Faithful readers will find their old favorites and develop new ones, while the uninitiated have the enviable good fortune of experiencing this true American voice for the first time."A treasure trove lies between these covers. Royko was in a class by himself. He was a true original."—Ann Landers"The joy of One More Time is Royko in his own words."—Mary Eileen O'Connell, New York Times Book Review"Reading a collection of Royko's columns is even more of a pleasure than encountering them one by one, and that is a large remark for he rarely wrote a piece that failed to wake you up with his hard-earned moral wit. Three cheers for Royko!"—Norman Mailer"Powerful, punchy, amazingly contemporary."—Neil A. Grauer, Cleveland Plain Dealer"This crackling collection of his own favorite columns as well as those beloved by his fans reminds us just how much we miss the gruff, compassionate voice of Mike Royko."—Jane Sumner, Dallas Morning News"A marvelous road map through four decades of America."—Elizabeth Taylor, Chicago Tribune Books"Royko was an expert at finding universal truths in parochial situations, as well as in the larger issues—war and peace, justice and injustice, wealth and poverty—he examined. Think of One More Time as one man's pungent commentary on life in these United States over the last few decades."—Booklist"Royko was one of the most respected and admired people in the business, by readers and colleagues alike. . . . Savor [his sketches] while you can."—Jonathan Yardley, Washington Post Book World"Book collections of columns aren't presumed to be worth reading. This one is, whether or not you care about newspapering or Chicago."—Neil Morgan, San Diego Union-Tribune"A treasure house for journalism students, for would-be writers, for students of writing styles, for people who just like to laugh at the absurdity of the human condition or, as Studs Terkel said, for those who will later seek to learn what it was really like in the 20th century."—Georgie Anne Geyer, Washington Times"Full of astonishments, and the greatest of these is Royko's technical mastery as a writer."—Hendrik Hertzberg, New Yorker"A great tribute to an American original, a contrarian blessed with a sense of irony and a way with words."—Bob Minzesheimer, USA Today"In this posthumous collection of his columns, journalist Royko displays the breezy wit that made him so beloved in the Windy City."—People

    From his earliest published article in 1928 to his untimely death in 1950, he produced an extraordinary array of short nonfiction that reflectedas it was for Yeats to versify or Dickens to invent."Facing Unpleasant Facts charts Orwell's development as a master of the narrative-essay form and unites classics such as "Shooting an Elephant" with lesser-known journalism and passages from his wartime diary. Whether detailing the horrors of Orwell's boyhood in an English boarding school or bringing to life the sights, sounds, and smells of the Spanish Civil War, these narrative essays weave together the personal and the political in an unmistakable style that is at once plainspoken and brilliantly complex.Contents:The SpikeClinkA HangingShooting an ElephantBookshop MemoriesMarrakechMy Country Right or LeftWar-time DiaryEngland Your EnglandDear Doktor Goebbels - Your British Friends Are Feeding Fine!Looking Back on the Spanish WarAs I Please, 1As I Please, 2As I Please, 3As I Please, 16Revenge Is SourThe Case for the Open FireThe Sporting SpiritIn Defence of English CookingA Nice Cup of TeaThe Moon Under WaterIn Front of Your NoseSome Thoughts on the Common ToadA Good Word for the Vicar of BrayWhy I WriteHow the Poor DieSuch, Such Were the Joys

    It is the story of the unspeakable terror and the visceral, ecstatic thrill of combat, and the lives and dreams laid to waste by the bloodiest conflict that Europe has witnessed since the Second World War. Born into a distinguished military family, Loyd was raised on the stories of his ancestors' exploits and grew up fascinated with war. Unsatisfied by a brief career in the British Army, he set out for the killing fields in Bosnia. It was there--in the midst of the roar of battle and the life-and-death struggle among the Serbs, Croatians, and Bosnian Muslims--that he would discover humanity at its worst and best. Profoundly shocking, poetic, and ultimately redemptive, this is an uncompromising look at the brutality of war and its terrifyingly seductive power.

    More than 235 prize-winning photographs offer a year-by-year, dramatically visual chronicle of our times. Each beautifully reproduced image is accompanied by key information on how the shot was taken and the stunning story behind it, as told to author Hal Buell by the photographers. An accompanying timeline, placing each photo in its historical context, features yet another 265 photographs.This unique and moving volume is completely up to date, including the 2000-2001 winners. Recent photos include images of students fleeing Columbine High School and the striking shot of federal agents taking Elian Gonzales from the arms of his relatives at gunpoint.

    Cathcart wrote a long piece about the murder and all its ramifications for Granta magazine (59), and this is the basis for his book: an account of the crime, the investigation and the criminal culture of South-East London that gave rise to the murderers.

    From her friends, Hass learns the secrets of slipping across sealed borders and stealing through night streets emptied by curfews. She shares Gaza's early euphoria over the peace process and its subsequent despair as hope gives way to unrelenting hardship. But even as Hass charts the griefs and humiliations of the Palestinians, she offers a remarkable portrait of a people not brutalized but eloquent, spiritually resilient, bleakly funny, and morally courageous.Full of testimonies and stories, facts and impressions, Drinking the Sea at Gaza makes an urgent claim on our humanity. Beautiful, haunting, and profound, it will stand with the great works of wartime reportage.

    Louis; from San Francisco and points east. They left comfortable homes and safe sourroundings for combat-zone duty. They were women war correspondants, bringing to the battlefields of World War II a fresh perspective, reporting what they witnessed with a new sensiblity.The women who wrote the war include world-famous photojournalist Margaret Bourke-White, the only Western photgrapher to cover the Nazi invasion of the USSR; writer Martha Gelhorn, wife of Ernest Heminghway and one of the first reporters to document the menace of fascism; Lee Miller, the legendary photographer who took a bath in Hitler's tub; and dozens more gutsy women whose devastating and heartwarming reports are captured in this seemless narrative that assures them, at last, their rightful place in history.

    His road trip was a remarkable socio-cultural adventure for an outsider. He was British, journalistically curious, and black. As he traveled by Greyhound bus through the former Confederate states, he experienced an awakening. He felt culturally tied to this strange yet familiar place. Though a Briton by birth and the child of emigrants from Barbados, he felt culturally alien in his native land. In Dixie, however, he met African Americans whose racial distinctiveness was similar to his own. To local blacks he looked like a brother, while sounding intriguingly foreign. As he assessed their political rise in the South, he noted too how African American tradition seemed static and unchanged. It was a refreshing whiff of "home." Awakened to his own identity as a black in a predominantly white society and absorbed by a sense of southern myth and racial history, he produced this account, a blend of travel writing, historical research, wit, and social commentary. His probing examination of the Southland gives fresh perspective on race relations in America. Originally published in England, No Place Like Home is "more than a piece of travel writing," praised the London Evening Standard, "[but] a compelling exploration of racial identity and the problems of growing up clever, black, and angry in small-town Stevenage. . . . Younge is a fine journalist--thoroughgoing, clear-minded, and meticulous, and he writes in a measured, lucid prose. . . . Next, please take a trip around the UK, Gary Younge, and write about it. Your country needs you." Gary Younge is a columnist and feature writer for the London Guardian. In this post he has written extensively from the United States, South Africa, and Europe. In 1996 he worked at the Washington Post as recipient of a Laurence Stern Fellowship.

    Robert McChesney, whom Marc Crispin Miller calls the greatest of our media historians, maintains that the major beneficiaries of the so-called Information Age are no more than a handful of enormous corporations, and that this concentrated corporate control is disastrous for any notion of participatory democracy.In a book that Noam Chomsky hails as a rich, penetrating study, McChesney combines historical sweep and unprecedented detail on current events as he chronicles the recent waves of media mergers and acquisitions, as well as the corrupt and secretive enactment of public policies surrounding the Internet, digital television, and public broadcasting. He also addresses the gradual and ominous adaptation of the First Amendment as a means of shielding corporate media power, and debunks the myth that the market compels media firms to give the people what they want.

    Cuny earned his nickname "Master of Disaster" for his exploits in Kurdistan, Somalia, and Bosnia. But when he arrived in the rogue Russian republic of Chechnya in the spring of 1995, raring to go and eager to put his ample funds from George Soros to good use, he found himself in the midst of an unimaginably savage war of independence, unlike any he had ever before encountered. Shortly thereafter, he disappeared in the war-rocked highlands, never to be seen again.Who was Cuny really working for? Was he a CIA spy? Who killed him, and why? In search of the answers, Scott Anderson traveled to Chechnya on a hazardous journey that started as as a magazine assignment and ended as a personal mission. The result is a galvanizing adventure story, a chilling picture of "the  new world order," and a tour de force of literary journalism.

    Matthew Bannister said he was going to reinvent the station, the most popular in Europe. But things didn't go exactly to plan. The station lost millions of listeners. Its most famous DJs left, and their replacements proved to be disasters. Radio 1's commercial rivals regarded the internal turmoil with glee. For a while a saviour arrived, in the shape of Chris Evans. But his behaviour caused further upheavals, and his eventual departure provoked another mass desertion by listeners. What was to be done? In the middle of this crisis, Radio 1 bravely (or foolishly) allowed the writer Simon Garfield to observe its workings from the inside. For a year he was allowed unprecedented access to management meetings and to DJs in their studios, to research briefings and playlist conferences. Everyone interviewed spoke in passionate detail about their struggle to make their station credible and successful once more. The result is a gripping and often hilarious portrait a much loved national institution as it battles back from the brink of calamity.

    and he always knows best. Pay tribute to Dad with this wonderful lineup of books that are sure to please.

    When Conover’s request to shadow a recruit at the New York State Corrections Officer Academy was denied, he decided to apply for a job as a prison officer. So begins his odyssey at Sing Sing, once a model prison but now the state’s most troubled maximum-security facility. The result of his year there is this remarkable look at one of America’s most dangerous prisons, where drugs, gang wars, and sex are rampant, and where the line between violator and violated is often unclear.

    Taken from the war years of 1940-45, these writings provide plenty of acerbic wit and persistent prodding of "the good people of Ireland." And in typical O'Brien fashion, no one is safe from his opinionated attacks. His oftentimes hysterical musings include discussions of theater, what it means to be Irish, ideas for alternative pubs and liquors, advice for children, and ways to improve the home.

    Fetish: Masterpieces of Erotic Fantasy Photography collects the best of this exciting genre, combining the finest contemporary images with some of photography's most notable "pre-scene" manifestations - images from 1950s underground and bondage publications; "kinky" creations from the '60s; and glamour work from the '70s and '80s. With 220 color, duotone, and black-and-white images from leading fetish photographers like Peter Ashworth, Chris Bell, Laurent Boeki, Wolfgang Eichler, and Horst P. Horst, and insight into fetish clubs and fashion houses, Fetish will excite connoisseur and curious alike.

    Great narrative..enticing and inspiring

    A provocative, sometimes chilling expose of domestic fascist networks, which include Nazi collaborators within the Republican Party.

    Now reissued with a new Introduction by Dan Rather, anchor and managing editor of the "CBS Evening News," and Tom Bettag, executive producer of "Nightline," on the anniversary of Friendly's death, this discourse on the importance of television in society presents Friendly's uncannily prescient views on the corrosive effect of money on the news business, the sensationalization of news reporting, and the viewing public's appetite for quality broadcasting. With Edward R. Murrow, Fred Friendly practically invented television journalism. Through telling anecdotes and penetrating analysis, he recalls his collaborations with Murrow, from their stinging documentary on Senator Joseph McCarthy to CBS's pioneering coverage of the burgeoning civil rights and anti-Vietnam War movements. Friendly also recounts his resignation as president of CBS News in 1966, when the network ran reruns of "I Love Lucy" instead of Senate hearings on the war in Vietnam. Following that controversial decision, he began writing this memorable book.

    The absorbing inside story of the CIA's successful attempt to punish and muzzle an agent who wrote the truth about the scandalous fall of Saigon.

    Originally published under the title The Spectator, this “knowledgeable and perceptive” (Library Journal) look at show business presents the actors directors, playwrights, dancers, lyricists, and others who created the dramatic works of the twentieth century.Among the many highlights in these pages, Buster Keaton explains the wonders of unscripted silent comedy, Federico Fellini reflects on honesty in art, Carol Channing reveals that she is far more serious than she lets on, and Marlon Brando turns the tables and wants to interview Terkel. We learn about crucial artistic decisions in the lives of Arthur Miller, Tennessee Williams, and Edward Albee and hear from a range of film directors, from Vittorio De Sica and King Vidor to Satyajit Ray. We even get to witness Terkel playing straight man to a wildly inventive Zero Mostel. Because Terkel knows his subjects’ work intimately, he asks precisely the right questions to elicit the most revealing responses. As the New York Times Book Review noted, “Terkel’s knowledge and force of personality make him fully a player alongside his famous guests.”

    This informal dictionary of biography peers into the personalities who have left a mark on our world -- a Who's Who of American history, and the next best thing to chatting directly with the likes of Abraham Lincoln, Walt Whitman, Susan B. Anthony, Eleanor Roosevelt, J. Edgar Hoover, Elijah Muhammad, Amelia Earhart, Katharine Graham, John F. Kennedy, Martin Luther King, Jr., Frank McCourt, Bill Clinton, and many others. Based on iSPAN's popular weekly Booknotes program, this absorbing collection of life stories presents illuminating profiles and often surprising details from our favorite biographers. Booknotes follows the evolution of American history chronologically, and covers the lives of writers and thinkers, inventors and scientists, politicians and soldiers. Lamb reacquaints us with the great figures of our times, in an engaging conversation about America.

    An extraordinary decade in Europe. At its beginning, the old order collapsed along with the Berlin Wall. Everything seemed possible. Everyone hailed a brave new Europe. But no one knew what this new Europe would look like. Now we know. Most of Western Europe has launched into the unprecedented gamble of monetary union, though Britain stands aside. Germany, peacefully united, with its capital in Berlin, is again the most powerful country in Europe. The Central Europeans—Poles, Czechs, Hungarians—have made successful transitions from communism to capitalism and have joined NATO. But farther east and south, in the territories of the former Soviet Union and the former Yugoslavia, the continent has descended into a bloody swamp of poverty, corruption, criminality, war, and bestial atrocities such as we never thought would be seen again in Europe.Timothy Garton Ash chronicles this formative decade through a glittering collection of essays, sketches, and dispatches written as history was being made. He joins the East Germans for their decisive vote for unification and visits their former leader in prison. He accompanies the Poles on their roller-coaster ride from dictatorship to democracy. He uncovers the motives for monetary union in Paris and Bonn. He walks in mass demonstrations in Belgrade and travels through the killing fields of Kosovo. Occasionally, he even becomes an actor in a drama he describes: debating Germany with Margaret Thatcher or the role of the intellectual with Václav Havel in Prague. Ranging from Vienna to Saint Petersburg, from Britain to Ruthenia, Garton Ash reflects on how "the single great conflict" of the cold war has been replaced by many smaller ones. And he asks what part the United States still has to play. Sometimes he takes an eagle's-eye view, considering the present attempt to unite Europe against the background of a thousand years of such efforts. But often he swoops to seize one telling human story: that of a wiry old farmer in Croatia, a newspaper editor in Warsaw, or a bitter, beautiful survivor from Sarajevo. His eye is sharp and ironic but always compassionate. History of the Present continues the work that Garton Ash began with his trilogy of books about Central Europe in the 1980s, combining the crafts of journalism and history. In his Introduction, he argues that we should not wait until the archives are opened before starting to write the history of our own times. Then he shows how it can be done.

    Strip malls and concrete cannot tame this wild Florida, but they can kill it. These essays offer passionate argument why that should not be allowed to happen. Coming from a variety of backgrounds--fiction, journalism, poetry, and environmental writing--the writers turn their talent to one thing they have in common--a love for Florida’s natural beauty and a commitment to preserve it. Their essays--some old favorites, most appearing here for the first time--are both a celebration and a pointed reminder of what we stand to lose.Many of the areas singled out (the Lake Wales Ridge, the Panhandle’s Topsail Hill, Goethe State Forest, and Tampa’s Brooker Creek) were purchased through Florida’s Preservation 2000, one of the nation’s foremost land acquisition programs. All royalties from the book are being donated to the Florida chapter of The Nature Conservancy.Printed on recycled paper with soy ink.Jeff Ripple, natural history writer and photographer, is the author of five books of interpretive natural history, including Sea Turtles, Florida--The Natural Wonders, and Southwest Florida’s Wetland Wilderness: Big Cypress Swamp and the Ten Thousand Islands (UPF, 1996). He lives in Gainesville, Florida.Susan Cerulean, writer and biologist, is co-author of Florida Wildlife Viewing Guide. In 1997, the Governor’s Council for a Sustainable Florida honored her with an Individual Environmental Educator Award. She lives in Tallahassee, Florida.

    When the rapper admits to being a leader of an 80-member Brooklyn crack gang, the father of five or six illegitimate children, and the owner of an arrest record a mile long, Century doesn't run away; he gets in deep. Century is invited to enter a "street kingdom", where values are turned upside down, and he spends the next four years with 30 men who constitute a warrior class of the street. Raised on violence and taught to impose their will on others, they are nevertheless desperate for a way out. Unsentimental, yet completely involving, "Street Kingdom" paints an unforgettable portrait of life on the street and the vibrant characters who represent both its most vicious criminals and most heartbreaking victims.

    Specifically, it explains how to make the public radio program This American Life. In comic book form, the producers of This American Life explain how to find a story, how to do an interview, how to edit sound, how to write for radio and how to mix a radio story. It also explains how the narrative structure of a radio story works, and how it's different from other kinds of stories. This American Life is the most popular documentary program on American radio, with a weekly audience of over a million listeners, on more than 380 public radio stations nationwide. It's produced at WBEZ Chicago and distributed by Public Radio International.

    A significant and revealing feature of London's literary life lies in his introspective observations on the craft of writing, brought together in this collection of essays, reviews, letters, and autobiographical writings. London's public role as a daring, carefree man of action has obscured the shrewd, disciplined, and methodical writer whose practical reflections and meditations on his profession provide a vivid portrait of the literary industry in turn-of-the-century America. For this edition, a significant amount of new material has been added.Reviews of the First Edition"Dale Walker has rendered a valuable service in his painstaking collection of London's writings about writers. He has included 43 selections, 20 of which are previously uncollected: 13 essays, and excerpts from London's two autobiographical works. The result is a remarkably comprehensive view of London 'the writer's writer.'"—American Literary Realism"An absorbing account of how hard the writer worked to learn his craft. . . . We find a master prose stylist concerned with problems of selectivity and concrete issues of tone, form, atmosphere, and point of view."—Modern Philology"A remarkable collection. . . . This is a firsthand look at a writer's honest and forthright opinions on his craft."—Los Angeles Times

    The family's story is now revealed in a compelling narrative that dramatically evokes world events, private power struggles, and the burden and privilege of wealth and responsibility.-- The Trust was a National Book Critics Circle Award finalist.-- Time selected The Trust as one of the five best nonfiction books of the year.-- The success of Katharine Graham's Personal History, Gay Talese's The Kingdom and the Power, and David Halberstam's The Powers that Be arrests to broad interest in behind-the-scenes accounts of newspapering.

    More broadly, the bookexplains how the vaunted Watergate press corps of the 1970s changed intothe tabloidish Monica Lewinsky press corps of the 1990s -- and how much ofthis era's most important history has been "lost." About the Author: Robert Parry, a 22-year veteran of Washingtonjournalism, broke many of the stories now known as the Iran-Contra Affair,including the first story about Oliver North's secret contra-supportoperation and first story about Nicaraguan contra drug trafficking. Hiscareer with the Associated Press, Newsweek and PBS's Frontline program hastaken Parry to hot spots all over the world, from Iran to Central America.He now edits the investigative publication, iF Magazine, and the Internetmagazine, Consortiumnews.com

    The editors' goals have always been the same: to collect the very best essays, by the very best writers, and place them between two covers. This new edition continues in that tradition, providing instructors with a wealth of selections, many of them new to this edition. The text also offers a flexible organization, an affordable price, and inventive, practical suggestions for improving reading and writing.

    Writers looking for a more striking way to open a sentence will find these options: the announcement, the editorial opening, the opening appositive, the opening absolute, and the conjunction opening, among others. Examples of each sentence type ensure the reader's understanding of the concepts.

    For a quarter century, Goldenseal magazine has given its readers intimate access to the lives and music of folk artists from across this pivotal state. Now the best of Goldenseal is gathered for the first time in this richly illustrated volume.   Some of the country's finest folklorists take us through the backwoods and into the homes of such artists as fiddlers Clark Kessinger and U.S. Senator Robert Byrd, recording stars Lynn Davis and Molly O'Day, dulcimer master Russell Fluharty, National Heritage Fellowship recipient Melvin Wine, bluesman Nat Reese, and banjoist Sylvia O'Brien. The most complete survey to date of the vibrant strands of this music and its colorful practitioners, Mountains of Music delineates a unique culture where music and music making are part of an ancient and treasured heritage. The sly humor, strong faith, clear regional identity, and musical convictions of these performers draw the reader into families and communities bound by music from one generation to another.   For devotees as well as newcomers to this infectiously joyous and heartfelt music, Mountains of Music captures the strength of tradition and the spontaneous power of living artistry.

    Wells. Seriously considered as a rival to W.E.B. Du Bois and Booker T. Washington for race leadership, Wells' career began amidst controversy when she sued a Tennessee railroad company for ousting her from a first class car, a legal battle which launched her lifelong commitment to journalism and activism. In the 1890s, Wells focused her eloquence on the horrors of lynching, exposing it as a widespread form of racial terrorism. Backing strong words with strong actions, she lectured in the States and abroad, arranged legal representation for black prisoners, hired investigators, founded anti-lynching leagues, sought recourse from Congress, and more. Wells was an equally forceful advocate for women's rights, but parted ways with feminist allies who would subordinate racial justice to their cause. Using diary entries, letters, and published writings, McMurry illuminates Wells's fiery personality, and the uncompromising approach that sometimes lost her friendships even as it won great victories. To Keep the Waters Troubled is an unforgettable account of a remarkable woman and the and the times she helped to change.

    iAgainst the Vietnam Wari brings together the different facets of that movement and its various shades of opinion. Here the participants themselves offer statements and reflections on their activism, the era, and the consequences of a war that spanned three decades and changed the United States of America. The keynote is on individual experience in a time when almost every event had national and international significance. This collection includes classic documents and new essays by Noam Chomsky, Arlene Ash, Howard Zinn, Staughton Lynd, Martin Luther King, Jr., James Fallows, Eugene McCarthy, Daniel Berrigan, H. Bruce Franklin, and Jane Sass. A foreword by Staughton Lynd considers the events of the Vietnam War in the context of the present war in Iraq.

    This is her account of how the Canberra Press Gallery operates. Simons looks at the key figures in the gallery, and how they help set the news agenda.