordinary Americans, most pundits and scholars have virtually dismissed this assumption. Even in light of skyrocketing campaign costs, the belief that major financial interests primarily determine who parties nominate and where they stand on the issues—that, in effect, Democrats and Republicans are merely the left and right wings of the "Property Party"—has been ignored by most political scientists. Offering evidence ranging from the nineteenth century to the 1994 mid-term elections, Golden Rule shows that voters are "right on the money."Thomas Ferguson breaks completely with traditional voter centered accounts of party politics. In its place he outlines an "investment approach," in which powerful investors, not unorganized voters, dominate campaigns and elections. Because businesses "invest" in political parties and their candidates, changes in industrial structures—between large firms and sectors—can alter the agenda of party politics and the shape of public policy.Golden Rule presents revised versions of widely read essays in which Ferguson advanced and tested his theory, including his seminal study of the role played by capital intensive multinationals and international financiers in the New Deal. The chapter "Studies in Money Driven Politics" brings this aspect of American politics into better focus, along with other studies of Federal Reserve policy making and campaign finance in the 1936 election. Ferguson analyzes how a changing world economy and other social developments broke up the New Deal system in our own time, through careful studies of the 1988 and 1992 elections. The essay on 1992 contains an extended analysis of the emergence of the Clinton coalition and Ross Perot's dramatic independent insurgency. A postscript on the 1994 elections demonstrates the controlling impact of money on several key campaigns.This controversial work by a theorist of money and politics in the U.S. relates to issues in campaign finance reform, PACs, policymaking, public financing, and how today's elections work.

    G. Jung wrote a great deal about the question of evil throughout his life and in scattered places in his work. In this book his position is pieced together from many sources. In his early work on the unconscious, for instance, he considered the role of evil in the mental processes of the severely disturbed. Later, he viewed the question of moral choice within the framework of his ideas about archetypes and discussions about moral choices, conscience, and the continual ethical reflection that is necessary for all of us. The material here includes letters to Freud and Father Victor White and selections from his writings ranging from his Answer to Job to his travel piece on North Africa.

    Self-Efficacy in Changing Societies analyzes the diverse ways in which beliefs of personal efficacy operate within a network of sociocultural influences to shape life paths. The chapters, written by internationally known experts, cover such concepts as infancy and personal agency, competency through the life span, the role of family, and cross-cultural factors.

    Watts addresses the major Asian philosophies--Hinduism, Zen Buddhism, and Taoism -- and reveals the common threads of spirituality that weave their way through each of these traditions.

    Coauthored by his son, Francesco, the book answers age-old questions such as: Was there a mitochondrial Eve? Did the first humans originate in Africa or in several spots on the planet at about the same time? How did humans get onto North America, the tip of South America, and Australia?

    In this presentation of a general theory of systems, Germany's most prominent and controversial social thinker sets out a contribution to sociology that reworks our understanding of meaning and communication.Luhmann concedes that there is no longer a binding representation of society within society, but refuses to describe this situation as a loss of legitimation or a crisis of representation. Instead, he proposes that we search for new ways of coping with the enforced selectivity that marks any self-description under the conditions of functionally differentiated modern society. For Luhmann, the end of metanarratives does not mean the end of theory, but a challenge to theory, an invitation to open itself to theoretical developments in a number of disciplines that, for quite some time, have been successfully working with cybernetic models that no longer require the fiction of the external observer.Social Systems provides the foundation for a theory of modern society that would be congruent with this new understanding of the world. One of the most important contributions to social theory of recent decades, it has implications for many disciplines beyond sociology.

    It is also a literary work, an often miraculous interplay between cultural documents and historical periods.

    This highly insightful essay dissects the culture of dependency and its damaging effects on the moral fiber of society, from corporate welfare to affirmative action.

    In rural South Asia, few women own land and even fewer control it. Drawing on a wide range of sources, including field research, the author addresses the reason for this imbalance, and asks how the barriers to ownership can be overcome. The book offers original insights into the current theoretical and policy debates on land reform and women's status.

    The case being exactly opposite, throughout the medieval period, the lower castes fought shoulder to shoulder with the upper castes against the foreign invaders and tyrannical rulers. Present study is only a beginning in this direction, based for the most part on medieval Muslim chronicles.

    First published in 1995; re-published in 2008 by Sunrise Publishing and Distribution.

    Published in 1962, when Lefebvre was beginning his career as a lecturer in sociology at the University of Strasbourg, it established his position in the vanguard of a movement which was to culminate in the events of May 1968. It is a book which supersedes the conventional divisions between academic disciplines. With dazzling skill, Lefebvre moves from philosophy to sociology, from literature to history, to present a profound analysis of the social, political and cultural forces at work in France and the world in the aftermath of Stalin’s death—an analysis in which the contours of our own “postmodernity” appear with startling clarity.Lefebvre’s lectures have become legendary, and something of his charismatic presence and delivery is captured in this book, which he intended “to be understood in the mind’s ear ... and not simply to be read.” With its mercurial shifts of tone, now intensely poetic, now conversational, it not only explores modernity, it exemplifies it. Equally experimental in conception is the book’s remarkable structure, twelve “preludes” through which a range of recurrent themes are interwoven in free-form counterpoint: irony as a critical tool, utopianism, nature and culture, the Stalinization of Marxism, the alienation of everyday life, the cybernetic society ... What gradually emerges is not only a series of original concepts about humanity and culture, but an extraordinary invocation of the complexity of social contradictions.Yet the fragmented structure of the book is not left to float free. Its shifting and eclectic melodies and leitmotifs have a solid ground basis: the wish to rehabilitate the Marxist dialectic as a method for understanding and transforming the modern world. This program is at the heart of the book, and gives it its underlying coherence, making Introduction to Modernity not only essential reading for all students of European cultural history, but also a key text for Marxism in the post-communist world of the late twentieth century.

    How are feminists redefining the poetics and politics of ethnography? What are the contradictions of women studying women? How have gender, race, class, and nationality been scripted into the canon?Through autobiography, fiction, historical analysis, experimental essays, and criticism, the contributors offer exciting responses to these questions. Several pieces reinvestigate the work of key women anthropologists like Elsie Clews Parsons, Margaret Mead, and Ruth Benedict, while others reevaluate the writings of women of color like Zora Neale Hurston, Ella Deloria, and Alice Walker. Some selections explore how sexual politics help to determine what gets written and what is valued in the anthropological canon. Other pieces explore new forms of feminist ethnography that 'write culture' experimentally, thereby challenging prevailing, male-biased anthropological models.

    The symbols represent sounds, yet they exist in their own right, often invested with quasi-magical power. This book examines the many imaginative, often idiosyncratic ways in which the letters of the alphabet have been assigned value in political, spiritual, or religious belief systems over two millennia.

    In this groundbreaking work, Kathleen Rowe explores how the unruly woman—often a voluptuous, noisy, joke-making rebel or "woman on top"—uses humor and excess to undermine patriarchal norms and authority.At the heart of the book are detailed analyses of two highly successful unruly women—the comedian Roseanne Arnold and the Muppet Miss Piggy. Putting these two figures in a deeper cultural perspective, Rowe also examines the evolution of romantic film comedy from the classical Hollywood period to the present, showing how the comedic roles of actresses such as Katharine Hepburn, Barbara Stanwyck, and Marilyn Monroe offered an alternative, empowered image of women that differed sharply from the "suffering heroine" portrayed in classical melodramas.

    Realistically carved and highly painted, it is both symbolic and functional, for this is the coffin of the chief sardine fisherman of Teshi.

    Along the way, he highlights many of the services and amenities - the decor, the swimming pools, the restaurants, and the pulsating signs - used to lure motorists into the nearest Kozy Kottage. He has discovered motels both marvelous and bizarre: log cabins, teepees, and even railroad freight cars transformed into sleeping cars. And he explores how the image of the motel in America has evolved - from seedy shacks to picturesque courts to today's antiseptic but very comfortable way stations. Throughout, Margolies combines his signature photographs of hostelries past and present with rare postcards, vintage brochures, and other amusing artifacts. Home Away From Home is a surprising and entertaining look at an omnipresent phenomenon, a nostalgic tour of sleepless nights and sweet dreams along the highways and byways of America.

    He was released from prison after 23 continuous years in prison.

    Book by Hertz, Solange

    In this spirited work, Lasch calls out for a return to community, schools that teach history not self-esteem, and a return to morality and even the teachings of religion. He does this in a nonpartisan manner, looking to the lessons of American history, and castigating those in power for the ever-widening gap between the economic classes, which has created a crisis in American society. The Revolt of the Elites and the Betrayal of Democracy is riveting social commentary.

    In The Eros of Everyday Life, she once again takes readers on a startling journey, showing the profound connections between religion and philosophy, science and nature, Western thought and the role of women, and the supremacy of abstract thought over the forces of life. Featuring the brilliant original title essay that is nothing less than an intellectual and emotional exploration of the nature of Western society itself, as well as Susan Griffin's best previously published essays of the past decade, The Eros of Everyday Life combines the beautiful lyricism and sensibility of a poet with the intellectual rigor of one of the finest and most original minds writing today.

    In this study, Constantine Vaporis challenges the notion that this system of travel regulations prevented widespread travel, maintaining instead that a "culture of movement" in Japan developed in the Tokugawa era.Using a combination of governmental documentation and travel literature, diaries, and wood-block prints, Vaporis examines the development of travel as recreation; he discusses the impact of pilgrimage and the institutionalization of alms-giving on the freedom of movement commoners enjoyed. By the end of the Tokugawa era, the popular nature of travel and a sophisticated system of roads were well established. Vaporis explores the reluctance of the bakufu to enforce its travel laws, and in doing so, beautifully evokes the character of the journey through Tokugawa Japan.

    It not only represents an important intellectual step in discussions of art—in its rigor and in its having refreshingly set itself the task of creating a set of distinctions for determining what counts as art that could be valid for those creating as well as those receiving art works—but it also represents an important advance in systems theory.Returning to the eighteenth-century notion of aesthetics as pertaining to the "knowledge of the senses," Luhmann begins with the idea that all art, including literature, is rooted in perception. He insists on the radical incommensurability between psychic systems (perception) and social systems (communication). Art is a special kind of communication that uses perceptions instead of language. It operates at the boundary between the social system and consciousness in ways that profoundly irritate communication while remaining strictly internal to the social.In seven densely argued chapters, Luhmann develops this basic premise in great historical and empirical detail. Framed by the general problem of art's status as a social system, each chapter elaborates, in both its synchronic and diachronic dimensions, a particular aspect of this problem. The consideration of art within the context of a theory of second-order observation leads to a reconceptualization of aesthetic form. The remaining chapters explore the question of the system's code, its function, and its evolution, concluding with an analysis of "self-description."Art as a Social System draws on a vast body of scholarship, combining the results of three decades of research in the social sciences, phenomenology, evolutionary biology, cybernetics, and information theory with an intimate knowledge of art history, literature, aesthetics, and contemporary literary theory. The book also engages virtually every major theorist of art and aesthetics from Baumgarten to Derrida.

    However, the rational model ignores the inherent complexity and ambiguity of real-world organizations and their environments. In this landmark volume, Karl E Weick highlights how the `sensemaking′ process shapes organizational structure and behaviour. The process is seen as the creation of reality as an ongoing accomplishment that takes form when people make retrospective sense of the situations in which they find themselves.

    She held a strong interest in applying European feminist concerns to Javanese society. Her pioneering work for freedom and education of women has made her an Indonesian national hero. The letters in this revised edition, to the contemporary European feminist Stella Zeehandelaar, are amongst the most powerful of Kartini's surviving correspondence.

    

    Prince is a collector of varied specimens of visual culture - advertisements, trivial facts, odd photographs, sketches for paintings, meaningful pictures, and banal media images. He has often called his work social science fiction. This is Prince's docu-drama serial adventure into media imagery. The book includes his satire of the Playboy bunny as a death's head, the biker mamas, the Marlboro cowboys, Mike Kelley in performance, comic books, worn-out jokes, newspaper fillers, and banal photographs.

    With 100 color photographs, the book lovingly surveys this now vanished icon of early rural America, counterpointing classic freak show art with contemporary interpretations. 50 archival black-and-white photos of sideshows provide a historical context for the banner illustrations. These essays and the heady, often un-PC images recall a time when compassion and restraint collapsed in the face of the exotic, the erotic, and the exploited, and present an interesting reference point to the current voyeuristic appeal of television shows such as Jerry Springer.

    Brown proposes a radical new research agenda designed to broaden the scope of ecology to encompass vast geographical areas and very long time spans. While much ecological research is narrowly focused and experimental, providing detailed information that cannot be used to generalize from one ecological community or time period to another, macroecology draws on data from many disciplines to create a less detailed but much broader picture with greater potential for generalization. Integrating data from ecology, systematics, evolutionary biology, paleobiology, and biogeography to investigate problems that could only be addressed on a much smaller scale by traditional approaches, macroecology provides a richer, more complete understanding of how patterns of life have moved across the earth over time. Brown also demonstrates the advantages of macroecology for conservation, showing how it allows scientists to look beyond endangered species and ecological communities to consider the long history and large geographic scale of human impacts. An important reassessment of the direction of ecology by one of the most influential thinkers in the field, this work will shape future research in ecology and other disciplines."This approach may well mark a major new turn in the road in the history of ecology, and I find it extremely exciting. The scope of Macroecology is tremendous and the book makes use of its author's exceptionally broad experience and knowledge. An excellent and important book."—Lawrence R. Heaney, Center for Environmental and Evolutionary Biology, the Field Museum