As World War II rages, Francine Lawrence and her small daughter, Ruth, wait in the fading splendor of Raffles Hotel in Singapore for Francine's British husband. But when he is delayed, Francine, half-Chinese and unwelcome there, is forced to begin a terrifying journey. Seeking to escape a world exploding in nightmare, Francine ultimately makes a gut-wrenching decision: to entrust Ruth to strangers in order to save the child's life. But when the war ends, all traces of Ruth have vanished; years of searching bring only heartbreak. Three decades later Francine is a formidable businesswoman, pouring all her energies into her companies. Then one day a soft-spoken young woman walks into her New York office on the Festival of the Hungry Ghosts. Her name is Sakura, and she hints that she may be Francine's daughter. What Francine does not know is that beneath Sakura's calm surface lives the heart of a warrior. Francine cannot begin to imagine the places Sakura has been, the horrors she has endured--or the secret that gives her the strongest motive in the world to lie...

    Between Seventh and Eighth Avenues, 42nd Street was once known for its peep shows, street corner hustlers and movie houses. Over the last two decades the notion of safety-from safe sex and safe neighborhoods, to safe cities and safe relationships-has overcome 42nd Street, giving rise to a Disney store, a children's theater, and large, neon-lit cafes. 42nd Street has, in effect, become a family tourist attraction for visitors from Berlin, Tokyo, Westchester, and New Jersey's suburbs.Samuel R. Delany sees a disappearance not only of the old Times Square, but of the complex social relationships that developed there: the points of contact between people of different classes and races in a public space. In Times Square Red, Times Square Blue, Delany tackles the question of why public restrooms, peepshows, and tree-filled parks are necessary to a city's physical and psychological landscape. He argues that starting in 1985, New York City criminalized peep shows and sex movie houses to clear the way for the rebuilding of Times Square. Delany's critique reveals how Times Square is being renovated behind the scrim of public safety while the stage is occupied by gentrification. Times Square Red, Times Square Blue paints a portrait of a society dismantling the institutions that promote communication between classes, and disguising its fears of cross-class contact as family values. Unless we overcome our fears and claim our community of contact, it is a picture that will be replayed in cities across America.

    Sociologist Duneier, author of Slim's Table, offers an accessible and compelling group portrait of several poor black men who make their livelihoods on the sidewalks of Greenwich Village selling secondhand goods, panhandling, and scavenging books and magazines.Duneier spent five years with these individuals, and in Sidewalk he argues that, contrary to the opinion of various city officials, they actually contribute significantly to the order and well-being of the Village. An important study of the heart and mind of the street, Sidewalk also features an insightful afterword by longtime book vendor Hakim Hasan. This fascinating study reveals today's urban life in all its complexity: its vitality, its conflicts about class and race, and its surprising opportunities for empathy among strangers.Sidewalk is an excellent supplementary text for a range of courses:INTRODUCTION TO SOCIOLOGY: Shows how to make important links between micro and macro; how a research project works; how sociology can transform common sense.RACE AND ETHNIC RELATIONS: Untangles race, class, and gender as they work together on the street.URBAN STUDIES: Asks how public space is used and contested by men and women, blacks and whites, rich and poor, and how street life and political economy interact.DEVIANCE: Looks at labeling processes in treatment of the homeless; interrogates the "broken windows" theory of policing.LAW AND SOCIETY: Closely examines the connections between formal and informal systems of social control.METHODS: Shows how ethnography works; includes a detailed methodological appendix and an afterword by research subject Hakim Hasan.CULTURAL ANTHROPOLOGY: Sidewalk engages the rich terrain of recent developments regarding representation, writing, and authority; in the tradition of Elliot Liebow and Ulf Hannerz, it deals with age old problems of the social and cultural experience of inequality; this is a telling study of culture on the margins of American society.CULTURAL STUDIES: Breaking down disciplinary boundaries, Sidewalk shows how books and magazines are received and interpreted in discussions among working-class people on the sidewalk; it shows how cultural knowledge is deployed by vendors and scavengers to generate subsistence in public space.SOCIOLOGY OF CULTURE: Sidewalk demonstrates the connections between culture and human agency and innovation; it interrogates distinctions between legitimate subcultures and deviant collectivities; it illustrates conflicts over cultural diversity in public space; and, ultimately, it shows how conflicts over meaning are central to social life.

    Chronicling the story of New York from its establishment as a Dutch trading post in 1624 to its global preeminence today, the book is at once the biography of a great city and a vivid exploration of the myriad forces -- commercial, cultural, demographic -- that converged in New York to usher in the contemporary world.Weaving the strands of the city's sweeping history into a single compelling narrative, New York carries us through nearly four centuries of turbulent growth and change -- from the first settlement on the tip of "Manna-hata" Island to the destruction wrought by the Revolutionary War; to the city's stunning emergence in the nineteenth century as the nation's premier industrial metropolis; to the waves of early-twentieth-century immigration that forever transformed the city and the nation; to New York's transfiguration as the world's first modern city -- pioneering skyscrapers, apartment houses, subways, and highways -- and its role as the birthplace of so much of American popular culture. Along the way, we witness the building of the city's celebrated landmarks and neighborhoods, from the Brooklyn Bridge and the Statue of Liberty to the Empire State Building and the United Nations; from Wall Street and Times Square to the Lower East Side, Harlem, and SoHo.The book brims with vibrant illustrations, including hundreds of rare photographs, paintings, lithographs, prints, and period maps. The narrative incorporates the voices and stories of men and women -- statesmen, entrepreneurs, artists, and visionaries -- who have lived in and built the city: an extraordinary cast of characters that includes Peter Stuyvesant, Alexander Hamilton, John Jacob Astor, Walt Whitman, Boss Tweed, Jacob Riis, Emma Lazarus, J. P. Morgan, Al Smith, F. Scott Fitzgerald, George Gershwin, Fiorello La Guardia, Robert Moses, and Jane Jacobs.Accompanying the book's narrative are interviews with Robert A. Caro, David Levering Lewis, and Robert A. M. Stern, and essays by a group of distinguished New York historians and critics -- Kenneth T. Jackson, Mike Wallace, Marshall Berman, Phillip Lopate, Carol Berkin, and Daniel Czitrom -- who add their insights about the city to this splendid history.From the Hardcover edition.

    But Olmsted's contemporaries knew a man of even more extraordinarily diverse talents. Born in 1822, he traveled to China on a merchant ship at the age of twenty-one. He cofounded The Nation magazine and was an early voice against slavery. He managed California's largest gold mine and, during the Civil War, served as the executive secretary to the United States Sanitary Commission, the precursor of the Red Cross.Rybczynski's passion for his subject and his understanding of Olmsted's immense complexity and accomplishments make his book a triumphant work. In A Clearing in the Distance, the story of a great nineteenth-century American becomes an intellectual adventure.

    At the request of Sergeant Frank Malloy, she searches the girl's room, and discovers that the victim is from one of the most prominent families in New York and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy's help, Sarah begins a dangerous quest to bring the killer to justice, before death claims another victim.

    Chidchester, head of the Lost and Found, finds lost dogs. Marino Marino makes oyster stew, while thinking up interesting math problems. A man in a porkpie hat buys cherry pies. Maira Kalman's stylized artwork, along with entertaining text, brilliantly captures the excitement of Grand Central Station, "the busiest, fastest, biggest place there is."

    Together with three veterans of the St. Vincent’s Home for Boys, he works for small-time mobster Frank Minna’s limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel’s colleagues lands in jail, the other two vie for his position, and the victim’s widow skips town. Lionel’s world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original homage to the classic detective novel by one of the most acclaimed writers of his generation.

    The Rose Garden gathers the rest of her short fiction, some of it set in her native Dublin but most of it in and around her adopted Manhattan. The riches here are many, but the collection's centerpiece is a suite of satirical scenes from suburban life, stories a little meaner than Cheever's, and wittier than Updike's (Los Angeles Times Book Review).

    But as the daughter of Edek Rothwax, an Auschwitz survivor with a somewhat idiosyncratic approach to the English language, Ruth can find no words to understand the loss of her family experienced during World War II.Ruth is obsessed with the idea of returning to Poland with her father, but she doesn't quite understand why she feels this so intensely. To make sense of her family's past, yes. To visit the places where her beloved mother and father lived and almost died, certainly. But she knows there's more to this trip. By facing Poland, and the past, she can finally confront her own future.

    Many would recognize those among his compositions that have become a part of standard concert repertory, but few are familiar with the full, rich life this son of Eastern European Jewish immigrants led. In Aaron Copland: The Life and Work of an Uncommon Man, 20th-century music scholar Howard Pollack traces the composer's life and career from the streets of Brooklyn to his studies in Paris, his involvement with Harold Clurman's Group Theatre, his work in Hollywood in the '30s and '40s, his adoption of the twelve-tone method of composition, and his struggle with debilitating disease in his final years.

    As an associate curator at the Museum of Modern Art, O'Hara organized a series of important exhibitions, notably of the work of Franz Kline and of Robert Motherwell. In Memory of My Feelings: Frank O'Hara and American Art explores this key period in modern art by presenting artists who were associated with O'Hara and whose seminal works are reflected in his poetry.Featuring over 80 works by twenty-three artists, the book focuses on works closely tied to specific poems by Frank O'Hara, notably Jasper Johns's In Memory of My Feelings—Frank O'Hara and Grace Hartigan's Oranges. Included are direct collaborations between O'Hara and various artists such as Joe Brainard, Norman Bluhm, and Larry Rivers, as well as portraits of the poet by Elaine de Kooning and Alex Katz. Franz Kline, Alice Neel, and Joan Mitchell are some of the other artists highlighted.The book is a timely re-examination of the relationship between art and poetry at this crucial moment in American art. It also offers new insights into the charismatic figure of Frank O'Hara and his world.The exhibition, In Memory of My Feelings: Frank O'Hara and American Art, will be at The Museum of Contemporary Art, Los Angeles, from July 11 to November 14, 1999; at The Wexner Center for the Arts, Columbus, Ohio, January 28 to April 16, 2000; and the Parrish Art Museum in Southampton, New York, in May, 2000.

    With wrenching dramatic intensity, it captures the character and the mind of an extraordinary talent -- from his days as a struggling young writer in Greenwich Village, through the turbulent Vietnam era, to his years as a professor of English literature at Berkeley. This is an unforgettable portrait of an artist in the world -- from one of the most acclaimed authors of our time.

    The family's story is now revealed in a compelling narrative that dramatically evokes world events, private power struggles, and the burden and privilege of wealth and responsibility.-- The Trust was a National Book Critics Circle Award finalist.-- Time selected The Trust as one of the five best nonfiction books of the year.-- The success of Katharine Graham's Personal History, Gay Talese's The Kingdom and the Power, and David Halberstam's The Powers that Be arrests to broad interest in behind-the-scenes accounts of newspapering.

    In one of the first contemporary graphic novels, Doucet abruptly packs her bags and moves to New York. Trouble follows her in the form of a jealous boyfriend, insecurity about her talent, her worsening epilepsy, and a tendency to self-medicate with booze and drugs.

    As a child, Houdini worked hard--and even quit school--to help support his family. But his dream always was to become a great magician and performer. He practiced day and night, thinking up new tricks and more and more dangerous stunts. His intense ambition paid off, and soon Harry Houdini became known worldwide! This kid-appealing Step 3 traces Houdini's life from his poor beginnings to his eventual success as the most famous mystical magician and escape artist of all time.

    M. Stern's monumental series of documentary studies of New York City architecture and urbanism. The three previous books in the series, New York 1900, New York 1930, and New York 1960, have comprehensively covered the architects and urban planners who defined New York over the course of the twentieth century. In this volume, Stern turns back to 1880 -- the end of the Civil War, the beginning of European modernism -- to trace the earlier history of the city. This dynamic era saw the technological advances and acts of civic and private will that formed the identity of New York City as we know it today. The installation of water, telephone, and electricity infrastructures as well as the advent of electric lighting, the elevator, and mass transit allowed the city to grow both out and up. The office building and apartment house types were envisioned and defined, changing the ways that New Yorkers worked and lived. Such massive public projects as the Brooklyn Bridge and Central Park became realities, along with such private efforts as Grand Central Station. Like the other three volumes, New York 1880 is an in-depth presentation of the buildings and plans that transformed New York from a harbor town into a world-class metropolis. A broad range of primary sources -- critics and writers, architects, planners, city officials -- brings the time period to life and allows the city to tell its own complex story. The book is generously illustrated with over 1,200 archival photographs, which show the city as it was, and as some parts of it still are.

    Most importantly, it entertains boys and girls ages 9-13 with spine-tingling adventure based on historical events.Set in the mid-1800s in the Great Plaines region, Doe Sia tells of an eleven-year-old Bannock girl who is already known for her bravery: She and her heroic pet, Otterdog, saved a little boy from drowning. On the other side of the world, Danish Emma also gains a reputation for valor when she rescues an elderly man from a burning farmhouse. When Emma immigrates to America and joins the Mormon "Handcart Pioneers", she meets up with Doe Sia and they form an immediate bond. The two are caught together in a blinding snowstorm and must rely on their wits -- and Doe Sia's native wilderness savvy -- to survive.

    Mather, a public relations genius of sweeping vision, and Horace M. Albright, an able lawyer and administrator who helped transform that vision into reality.In Creating the National Park Service, Albright and his daughter, Marian Albright Schenck, reveal the previously untold story of the critical "missing years" in the history of the service. During this period, 1917 and 1918, Mather’s problems with manic depression were kept hidden from public view, and Albright, his able and devoted assistant, served as acting director and assumed Mather’s responsibilities.Albright played a decisive part in the passage of the National Park Service Organic Act of 1916; the formulation of principles and policies for management of the parks; the defense of the parks against exploitation by ranchers, lumber companies, and mining interests during World War I; and other issues crucial to the future of the fledgling park system.

    A Plague on Your Houses is a scorching indictment of the decision to close fire companies in New York in the 1970s and a frightening study of the way misguided and malevolent social policy can spark a chain reaction of enormous and unforeseen urban collapse.

    And what could I say? They were wonderful." From the very beginning of Sergio Troncoso's celebrated story "Angie Luna," we know we are in the hands of a gifted storyteller. Born of Mexican immigrants, raised in El Paso, and now living in New York City, Troncoso has a rare knack for celebrating life. Writing in a straightforward, light-handed style reminiscent of Grace Paley and Raymond Carver, he spins charming tales that reflect his experiences in two worlds. Troncoso's El Paso is a normal town where common people who happen to be Mexican eat, sleep, fall in love, and undergo epiphanies just like everyone else. His tales are coming-of-age stories from the Mexican-American border, stories of the working class, stories of those coping with the trials of growing old in a rapidly changing society. He also explores New York with vignettes of life in the big city, capturing its loneliness and danger. Beginning with Troncoso's widely acclaimed story "Angie Luna," the tale of a feverish love affair in which a young man rediscovers his Mexican heritage and learns how much love can hurt, these stories delve into the many dimensions of the human condition. We watch boys playing a game that begins innocently but takes a dangerous turn. We see an old Anglo woman befriending her Mexican gardener because both are lonely. We witness a man terrorized in his New York apartment, taking solace in memories of lost love. Two new stories will be welcomed by Troncoso's readers. "My Life in the City" relates a transplanted Texan's yearning for companionship in New York, while "The Last Tortilla" returns to the Southwest to explore family strains after a mother's death—and the secret behind that death. Each reflects an insight about the human heart that has already established the author's work in literary circles. Troncoso sets aside the polemics about social discomfort sometimes found in contemporary Chicano writing and focuses instead on the moral and intellectual lives of his characters. The twelve stories gathered here form a richly textured tapestry that adds to our understanding of what it is to be human.

    Sunday, Monday and Always, initially published in 1952, was the author's own personal selection of her best work in the form. This new, expanded edition of Sunday, Monday, and Always includes four additional short pieces written after the original collection was printed. "What Are You Doing in my Dreams?" is an uncommonly moving autobiographical sketch that may serve as a pocket sketch for all of Powell's art. All the familiar elements are here - life and death; Ohio and New York; the awkward, hungry country girl and the city sophisticate; romantic yearning and realist self-deprecation - brought together one last time at the close of a half-century of meditation. The haunting vignette entitled "The Elopers," is based on the author's own experiences with her much loved, much troubled son. An early gem from The New Yorker, "Can't We Cry A Little?" has never before been reprinted, and "Dinner on the Rocks," a typically riotous send-up of Manhattan manners, was one of Powell's last stories.Sunday, Monday, and Always promises to introduce Powell's many admirers to a new facet of her extraordinary talent.

    When the rapper admits to being a leader of an 80-member Brooklyn crack gang, the father of five or six illegitimate children, and the owner of an arrest record a mile long, Century doesn't run away; he gets in deep. Century is invited to enter a "street kingdom", where values are turned upside down, and he spends the next four years with 30 men who constitute a warrior class of the street. Raised on violence and taught to impose their will on others, they are nevertheless desperate for a way out. Unsentimental, yet completely involving, "Street Kingdom" paints an unforgettable portrait of life on the street and the vibrant characters who represent both its most vicious criminals and most heartbreaking victims.

    in 1937, this fast-paced, rollicking romp starring Hank Azaria, Ruben Blades, Vanessa Redgrave, Emily Watson, Bill Murray, Susan Sarandon, John and Joan Cusack, John Turturro, and others, dramatizes the events surrounding the final, emotionally-wrought days of the Federal Theater Project.This unique film/history book includes a lengthy essay and notes from Robbins along with his complete shooting script, 115 behind-the-scenes movie stills, comments from cast and crew members, complete production credits, 34 archival photos, and 30 illuminating historical articles, written exclusively for this book mainly by social historian Eric Darton (Divided We Stand).

    Every first-time visitor to Manhattan experiences the awe of gazing up at the soaring stone, steel, and glass towers of Wall Street or Midtown, and wonders how those structures came to be built. Manhattan Skyscrapers answers the question by presenting the 75 most significant tall buildings that make up the city's famous skyline. From Louis Sullivan's Bayard-Condict Building of 1898 on Bleeker Street to the Conde Nast tower currently rising above Times Square, Manhattan Skyscrapers lavishly presents over a hundred years of New York's most interesting and important tall buildings. Author Eric P. Nash profiles familiar skyscrapers such as the Woolworth Building, the Empire State Building, the Chrysler Building, the World Trade Towers, the AT&T (now Sony) Building, and the Seagram Building, while also championing several often-overlooked yet significant structures, such as the McGraw- Hill, the Metropolitan Life Insurance, and the Fred F. French Buildings. Nash's writing strikes an elegant balance between history, archi-tectural evaluation, and intelligent guidebook. For each building, Nash identifies the building style, gives the overall profile and image of the building, and discusses its construction; also included are quotes from the buildings' architects and the architectural critics of the time. Each skyscraper is illustrated with full-page color photo-graphs by noted photographer Norman McGrath as well as architectural drawings and plans, archival images of the original interiors, postcards, and other ephemera. Manhattan Skyscrapers is essential reading-or an ideal gift-for anyone interested in the buildings that make New York the ultimate skyscraper city.

    Tchen tells his story in three parts. In the first, he explores America's fascination with Asia as a source of luxury items, cultural taste, and lucrative trade. In the second, he explains how Chinese, European-Americans in Yellowface, and various caricatures became objects of curiosity in the expansive commercial marketplace. In the third part, Tchen focuses on how Americans' attitude toward the Chinese changed from fascination to demonization, leading to the passage of the Chinese Exclusion Acts beginning in 1882.

    Kim's tofu factory, but she is frustrated because she has seen a mouse in the production room, where Mr. Kim doesn't allow her to go. One night, a door is left open and New Cat disobeys Mr. Kim's rule. As she chases the mouse, she is surprised to discover that a fire has broken out! Soon the fire department comes and the fire is brought under control. But where is New Cat? Then a bucket of tofu begins to meow, and a wet New Cat emerges, safe and heroic. In this sweet story about a feisty feline, Yangsook Choi uses a rich palette and straightforward text to illustrate the enduring bond between a pet and her person.

    

    From Nubia's ancient empire, which for a time ruled Egypt and centuries before had established the earliest known African city, to the fabled town of Timbuktu, where during the medieval period there thrived a center of scholars that rivaled any in Europe and where books were as prized as gold, to Ethiopia's Christian kingdom, where the Lost Ark of the Covenant is said to reside under perpetual vigil, Gates reveals an Africa little known to Westerners. And as he shows us the achievements that exploiters of the continent have ignored or denied for centuries, he introduces us as well to the fascinating variety of modern-day Africans, many of whom are descended from the great peoples who built Africa's most formidable cultures, including the Asante, the Swahili, the Tuareg, and the Shona.As Gates's compelling narrative shows, the continent's past continues to be felt in the lives of many Africans today. And in America for the descendants of those brought here as slaves, that past has been a controversial inheritance, passionately embraced by some, fiercely rejected by others. For this reason, Gates's deeply personal account of discovery is charged throughout by a question posed by Countee Cullen in his 1925 poem "Heritage" and perennially asked by African Americans: What is Africa to me? Finally, though, it is the wisdom of this book that the legacy of Africa, no less than that of Greece or Rome, belongs to all the world's civilized peoples. Illustrated with spectacular full-page photographs specially commissioned from the internationally acclaimed Lynn Davis, Wonders of the African World is Africa as we have never known or seen it before.With 66 photographs by Lynn Davis, 132 illustrations in black-and-white and full color, and 7 full-color maps

    Outlining the disputes for the control of the land, the author introduces the key players from the residents, landholders, to preservationists and developers.

    From the very first page, where we are introduced to Hjalmar the Finn and the Alaskan bush, it is patently obvious Spirit of the Raven was written by someone who has spent much time in this Great Land. Author Bob Cherry draws liberally on the twenty-eight years he lived in an isolated fishing village-accessible only by air-in the Alaskan bush in a remote fishing village. The result is an adventure story spiced with a sense of humor that still delivers native Alaskan themes and myths.