First published in Hanoi during 1936, it follows the absurd and unexpected rise within colonial society of a street-smart vagabond named Red-haired Xuan. As it charts Xuan's fantastic social ascent, the novel provides a panoramic view of late colonial urban social order, from the filthy sidewalks of Hanoi's old commercial quarter to the gaudy mansions of the emergent Francophile northern upper classes. The transformation of traditional Vietnamese class and gender relations triggered by the growth of colonial capitalism represents a major theme of the novel.Dumb Luck is the first translation of a major work by Vu Trong Phung, arguably the greatest Vietnamese writer of the twentieth century. The novel's clever plot, richly drawn characters and humorous tone and its preoccupation with sex, fashion and capitalism will appeal to a wide audience. It will appeal to students and scholars of Vietnam, comparative literature, colonial and postcolonial studies, and Southeast Asian civilization.Vu Trong Phung died in Hanoi, in 1939 at the age of twenty-seven. He is the author of at least eight novels, seven plays, and several other works of fiction in addition to Dumb Luck.Peter Zinoman is Associate Professor of Southeast Asian History, University of California, Berkeley. Nguyen Nguyet Cam is Vietnamese Language Instructor, University of California, Berkeley.

    It was a 3500 mile journey across the roof of the world. He chose as his traveling companion Ella Maillart, a beautiful Swiss journalist. Fleming is one to underemphasize difficulties. He describes events and places in brilliant color and detail, also with great wit and humor. His story of the journey, a seven month odyssey through desert and upland, virtually uncharted, has become a classic of travel literature since its publication in 1936. "No writer has given a keener picture of unchanging Tartary than has Fleming, and his description of Sinkiang reveals the last home of international intrigue, politics, violence and melodrama, where all foreigners are suspects and none welcome."

    Buck, a portrait of an American woman in China.

    The book superbly embodies that old adage - truth is stranger than fiction. 'A magnificent story, full of interest and excitement, but there is more to it than that. Collis, who has lived for years on the scene of these high happenings, is able to give us a first-hand picture of a fascinating land: of a lovely archipelago, of rivers and rapids, of an immemorial track through jungles haunted by tigers and malaria.' - The Evening Standard