In Black Feminist Thought, Patricia Hill Collins explores the words and ideas of Black feminist intellectuals as well as those African-American women outside academe. She provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde. The result is a superbly crafted book that provides the first synthetic overview of Black feminist thought.

    New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of lasting value to many diverse communities of women as well as to students from those communities. The authors explore a full spectrum of present concerns in over seventy pieces that vary from writing by new talents to published pieces by Audre Lorde, Joy Harjo, Norma Alarcón and Trinh T. Minh-ha."At one level or another, all the work in the collection seeks to find ways to understand and articulate our multiple identities and senses of place….Making Face/Making Soul is an exciting collection of dynamic, important writings that all women of color and white feminists will learn from, enjoy, and return to again and again and again."—Sojourner"...the pieces are stunning in what they risk and reveal..."—The San Francisco Chronicle

    Workers and peasants in that West African country established a popular revolutionary government and began to combat the hunger, illiteracy, and economic backwardness imposed by imperialist domination.

    Hammer and Hoe documents the efforts of the Alabama Communist Party and its allies to secure racial, economic, and political reforms. Sensitive to the complexities of gender, race, culture and class without compromising the political narrative, Robin Kelley illustrates one of the most unique and least understood radical movements in American history.The Alabama Communist Party was built from scratch by working people who had no Euro-American radical political tradition. It was composed largely of poor blacks, most of whom were semiliterate and devoutly religious, but it also attracted a handful of whites, including unemployed industrial workers, iconoclastic youth, and renegade liberals. Kelley shows that the cultural identities of these people from Alabama's farms, factories, mines, kitchens, and city streets shaped the development of the Party. The result was a remarkably resilient movement forged in a racist world that had little tolerance for radicals.In the South race pervaded virtually every aspect of Communist activity. And because the Party's call for voting rights, racial equality, equal wages for women, and land for landless farmers represented a fundamental challenge to the society and economy of the South, it is not surprising that Party organizers faced a constant wave of violence.Kelley's analysis ranges broadly, examining such topics as the Party's challenge to black middle-class leadership; the social, ideological, and cultural roots of black working-class radicalism; Communist efforts to build alliances with Southern liberals; and the emergence of a left-wing, interracial youth movement. He closes with a discussion of the Alabama Communist Party's demise and its legacy for future civil rights activism.

    She values postmodernism's insights while warning that the fashionable infatuation with "discourse" about "difference" is dangerously detachable from the struggle we must all wage against racism, sexism, and cultural imperialism.

    Listen to the vivid voices of the ordinary people who manned the barricades, the laborers, the students, the housewives without whom there would have been no civil rights movements at all.This remarkable oral history brings to life country's great struggle for civil rights as no conventional narrative can. You will hear the voices of those who defied the blackjacks, who went to jail, who witnessed and policed the movement; of those who stood for and against it—voices from the heart of America.

    In Black Men, an integral text for anyone with vested interest in building healthy, thriving Black families and communities, Madhubuti takes aim at some of the critical issues facing the African American family. He offers useful, pointed, practical solutions for overcoming these obstacles and challenges.

    His long imprisonment, restriction and early death were a major tragedy for our land and for the world.’ – Archbishop Desmond Tutu on Sobukwe On 21 March 1960, Robert Mangaliso Sobukwe led a mass defiance of South Africa’s pass laws. He urged blacks to go to the nearest police station and demand arrest. Police opened fire on a peaceful crowd in the township of Sharpeville and killed 69 people. The protest changed the course of South Africa’s history. Afrikaner rule stiffened and black resistance went underground. International opinion hardened against apartheid. Sobukwe, leader of the Pan-Africanist Congress, was jailed for three years for incitement. At the end of his sentence the government, fearful of his power, rushed the so-called ‘Sobukwe Clause’ through Parliament, to keep him in prison without a trial. For the next six years, Sobukwe was kept in solitary confinement on Robben Island, the infamous apartheid prison near Cape Town. On his release, Sobukwe was banished to the town of Kimberley with very severe restrictions on his freedom. He died there nine years later in February 1978. This book is the story of this South African hero – the lonely prisoner on Robben Island. It is also the story of the friendship between Robert Sobukwe and Benjamin Pogrund whose joint experiences and debates chart the course of a tyrannous regime and the growth of black resistance.

    Delivered on April 3, 1968--the eve of King's assassination--this powerful speech of hope, persistence, and divine guidance captures the essence of King's vision.

    Bush will find fodder for fears—and suggestions for activism—in The COINTELPRO Papers. Ward Churchill and Jim Vander Wall's exposé of America's political police force, the FBI, reveals the steel fist undergirding "compassionate conservatism's" velvet glove. Using original FBI memos, the authors provide extensive analysis of the agency's treatment of the left, from the Communist Party in the 1950s to the Central America solidarity movement in the 1980s. The authors' new introduction posits likely trajectories for domestic repression.Ward Churchill is author of From a Native Son. Jim Vander Wall is co-author of Agents of Repression: The FBI's Secret Wars Against the Black Panther Party and the American Indian Movement, with Ward Churchill.

    Born in 1898 in Charleston, South Carolina, she was a public school teacher until 1956, when she was dismissed for refusing to disavow her membership in the National Association for the advancement of Colored People. Subsequently, she worked for the Highlander Folk School, helping to set up Citizenship Schools throughout the South where Black adults could learn to read and prepare to vote. During the 1960s she worked with the Southern Christian Leadership Conference and was a close associate of Dr. Martin Luther King, Jr. From 1978 to 1983 she served as the first Black woman on the Charleston School Board. This is a first-person narrative of her life in the context of the Civil Rights Movement. Her story constitutes a major thread in the tapestry of that movement.

    Governments as diverse as those of India, South Africa, Israel, and the United States are examined for their mandated unequal treatment of individuals from the same criteria.

    Here are first-class stories with the energy and freshness we expect from a beginning." --Doris Lessing, The Independent"This collection of stories, speeches, essays, poems and memoirs bears fierce testimony to a tradition of brave Arab feminist writing in the face of subjugation by a Muslim patriarchy."--Publishers Weekly"This impressive collection of writings by Arab women... represent[s] a powerful series of vignettes by women who were both insightful and gifted, into the lives of women who have lived 'behind the veil' over the last 100 years."--Arab Book World"An expression of indigenous, intrepid feminism in the Arab world."--Ms."Opening the Gates succeeds not because of its methodology, but because of the stories the women tell."--Voice Literary Supplement

    It is an invaluable resource which helps set history straight." --Julian Bond..". remains one of the best single sources currently available on the unique contributions of Black women in the desegregation movement." --Manning MarableRewrites the history of the civil rights movement, recognizing the contributions of Black women.

    Adolf Hitler’s invasion of Britain is brutal – and successful. With England under Nazi rule, Winston Churchill’s secret plant of resistance is put into operation.As America hesitates, then acts and the decisive events of Pearl Harbor approach, the ordinary men, women and children of Britain live out the knife edge of Nazi occupation.But in a nightmare world of collaborators, traitors and tyrants… Who will have the courage to become the King’s men?

    In 1950s Chicago, twelve-year-old Richie, whose mother is a heroin addict, sets out to find his bootlegger, ex-con father -- a search that leads him into the boxing ring and uncovers the secret of his parents' past.

    With accounts of daylight warfare and nighttime escapes, portraits of personal courage and group determination, a preeminent scholar of African American history illuminates a struggle for freedom that spanned centuries.

    . . . The Guide was [first] published in Paris in 1956 by Jean-Paul Sartre because the author could find no American publisher who was willing to issue the book. In this new edition, Kennedy has added an afterword that provides his impressions of contemporary ‘desegregated racism’."—Florida Historical QuarterlyJim Crow Guide documents  the system of legally imposed American apartheid that prevailed during what Stetson Kennedy calls "the long century from Emancipation to the Overcoming." The mock guidebook covers every area of activity where the tentacles of Jim Crow reached. From the texts of state statutes, municipal ordinances, federal regulations, and judicial rulings, Kennedy exhumes the legalistic skeleton of Jim Crow in a work of permanent value for scholars and of exceptional appeal for general readers.

    Exploring the history of contemporary legal thought on the rights and status of the West's colonized indigenous tribal peoples, Williams here traces the development of the themes that justified and impelled Spanish, English, and American conquests of the New World.

    This book may be the first time that poor and petit-bourgeois black people have described the full reality of our oppression and our struggle." quote from the introduction.

    This title features a dialogue held in Amherst, MA where Rodney discussed his own political and intellectual development, and exchanged views on the role of the black intellectual.

    It engages fundamental issues raised by attempts to define such concepts as mainstream, minority, and other, and opens up new ways of thinking about culture and representation. All of the texts deal with questions of representation in the broadest sense, encompassing not just the visual but also the social and psychological aspects of cultural identity. Included are important theoretical writings by Homi Bhabha, Helene Cixous, Gilles Deleuze and Felix Guattari, and Monique Wittig. Their work is juxtaposed with essays on more overtly personal themes, often autobiographical, by Gloria Anzaldua, Bell Hooks, and Richard Rodriguez, among others. This rich anthology brings together voices from many different marginalized groups - groups that are often isolated from each other as well as from the dominant culture. It joins issues of gender, race, sexual preference, and class in one forum but without imposing a false unity on the diverse cultures represented. Each piece in the book subtly changes the way every other piece is read. While several essays focus on specific issues in art, such as John Yau's piece on Wilfredo Lam in the Museum of Modern Art, or James Clifford's on collecting art, others draw from debates in literature, film, and critical theory to provide a much broader context than is usually found in work aimed at an art audience. Topics range from the functions of language to the role of public art in the city, from gay pornography to the meanings of black hair styles. Out There also includes essays by Rosalyn Deutsche, Richard Dyer, Kobena Mercer, Edward Said, Gayatri Spivak, Gerald Vizenor and Simon Watney, as well as by the editors.Copublished with the New Museum of Contemporary Art, New York Distributed by The MIT Press.

    A series of powerful interventions covers many of the issues which have confronted radical politics in the 1980s: inner-city uprisings, the demand for black sections in the Labour Party, local government anti-racism, the move to a common European market. This collection included incisive critiques of contemporary Marxism (‘All that Melts into Air is Solid: The Hokum of “New Times” ’), of post-colonial development, and of the Eurocentric assessment of imperialism.

    The system in this country cannot produce freedom for an Afro-American. "Speeches and interviews from the last year of Malcolm's life.

    For children of all ages

    A profound statement of the Afrocentric perspective.

    In Notes of a Hanging Judge, he explores it from all sides--from its epochal triumphs and the forces that have nearly destroyed it, through its great artistic and political success stories, to the crime culture it has been powerless to prevent or control--and traces its complex and ambivalent interactions with the feminist and gay dissent that followed its example. Balancing the passionate involvement of an insider with a reporter's open-minded rigor, and using his virtuosic prose style, Crouch offers uniquely insightful accounts of familiar public issues--black middle-class life, the Bernhard Goetz case, black homosexuals, the career of Louis Farrakhan--that throw fresh light on the position of Afro-Americans in the contemporary world. Even more revealing are Crouch's accounts of his travels, focusing on his perceptions as a black man, that put places as diverse as Atlanta and Africa, or Mississippi and Italy, in unique new perspectives. Perhaps most powerful of all are Crouch's profiles of black leaders ranging from Maynard, to Michael, to Jesse Jackson. Crouch's stern evaluations have been controversial, especially his vision of the Civil Rights Movement as a noble cause gone loco, mired in self-defeating ethnic nationalism and condescending self-regard, and conspicuously lacking in the spiritual majesty that ensured its great political victories. His discussions of artistic figures, including extended critiques of Toni Morrison and Spike Lee, have also incited much debate. Taken together, these essays represent a major reinterpretation of black, and therefore American, culture in our time.