Even the terrible American Civil War is nothing compared to Scarlett's broken heart. But one man knows her secret, the handsome and dangerous Rhett Butler -- and he wants her for himself

    Scarlett O'Hara has to work hard to build up her life again, but she has no money. The handsome Rhett Butler is rich, but he is soon to be hanged for murder. Then there is Ashley Wilkes. He is married now, but Scarlett still loves him. Does he love her?

    On the outskirts of a large German city, three young men are earning a thin and precarious living. Fully armed young storm troopers swagger in the streets. Restlessness, poverty, and violence are everywhere. For these three, friendship is the only refuge from the chaos around them. Then the youngest of them falls in love, and brings into the group a young woman who will become a comrade as well, as they are all tested in ways they can never have imagined. . . .Written with the same overwhelming simplicity and directness that made All Quiet on the Western Front a classic, Three Comrades portrays the greatness of the human spirit, manifested through characters who must find the inner resources to live in a world they did not make, but must endure.

    Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

    White himself, the essays in this volume span a lifetime of writing and a body of work without peer.  "I have chosen the ones that have amused me in the rereading," he writes in the Foreword, "alone with a few that seemed to have the odor of durability clinging to them." These essays are incomparable; this is a volume to treasure and savor at one's leisure.

    The storytelling genius of the authors finds here a canvas filled with color, action and adventure. Readers will realize, as did the authors, that so large a drama could not be confined to the compass of an ordinary book. Nordoff and Hall chose to tell the story of the Bounty in three acts: Mutiny on the Bounty Men Against the Sea Pitcairn's Island In The Mutiny on the Bounty Trilogy these three books have been united in a single volume to form the complete work that the authors had in mind.

    It tells the story, through an interwoven plot, of the clash between old traditions and growing desires.

    The other masterly essays in this collection include classics such as "My Country Right or Left", "How the Poor Die" and "Such, Such were the Joys", his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies, and a spirited defence of English cooking. Opinionated, uncompromising, provocative, and hugely entertaining, all show Orwell's unique ability to get to the heart of any subject.

    First published in Hanoi during 1936, it follows the absurd and unexpected rise within colonial society of a street-smart vagabond named Red-haired Xuan. As it charts Xuan's fantastic social ascent, the novel provides a panoramic view of late colonial urban social order, from the filthy sidewalks of Hanoi's old commercial quarter to the gaudy mansions of the emergent Francophile northern upper classes. The transformation of traditional Vietnamese class and gender relations triggered by the growth of colonial capitalism represents a major theme of the novel.Dumb Luck is the first translation of a major work by Vu Trong Phung, arguably the greatest Vietnamese writer of the twentieth century. The novel's clever plot, richly drawn characters and humorous tone and its preoccupation with sex, fashion and capitalism will appeal to a wide audience. It will appeal to students and scholars of Vietnam, comparative literature, colonial and postcolonial studies, and Southeast Asian civilization.Vu Trong Phung died in Hanoi, in 1939 at the age of twenty-seven. He is the author of at least eight novels, seven plays, and several other works of fiction in addition to Dumb Luck.Peter Zinoman is Associate Professor of Southeast Asian History, University of California, Berkeley. Nguyen Nguyet Cam is Vietnamese Language Instructor, University of California, Berkeley.

    For the first of his many appearances in the Wodehouse canon, Uncle Fred comes to what he believes to be the rescue.

    Soon it was gone, only to be succeeded by another. And another. Strange, Karinthy thought, it had been years since Budapest had streetcars. Only then did he realize he was suffering from an auditory hallucination of extraordinary intensity. What in fact Karinthy was suffering from was a brain tumor, not cancerous but hardly benign, though it was only much later—after spells of giddiness, fainting fits, friends remarking that his handwriting had altered, and books going blank before his eyes—that he consulted a doctor and embarked on a series of examinations that would lead to brain surgery. Karinthy’s description of his descent into illness and his observations of his symptoms, thoughts, and feelings, as well as of his friends’ and doctors’ varied responses to his predicament, are exact and engrossing and entirely free of self-pity. A Journey Round My Skull is not only an extraordinary piece of medical testimony, but a powerful work of literature—one that dances brilliantly on the edge of extinction.

    It is considered one of the greatest literary works written in modern times in Hindi literature. It also signifies the epitome of Chhayavadi school of Hindi poetry which gained popularity in late nineteenth and early twentieth century.Kamayani depicts the interplay of human emotions, thoughts, and actions by taking mythological metaphors. Kamayani has personalities like Manu, Ida and Shraddha who are found in the Vedas. The great deluge described in the poem has its origin in Satapatha Brahmana. Explaining his metaphorical presentation of Vedic characters, the poet said:"Ida was the sister of the gods, giving consciousness to entire mankind. For this reason there is an Ida Karma in the Yagnas. This erudition of Ida created a rift between Shraddha and Manu. Then with the progressive intelligence searching for unbridled pleasures, the impasse was inevitable. This story is so very ancient that metaphor has wonderfully mingled with history. Therefore, Manu, Shraddha and Ida while maintaining their historical importance may also express the symbolic import. Manu represents the mind with its faculties of the head and heart and these are again symbolized as Faith (Shraddha) and Intelligence (Ida) respectively. On this data is based the story of Kamayani."The plot is based on the Vedic story where Manu, the man surviving after the deluge (Pralaya), is emotionless (Bhavanasunya). Manu starts getting involved in various emotions, thoughts and actions. These are sequentially portrayed with Shraddha, Ida, Kilaat and other characters playing there part, contributing in them. The chapters are named after these emotions, thoughts or actions. Some people consider that the sequence of chapters denotes the change of personality in a mans life with age.Following is the sequence:Chinta (Anxiety)Asha (Hope)Shraddha (Reverential belief, Faith, Virtue of being a woman)Kama (Sexual love)Vasna (Passion for material pleasure)Lajja (Shyness)Karma (Action)Irshyaa (Jealousy)Ida (Logic, Intellect)Swapna (Dream)Sangharsh (Internal conflict)Nirved (Disregard of worldly things, Renunciation)Darshan (Philosophy, Vision)Rahasya (Hidden knowledge, Mystery)Anand (Bliss, Self-realization, Shiva)

    In it he captures the Isherwood-like atmosphere of Nazi Germany while telling a satiric story about the rise to power of one man - a thinly veiled caricature of his own brother-in-law. The man is Hendrik Hofgen, a character actor who in his own life plays a bizarre part in the elite circle of the Third Reich. Hofgen is publicly a revolutionary, but secretly he is a man driven by an obsessive need for power and fame. Although he benefits from the prestige of being married to the daughter of an eminent politician, he endangers his rise in Nazi society by his compulsive involvement with ‘a black Venus.’ His brilliant success as Mephisto in FAUST brings him the support of the Führer’s prime minister, who appoints him head of the State Theater. His dreams are finally realized, but the story ends on a note of despair as Hofgen is forced to confront the emptiness of his life. Mann weaves his tale with amazing skill. The result is a fascinating novel of decadence and evil.Klaus Mann, the second child of Thomas Mann, was born in Munich in 1906. He began writing short stories and articles in 1924, and within a year was a theatrical critic for a Berlin newspaper. In 1925 both a volume of short stories and his first novel, THE PIOUS DANCE, were published. His sister, Erika, to whom he was very close, was in the cast of his first play, ANJA AND ESTHER. Mann left Germany in 1933 and lived in Amsterdam until 1936, during which time he became a Czechoslovakian citizen, having been deprived of his German citizenship by the Nazis. He moved to America in 1936, living in Princeton, New Jersey, and New York City. He became a U.S. citizen in 1943. He died at the age of forty-two in Cannes, France. Robin Smyth was a European correspondent for the London Observer.

    Replete with potent symbolism and terrifying surrealistic imagery, Sadegh Hedayat's masterpice details a young man's despair after losing a mysterious lover. And as the author gradually drifts into frenzy and madness, the reader becomes caught in the sandstorm of Hedayat's bleak vision of the human condition. The Blind Owl, which has been translated into many foreign languages, has often been compared to the writing of Edgar Allan Poe.

    As such, the book does not require any commentary.From the preface by Marguerite Yourcenar.

    Wodehouse's most gloriously funny stories, this is the tale of bumbling Lord Emsworth, whose quiet life reading "The Care Of The Pig" and pottering among the flowers at Blandings Castle is shattered by an outbreak of lawlessness involving his niece Jane (the third prettiest girl in Shropshire), an airgun - and the trouser seat of the abominable Baxter.

    One, known locally as "The Fowl-Filcher,” is fleeing the gallows; the other, the callow Christian von Tornefeld, has escaped execution to fight for his Swedish king. Neither will reach his destination. Sent with a message to secure aid for von Tornefeld, the thief falls in love with his companion’s secret fiancée. He resolves to win her love for himself, and through a clever stratagem, exchanges his fate for the other man’s. Risking everything to attain the woman and station of his dreams, he becomes the Swedish cavalier, staying one step ahead of exposure. Later, he sacrifices everything so that is daughter won’t learn of his secret past.In this book he considered his masterpiece, Leo Perutz has created a picaresque world of barons and brigands, swashbuckling dragoons and spurned lovers, gentleman farmers and masked robbers, and lucky parchments, magic spells, and mystical visions. Part adventure, part historical novel of war-ravaged Europe, The Sweddish Cavalier is also a moral tale of deceit, betrayal, and redemption.

    Although the novel's complex and fragmented structure poses considerable difficulty to readers, the book's literary merits place it squarely in the ranks of America's finest novels. The story concerns Thomas Sutpen, a poor man who finds wealth and then marries into a respectable family. His ambition and extreme need for control bring about his ruin and the ruin of his family. Sutpen's story is told by several narrators, allowing the reader to observe variations in the saga as it is recounted by different speakers. This unusual technique spotlights one of the novel's central questions: To what extent can people know the truth about the past?

    Alfau's "comedy of gestures" - a mercurial dreamscape of the eccentric, sometimes criminal, habitues of Toledo's Cafe of the Crazy - was written in English and first published in 1936, favorably reviewed for "The Nation" by Mary McCarthy, as she recounts here in her Afterword, then long neglected.

    He knew little then; he learned nothing since. But the army, desperate for officers in the opening months of WW I, hands Curzon, a new division to train. A few months later his formations dissolve at the Somme, hosed down by German machine guns. Uninstructed, Curzon still thinks himself a leader. When a German offensive threatens his remaining troops, he gallops suicidally into the fighting. He prefers death to self-knowledge. "THE GENERAL is a superb novel. It blends Forester's preference for military subjects and solid unreflective characters, his irony, his grasp of history and his gift for lean, hypnotic narrative." (The New York Times)

    Love has not always taken such precedence, however, and it was in fact not until the eleventh century that French poets first began to express the romantic species of passion which English poets were still writing about in the nineteenth century. This book is intended for students of medieval literature from A-level upwards. Anyone interested in the "Courtly Love" tradition. Fans of C.S. Lewis's writings.

    Awarded the Grand Prix for Literature by the Academie Francaise, The Diary of a Country Priest was adapted into an acclaimed film by Robert Bresson. "A book of the utmost sensitiveness and compassion...it is a work of deep, subtle and singularly encompassing art." — New York Times Book Review (front page)

    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

    It tells of a young woman’s passionate love, held like a fortress against the corrupting evil of a totalitarian state.We the Living is not a story of politics, but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what those slogans do to human beings. What happens to the defiant ones? What happens to those who succumb? Against a vivid panorama of political revolution and personal revolt, Ayn Rand shows what the theory of socialism means in practice.

    24 short stories including Little Herr Friedemann, Death in Venice, Mario and the Magician, The Blood of the Walsungs, and A Man and His Dog.

    The main content of ""Classic Echo: New Stories (English-Chinese)"" consists of preamble, sky healing, flying to the moon, water, plucking, swords, out customs, non-attack.

    They achieve this with the aid of a poverty-stricken artist, Mona Wilton, who becomes close to Patson as the novel progresses.An original novel in which the 15th and 20th centuries meet with uncanny results, due to the invocation of Pan. This work is of special interest to students of magic and the Western Mystery Tradition.

    

    Buck, a portrait of an American woman in China.

    Caught in the upheaval is Jim Nolan, a once aimless man who finds himself in the course of the strike.

    Compiled and edited by Edmund Wilson shortly after Fitzgerald's death, "The Crack-Up" tells the story of Fitzgerald's sudden descent at age thirty-nine from a life of success and glamor to one of emptiness and despair, and his determined recovery. This vigorous and revealing collection of essays and letters renders the tale of a man whose personality still charms us all and whose reckless gaiety and genious made him a living symbol and the Jazz Age. For those who grew up with "The Great Gatsby" or "Tender is the Night," this extraordinary autobiographical collection provides a unique personal blend of the romance and reality embodied by Fitzgerald's literature and his life.

    Aware that he might never again visit this land whose sites and scenes had once exercised a strange and terrifying power over his imagination, he immerses himself in a stream of discoveries, reappraisals and inevitable self-revelations. From Venice, he traces the route taken by the Germanic invaders of old down to Ravenna, to stand, fulfilling a lifelong dream, before the sacred mosaics of San Vitale.This journey into his private past brings Antal Szerb firmly, and at times painfully, up against an explosive present, producing some memorable observations on the social wonders and existential horrors of Mussolini's new Roman Imperium.

    The text itself is an alphabetical listing of the terms that pertain to literature in English. Now in its eighth edition, it has been used by more than one million students.

    From the high art of the famous title novella ("A story," Mann said, "of death...of the voluptuousness of doom"), to the irony of "Felix Krull," the early story on which he later based his comic novel The Confessions of Felix Krull, they are stunning testimony to the mastery and virtuosity of a literary giant.Translated from the German by H.T. Lowe-Porter.

    Although the author did not live to accomplish his full epic scheme, he did complete the first part, his fictional masterpiece of Pushkin's early years. This is the first English translation. In a blend of encyclopedic knowledge and creative imagination, Tynyanov thrillingly brings early nineteenth century Russia to life--Napoleonic invasion, rapid political change, and a gallery of fascinating characters, including Pushkin's unusual family with its African blood stemming from his great-grandfather Abram Hannibal. At the center of it all is the young Pushkin, explosive, unpredictable, totally absorbed, constantly scribbling verses, consorting with women twice his age, and living it up in the capital with hussars and actresses, before being exiled for his reckless liberal verse. Tynyanov's novel not only captures Pushkin's impulsive, swift genius but also deftly foreshadows his place in Russian history. It includes notes, family tree, and a selection of Pushkin's early poems.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    

    It includes Huntingtower, Castle Gay and The House of the Four Winds.

    

    Huxley's bold, nontraditional narrative tells the loosely autobiographical story of Anthony Beavis, a cynical libertine Oxford graduate who comes of age in the vacuum left by World War I. Unfulfilled by his life, loves, and adventures, Anthony is persuaded by a charismatic friend to become a Marxist and take up arms with Mexican revolutionaries. But when their disastrous embrace of violence nearly kills them, Anthony is left shattered—and is forced to find an alternative to the moral disillusionment of the modern world.

    Orphen’s betrayal is not the only one, nor the worst one, in this hilarious satire of the New York literary scene. (Powell personally considered this to be her best New York novel.) Powell takes revenge here on all publishers, and her baffoonish MacTweed is a comic invention worthy of Dickens. And as always in Powell’s New York novels, the city itself becomes a central character: “On the glittering black pavement legs hurried by with umbrella tops, taxis skidded along the curb, their wheels swishing through the puddles, raindrops bounced like dice in the gutter.” Powell’s famous wit was never sharper than here, but Turn, Magic Wheel is also one of the most poignant and heart-wrenching of her novels.

    He dies with stoic acceptance and a view of the famous summit unseen by any alive. In The Short Happy Life of Francis Macomber, Francis is too wimpy to face down a wounded lion, let alone satisfy his wife in bed. As always, Hemingway's characters speak of his own self-perceived failures and fears. As often, Hemingway speaks for us all.

    Comparisons are not odious, they are impossible. There is nothing like it in any of Caldwell's published works, nor can we find its example in all of American literature."Alan Kent is a wanderer, a seeker. Driven by, or fleeing from, unnamed forces, he struggles against the hardening effects of a brutal and indifferent world. In a series of episodes, Erskine Caldwell tells the semiautobiographical story of Kent's childhood, roving early manhood, and transformation into an artist.The episodes, which range from brief, graphic sketches to one-sentence impressions, are filled with elemental images of light and darkness, blood and water, earth and sky. Although an early work, The Sacrilege of Alan Kent shows readers the poetic economy, stark naturalism, and concern for the South's poorest people that became the hallmarks of Caldwell's later work.

    A true story of a brutal death that reads like a novel.

    Most of the Old Norse poetry that survives was preserved in Iceland, but there are also 122 preserved poems in Swedish rune inscriptions, 54 in Norwegian and 12 in Danish. Poetry played an important role in the social and religious world of the Vikings. In Norse mythology, Skaldskaparmal (1) tells the story of how Odin brought the mead of poetry to Asgard, which is an indicator of the significance of poetry within the contemporary Scandinavian culture. Old Norse poetry is characterised by alliteration, a poetic vocabulary expanded by heiti, and use of kennings. An important source of information about poetic forms in Old Norse is the Prose Edda of Snorri Sturluson. Old Norse poetry is conventionally, and somewhat arbitrarily, split into two types; Eddaic poetry (also sometimes known as Eddic poetry) and skaldic poetry. Eddaic poetry includes the poems of the Codex Regius and a few other similar ones. Skaldic poetry is usually defined as everything else not already mentioned." (Quote from wikipedia.org)Table of Contents: Publisher's Preface; Introduction; The Old Lay Of Biarki [biarkamÓl Hin Fornu]; The Lay Of Ingiald; The Lay Of VÍkar [vÍkarsbÁlkr]; HiÁlmar's Death Song; The Lay Of Hervor [hervararkvitra]; The Lay Of Hloth And AngantÝr Or The Battle Of The Huns; The Lay Of Innstein; Hildibrand's Death Song; The Lay Of Harold [haraldskvÆthi Or HrafnsmÓl] By ThÓrbiorn Hornklofi; The Lay Of Eric [eirÍksmol]; The Lay Of HÁkon [hÁkonarmÓl] By Eyvind Finnsson SkÁldaspillir; The Song Of The Valkyries [darra Tharlioth]; The Curse Of Busla [buslubŒn]; The Oath Of Truce [tryggthamÓl]; The Riddles Of King Heithrek [heithreksgÁtur]; The Sun Song [sÓlarliÓth]; EndnotesAbout the Publisher: Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, Esoteric and Mythology. www.forgottenbooks.orgForgotten Books is about sharing information, not about making money. All books are priced at wholesale prices. We are also the only publisher we know of to print in large sans-serif font, which is proven to make the text easier to read and put less strain on your eyes.

    Borrowing from the writings of William Law the Non-Juror (1686-1761), Machen places a fragment of Paradise, created from a ruined part of primordial creation, in the London suburb of Stoke Newington. In his story those who try to understand what they have seen experience rapture, horror, or both, and they have trouble convincing others of their sanity. For Machen the mystical is so powerful that it cannot be properly comprehended. 2010 is the 75th anniversary of "N" by Arthur Machen. To celebrate this the comedian Stewart Lee will be discussing Machen's short story at the Stoke Newington Literary Festival in June. In conjunction with the Literary Festival and the Friends of Arthur Machen, Tartarus Press is publishing a short run paperback of "N" with illustrations by Stephen J. Clark.

    Our shop had an exceptionally interesting stock, yet I doubt whether ten per cent of our customers knew a good book from a bad one. First edition snobs were much commoner than lovers of literature, but oriental students haggling over cheap textbooks were commoner still, and vague-minded women looking for birthday presents for their nephews were commonest of all.

    A novel of brave and beautiful people...of a young outlaw and his sensuous bride...of survival, of love and courage. A story of elemental terror, of strong men against the sea. By the authors of Mutiny on the Bounty