His work shows art at its most light-hearted, sensual and luminous. Renoir never wanted anything ugly in his paintings, nor any dramatic action. "I like pictures which make me want to wander through them when it's a landscape," he said, "or pass my hand over breast or back if it's a woman." Renoir's entire oeuvre is dominated by the depiction of women. Again and again he painted "these faunesses with their pouting lips" (Mallarme) and invented a new image of feminity.

    Coleridge: Early Visions is the first part of Holmes's classic biography of Coleridge that forever transformed our view of the poet of 'Kubla Khan' and his place in the Romantic Movement. Dismissed by much recent scholarship as an opium addict, plagiarist, political apostate and mystic charlatan, Richard Holmes's Coleridge leaps out of the page as a brilliant, animated and endlessly provoking figure who invades the imagination. This is an act of biographical recreation which brings back to life Coleridge's poetry and encyclopaedic thought, his creative energy and physical presence. He is vivid and unexpected. Holmes draws the reader into the labyrinthine complications of his subject's personality and literary power, and faces us with profound questions about the nature of creativity, the relations between sexuality and friendship, the shifting grounds of political and religious belief.

    When he finally returns, he is a changed man who no longer loves her and has become cruel and unforgiving because of his war experiences. Anna decides that, for her own safety, she needs to get away from Darryl. She flees, and she ends up in the wild cow town of Abilene, Kansas, run by Sheriff Nate Foster. Fate draws Nate and Anna closer, but Anna, who desperately longs for the safety and love she finds in Nate’s arms, has not told him she has a husband who is now a dangerous outlaw. Nate and Anna’s love grows beyond their ability to corral the passion and desire stirred in their souls, but Anna’s secret finally comes back to haunt her and nearly destroys the love she has found in Nate’s arms. Nate’s own anger and loss because of the war interfere with his ability to fully love and trust again, and when he finds out about Anna’s lie, he isn’t sure he can fully commit to her. EMBERS OF THE HEART embraces the heartaches and challenges of a Nation torn by war, and those caught up both sides of that war. A “must read,” this book is a “sister story” to Bittner’s book, MONTANA WOMAN, as Anna (from EMBERS OF THE HEART) and Joline (from Bittner’s MONTANA WOMAN) are sisters who ended up separated by the Civil War. PRAISE: “Power, passion, tragedy, and triumph are Rosanne Bittner’s hallmarks. Again and again, she brings readers to tears.” ~Romantic Times “Extraordinary…Bittner’s characters spring to life.” ~Publishers Weekly ABOUT THE AUTHOR: Named one of the “Pioneer Authors of Romance” by Romantic Times, Rosanne Bittner is the author of sixty-eight historical romance novels, most set in the American West of the 1800s. .

    Colorful and compelling, it brings to life a world never before portrayed as it tells the dramatic and stormy tale of Dinah Sassoon's quest for love and justice.

    Craven Prize, Los Angeles Times Book Award, Francis Parkman Prize, and Lionel Trilling Prize.

    He published three volumes of poetry before his death of tuberculosis at the age of twenty-five. This authoritative new collectioncontains the majority of Keats's non-dramatic poetry, including Endymion in its entirety, and a substantial selection of letters that provide important background material to the poet's life. Offering both prose and verse in an accessible, chronological order, this collection also includes usefulappendices on St. Agnes' Eve and La Belle Dame Sans Merci, and provides a handy glossary of classical names. Keats poetry and his letters reveal a spirit of questing vitality and profound understanding. This remarkable volume attests to an astonishing maturity of power.

    Detailed and definitive, this profile of the Victorian writer explores the private life of the complicated, insecure, and wildly ambitious man who became the best-known author of his day.

    This new celebration of these letters is illustrated with portraits, facsimile letters, topographical engravings and fashion plates, and aims to bring to life the world Jane Austen inhabited. Although the book follows a broadly chronological scheme, the letters are arranged round visual themes considered particularly suitable for illustration, such as the Hampshire countryside, social life in Bath and London, domestic pursuits, paying visits and travelling by carriage. The author, who was born in Jane Austen's Hampshire village, lectures on English Literature for the Open University and the Oxford University Department of External Studies. Her special interest is 19th-century children's literature and she has compiled an anthology, "Childhood".

    A classic for young readers as first told in The Maiden's Bequest.

    This book ranges over the trial of Oscar Wilde, the public furore over prostitution and syphilis, moral outrage over the breakdown of the family, abortion rights and AIDS. High and low culture, from male quest romances to contemporary male bonding movies, Freud to Fatal Attraction, are all included in his study.

    A fast-paced, compulsively readable one-volume narrative of the American Civil War, by the author of the acclaimed saga of World War II, "Delivered from Evil."

    The author won the Young Writer's Award in 1972 for her book "The Waiting Game".

    

    0—1)Fairy-Land"The Happiest Day"The Haunted PalaceTo HelenTO HelenHymnHymn eo Aristogeiton and HarmodiusImitationTO IsadoreIsrafelThe Lake—to —LenoreTo M. L. S—To My MotherTo One in ParadiseA Pa•anScenes From "Politian"The RavenTo The River —RomanceSilenceThe SleeperSongSonnet—To ScienceSpirits of the DeadTamerlaneUlalumeA ValentineThe Valley of Unrest"In Youth I have Known One"To ZaneThe Rationale of VerseThe Poetic Principle

    It provides teachers, students, and the general reader with an affordable paperback of the central body of the work which the "Sunday Telegraph" described as "the best edition this century of the best poet of the last century."

    This splendid volume brings together the best of Beardsley's work — a rich selection ranging from illustrations for Laclos's Les Liaisons Dangereuses and Balzac's La Comédie Humaine to magazine cover designs, book plate silhouettes, title-page ornaments, and delightful mini-portraits of major composers. Also included are two photographs of the artist, consisting of private portrait studies by Frederick H. Evans.Over 180 beautifully reproduced black-and-white plates capture the uniqueness of Beardsley's vision and reveal the seductive power of his art. Among the illustrations are brilliantly conceived vignettes from Le Morte D'arthur, Venus and Tannhäuser, Salome, and Lucian's True History as well as enchanting creations for The Yellow Book (an influential British arts quarterly), and much more.Characterized by bold black masses, elongated shapes, and sensually provocative figures, these works are the product of a remarkable individual style that transformed the art of illustration. Reproduced here in an inexpensive high-quality format, they are certain to thrill not only Beardsley enthusiasts but anyone interested in the early years of modern graphic art.

    In adulthood, she was publicly known as L. M. Montgomery but as "Maud" by family and friends. She attended Prince of Wales College in Charlottetown, PEI and obtained a teaching certificate. In 1895-96 she studied literature at Dalhousie University in Halifax, Nova Scotia. In 1908, she published her first book, Anne of Green Gables, which was an immediate success. She married Ewan Macdonald, a Presbyterian Minister, and moved to Ontario where she wrote her next eleven books.

    William Symington, a 19th century Reformed Presbyterian and Scottish pastor, wrote Messiah the Prince to examine the particular significance of Jesus Christ as King.Revelation 1:5 says that Christ is the “prince of the kings of the earth.” What obligations does this place upon the civil magistrate? What obligations might this place upon the people who are governed, including those people who vote for their civil magistrate? Of what significance is the truth that the One who was the atoning sacrifice for His people (the Priest) and the one who spoke and taught the Word in its fullness (the Prophet) is also the Ruler of all (the King)? What might it mean when Jesus said, “Make all nations My disciples”?Symington answers these questions is a way that will push some modern Christians past their comfort zone. He makes that case that Christ is reigning now and that all nations must answer to Him, and it is the Church’s responsibility to make that call on the nations, their governors and their governed.

    Susanna -- A young schoolteacher with a will as fierce as her snapping green eyes. The Civil War had stolen everything but her spitfire spirit. Now she vowed to find a new life in an untamed land...Ase -- The most powerful man in Mason-Dixon. With looks and charm to match his money, he could have any woman in Kansas. But the one he wanted wouldn't say yes... Matt -- A handsome doctor as bitter as he was mysterious. His crippled hand would not let him practice medicine -- and a secret agony would him love... No Roof But Heaven -- Their lives were bound together by fortune and friendship. They would suffer and survive the heartaches of a harsh land -- and learn to love with hearts made bold by the taste of frontier freedom....

    These urban scenes were very popular with the public, particulary in the north of England where he did so much of his work, but less so with the offical art world.Contents:The Leeds background; Early years; Knostrop old hall; Painter of moonlight; "No marks of handling" Grimshaw's methods and technique.

    THis series was originally conceived in 1883 by the editors of Century Company, who set out to provide an accurate, unbiased account of the war. It was authored by the commanders and their subordinates from both the Confederate and Union forces who actually fought, planned or were eyewitnesses to the events they describe therein. Volume 1 begins with a view of Washington on the eve of the war, gives an account of the fall of Fort Sumter, the preperations for war in the North and South, and the formation of the Confederacy.

    His intricate figurative paintings - for which he has been immortalized in art history - reveal a subtly innovative and quietly absorbing combination of influences from a diversity of both ancient and classical sculpture, and painting.The author of this tome focuses not solely on the actual paintings - deconstructing in detail their almost architectural and cinematic conceptions - but furthermore explains their context and their interesting reception by the Victorian public. The content of this book is punctuated by numerous illustrations of Lord Leighton's paintings and sculptures, as well as a selection of rare and relevant photographs.Overall, this is the definitive monograph to Frederic, Lord Leighton - the artist, the public figure and the private person - comprising an insightful coverage of his career, and combining intellectual rigour in its content with aesthetic harmony in its presentation.

    Its purpose is to show the pervasiveness of prejudice against blacks throughout the western world as expressed in stock-in-trade racist imagery and caricature. Reproducing a wide range of illustrations—from engravings and lithographs to advertisements, candy wrappings, biscuit tins, dolls, posters, and comic strips—the book challenges the hidden assumptions of even those who view themselves as unprejudiced.Jan Nederveen Pieterse sets Western images of Africa and blacks in a chronological framework, including representations from medieval times, from the colonial period with its explorers, settlers, and missionaries, from the era of slavery and abolition, and from the multicultural societies of the present day. Pieterse shows that blacks have been routinely depicted throughout the West as servants, entertainers, and athletes, and that particular countries have developed their own comforting black stereotypes about blacks: Sambo and Uncle Tom in the United States, Golliwog in Britain, Bamboula in France, and Black Peter in the Netherlands. Looking at conventional portrayals of blacks in the nursery, in sexual arenas, and in commerce and advertising, Pieterse analyzes the conceptual roots of the stereotypes about them. The images that he presents have a direct and dramatic impact, and they raise questions about the expression of power within popular culture and the force of caricature, humor, and parody as instruments of oppression.

    

    Certainly it included a fascinating cast of characters and more than its share of enduring poignancy. Especially moving were the deaths of two of the best and the brightest on both sides, Stephen Dodsen Ramseur of North Carolina, a Major General at 27, and the brilliant and revered 29-year-old Charles Russell Lowell of Massachusetts.Among others who met on that field were the two rival commanders, tiny Phil Sheridan and blasphemous Jubal Early; George Armstrong Custer; John Gordon; George Crook; Tom Rosser; two future presidents, Rutherford B. Hayes and William McKinley; and many more. In thoroughly exploring their lives and prior experiences in the war the narrative includes descriptions of 1st and 2nd Manassas, Seven Pines, Gaines's Mill, Antietam (Sharpsburg), Fredericksburg, Chancellorsville, Brandy Station, and Gettysburg.No more dramatic battle could be imagined than what occurred that October day at Cedar Creek. It began with a pre-dawn assault by the Confederates that drove the Federal left wing back, followed by Sheridan's famous 14-mile ride on his legendary horse, Rienzi, to rally his retreating army, and ended in growing darkness as the victorious Federals drove the Confederates from the field.The book closes with an account of the subsequent fates of the main figures of Cedar Creek, which included for some participation in the surrender of Appomattox barely six months later, and ranged from fighting Indians in the West to politics and building railroads. none of them, the author points out, ever forgot Cedar Creek or ceased to write or talk about it, whether with generosity or bitterness toward former comrades and foes.

    THis series was originally conceived in 1883 by the editors of Century Company, who set out to provide an accurate, unbiased account of the war. It was authored by the commanders and their subordinates from both the Confederate and Union forces who actually fought, planned or were eyewitnesses to the events they describe therein. Volume 2 opens with the siege and capture of Fort Pulaski, the capture of New Orleans, and a summary of operations in the far southwest. It covers the Peninsular Campaign, the battles of Yorktown, Williamsburg, Manassas, and Seven Pines.

    From the bestselling author of Tuppenny Times and Fourpenny Flyer, a warm and engrossing drama, set in the golden years of Victoria’s reign, of the success, tragedy and triumph of an extraordinary family.

    This collection contains five of his most highly regarded stories, all from his maturity, and set in a variety of Tsarist Russian milieux.Included are "The Black Monk" (1894), "The House with the Mezzanine" (1896), "The Peasants" (1897), "Gooseberries" (1898), and "The Lady with the Toy Dog" (1899). In these incisive tales, readers will discover a master of character, nuance, and setting developing the basic themes of his oeuvre: the sociological and psychological obstacles in the way of human affection and satisfactory development of the personality.

    The image of the colonial goodwife, valued for her contribution to household prosperity, had been replaced by the image of a dependent and a non-producer. This book is a history of housework in the United States prior to the Civil War. More particularly, it is a history of women's unpaid domestic labor in the context of the emergence of an industrialized society in the northern United States. Boydston argues that just as a capitalist economic order had first to teach that wages were the measure of a man's worth, it had at the same time, implicitly or explicitly, to teach that those who did not draw wages were dependent and not essential to the real economy. Developing a striking account of the gender and labor systems that characterized industrializing America, Boydston explains how this effected the devaluation of women's unpaid labor.

    It represents the most widespread and prolonged series of migrations by one nation ever. Chinese emigrants have been tycoons in Hong Kong and America, coolies in Peru and South Africa, underworld gangsters in San Francisco and Bangkok. Today, whether as near-slave laborers on illicit planes and freighters, or as bankers and traders from a world network of high finance, the Chinese are on the move as much as ever.In this rich blend of history, biography, and travel, noted author Lynn Pan recounts why emigrants have left China; how their dispersal has been shaped and stimulated by imperialist Western powers; and how the all-male frontier groups were transformed into complex communities organized by clan, dialect, and secret society. In the process, she takes us inside the supposedly closed world of the overseas Chinese and shows how, in a curious boomerang effect, these expatriates are currently changing the supposedly eternal face of China-perhaps forever. A new afterword by the author comments on the ironies that result when multiculturalism and emigrant culture meet head-on.

    She reached a pinnacle of artistic achievement despite the restraints society placed on her sex, adroitly combining her artistic ambitions with a rewarding family life. Anne Higonnet brings fully to life an accomplished artist and her world.

    The late nineteenth century saw a new fascination with the underground as Western societies tried to cope with the pervasive changes of a new social and technological order. In Notes on the Underground, Rosalind Williams takes us inside that critical historical moment, giving equal coverage to actual and imaginary undergrounds. She looks at the real-life invasions of the underground that occurred as modern urban infrastructures of sewers and subways were laid, and at the simultaneous archaeological excavations that were unearthing both human history and the planet's deep past. She also examines the subterranean stories of Verne, Wells, Forster, Hugo, Bulwer-Lytton, and other writers who proposed alternative visions of the coming technological civilization.Williams argues that these imagined and real underground environments provide models of human life in a world dominated by human presence and offer a prophetic look at today's technology-dominated society. In a new essay written for this edition, Williams points out that her book traces the emergence in the nineteenth century of what we would now call an environmental consciousness--an awareness that there will be consequences when humans live in a sealed, finite environment. Today we are more aware than ever of our limited biosphere and how vulnerable it is. Notes on the Underground, now even more than when it first appeared, offers a guide to the human, cultural, and technical consequences of what Williams calls "the human empire on earth."

    New Hardcover with dust jacket

    The Christmas we love today sprang from the festive parlors and bedecked halls of a century ago, where it lives still in the lush pages of "Joy to the World." A specially embossed and die-cut jacket wraps the book like a precious gift. Selection of the Literary Guild and the Better Homes & Gardens Family Book Service. 199,000 copies in print.

    Born in Poland and dedicated to Yiddish culture, he recognized that Jews needed to adapt to their times while preserving their cultural heritage, and his captivating and beautiful writings explore the complexities inherent in the struggle between tradition and the desire for progress. This book, which presents a memoir, poem, travelogue, and twenty-six stories by Peretz, also provides a detailed essay about Peretz’s life by Ruth R. Wisse. This edition of the book includes as well Peretz’s great visionary drama A Night in the Old Marketplace, in a rhymed, performable translation by Hillel Halkin. “If you want to discover the beauty, the depth, the unique wonder of Yiddish literature—read this volume by its Master.” —Elie Wiesel “For any American reader, this will be a handy and skillfully edited selection of the most representative writings of one of the masters of world literature. For any Jewish American reader, it will also be a monument in commemoration of . . . a writer who . . . laid the foundations for the modern Yiddish literary tradition.” —Stanislaw Baranczak, The New Republic “The tales, which occupy most of the book, vary widely. Some have the form and tone of simple folk tales. Others suggest a Hasidic-like mysticism, sometimes approaching the surreal. The best, I think combine both a sympathy for the values of the shtetl and a note of irony.” —Richard Eder, Los Angeles Times Book Review “[Peretz’s] works stand in brilliantly evocative tribute to a bygone era.” —Publishers Weekly

    He was the first artist with both the technique and the talent to convey the powerful visual impact of western space and to capture the scale of America's mountains. This magnificent volume provides a full appreciation of his talent as an artist.

    She charts the struggles between spiritualists and the medical and legal establishments over the issue of female mediumship, and provides new insights into the gendered dynamics of Victorian society.

    Book by Donaghy Garrett, Elisabeth

    It focuses not only on his use of various media, but also on the suites of works on the same subject that reflect the artist's modern practice of thinking and working serially and thematically.

    Until now, however, there has been no anthology of Shelley's work. The Mary Shelley Reader is a unique new collection that fills this gap. In addition to the original and complete 1818 version of her masterpiece Frankenstein, the book offers a new text of the novella Mathilda--an extraordinary tale of incest, guilt, and atonement that was not published until 1959 and has been out of print since then. Also included are seven short stories that range from gentle satire to fantastic tales of reanimation, diabolical transformation, and immortality. Eight essays and reviews are reprinted here for the first time since their original publication, and eleven representative letters help bring to life a remarkable literary and historical figure--author, daughter of William Godwin and Mary Wollstonecraft, and wife of Percy Bysshe Shelley. An illuminating introduction, a chronology, explanatory notes, and a bibliography make The Mary Shelley Reader indispensable for readers of English Romantic literature.

    Schumpeter (1883-1950) made seminal contributions not only to economic theory but also to sociology and economic history. His work is now attracting wide attention among sociologists, as well as experiencing a remarkable revival among economists. This anthology, which serves as an excellent introduction to Schumpeter, emphasizes his broad socio-economic vision and his attempt to analyze economic reality from several different perspectives. An ambitious introductory essay by Richard Swedberg uses many new sources to enhance our understanding of Schumpeter's life and work and to help analyze his fascinating character. This essay stresses Schumpeter's ability to draw on several social sciences in his study of capitalism.Some of the articles in the anthology are published for the first time. The most important of these are Schumpeter's Lowell Lectures from 1941, "An Economic Interpretation of Our Time." Also included is the transcript of his lecture "Can Capitalism Survive?" (1936) and the high-spirited debate that followed. The anthology contains many of Schumpeter's classical sociological articles, such as his essays on the tax state, imperialism, and social classes. And, finally, there are lesser known articles on the future of private enterprise, on the concept of rationality in the social sciences, and on the work of Max Weber, with whom Schumpeter collaborated on several occasions.

    The advertisement for a frontier wife seemed an answer to her prayers - until she confronted the handsome, brooding widower she was soon to wed. Then even a cold Chicago jail began to look warmer than this Kansas rancher's icy indifference. What would it take to win her husband's heart?Jared Stratton's home needed tending, his boy needed raising and his bed needed warming on a wintry night. He'd wanted a hardworking helpmeet - not a willful wife. But the more he fought his attraction to proud, headstrong Glenna, the more he realized a battle of love could only be won by surrender...

    By the end of the Taiping War in 1864, however, the descendants of these conquering people were coming to terms with a loss of legal definition, an ever-steeper decline in living standards, and a sense of abandonment by the Qing court. Focusing on three generations of a Manchu family (from 1750 to the 1930s), Orphan Warriors is the first attempt to understand the social and cultural life of the bannermen within the context of the decay of the Qing regime. The book reveals that the Manchus were not "sinicized," but that they were growing in consciousness of their separate ethnicity in response to changes in their own position and in Chinese attitudes toward them. Pamela Kyle Crossley's treatment of the Suwan Guwalgiya family of Hangzhou is hinged upon Jinliang (1878-1962), who was viewed at various times as a progressive reformer, a promising scholar, a bureaucratic hack, a traitor, and a relic. The author sees reflected in the ambiguities of his persona much of the plight of other Manchus as they were transformed from a conquering caste to an ethnic minority. Throughout Crossley explores the relationships between cultural decline and cultural survival, polity and identity, ethnicity and the disintegration of empires, all of which frame much of our understanding of the origins of the modern world.

    Ian Knight became the acknowledged authority on the Zulu War of 1879 at a very young age. His research in London has been supplemented by numerous visits to the South African battle sites. The detailed narrative of the baltic covers all the units, personalities and events of this legendary engagement in the popular Battleground Europe style, with then-and-now photos and a guide to the outpost and surrounding area as it is today.

    Moving beyond traditional local histories, which tend to focus on powerful families, Anderson integrates the stories of well-known figures with those of ordinary men and women, blacks and whites, to create a complex and fascinating portrait of Durham’s economic, political, social, and labor history. Drawing on extensive primary research, she examines the origins of the town of Durham and recounts the growth of communities around mills, stores, taverns, and churches in the century before the rise of tobacco manufacturing. A historical narrative encompassing the coming of the railroad; the connection between the Civil War and the rise of the tobacco industry; the Confederate surrender at Bennett Place; the relocation of Trinity College to Durham and, later, its renaming as Duke University; and the growth of health-service and high-technology industries in the decades after the development of Research Triangle Park, this second edition of Durham County is a remarkably comprehensive work.

    here is a collection of tales and incredible 'facts, ' some kooky and strange, some from the twilight zone, historical oddities and other fascinations.

    Florals, foliates, geometrics, and many other motifs ready to add period flavor to almost any project. Indispensable for textile, package and graphic designers, artists, craftspeople, many more.

    Written in story format, these biographies also include inviting black-and-white illustrations.

    

    

    In Curries and Bugles, winner of the 1990 Best Book in Literary Food Writing by the International Association of Culinary Professionals, Ms. Brennan entertains readers with tales from this captivating culture, offering hundreds of recipes for breakfasts, lunches, snacks, teas, celebrations, and more. From Mulligatawny Soup to savory Chicken Stuffed with Apricots, from sumptuous desserts like Kulfi Malai (Indian ice cream) to pungent teas, home cooks can recreate the authentic tastes of the British Raj with ease, while colorful stories from history and the author's own experience amuse and entertain.

    Michael Ivanovich's pent-up fury with the unwelcome philanthropy of Princess Vera finds a long-awaited vent when he encounters her one evening in the garden of a monastery she has honoured with a visit. Throwing caution and class protocol to the winds, he accuses her of monstrous interference in others' lives, to nobody's good but her own . . ." "A doctor himself, Chekhov was acutely observant of Russian society in all its aspects of sickness, both physical and moral. The question for him as a writer was whether to moralize - to attempt to reform - or to entertain. It was a question which is implicitly answered by the stories themselves. They offer no easy answers, but they pinpoint the anguish, tedium, or downright evil of his characters with an irony that makes them both poignant and truthful.This collection contains:The Party (1888)Lights (1888)The Princess (1889)After the Theatre (1892)Three Years (1895)The Artist's Story (1896)Home (1897)A Case History (1898)All Friends Together (1898)The Bishop (1902)A Marriageable Girl (1903)

    But in fact, without a history of women we neglect consideration of gender dynamics, sex roles, and family and sexual relations--the very fundamentals of human interaction. In Portraits of American Women, G.J. Barker-Benfield and Catherine Clinton present twenty-four short essays on American women beginning with Pocahontas and ending with Betty Friedan. The essays here locate the histories of women and men together by period and provide a sense of their continuities through the whole gallery of the American past. The editors selected women who made significant contributions in the public realm, be they in the areas of art, literature, political engagement, educational activities, or reform movements. Included here are portraits of such luminaries as Georgia O'Keeffe, Margaret Mead, Elizabeth Cady Stanton, Anne Hutchinson, Phillis Wheatley, Margaret Fuller, and Rose Schneiderman, to name a few. Each portrait is fashioned to appeal to a wide range of readers, and all include sound scholarship and accessible prose, and raise provocative issues to illuminate women's lives within a broad range of historical transformations.

    Weeks discusses the three possible resolutions undertaken in varying degrees by the U.S. government -separation, concentration, and Americanization- as he guides the reader through the significant changes in Indian-White relations during this pivotal time.Informed by the latest scholarship and expanded to consider the entire scope of U.S-Indian relations in the nineteenth century, the second edition of the engaging Farewell, My Nation provides important supplemental reading for the U.S history survey and essential text for courses in American Indian studies.