More than 1,500,000 copies in print! Over 575  traditional favorites to be read and reread.  Categorized by theme, and indexed by author and first  line, this is a collection that will be treasured.

    Here are all of his extant woodcuts, a collection of over 300 great works containing all the familiar cuts long treasured by the world's art lovers: the celebrated series on the Life of the Virgin, The Apocalypse of John (17 cuts), The Great Passion, St. Jerome in his Study, Samson Fighting the Lion, The Fall of Icarus, The Six Knots, The Men's Bath, St. Christopher, The Virgin in Glory, The Rhinoceros, The Last Supper of 1523, illustrations from Dürer's "The Art of Measurement" and from his four books on human proportion, and many others, including much little-known material. This book is the only available source for many of these works.Although sacred subjects predominate (the Holy Family, scenes from Christ's life, crucifixion, etc., the lives of the saints, Old Testament episodes), many other motifs are treated. There are portraits of prominent men of the ages, book illustrations (secular and religious), coats of arms, the celestial and terrestrial globes, animals, mythological and historical themes, etc. The plates are arranged generally in chronological order permitting the reader to view the development of Dürer's art. From out of the gnarled figures and landscapes one can see the emergence of an individualistic style and skill unrivaled in this sphere.An introduction by Campbell Dodgson and a 34-page textual guide to the plates by Dr. Willi Kurth discuss the evidence and controversies surrounding the authenticity of each work, citing the opinions of all the important Dürer scholars; they also furnish the reader with the historical background of the cuts and of Dürer's life and times — from the years of apprenticeship in Nuremberg to the last works of 1520–1528.All of the woodcuts are reproduced in excellent detail. This book is indispensable for the professional art historian and critic. To the layman with any aesthetic interests at all it will be a source of stimulation and satisfaction that only great art can provide.

    Included here are over 10,000 new entries--over 60,000 in all, sight, vowel, consonant, and one-, two-, and three-syllable rhymes.

    Francis de Sales). However, we can begin today to make good this neglect by using the powerful spiritual means described in this inspiring book. In Read Me or Rue It the very popular priest writer, Fr. Paul O'Sullivan, tells many true stories about the Poor Souls in Purgatory. He relates incidents from the lives of the Saints to show their great sufferings, our obligation to help them, as well as the many helps and graces which they obtain for their benefactors in return. This already-famous little book needs to be spread far and wide. It will lead to a powerful link between ourselves and the "Church Suffering," our brothers and sisters in Christ who suffer the torments of Purgatory - a powerful bond of charity whereby we shall please God, send souls to Heaven, and obtain for ourselves and our families a host of priceless graces and blessings.Don't miss the companion booklet, "How to Avoid Purgatory": https://www.goodreads.com/book/show/2...

    The CD-ROM also includes three updated and improved programs (for Windows): YW--Yagi for Windows TLW--Transmission Line for WindowsHFTA--HF Terrain AssessmentEZNEC ARRL--Antenna Modeling by W7EL

    Its place in the history of the lexicography of slang is assured as the last edition to feature original work by Partridge himself.

    This volume, prepared by an expert in the field, is devoted exclusively to just that. With its clear, concise text, its almost 200 excellent illustrations, and its overall life-drawing approach, the book provides valuable guidelines on how best to portray faces, features, and heads. There is probably no better instructor to turn to than George B. Bridgman. He brings to the subject both his expertise as an artist and his fifty years' experience as lecturer and teacher at the Art Students League of New York. Throughout the book, he places as much emphasis on perspective and planes as on anatomy. In this way, you'll develop a more precise understanding of each feature, the head and face in general, the relationship between features, and the relationship between a specific feature and the face or head. Mr. Bridgman's consideration of the head includes such topics as the head at eye level and below eye level; planes of the head; and round and square forms. Four features — eye, nose, mouth, ear — are dealt with in detail. Sections on light and shade, comparative measurements, and principles of cube and oval construction further enhance the scope of the book. The finely executed drawings complement the textual material, illustrating all important concepts.  Of special value is the author's inclusion of the work of famous portrait artists. Vermeer, Hals, Rembrandt, Reynolds, Louise Elisabeth LeBrun — these are the people who made portraiture a master art; and you'll be able to study, up close and at your leisure, the qualities that let their work achieve the status it did.

    

    But according to Ramon Adams, cowboys, once among themselves, enjoyed a vivid, often boisterous repartee. You might say that around a campfire they could make more noise than “a jackass in a tin barn.” Here in one volume is a complete guide to cowboy-speak. Like many of today’s foreign language guides, this handy book is organized not alphabetically but situationally, lest you find yourself in Texas at a loss for words. There are sections on the ranch, the cowboy’s duties, riding equipment, the roundup, roping, branding, even square dancing. There are words and phrases you’ll recognize because they’ve filtered into everyday language — “blue lightnin’,” “star gazin’,” “the whole shebang” — plus countless others that, sadly, are seldom heard in current speech: “lonely as a preacher on pay night,” “restless as a hen on a hot griddle,” “crooked as a snake in a cactus patch.” As entertaining as it is authoritative, COWBOY LINGO captures the living speech of the Great Plains and serves as a window into the soul of the American West.

    Illustrated by Victor Brauner. 160 copies only.

    Copyrights @ 1936, 1938, 1942 by Houghton Mifflin CompanyCopyright @ 1948, 1956, 1961 by Norman TaylorLibrary of Congress #60-5223Great edition for garden book collectors.

    

    Cookery Book and Household Hints is rich in tradition. It is a tried and true recipe book from which anyone can learn basic cooking. From ANZAC biscuits to lamb chops to pavlova, enduring Australian favourites can be found within its pages, alongside home-making, gardening and outdoor hints.It is a testament to the book's relevance and the foresight of its original creators that it has been published in well over 50 editions.this edition celebrates the 75th anniversary of the CWA.

    

    

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    Max Eastman, in this work, avoids this catastrophe by quoting mainly from contemporary American humor. This is not an anthology in that selections have been made with a view to making a point rather thancovering the field.The purpose of Eastman's fabled work is to make the reader laugh. Since his early school days, it has seemed to him that textbooks are wrongly written in that they are conducted in a way which ignores the natural operation of the mind. As a result, the opinion is universal, and under the circumstances a fact, that in order to learn anything you have to study. Since this introduction to humor is itself near to writing a textbook, Eastman uses the very text he constructs to illustrate the manner in which textbooks should be written.Examination and classification of the kinds of humorous experience upon the basis of a theory is a science. As such, this work offers a fair chance to illustrate a method of instruction. However, the distinction between a good joke and a bad one will not prevent the reader from making bad jokes nor enable one to make good ones. There is an artistic and playful element that simply cannot be taught. Enjoyment of Laughter presents a total view of the science of laughter and draws upon some of the great American humorists to do so.Max Eastman (1883-1969) was an American writer, patron of the Harlem Renaissance, and was best known for his views as well as his rejection of the ideas of socialism and communism. He wrote numerous controversial critiquesof contemporary literature authors as well as many books including Seven Kinds of Goodness, Love and Revolution: My Journey through an Epoch, and Enjoyment of Living.William Fry is Emeritus Associate Clinical Professor at Stanford University, Distinguished Life Fellow of the American Psychiatric Association, and Diplomate of the American Board of Psychiatry.