In Black Feminist Thought, Patricia Hill Collins explores the words and ideas of Black feminist intellectuals as well as those African-American women outside academe. She provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde. The result is a superbly crafted book that provides the first synthetic overview of Black feminist thought.

    New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of lasting value to many diverse communities of women as well as to students from those communities. The authors explore a full spectrum of present concerns in over seventy pieces that vary from writing by new talents to published pieces by Audre Lorde, Joy Harjo, Norma Alarcón and Trinh T. Minh-ha."At one level or another, all the work in the collection seeks to find ways to understand and articulate our multiple identities and senses of place….Making Face/Making Soul is an exciting collection of dynamic, important writings that all women of color and white feminists will learn from, enjoy, and return to again and again and again."—Sojourner"...the pieces are stunning in what they risk and reveal..."—The San Francisco Chronicle

    Workers and peasants in that West African country established a popular revolutionary government and began to combat the hunger, illiteracy, and economic backwardness imposed by imperialist domination.

    Although on the surface, simians, cyborgs and women may seem an odd threesome, Haraway describes their profound link as creatures which have had a great destabilizing place in Western evolutionary technology and biology. Throughout this book, Haraway analyzes accounts, narratives, and stories of the creation of nature, living organisms, and cyborgs. At once a social reality and a science fiction, the cyborg--a hybrid of organism and machine--represents transgressed boundaries and intense fusions of the nature/culture split. By providing an escape from rigid dualisms, the cyborg exists in a post-gender world, and as such holds immense possibilities for modern feminists. Haraway's recent book, Primate Visions, has been called outstanding, original, and brilliant, by leading scholars in the field. (First published in 1991.)

    What is at stake in male homo/heterosexual definition? Through readings of Melville, Nietzsche, Wilde, James and Proust, the author argues that the vexed imperatives to specify straight and gay identities have become central to every important form of knowledge of the 20th century.

    Cynthia Enloe pulls back the curtain on the familiar scenes—governments promoting tourism, companies moving their factories overseas, soldiers serving on foreign soil—and shows that the real landscape is not exclusively male. She describes how many women's seemingly personal strategies—in their marriages, in their housework, in their coping with ideals of beauty—are, in reality, the stuff of global politics. In exposing policymakers' reliance on false notions of "femininity" and "masculinity," Enloe dismantles an apparently overwhelming world system, revealing it to be much more fragile and open to change than we think.

    She values postmodernism's insights while warning that the fashionable infatuation with "discourse" about "difference" is dangerously detachable from the struggle we must all wage against racism, sexism, and cultural imperialism.

    With wisdom, insight, and humor, these 365 mediations梯mbined with quotations from women of different ages, cultures, and perspectives涩ll help women recognize that cycle. In a welcome antidote to the mad rush of modern living, Schaef's concise meditations will open new doors to new ways of living. These meditations will provide sustenance and inspiration and create possibilities for positive change in the lives of all women who do too much.

    It critically analyzes basic concepts underlying most theories of justice, including impartiality, formal equality, and the unitary moral subjectivity. Starting from claims of excluded groups about decision making, cultural expression, and division of labor, Iris Young defines concepts of domination and oppression to cover issues eluding the distributive model. Democratic theorists, according to Young do not adequately address the problem of an inclusive participatory framework. By assuming a homogeneous public, they fail to consider institutional arrangements for including people not culturally identified with white European male norms of reason and respectability. Young urges that normative theory and public policy should undermine group-based oppression by affirming rather than suppressing social group difference. Basing her vision of the good society on the differentiated, culturally plural network of contemporary urban life, she argues for a principle of group representation in democratic publics and for group-differentiated policies. This is an innovative work, an important contribution to feminist theory and political thought, and one of the most impressive statements of the relationship between postmodernist critiques of universalism and concrete thinking.... Iris Young makes the most convincing case I know of for the emancipatory implications of postmodernism. --Seyla Benhabib, State University of New York at Stony Brook

    As a woman, a black, and a lesbian, Brand arrives at a rigorous and nakedly ruthless reclamation of the poetic.

    29: p. 490-493.Discussion of how both women and men perceive the female body, through their own eyes.

    Bair penetrates the mystique of this brilliant and often paradoxical woman, who has been called one of the great minds of the 20th century, and surely, one of the most famously unconventional figures of her generation. "As a reference work . . . Simone de Beauvoir can be considered definitive."--The Atlantic. 16-page photographic insert.

    Drawing on the disciplines of history, anthropology, botany, archaeology, and the behavioral sciences, Jeanne Achterberg discusses the ancient cultures in which women worked as independent and honored healers; the persecution of women healers in the witch hunts of the Middle Ages; the development of midwifery and nursing as women's professions in the nineteenth century; and the current role of women and the state of the healing arts, as a time of crisis in the health-care professions coincides with the reemergence of feminine values.

    Drawing on the ideas of several twentieth century continental philosophers--including Simone de Beauvoir, Martin Heidegger, Luce Irigaray, Julia Kristeva, and Maurice Merleau-Ponty--Young constructs rigorous analytic categories for interpreting embodied subjectivity. The essays combine theoretical description of experience with normative evaluation of the unjust constraints on their freedom and opportunity that continue to burden many women.The lead essay rethinks the purpose of the category of "gender" for feminist theory, after important debates have questioned its usefulness. Other essays include reflection on the meaning of being at home and the need for privacy in old age residences as well as essays that analyze aspects of the experience of women and girls that have received little attention even in feminist theory--such as the sexuality of breasts, or menstruation as punctuation in a woman's life story. Young describes the phenomenology of moving in a pregnant body and the tactile pleasures of clothing.While academically rigorous, the essays are also written with engaging style, incorporating vivid imagery and autobiographical narrative. On Female Body Experience raises issues and takes positions that speak to scholars and students in philosophy, sociology, geography, medicine, nursing, and education.

    This book ranges over the trial of Oscar Wilde, the public furore over prostitution and syphilis, moral outrage over the breakdown of the family, abortion rights and AIDS. High and low culture, from male quest romances to contemporary male bonding movies, Freud to Fatal Attraction, are all included in his study.

    She critiques both the male bias of current theory and the debilitating dominion held by notions of "proper femininity" over women and their bodies in patriarchal culture.

    A feminist critique of Judaism as a patriarchal tradition and an exploration of the increasing involvement of women in naming and shaping Jewish tradition.

    Stunning work designated prestigious 1989 Inmont Poetry Selection by the Academy of American Poets.

    In the two decades since, the book has inspired controversy and heated debate. Praise for The Sexual Politics of Meat: CAROL J. ADAMS i s the author of The Pornography of Meat (Continuum, 2004), and co-author of Beyond Animal Rights (Continuum, 2000), and The Bedside, Bathtub, and Armchair Companion to Jane Austen (Continuum, 2008). She has toured as a speaker throughout the United States, Canada, and Europe. More information can be found at her website: http://www.triroc.com/caroladams

    Yet most of our history books devote at most a chapter to Chicano history, with even less attention to the story of Chicanas.500 Years of Chicana Women’s History offers a powerful antidote to this omission with a vivid, pictorial account of struggle and survival, resilience and achievement, discrimination and identity. The bilingual text, along with hundreds of photos and other images, ranges from female-centered stories of pre-Columbian Mexico to profiles of contemporary social justice activists, labor leaders, youth organizers, artists, and environmentalists, among others.  With a distinguished, seventeen-member advisory board, the book presents a remarkable combination of scholarship and youthful appeal. In the section on jobs held by Mexicanas under U.S. rule in the 1800s, for example, readers learn about flamboyant Doña Tules, who owned a popular gambling saloon in Santa Fe, and Eulalia Arrilla de Pérez, a respected curandera (healer) in the San Diego area. Also covered are the “repatriation” campaigns” of the Midwest during the Depression that deported both adults and children, 75 percent of whom were U.S.–born and knew nothing of Mexico. Other stories include those of the garment, laundry, and cannery worker strikes, told from the perspective of Chicanas on the ground. From the women who fought and died in the Mexican Revolution to those marching with their young children today for immigrant rights, every story draws inspiration. Like the editor’s previous book, 500 Years of Chicano History (still in print after 30 years), this thoroughly enriching view of Chicana women’s history promises to become a classic.

    Among them was Hettie Cohen, who'd been born into a middle-class Jewish family in Queens and who'd chosen to cross racial barriers to marry the controversial black poet LeRoi Jones. Theirs was a bohemian life in the awakening East Village of underground publishing and jazz lofts, through which drifted such icons of the generation as Allen Ginsberg, Thelonious Monk, Jack Kerouac, Frank O'Hara, Billie Holiday, James Baldwin, and Franz Kline.

    Edited and with a Preface and Introduction by Mitchell A. Leaska; Index.

    It probes the work of H.D., William Carlos Williams, and Marcel Duchamp, among others, and includes DuPlessis’s pioneering essay “For the Etruscans,” described in American Literature as “one of the finest pieces of criticism in the feminist literary tradition.”“This is one of the most pleasurable works of criticism I have read in years. These essays fuse disparate voices, colloquial, theoretical, autobiographical. They intercut DuPlessis’s own words with those of other writers and poets. They draw together aspects of being usually sundered in criticism, without imposing systems or closure.” --Helen Carr, New Formations

    In this provocative book, Sheila Jeffreys argues that this much heralded sexual freedom did not constitute any real gain for women but continued the tradition of their oppression. At the root of sexual liberation, Jeffreys finds an increasing eroticization of power differences within the heterosexual, lesbian, and gay communities.

    Here are first-class stories with the energy and freshness we expect from a beginning." --Doris Lessing, The Independent"This collection of stories, speeches, essays, poems and memoirs bears fierce testimony to a tradition of brave Arab feminist writing in the face of subjugation by a Muslim patriarchy."--Publishers Weekly"This impressive collection of writings by Arab women... represent[s] a powerful series of vignettes by women who were both insightful and gifted, into the lives of women who have lived 'behind the veil' over the last 100 years."--Arab Book World"An expression of indigenous, intrepid feminism in the Arab world."--Ms."Opening the Gates succeeds not because of its methodology, but because of the stories the women tell."--Voice Literary Supplement

    This survey includes her most famous pieces and discusses the ways in which her art challenges social values and the nature of art-making, and uses images appropriated from various sources to capture attention.

    It is an invaluable resource which helps set history straight." --Julian Bond..". remains one of the best single sources currently available on the unique contributions of Black women in the desegregation movement." --Manning MarableRewrites the history of the civil rights movement, recognizing the contributions of Black women.

    Like all of Cixous's profoundly original works, it seductively leads the reader into a new way of thinking by disrupting fixed ideas of psychic identity, subjectivity, and language.

    Filling a long-standing need for a radical feminist collection on contemporary sexual politics, this volume brings together an extraordinary list of contributors, including Phyllis Chesler, Gena Corea, Mary Daly, Andrea Dworkin, Sheila Jeffreys, Sonla Johnson, Ann Jones, Catharine MacKinnon, and Florence Rush.

    It ultimately challenges the cultural assumptions of both conservatives and traditional liberals. 47 photographs.

    She shows how each can be applied to a range of substantive topics from paid work, housework and the state, to culture, sexuality and violence, relying on the most up-to-date empirical findings. Arguing that patriarchy has been vigorously adaptable to the changes in women's position, and that some of women's hard-won social gains have been transformed into new traps, Walby proposes a combination of class analysis with radical feminist theory to explain gender relations in terms of both patriarchal and capitalist structure.

    

    Exploring the ideas and information in The Chalice and the Blade, Eisler here teams up with another award-winning writer to apply her book's teachings in a guide to more satisfying, more meaningful options for ourselves and our planet.

    

    Addressing issues of race, ethnicity, religion, and sexuality, it provides a more accurate and inclusive history of US women.

    It serves both as a guide to the current debates and directions and as a digest of the history of twentieth-century feminist ideas about language.This edition includes extracts from Felly Nkweto Simmonds, Trinh T. Minh-ha, Luce Irigaray, Sara Mills, Margaret Doyle, Debbie Cameron, Susan Ehrlich, Ruth King, Kate Clark, Sally McConnell-Ginet, Deborah Tannen, Aki Uchida, Jennifer Coates and Kira Hall.

    In this new book, Michele Wallace poses the historical and conceptual questions which an emergent black feminist theory address.The author begins with a consideration of the work of her mother, the artist Faith Ringgold, and moves on to recollections of her own early life in Harlem, and an account of her development as a writer in the 1970s. She examines the collective legacy with which black artists—from Zora Neale Hurston and Ntozake Shange, to Spike Lee and Michael Jackson—must contend in carving out a distinctive cultural practice.Wallace’s book marks a new departure in contemporary criticism, as she combines the flair of a popular journalist with the rigor of a committed scholar. Invisibility Blues is certain to become a landmark in cultural studies and a fundamental document in the history of black feminism.

    It offers fresh insight into more than twenty centuries of Greek and Roman history and encompasses a landscape that stretches from the North Sea to the Mediterranean and from the Pillars of Hercules to the banks of the Indus. The authors draw upon a wide range of sources including gravestones, floor plans, papyrus rolls, vase paintings, and literary works to illustrate how representations of women evolved during this age. They journey into the minds of men and bring to light an imaginative history of women and of the relations between the sexes.

    After describing the historical and social context of Asian women's theology, Chung Hyun Kyung considers the questions with which Asian women are concerned. Who is Jesus for Asian women? Who is Mary for Asian women? What form should spirituality take for Asian women? Indeed what should their theology be?

    While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Whitney Chadwick's survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality.This expanded edition incorporates recent developments in contemporary art. Chadwick addresses the turn toward autobiography in much recent women's art. She considers issues such as the personal versus the political and the private versus the public, and analyzes the differences between women's art today and the seminal feminist work of the 1970s and 1980s.

    Over fifty selections represent the ethnic, racial, and geographic diversity of working-class experience. This is writing grounded in social history, not in the academy. Traditional boundaries of genre and periodization collapse in this collection, which includes reportage, oral histories, speeches, songs, and letters, as well as poetry, stories, and essays. The divisions in this collection - telling stories, bearing witness, celebrating solidarity - address the distinction of "by" or "about" working-class women, and show the connections between individual identity and collective sensibility in a common history of struggle for economic justice. The geography of home, identity, parents, sex, motherhood, the dominance of the job, the overlapping of private and public worlds, the promise of solidarity and community are a few of the themes of this book. Here is a chorus of working class women's voices: Sandra Cisneros, Barbara Garson, Meridel Le Sueur, Tillie Olsen, Barbara Smith, Endesha I. M. Holland, Mother Jones, Nellie Wong, Agnes Smedley, Bobbie Louise Hawkins, Sharon Doubiago, Carol Tarlen, Hazel Hall, Margaret Randall, Judy Grahn, and many others! The aesthetic impulse is shaped by class, but not limited to one ruling class. What connects these writers is a collective consciousness, a class, which rejects bondage and lays claim to liberation through all  the possibilities of language. Calling Home is illustrated with family photographs as well as images of working women by professional photographers.

    A historical/sociological review of women's powerlessness, taking Job as the prototype of the innocent victim and using May's classifications of power to find the integrative power of the future.

    It was intended as an antidote to the poison of microaggressions committed by people of all racial and ethnic groups in writing and thinking about as well as speaking and interacting with Black/Indigenous/People of Color and Jewish people.Long before Franchesca Ramsey's "Sh#t White Girls Say to Black Girls" YouTube video and all the videos and blogs that grew from it, "Cultural Etiquette" was a thoughtful, witty account of the things no one should say to members of racial and ethnic groups subjected to systemic oppression in the United States. Sample chapter headings include "What Is Ethnocentrism and What Should I Take For It?" and "Just Don’t Do This. Okay?"This edition is authorized by the next-of-kin of the late Amoja Three Rivers and is published by the author's designated custodian of her writings. It preserves all of Three Rivers' words with only tiny changes in punctuation, spelling corrections and formatting necessary for an ebook.

    In this book Suleiman shows how the figure of Woman, as fantasy, myth, or metaphor has functioned in the work of male avant-garde writers and artists in the 20th century and in the process offers interpretations of major French avant-garde writers.

    Records the experiences, successes and ideas of this early wave of activism, and provides astute analysis for building a broader reproductive freedom movement in the 1990s.

    With its helpful introduction and editorial commentary it will be warmly welcomed by all who wish to be better informed about the wide range of key theological issues now being addressed by feminist thinkers.

    It tells the astonishing story of sex in the West from the ancients to the moderns in a precise account of developments in reproductive anatomy and physiology. We cannot fail to recognize the players in Thomas Laqueur's story--the human sexual organs and pleasures, food, blood, semen, egg, sperm--but we will be amazed at the plots into which they have been woven by scientists, political activists, literary figures, and theorists of every stripe.Laqueur begins with the question of why, in the late eighteenth century, woman's orgasm came to be regarded as irrelevant to conception, and he then proceeds to retrace the dramatic changes in Western views of sexual characteristics over two millennia. Along the way, two "master plots" emerge. In the one-sex story, woman is an imperfect version of man, and her anatomy and physiology are construed accordingly: the vagina is seen as an interior penis, the womb as a scrotum, the ovaries as testicles. The body is thus a representation, not the foundation, of social gender. The second plot tends to dominate post-Enlightenment thinking while the one-sex model is firmly rooted in classical learning. The two-sex story says that the body determines gender differences, that woman is the opposite of man with incommensurably different organs, functions, and feelings. The two plots overlap; neither ever holds a monopoly. Science may establish many new facts, but even so, Laqueur argues, science was only providing a new way of speaking, a rhetoric and not a key to female liberation or to social progress. Making Sex ends with Freud, who denied the neurological evidence to insist that, as a girl becomes a woman, the locus of her sexual pleasure shifts from the clitoris to the vagina; she becomes what culture demands despite, not because of, the body. Turning Freud's famous dictum around, Laqueur posits that destiny is anatomy. Sex, in other words, is an artifice.This is a powerful story, written with verve and a keen sense of telling detail (be it technically rigorous or scabrously fanciful). Making Sex will stimulate thought, whether argument or surprised agreement, in a wide range of readers.

    Here, leading literary critics--both male and female, black and white--look at fiction, nonfiction, poetry, slave narratives, and autobiographies in a totally new way. In essence, they reconstruct a literary history that documents black women as artists, intellectuals, symbol makers, teachers, and survivors. Important writers whose work and lives are explored include Toni Morrison, Gloria Gaynor, Maya Angelou, and Alice Walker, and the fascinating list of essays range from Nellie Y. McKay's "The Souls of Black Women Folk in the Writings of W. E. B. Du Bois" to Jewelle L Gomez's very personal tribute to Lorraine Hansberry as a dramatist and crusader for social justice. Henry Louis Gates Jr., the editor of this anthology and a noted authority on African-American literature, has provided a thought-provoking introduction that celebrates the experience of "reading black, reading feminist." A penetrating look at women's writing from a unique perspective, this superb collection brings to light the rich heritage of literary creativity among African-American women."Why is the fugitive slave, the fiery orator, the political activist, the abolitionist always represented as a black man? How does the heroic voice and heroic image of the black woman get suppressed in a culture that depended on her heroism for survival?"--Mary Helen Washington, from her essay in Reading Black, Reading Feminist

    Global in its outlook, Lift Every Voice incorporates the voices of men and women, Native Americans, Anglos, Hispanics, Blacks, Africans, and Asians. The careful organization and choice of essays makes Lift Every Voice a valuable book for a wide variety of courses. Its breadth and timeliness makes it possible to show the liberationist implications of the classic theological curriculum.

    Sophisticated in its analysis, yet not at all technical in its exposition, this book will find a wide readership among feminists, the general public, and the scientific community.

    This book ideal for all denominations includes readings, psalms, and prayers for dozens of worship services and liturgies of the word for commemorating and celebrating each of the women in the New Testament.

    

    "A delightful book of life-affirming legends, rituals and images that helps us envision a more balanced and creative world"--Riane Eisler, author, The Chalice and the Blade. "A beautiful book....An excellent source for information and inspiration from many cultures."

    This book is about the historical influence of the late nineteenth-century medical beliefs and values on the perceived benefits of physical activity for women across their life span.

    When a young prince seduced Dinah, the daughter of Jacob, although offering honorable marriage, with any amount of dowry, the vengeance of the brothers could only be appeased by blood; and the history of Joseph shows that purity was regarded as a virtue in man as well as in woman. Such, then, was the patriarchal stock, --the seed-form of the great and chosen nation. Let us now glance at the influences which nourished it through the grand growth of the prophetic or national period, up to the time of its consummate blossom and fruit in the Christian era. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience

    Southworth, Harriet Beecher Stowe, Gail Hamilton, Helen Hunt Jackson, and Elizabeth Stuart Phelps Ward. She examines the cultural milieu of women writers, the ideals and practices of the literary marketplace, and the characteristics of women's literary activities that brought them success. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.