Best of
Novels

1936

Gone with the Wind: Part 1 of 2


John Escott - 1936
    Even the terrible American Civil War is nothing compared to Scarlett's broken heart. But one man knows her secret, the handsome and dangerous Rhett Butler -- and he wants her for himself

Three Comrades


Erich Maria Remarque - 1936
    On the outskirts of a large German city, three young men are earning a thin and precarious living. Fully armed young storm troopers swagger in the streets. Restlessness, poverty, and violence are everywhere. For these three, friendship is the only refuge from the chaos around them. Then the youngest of them falls in love, and brings into the group a young woman who will become a comrade as well, as they are all tested in ways they can never have imagined. . . .Written with the same overwhelming simplicity and directness that made All Quiet on the Western Front a classic, Three Comrades portrays the greatness of the human spirit, manifested through characters who must find the inner resources to live in a world they did not make, but must endure.

गोदान [Godaan]


Munshi Premchand - 1936
    Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

The Mutiny on the Bounty Trilogy


Charles Bernard Nordhoff - 1936
    The storytelling genius of the authors finds here a canvas filled with color, action and adventure. Readers will realize, as did the authors, that so large a drama could not be confined to the compass of an ordinary book. Nordoff and Hall chose to tell the story of the Bounty in three acts: Mutiny on the Bounty Men Against the Sea Pitcairn's Island In The Mutiny on the Bounty Trilogy these three books have been united in a single volume to form the complete work that the authors had in mind.

War with the Newts


Karel Čapek - 1936
    Along the way, Karel Capek satirizes science, runaway capitalism, fascism, journalism, militarism, even Hollywood.

The Brothers Ashkenazi


Israel J. Singer - 1936
    It tells the story, through an interwoven plot, of the clash between old traditions and growing desires.

Dumb Luck


Vũ Trọng Phụng - 1936
    First published in Hanoi during 1936, it follows the absurd and unexpected rise within colonial society of a street-smart vagabond named Red-haired Xuan. As it charts Xuan's fantastic social ascent, the novel provides a panoramic view of late colonial urban social order, from the filthy sidewalks of Hanoi's old commercial quarter to the gaudy mansions of the emergent Francophile northern upper classes. The transformation of traditional Vietnamese class and gender relations triggered by the growth of colonial capitalism represents a major theme of the novel.Dumb Luck is the first translation of a major work by Vu Trong Phung, arguably the greatest Vietnamese writer of the twentieth century. The novel's clever plot, richly drawn characters and humorous tone and its preoccupation with sex, fashion and capitalism will appeal to a wide audience. It will appeal to students and scholars of Vietnam, comparative literature, colonial and postcolonial studies, and Southeast Asian civilization.Vu Trong Phung died in Hanoi, in 1939 at the age of twenty-seven. He is the author of at least eight novels, seven plays, and several other works of fiction in addition to Dumb Luck.Peter Zinoman is Associate Professor of Southeast Asian History, University of California, Berkeley. Nguyen Nguyet Cam is Vietnamese Language Instructor, University of California, Berkeley.

Double Indemnity


James M. Cain - 1936
    First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir.

Mephisto


Klaus Mann - 1936
    In it he captures the Isherwood-like atmosphere of Nazi Germany while telling a satiric story about the rise to power of one man - a thinly veiled caricature of his own brother-in-law. The man is Hendrik Hofgen, a character actor who in his own life plays a bizarre part in the elite circle of the Third Reich. Hofgen is publicly a revolutionary, but secretly he is a man driven by an obsessive need for power and fame. Although he benefits from the prestige of being married to the daughter of an eminent politician, he endangers his rise in Nazi society by his compulsive involvement with ‘a black Venus.’ His brilliant success as Mephisto in FAUST brings him the support of the Führer’s prime minister, who appoints him head of the State Theater. His dreams are finally realized, but the story ends on a note of despair as Hofgen is forced to confront the emptiness of his life. Mann weaves his tale with amazing skill. The result is a fascinating novel of decadence and evil.Klaus Mann, the second child of Thomas Mann, was born in Munich in 1906. He began writing short stories and articles in 1924, and within a year was a theatrical critic for a Berlin newspaper. In 1925 both a volume of short stories and his first novel, THE PIOUS DANCE, were published. His sister, Erika, to whom he was very close, was in the cast of his first play, ANJA AND ESTHER. Mann left Germany in 1933 and lived in Amsterdam until 1936, during which time he became a Czechoslovakian citizen, having been deprived of his German citizenship by the Nazis. He moved to America in 1936, living in Princeton, New Jersey, and New York City. He became a U.S. citizen in 1943. He died at the age of forty-two in Cannes, France. Robin Smyth was a European correspondent for the London Observer.

The Blind Owl


Sadegh Hedayat - 1936
    Replete with potent symbolism and terrifying surrealistic imagery, Sadegh Hedayat's masterpice details a young man's despair after losing a mysterious lover. And as the author gradually drifts into frenzy and madness, the reader becomes caught in the sandstorm of Hedayat's bleak vision of the human condition. The Blind Owl, which has been translated into many foreign languages, has often been compared to the writing of Edgar Allan Poe.

The Swedish Cavalier


Leo Perutz - 1936
    One, known locally as "The Fowl-Filcher,” is fleeing the gallows; the other, the callow Christian von Tornefeld, has escaped execution to fight for his Swedish king. Neither will reach his destination. Sent with a message to secure aid for von Tornefeld, the thief falls in love with his companion’s secret fiancée. He resolves to win her love for himself, and through a clever stratagem, exchanges his fate for the other man’s. Risking everything to attain the woman and station of his dreams, he becomes the Swedish cavalier, staying one step ahead of exposure. Later, he sacrifices everything so that is daughter won’t learn of his secret past.In this book he considered his masterpiece, Leo Perutz has created a picaresque world of barons and brigands, swashbuckling dragoons and spurned lovers, gentleman farmers and masked robbers, and lucky parchments, magic spells, and mystical visions. Part adventure, part historical novel of war-ravaged Europe, The Sweddish Cavalier is also a moral tale of deceit, betrayal, and redemption.

Absalom, Absalom!


William Faulkner - 1936
    Although the novel's complex and fragmented structure poses considerable difficulty to readers, the book's literary merits place it squarely in the ranks of America's finest novels. The story concerns Thomas Sutpen, a poor man who finds wealth and then marries into a respectable family. His ambition and extreme need for control bring about his ruin and the ruin of his family. Sutpen's story is told by several narrators, allowing the reader to observe variations in the saga as it is recounted by different speakers. This unusual technique spotlights one of the novel's central questions: To what extent can people know the truth about the past?

Locos: A Comedy of Gestures


Felipe Alfau - 1936
    Alfau's "comedy of gestures" - a mercurial dreamscape of the eccentric, sometimes criminal, habitues of Toledo's Cafe of the Crazy - was written in English and first published in 1936, favorably reviewed for "The Nation" by Mary McCarthy, as she recounts here in her Afterword, then long neglected.

The General


C.S. Forester - 1936
    He knew little then; he learned nothing since. But the army, desperate for officers in the opening months of WW I, hands Curzon, a new division to train. A few months later his formations dissolve at the Somme, hosed down by German machine guns. Uninstructed, Curzon still thinks himself a leader. When a German offensive threatens his remaining troops, he gallops suicidally into the fighting. He prefers death to self-knowledge. "THE GENERAL is a superb novel. It blends Forester's preference for military subjects and solid unreflective characters, his irony, his grasp of history and his gift for lean, hypnotic narrative." (The New York Times)

The Diary of a Country Priest


Georges Bernanos - 1936
    Awarded the Grand Prix for Literature by the Academie Francaise, The Diary of a Country Priest was adapted into an acclaimed film by Robert Bresson. "A book of the utmost sensitiveness and compassion...it is a work of deep, subtle and singularly encompassing art." — New York Times Book Review (front page)

South Riding


Winifred Holtby - 1936
    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

Drums Along the Mohawk


Walter D. Edmonds - 1936
    Here Gilbert Martin and his young wife struggled and lived and hoped. Combating hardships almost too great to endure, they helped give to America a legend that still stirs the heart. In the midst of love and hate, life and death, danger and disaster, they stuck to the acres that were theirs and fought a war without ever quite understanding it. Drums along the Mohawk has been an American classic since its original publication in 1936. This Syracuse University Press edition reproduces the book in its entirety.

We the Living


Ayn Rand - 1936
    It tells of a young woman’s passionate love, held like a fortress against the corrupting evil of a totalitarian state.We the Living is not a story of politics, but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what those slogans do to human beings. What happens to the defiant ones? What happens to those who succumb? Against a vivid panorama of political revolution and personal revolt, Ayn Rand shows what the theory of socialism means in practice.

In Dubious Battle


John Steinbeck - 1936
    Caught in the upheaval is Jim Nolan, a once aimless man who finds himself in the course of the strike.

Keep the Aspidistra Flying


George Orwell - 1936
    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

Via Mala


John Knittel - 1936
    He seems to be painting landscapes with words. The hardship of humble people in the Grisons area in the 30's is highly evocative. The plot and suspense are well written and will keep you engrossed for hours...

Eyeless in Gaza


Aldous Huxley - 1936
    Huxley's bold, nontraditional narrative tells the loosely autobiographical story of Anthony Beavis, a cynical libertine Oxford graduate who comes of age in the vacuum left by World War I. Unfulfilled by his life, loves, and adventures, Anthony is persuaded by a charismatic friend to become a Marxist and take up arms with Mexican revolutionaries. But when their disastrous embrace of violence nearly kills them, Anthony is left shattered—and is forced to find an alternative to the moral disillusionment of the modern world.

The Sacrilege of Alan Kent


Erskine Caldwell - 1936
    Comparisons are not odious, they are impossible. There is nothing like it in any of Caldwell's published works, nor can we find its example in all of American literature."Alan Kent is a wanderer, a seeker. Driven by, or fleeing from, unnamed forces, he struggles against the hardening effects of a brutal and indifferent world. In a series of episodes, Erskine Caldwell tells the semiautobiographical story of Kent's childhood, roving early manhood, and transformation into an artist.The episodes, which range from brief, graphic sketches to one-sentence impressions, are filled with elemental images of light and darkness, blood and water, earth and sky. Although an early work, The Sacrilege of Alan Kent shows readers the poetic economy, stark naturalism, and concern for the South's poorest people that became the hallmarks of Caldwell's later work.

Give Me One Summer


Emilie Loring - 1936
    But now suddenly that life had ended, and she found herself totally alone. Whom could she turn to? Whom could she trust? Johnny Grant, the wealthy playboy she'd known since childhood? Or Lex Carson, the mysterious, handsome stranger who asked for her love, yet remained so strangely distant? At first Lissa thought she had the whole summer to decide. But then, amid feverishly mounting intrigue and danger, she knew she would have to make the right choice soon-or else lose her chances of happiness forever.

Of Lena Geyer


Marcia Davenport - 1936
    Her story has been gathered from those who knew her best: Her cherished music master Pizzetti, her closest confidant, her husband, and her manager. What emerges is the complex and challenging life of a woman who wasn't afraid to aim for the stars...and reach them!

Hurricane


Charles Bernard Nordhoff - 1936
    A novel of brave and beautiful people...of a young outlaw and his sensuous bride...of survival, of love and courage. A story of elemental terror, of strong men against the sea. By the authors of Mutiny on the Bounty

White Banners


Lloyd C. Douglas - 1936
    Douglas, was an American minister and author. He was born in Columbia City, Indiana, spent part of his boyhood in Monroeville, Indiana, Wilmot, Indiana and Florence, Kentucky, where his father, Alexander Jackson Douglas, was pastor of the Hopeful Lutheran Church. Douglas was one of the most popular American authors of his time, although he did not write his first novel until he was 50.