It reads like a novel, but it is one of the most important scientific works ever published. The community is Gombe, on the shores of Lake Tangganyika, where the principal residents are chimpanzees and one extraordinary woman who is their student, protector, and historian. In her classic In the Shadow of Man, Jane Goodall wrote of her first ten years at Gombe. In Through a Window she brings the story up to the present, painting a much more complete and vivid portrait of our closest relative. We see the community split in two and a brutal war break out. We watch young Figan's relentless rise to power and old Mike's crushing defeat. We learn how one mother rears her children to succeed and another dooms them to failure. We witness horrifying murders, touching moments of affection, joyous births, and wrenching deaths. In short, we see every emotion known to humans stripped to its essence. In the mirror of chimpanzee life, we see ourselves reflected. Perhaps the best book ever written about animal behavior, Through a Window is also essential reading for anyone seeking a better grasp of human behavior.

    Rian Malan is an Afrikaner, scion of a centuries-old clan and relative of the architect of apartheid, who fled South Africa after coming face-to-face with the atrocities and terrors of an undeclared civil war between the races. This book is the searing account of his return after eight years of uneasy exile. Armed with new insight and clarity, Malan explores apartheid's legacy of hatred and suffering, bearing witness to the extensive physical and emotional damage it has caused to generations of South Africans on both sides of the color line. Plumbing the darkest recesses of the white and black South African psyches, Malan ultimately finds his way toward the light of redemption and healing. My Traitor's Heart is an astonishing book -- beautiful, horrifying, profound, and impossible to put down.

    Workers and peasants in that West African country established a popular revolutionary government and began to combat the hunger, illiteracy, and economic backwardness imposed by imperialist domination.

    When these projects fail, as they do with astonishing regularity, they nonetheless produce a host of regular and unacknowledged effects, including the expansion of bureaucratic state power and the translation of the political realities of poverty and powerlessness into "technical" problems awaiting solution by "development" agencies and experts. It is the political intelligibility of these effects, along with the process that produces them, that this book seeks to illuminate through a detailed case study of the workings of the "development" industry in one country, Lesotho, and in one "development" project.Using an anthropological approach grounded in the work of Foucault, James Ferguson analyzes the institutional framework within which such projects are crafted and the nature of "development discourse," revealing how it is that, despite all the "expertise" that goes into formulating development projects, they nonetheless often demonstrate a startling ignorance of the historical and political realities of the locale they are intended to help. In a close examination of the attempted implementation of the Thaba-Tseka project in Lesotho, Ferguson shows how such a misguided approach plays out, how, in fact, the "development" apparatus in Lesotho acts as an "anti-politics machine," everywhere whisking political realities out of sight and all the while performing, almost unnoticed, its own pre-eminently political operation of strengthening the state presence in the local region.James Ferguson is an associate professor of anthropology at the University of California at Irvine.

    The articles showcase a literary style that prompted Kirkus Reviews to say of Last Horizons, "No one since Hemingway (with the possible exception of Ruark) has written on these subjects with such literary gusto."The stockbroker-turned-outdoorsman recalls his days as an African pro hunter in "The Killer Baboons of Vlackfontein." "Four Fangs in a Treetop" records a foray into British Honduras for the jaguar, "a gold-dappled teardrop of motion." Capstick narrowly escapes the Yellow Beard, Central America's deadly tree-climbing snake, and cows "The Black Death (Cape buffalo) in the kind of article that makes this author "the guru of American hunting fans" (New York Newsday). On Brazil's forsaken Marajo Island, he bags the pugnacious red buffalo, which has the "temperament of a constipated Sumo wrestler and the tenacity of an IRS man."The author discusses 12- and 20-gauge shotgun loads; recalls the pleasures of "biltong" (African beef jerky); describes the irresistible homemade lures of snook fishing expert John Gorbatch; and kills a genteel take of Atlantic salmon with the brilliantly simple tube fly.Over thirty gorgeous drawings by famous wildlife artist Dino Paravano make this volume yet another collector's item by a writer who "keeps the tradition of great safari adventure alive in each of his books" (African Expedition Gazette).Peter Capstick's eight prior titles include The Last Ivory Hunter (SMP, 1988); Peter Capstick's Africa (SMP, 1987); and Death in the Long Grass (SMP, 1978).

    His long imprisonment, restriction and early death were a major tragedy for our land and for the world.’ – Archbishop Desmond Tutu on Sobukwe On 21 March 1960, Robert Mangaliso Sobukwe led a mass defiance of South Africa’s pass laws. He urged blacks to go to the nearest police station and demand arrest. Police opened fire on a peaceful crowd in the township of Sharpeville and killed 69 people. The protest changed the course of South Africa’s history. Afrikaner rule stiffened and black resistance went underground. International opinion hardened against apartheid. Sobukwe, leader of the Pan-Africanist Congress, was jailed for three years for incitement. At the end of his sentence the government, fearful of his power, rushed the so-called ‘Sobukwe Clause’ through Parliament, to keep him in prison without a trial. For the next six years, Sobukwe was kept in solitary confinement on Robben Island, the infamous apartheid prison near Cape Town. On his release, Sobukwe was banished to the town of Kimberley with very severe restrictions on his freedom. He died there nine years later in February 1978. This book is the story of this South African hero – the lonely prisoner on Robben Island. It is also the story of the friendship between Robert Sobukwe and Benjamin Pogrund whose joint experiences and debates chart the course of a tyrannous regime and the growth of black resistance.

    It is the only country whose divisions are legally endorsed, whose isolation is deliberate and whose internal biases are so pointedly lopsided. The Mind of South Africa is a unique survey which encompasses the history, culture and the warped mythology of apartheid by which the country is still held hostage. Allister Sparks, distinguished former editor of the Rand Daily Mail, recounts the full story of South Africa's agonizing drama - and, amazingly, remains an optimist about its future.

    In a mountain village in Lesotho, a father rages as a mother weeps. Shot dead: their only daughter Rose, a teacher, and her husband Jake, an activist and poet. South Africa’s laws forced them into exile, while hooded gunmen took their lives. Amid the sorrow and commotion of funeral preparations, Rose and her parents’ evolving understanding of their turbulent country and of each other unfolds, always intimately connected with the lives of the women who worked for them. But all has not been lost: there was a survivor of the shooting. Hope.Thoughts in a Makeshift Mortuary, Jenny Hobbs’s rich, powerful first novel, is a story about ordinary living in extraordinary times and a moving tribute to those who worked to raise a South Africa driven to its knees.

    But German influence has remained strong. So when, a month after the Second World War ends, two German officers erupt from the sea along the infamous Skeleton Coast, escaping from a crippled U-boat, they are arriving on friendly territory. But who are they? Why have they come? Why do only two men escape from the submarine? And why does one of them immediately murder the other one on the shore?

    A hilarious and wrenching memoir from a peace Corps volunteer in Zaire.

    Within six months the kingdom lay in pieces. A full military campaign, known as the Anglo-Zulu War of 1879 was required to ensure its demise. The British High Commissioner in South Africa, Sir Henry Bartle Frere, believed that the robust and economically self-reliant Zulu kingdom was a threat to this policy. In December 1878 he picked a quarrel with the Zulu king, Cetshwayo kaMpande, in the belief that the Zulu army - armed primarily with shields and spears - would soon collapse in the face of British Imperial might. The war began in January 1879. Three columns of British troops under the command of Lt. Gen. Lord Chelmsford invaded Zululand. Almost immediately, the war went badly wrong for the British. On 22 January, the Centre Column, under Lord Chelmsford's personal command, was defeated at Isandlwana mountain. In one of the worst disasters of the Colonial era, over 1300 British troops and their African allies were killed. In the aftermath of Isandlwana, the Zulu reserves mounted a raid on the British border post at Rorke's Drift, which was held by just 145 men. After ten hours of ferocious fighting, the Zulu were driven off. Eleven of the defenders of Rorke's Drift were awarded the Victoria Cross.These are the best-known episodes of the war, and Rorke's Drift inspired the classic film Zulu, which established Michael Caine as a star. However, the author delves deeply into the causes of the war, the conditions during it and the aftermath. Completely re-set, this is one of the most highly-regarded books on the period.

    His right arm was blown off and he lost the sight of one eye. This intimate and moving account of his recovery records the gradual recuperation of his broken body, his complex interaction with health professionals, the importance of touch and sensuality, and his triumphant reentry into the world. It also captures the spirit of a remarkable man: his enormous optimism, his commitment to social justice, and his joyous wonder at the life that surrounds him. In a new epilogue, Sachs gives a gripping insider's view of the major public events of the last decade--the election of Nelson Mandela, the formation of the Constitutional Court and Sachs's appointment as judge, and his own role with the Truth and Reconciliation Commission.

    By focusing on individuals, Blaine Harden uncovers an Africa that endures behond the sum of its statistics.

    The story reflects the writer's experience of migrancy, and his refusal of the security of belonging - either to an African identity or to the international literary elite.

    Scholars who study peasant society now realize that peasants are not passive, but quite capable of acting in their own interests.  But, do coherent political ideas emerge within peasant society or do peasants act in a world where elites define political issues?  Peasant Intellectuals is based on ethnographic research begun in 1966 and includes interviews with hundreds of people from all levels of Tanzanian society.  Steven Feierman provides the history of the struggles to define the most basic issues of public political discourse in the Shambaa-speaking region of Tanzania.  Feierman also shows that peasant society contains a rich body of alternative sources of political language from which future debates will be shaped.

    Hochschild looks at the tensions of modern South Africa through a dramatic prism: the pivotal nineteenth-century Battle of Blood River -- which determined whether the Boers or the Zulus would control that part of the world -- and its contentious commemoration by rival groups 150 years later. This incisive book offers an unusual window onto a society that remains divided. In his epilogue, Hochschild extends his view to the astonishing political changes that have occurred in the country in recent years -- and the changes yet to be made.

    But Baba Pesa is up against his drunken son, Juda, who has taken to lecturing his fellow villagers on the greater values in life.

    

    Tight spine, clear crisp pages, no writing, no tears, smokefree.

    Covers types of actions, caliber's, premium bullets, and sighting equipment.

    He was one of a team of black writers of the 1950s who created Drum magazine and who also became an actor and playwright. His story was originally published in 1963, but was banned in South Africa during the 'struggle' years. He lived in Sophiatown, Johannesburg until 1958 when the township was bulldozed flat by government order. Consequently, Modisane decided that the time had come to leave the country and settled in West Germany. But he always felt very much an exile. His evocative writing transports the reader back in time to experience the life and shebeen culture that existed at that time in Johannesburg and particularly in Sophiatown. As one of the first urban black intellectuals Modisane became host to such people as Dame Sybil Thorndike and Adlai Stevenson, as well as to many South African whites who wanted to know and understand the culture of shantytown life and the problems of the urban blacks living there. Blame Me on History takes us back to those days and gives us some insight into the vitality and the vibrant energy that was Sophiatown.

    Ian Knight became the acknowledged authority on the Zulu War of 1879 at a very young age. His research in London has been supplemented by numerous visits to the South African battle sites. The detailed narrative of the baltic covers all the units, personalities and events of this legendary engagement in the popular Battleground Europe style, with then-and-now photos and a guide to the outpost and surrounding area as it is today.

    Contrary to superficial appearances, however, this monolithic continent is a complex mosaic of landlocked islands--islands which vary from isolated forests in oceans of grassland to lakes in seas of land. The flora and fauna of each of these islands represent a snapshot of millions of years of evolution and the biological reaction to the environment of the past. In this richly illustrated book Jonathan Kingdon takes these island communities one by one and delves back into their history to explain why and how they may have evolved as they have and thus the reason why the community is there. As the reader is led through continental Africa, a pattern begins to take shape, providing an understanding of Africa's complexities and putting the continent's biology in a new and dynamic perspective. Kingdon's book is also a fervent plea to conserve these islands. It will be of surpassing interest to anyone concerned with working in African conservation as well as to a wide audience of other general readers.

    

    Featuring Abubakari Lunna, a master drummer of Dagbon.

    Taking as a metaphor the divers who cleaned out desert wells, Lindqvist drags to the surface the story of colonial slaughter and sexual exploitation which contaminate his boyhood idols.

    A classic book on African history as told in the chronicles and records of chiefs and kings, travellers and merchant-adventurers, poets and pirates and priests, soldiers and scholars.

    For she had met, fallen in love with, and married Seretse Khama, an African prince and heir to the chieftainship of a tribe of more than 100,000 people—the Bamangwato. At first, the marriage was no more welcome in Africa than in government circles in London. Within a year of their wedding, the young couple had provoked an astonishing series of events that had never been explained. The British government was determined to prevent Seretse taking his rightful place at the head of his tribe. The Bamangwato, to their credit, accepted the marriage and welcomed Ruth as their queen. Attlee’s Labour government embarked on what appeared to be a vendetta against them, robbing Seretse of his birthright and his people of their chief. In the process, Seretse and Ruth were forcibly separated while she awaited the birth of their first child. Now having access to Ministerial telegrams and Cabinet documents, the author can tell the full story. Includes photos provided by Lady Ruth Khama. Don't miss the inspirational film "A United Kingdom" about Ruth & Seretse Khama, starring David Oyelowo and Rosamund Pike.

    This book makes a strong and compelling statement about the position of women writers and women in contemporary Africa using the words of the writers themselves', says Dennis Duerden, the author of the earlier African WritersTalking.

    to the broad features of culture and the major lines of historical development across the region between 3000 B.C. and A.D. 1000. It is truly an outstanding effort, readable, subtle, and integrative in its interpretations, and comprehensive in scope.  .  .  .  It is a seminal study  .  .  .  but it is also a substantive history that will long retain its usefulness.”—Christopher Ehret,  American Historical Review

    In association with The World Conservation UnionIncludes an introduction by David Attenborough