Best of
Short-Stories

1936

Shooting an Elephant


George Orwell - 1936
    The other masterly essays in this collection include classics such as "My Country Right or Left", "How the Poor Die" and "Such, Such were the Joys", his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies, and a spirited defence of English cooking. Opinionated, uncompromising, provocative, and hugely entertaining, all show Orwell's unique ability to get to the heart of any subject.

Complete Ghost Stories


M.R. James - 1936
    R. James wrote his ghost stories to entertain friends on Christmas Eve, and they went on to both transform and modernize a genre. James harnesses the power of suggestion to move from a recognizable world to one that is indefinably strange, and then unforgettably terrifying. Sheets, pictures, carvings, a doll's house, a lonely beach, a branch tapping on a window—ordinary things take on more than a tinge of dread in the hands of the original master of suspense. James's prescription for his ghost stories was to "let the ominous thing put out its head, unobtrusively at first, and then more insistently, until it holds the stage."

Young Men in Spats


P.G. Wodehouse - 1936
    For the first of his many appearances in the Wodehouse canon, Uncle Fred comes to what he believes to be the rescue.

The Crime Wave at Blandings


P.G. Wodehouse - 1936
    Wodehouse's most gloriously funny stories, this is the tale of bumbling Lord Emsworth, whose quiet life reading "The Care Of The Pig" and pottering among the flowers at Blandings Castle is shattered by an outbreak of lawlessness involving his niece Jane (the third prettiest girl in Shropshire), an airgun - and the trouser seat of the abominable Baxter.

Locos: A Comedy of Gestures


Felipe Alfau - 1936
    Alfau's "comedy of gestures" - a mercurial dreamscape of the eccentric, sometimes criminal, habitues of Toledo's Cafe of the Crazy - was written in English and first published in 1936, favorably reviewed for "The Nation" by Mary McCarthy, as she recounts here in her Afterword, then long neglected.

Stories of Three Decades


Thomas Mann - 1936
    24 short stories including Little Herr Friedemann, Death in Venice, Mario and the Magician, The Blood of the Walsungs, and A Man and His Dog.

Old Tales Retold 故事新编


Lu Xun - 1936
    The main content of ""Classic Echo: New Stories (English-Chinese)"" consists of preamble, sky healing, flying to the moon, water, plucking, swords, out customs, non-attack.

A Mother in Mannville


Marjorie Kinnan Rawlings - 1936
    It was published in a book containing all of her short fiction in the aptly named collection, Short Stories, in 1994. Rawlings is most notably known for The Yearling, her 1938 novel for which she won the Pulitzer Prize in 1939. “A Mother in Mannville” is a touching, honest literary work that centers on two characters: the narrator, and a boy named Jerry. Through her vivid descriptions of both characters, in addition to the simple, yet revealing dialogue, Rawlings creates a story rich in characterization.

The Hell Job Series


L. Ron Hubbard - 1936
    But that was not enough, he immersed himself in the worlds of those who put their lives on the line, thus giving rise to The Hell Job Series, 15 true to life on the edge historical fiction shorts.

The Underground Village


Kang Kyeong-ae - 1936
    Born in what is now North Korea, Kang wrote all her fiction in Manchuria during the Japanese occupation and witnessed the violence and daily struggles experienced by ethnic Koreans living in the Japanese puppet state of Manchukuo. Kang’s riveting stories are full of sensitivity, defiance, and a deep understanding of the oppressed people she wrote about.This collection, beautifully translated by Anton Hur, contains all the Korean-language short stories by Kang Kyeong-ae. Sang-kyung Lee’s excellent introduction provides deep insight into Kang’s achievements and the social and historical contexts in which she wrote.

Devils' Spawn


Charles Birkin - 1936
    Wakefield, Lord Dunsany and Russell Thorndike, as well as contributions by Birkin himself. A master of the conte cruel, often with a Grand Guignol finish, Birkin found true horror not in ghosts or the supernatural but in the hearts of men and women. Never before reprinted and extremely scarce, Devils’ Spawn (1936) collects sixteen of Birkin’s stories, many of them first published in the Creeps volumes, including the horror gems “The Terror on Tobit” and “The Harlem Horror”. Birkin’s collection The Smell of Evil (1965) is also available from Valancourt Books.CONTEMPORARY REVIEWS“Not for the squeamish. Be warned, if you are at all sensitive, leave him well alone.” - Hugh Lamb“More than a definite touch of the great master, Edgar Allan Poe.” - Dennis Wheatley“Few writers of horror today approach the standards of Birkin.” - Ulster Star

N


Arthur Machen - 1936
    Borrowing from the writings of William Law the Non-Juror (1686-1761), Machen places a fragment of Paradise, created from a ruined part of primordial creation, in the London suburb of Stoke Newington. In his story those who try to understand what they have seen experience rapture, horror, or both, and they have trouble convincing others of their sanity. For Machen the mystical is so powerful that it cannot be properly comprehended. 2010 is the 75th anniversary of "N" by Arthur Machen. To celebrate this the comedian Stewart Lee will be discussing Machen's short story at the Stoke Newington Literary Festival in June. In conjunction with the Literary Festival and the Friends of Arthur Machen, Tartarus Press is publishing a short run paperback of "N" with illustrations by Stephen J. Clark.

Kaleidiscope One


Stefan Zweig - 1936
    He was born to tell stories, and even when he is not writing fiction he handles his work as a master of narrative.Kaleidoscope One is a Viennese-German-metropolitan-resort-drama-tragedy- a pot pourri of tales, many of them never before translated, some of them hitherto unpublished. Although they seem a bit ""dated"" in the manner of telling, and to some extent in the substance, most of the stories are fine enough in themselves to merit distinguished mention, particularly the story entitled Fear.CONTENTS AmokThe Burning SecretMoonbeam AlleyTransfigurationThe Fowler Snared The GovernessFear

The Basil, Josephine, and Gwen Stories


F. Scott Fitzgerald - 1936
    Scott Fitzgerald - the Basil Duke Lee stories of 1928 29, the Josephine Perry stories of 1930 31, and the Gwen Bowers stories of 1936. The texts published here are based on surviving typescripts that preserve Fitzgerald's final revisions for their first publication in the Saturday Evening Post. Collations have revealed cuts and revisions by the Post editors aimed at removing profanity and blasphemy, sexual innuendo, real names of people and places, and references to racial prejudice. These passages have been restored to the Cambridge texts. This volume includes a scholarly introduction, a record of variants, facsimiles and other illustrations, and an appendix that presents early endings for the stories 'The Captured Shadow' and 'Basil and Cleopatra'. Full historical notes identify popular songs, sports heroes, literary works, Broadway shows, and sources for the stories.

The Bedside Book of Famous American Stories


Angus Burrell - 1936
    

I Have a Thing to Tell You


Thomas Wolfe - 1936
    Behold Thomas Wolfe - the great and the forgotten in this remarkable novella.

The Shroud (Short Stories by Premchand)


Munshi Premchand - 1936
    When a poor woman dies in childbirth, her good-for-nothing husband and father-in-law are forced to fend for a shroud.An English language translation of ‘Kafan’ by Munshi Premchand, the celebrated author of Indian classics such as Gaban, Godaan, and Nirmala.

The Snows of Kilimanjaro/The Short Happy Life of Francis Macomber


Ernest Hemingway - 1936
    He dies with stoic acceptance and a view of the famous summit unseen by any alive. In The Short Happy Life of Francis Macomber, Francis is too wimpy to face down a wounded lion, let alone satisfy his wife in bed. As always, Hemingway's characters speak of his own self-perceived failures and fears. As often, Hemingway speaks for us all.