Born in 1778, Robert Emmet, the youngest son of the State Physician of Ireland, has grown up in the heart of a prosperous and loving family, one of the most respected in Dublin city. From his parents he acquired a deep love of Ireland and a commitment to justice. From his brother Thomas he acquired an understanding of the divisions and inequalities of his country. In the historic year of 1798 Robert’s life changed from its charted course to one of rebellion. A brilliant student at Trinity, he casts aside all hopes of a scientific career, all the privileges of his class, to join the United Irishmen – a society dedicated to the union of Protestant and Catholic. But the men in Dublin Castle determined on the continuance of English rule, force him to flee to France. But even as his boat sails away from his beloved homeland, he looks back and knows he will return – to the cause of his country’s liberty, and to the beautiful girl he has fallen in love with, Sarah Curran, the daughter of Ireland’s most talented lawyer. He returns – and meets Anne Devlin, a passionate and brave Catholic country girl, who becomes his most devoted companion. Set against the background of the beauty of Ireland, the dark clouds of its past, as well as the humour and dreams of its people, this is a passionate and powerful true story of three young people, Robert Emmet, Anne Devlin, and Sarah Curran, drawn together in love, in hope, and tragedy.

    But when fierce Shawnee attacked the white settlers, the horrified young Kitty was forced to seek refuge within the walls of the fort. There her real life as a founding mother of Kentucky began -- a life in which she would surive tragedy and hearth-wrenching grief and find the all-encompassing passion of great love as the burgeoning territory became a state . . .From the Paperback edition.

    In it Roche discusses general approaches to the history of dress, locates the subject within current French historiography and uses a large sample of inventories to explore the differences between the various social classes in the amount they spent on clothes and the kind of clothes they wore.

    Its purpose is to show the pervasiveness of prejudice against blacks throughout the western world as expressed in stock-in-trade racist imagery and caricature. Reproducing a wide range of illustrations—from engravings and lithographs to advertisements, candy wrappings, biscuit tins, dolls, posters, and comic strips—the book challenges the hidden assumptions of even those who view themselves as unprejudiced.Jan Nederveen Pieterse sets Western images of Africa and blacks in a chronological framework, including representations from medieval times, from the colonial period with its explorers, settlers, and missionaries, from the era of slavery and abolition, and from the multicultural societies of the present day. Pieterse shows that blacks have been routinely depicted throughout the West as servants, entertainers, and athletes, and that particular countries have developed their own comforting black stereotypes about blacks: Sambo and Uncle Tom in the United States, Golliwog in Britain, Bamboula in France, and Black Peter in the Netherlands. Looking at conventional portrayals of blacks in the nursery, in sexual arenas, and in commerce and advertising, Pieterse analyzes the conceptual roots of the stereotypes about them. The images that he presents have a direct and dramatic impact, and they raise questions about the expression of power within popular culture and the force of caricature, humor, and parody as instruments of oppression.

    The image of the colonial goodwife, valued for her contribution to household prosperity, had been replaced by the image of a dependent and a non-producer. This book is a history of housework in the United States prior to the Civil War. More particularly, it is a history of women's unpaid domestic labor in the context of the emergence of an industrialized society in the northern United States. Boydston argues that just as a capitalist economic order had first to teach that wages were the measure of a man's worth, it had at the same time, implicitly or explicitly, to teach that those who did not draw wages were dependent and not essential to the real economy. Developing a striking account of the gender and labor systems that characterized industrializing America, Boydston explains how this effected the devaluation of women's unpaid labor.

    Besotted by Josephine during the early years of their marriage, Napoleon, in the face of her indifference and infidelity, gradually became less obsessed with her and eventually divorced her in 1809 to remarry and produce an heir. Theo Aronson has also written "The King in Love: Edward VII's Mistresses".

    Book by Donaghy Garrett, Elisabeth

    These innovatively designed, affordably priced, compact paperbacks bring ideas to life and amplify our understanding of civilization in a new way.

    Johann Conrad Döhla describes not just military activities but also events leading up to the Revolution, American customs, the cities and regions that he visited, and incidents in other parts of the world that affected the war. He also evaluates the important military commanders, giving readers an insight into how the enlisted men felt about their leaders and opponents.Private Döhla crossed the Atlantic Ocean in 1777 as a private in the Ansbach-Bayreuth contingent of Hessian mercenaries. His American sojourn began in June 1777 in New York. Then, after several months on Staten Island and Manhatten, the Ansbach-Bayreuth regiments traveled to the thriving seaport of Newport, Rhode Island, where they spent more than a year before the British forces evacuated the area.The Ansbach-Bayreuth regiments returned briefly to the New York New Jersey area before they were sent to reinforce the English command in Virginia. Eventually Döhla participated in the battle of Yorktown—of which he provides a vivid description—before enduring two years as a prisoner of war after Cornwallis's surrender.Bruce E. Burgoyne has provided an accurate translation, helpful notes for scholars and general readers, and an introduction on the Ansbach-Bayreuth regiments and the history of Johann Conrad Döhla and his diary. This first edition of the diary in English will delight all who are interested in the American Revolution and the thirteen original colonies.

    It is also among the most popular oratorios of all time, celebrating the glories of nature, man's innocent joy, and his gratitude to God for creating simple things for his pleasure and benefit. Extolling the wonders described in the Book of Genesis, the work combines the traditions of a Handel oratorio and the Viennese mass with Haydn's own symphonic style.Reproduced from an authoritative early edition, this score appears with bar-numbered movements and includes a text underlay in both German and English. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high-quality, conveniently sized volume will be the edition of choice for music students and music lovers alike.

    By the end of the Taiping War in 1864, however, the descendants of these conquering people were coming to terms with a loss of legal definition, an ever-steeper decline in living standards, and a sense of abandonment by the Qing court. Focusing on three generations of a Manchu family (from 1750 to the 1930s), Orphan Warriors is the first attempt to understand the social and cultural life of the bannermen within the context of the decay of the Qing regime. The book reveals that the Manchus were not "sinicized," but that they were growing in consciousness of their separate ethnicity in response to changes in their own position and in Chinese attitudes toward them. Pamela Kyle Crossley's treatment of the Suwan Guwalgiya family of Hangzhou is hinged upon Jinliang (1878-1962), who was viewed at various times as a progressive reformer, a promising scholar, a bureaucratic hack, a traitor, and a relic. The author sees reflected in the ambiguities of his persona much of the plight of other Manchus as they were transformed from a conquering caste to an ethnic minority. Throughout Crossley explores the relationships between cultural decline and cultural survival, polity and identity, ethnicity and the disintegration of empires, all of which frame much of our understanding of the origins of the modern world.

    Moving beyond traditional local histories, which tend to focus on powerful families, Anderson integrates the stories of well-known figures with those of ordinary men and women, blacks and whites, to create a complex and fascinating portrait of Durham’s economic, political, social, and labor history. Drawing on extensive primary research, she examines the origins of the town of Durham and recounts the growth of communities around mills, stores, taverns, and churches in the century before the rise of tobacco manufacturing. A historical narrative encompassing the coming of the railroad; the connection between the Civil War and the rise of the tobacco industry; the Confederate surrender at Bennett Place; the relocation of Trinity College to Durham and, later, its renaming as Duke University; and the growth of health-service and high-technology industries in the decades after the development of Research Triangle Park, this second edition of Durham County is a remarkably comprehensive work.

    Makkreel argues against the commonly held notion that Kant's transcendental philosophy is incompatible with hermeneutics. The charge that Kant's foundational philosophy is inadequate to the task of interpretation can be rebutted, explains Makkreel, if we fully understand the role of imagination in his work. In identifying this role, Makkreel also reevaluates the relationship among Kant's discussions of the feeling of life, common sense, and the purposiveness of history.

    But in fact, without a history of women we neglect consideration of gender dynamics, sex roles, and family and sexual relations--the very fundamentals of human interaction. In Portraits of American Women, G.J. Barker-Benfield and Catherine Clinton present twenty-four short essays on American women beginning with Pocahontas and ending with Betty Friedan. The essays here locate the histories of women and men together by period and provide a sense of their continuities through the whole gallery of the American past. The editors selected women who made significant contributions in the public realm, be they in the areas of art, literature, political engagement, educational activities, or reform movements. Included here are portraits of such luminaries as Georgia O'Keeffe, Margaret Mead, Elizabeth Cady Stanton, Anne Hutchinson, Phillis Wheatley, Margaret Fuller, and Rose Schneiderman, to name a few. Each portrait is fashioned to appeal to a wide range of readers, and all include sound scholarship and accessible prose, and raise provocative issues to illuminate women's lives within a broad range of historical transformations.

    

    One minute she was an ordinary travel rep, her feet planted firmly on the ground. The next she was swept into the past--the eighteenth century, to be exact. How could she not feel out of her depth, finding herself in another woman's body, thinking another woman's thoughts, consumed with hunger for another woman's man... ? She needed answers ... desperately.Dr. Matthew Lockwood was just the man. For many, he had opened doors to the past. But with Liz he found himself struggling to maintain a distance. He could help her, yes--not because of his professional skill, but because he knew intimately who she'd been-and loved passionately who she was.

    Entries for the drawings provide essential bibliographical references, provenance, and a discussion of the purpose of the drawing, when known.