New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of lasting value to many diverse communities of women as well as to students from those communities. The authors explore a full spectrum of present concerns in over seventy pieces that vary from writing by new talents to published pieces by Audre Lorde, Joy Harjo, Norma Alarcón and Trinh T. Minh-ha."At one level or another, all the work in the collection seeks to find ways to understand and articulate our multiple identities and senses of place….Making Face/Making Soul is an exciting collection of dynamic, important writings that all women of color and white feminists will learn from, enjoy, and return to again and again and again."—Sojourner"...the pieces are stunning in what they risk and reveal..."—The San Francisco Chronicle

    Mike Davis shows us where the city's money comes from and who controls it while also exposing the brutal ongoing struggle between L.A.'s haves and have-nots.

    She values postmodernism's insights while warning that the fashionable infatuation with "discourse" about "difference" is dangerously detachable from the struggle we must all wage against racism, sexism, and cultural imperialism.

    He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision.Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.

    It has been out of print for many years and until the release of this brand new edition was as rare as hen's teeth, with some old copies fetching prices of up to USD $600.00. This new edition features a beautiful new cover and has been revised and updated by the author. Know this: I, Mercurius, have set down a full, true and infallible account of the Great Work. But I give you fair warning that unless you seek the true philosophical gold and not the gold of the vulgar; unless your heart is fixed with unbending intent on the true Stone of the Philosophers, unless you are steadfast in your quest, abiding by God s laws in all faith and humility and eschewing all vanity, conceit, falsehood, intemperance, pride, lust and faintheartedness, read no further lest I prove fatal to you. In 1952 a country clergyman called Smith begins his tortuous quest for the Holy Grail of alchemy - the Philosophers' Stone which transmutes base metal to gold and confers immortality. As he pits himself against the bizarre perils of the GreatWork, it becomes clear that his arcane transformations are as much spiritual as chemical. Gradually the shadow of alchemy falls over those around him; a young girl whose sudden pregnancy is a local scandal; Janet, trapped in a barren marriage; and Robert who pursues his own quest for the legendary blue glass of Chartres. Thirty years later, Eileen comes to live in Smith's vicarage. In the medieval cellar she unearths a hidden manuscript and begins to read of secret fire and mysterious prime matter, a green lion and a raven's head, a fatal conjunction of king and queen, a descent into Blackness and putrefaction. As she penetrates farther into the alchemical labyrinth, she is haunted both by her own history and by that of her neighbours, the menacing Mrs Zetterberg and the disfigured Pluto - and, finally, by the enigma of Smith himself. In separate but interwoven accounts, Smith and Eileen strive towards the one thing necessary for the Work's success -the great Secret guarded by the paradoxical Mercurius, who leads them to the zero point where Heaven is wedded to Earth and the miraculous Stone appears at the intersection of time and eternity. By reconstructing a highly sophisticated but almost forgotten world-view, Mercurius restores to us our own spiritual heritage which, rooted in the alchemists' dark retorts, will perhaps flower in the light of the future.

    Yet most of our history books devote at most a chapter to Chicano history, with even less attention to the story of Chicanas.500 Years of Chicana Women’s History offers a powerful antidote to this omission with a vivid, pictorial account of struggle and survival, resilience and achievement, discrimination and identity. The bilingual text, along with hundreds of photos and other images, ranges from female-centered stories of pre-Columbian Mexico to profiles of contemporary social justice activists, labor leaders, youth organizers, artists, and environmentalists, among others.  With a distinguished, seventeen-member advisory board, the book presents a remarkable combination of scholarship and youthful appeal. In the section on jobs held by Mexicanas under U.S. rule in the 1800s, for example, readers learn about flamboyant Doña Tules, who owned a popular gambling saloon in Santa Fe, and Eulalia Arrilla de Pérez, a respected curandera (healer) in the San Diego area. Also covered are the “repatriation” campaigns” of the Midwest during the Depression that deported both adults and children, 75 percent of whom were U.S.–born and knew nothing of Mexico. Other stories include those of the garment, laundry, and cannery worker strikes, told from the perspective of Chicanas on the ground. From the women who fought and died in the Mexican Revolution to those marching with their young children today for immigrant rights, every story draws inspiration. Like the editor’s previous book, 500 Years of Chicano History (still in print after 30 years), this thoroughly enriching view of Chicana women’s history promises to become a classic.

    An astonishing look at the dark side of the soul from the author of The Care of the Soul and Soulmates.

    O'G. Anderson explores the cultural and political contradictions that have arisen from two critical facts in Indonesian history: that while the Indonesian nation is young, the Indonesian nation is ancient originating in the early seventeenth-century Dutch conquests; and that contemporary politics are conducted in a new language. Bahasa Indonesia, by peoples (especially the Javanese) whose cultures are rooted in medieval times. Analyzing a spectrum of examples from classical poetry to public monuments and cartoons, Anderson deepens our understanding of the interaction between modern and traditional notions of power, the mediation of power by language, and the development of national consciousness. Language and Power, now republished as part of Equinox Publishing's Classic Indonesia series, brings together eight of Anderson's most influential essays over the past two decades and is essential reading for anyone studying the Indonesian country, people or language. Benedict Anderson is one of the world's leading authorities on Southeast Asian nationalism and particularly on Indonesia. He is Professor of International Studies and Director of the Modern Indonesia Project at Cornell University, New York. His other works include Imagined Communities: Reflections on the Origin and Spread of Nationalism and The Spectre of Comparisons: Nationalism, Southeast Asia, and the World.

    In this book, current liberal theories of justice are criticized, the shortcomings of the modern university are analyzed and the works of Shakespeare, Swift and Plato are examined.

    LotmanIntroduction by Umberto EcoTranslated by Ann ShukmanA major book by one of the initiators of cultural studies."Universe of the Mind is an ambitious, complex, and wide-ranging book that semioticians, textual critics, and those interested in cultural studies will find stimulating and immensely suggestive." --Journal of Communication"Soviet semiotics offers a distinctive, richly productive approach to literary and cultural studies and Universe of the Mind represents a summation of the intellectual career of the man who has done most to guarantee this." --Slavic and East European JournalUniverse of the Mind addresses three main areas: meaning and text, culture, and history. The result is a full-scale attempt to demonstrate the workings of the semiotic space or intellectual world. Part One is concerned with the ways that texts generate meaning. Part Two addresses Lotman's central idea of the semiosphere--the domain in which all semiotic systems can function--presented through an analogy with the global biosphere. Part Three focuses on semiotics from the point of view of history.A seminal text in cultural semiotics, the book's ambitious scope also makes it applicable to disciplines outside semiotics. The book will be of great interest to those concerned with cultural studies, anthropology, Slavic studies, critical theory, philosophy, and historiography.Yuri Mikhailovich Lotman is the founder of the Moscow-Tartu School and the initiator of the discipline of cultural semiotics.

    But in the decade of the 1840s, a group of American physicians and reformers began to view mental retardation as a social problem requiring public intervention. For the next century and a half, social science and medical professionals constructed meanings of mental retardation, at the same time incarcerating hundreds of thousands of Americans in institutions and "special" schools. James W. Trent uses public documents, private letters, investigative reports, and rare photographs to explore our changing perceptions of "feeble minds." From local family matter to state and social problem, constructions of mental retardation represent a history of ideas, techniques, and tools. Trent contends that the economic vulnerability of mentally retarded people and their families, more than the claims made for their intellectual or social limitations, has determined their institutional treatment. He finds that the focus on technical and usually psychomedical interpretations of mental retardation has led to a general ignorance of the maldistribution of resources, status, and power so evident in the lives of the retarded. Superintendents, social welfare agents, IQ testers, and sterlizers have utilized these psychological and medical paradigms to insure their own social privilege and professional legitimacy. Rather than simply moving "from care to control, " state schools have made care an effective and integral part of control. In analyzing the current policy of deinstitutionalization, Trent concludes it has been more successful in dispersing disabled citizens than in integrating them into American communities. Inventing the Feeble Mind powerfully shatters conventional understandings of mental retardation. It is essential reading for social workers, psychologists, historians, sociologists, educator

    This collection of writings enhances Boulez's unrivalled reputation as a lucid and compelling expositor of the modern composer's world.

    Demonstrating a comprehensive knowledge, both of the history of science fiction narrative from its earliest origins, and of cultural theory and philosophy, Bukatman redefines the nature of human identity in the Information Age. Drawing on a wide range of contemporary theories of the postmodern—including Fredric Jameson, Donna Haraway, and Jean Baudrillard—Bukatman begins with the proposition that Western culture is suffering a crisis brought on by advanced electronic technologies. Then in a series of chapters richly supported by analyses of literary texts, visual arts, film, video, television, comics, computer games, and graphics, Bukatman takes the reader on an odyssey that traces the postmodern subject from its current crisis, through its close encounters with technology, and finally to new self-recognition. This new "virtual subject," as Bukatman defines it, situates the human and the technological as coexistent, codependent, and mutally defining.Synthesizing the most provocative theories of postmodern culture with a truly encyclopedic treatment of the relevant media, this volume sets a new standard in the study of science fiction—a category that itself may be redefined in light of this work. Bukatman not only offers the most detailed map to date of the intellectual terrain of postmodern technology studies—he arrives at new frontiers, providing a propitious launching point for further inquiries into the relationship of electronic technology and culture.

    It engages fundamental issues raised by attempts to define such concepts as mainstream, minority, and other, and opens up new ways of thinking about culture and representation. All of the texts deal with questions of representation in the broadest sense, encompassing not just the visual but also the social and psychological aspects of cultural identity. Included are important theoretical writings by Homi Bhabha, Helene Cixous, Gilles Deleuze and Felix Guattari, and Monique Wittig. Their work is juxtaposed with essays on more overtly personal themes, often autobiographical, by Gloria Anzaldua, Bell Hooks, and Richard Rodriguez, among others. This rich anthology brings together voices from many different marginalized groups - groups that are often isolated from each other as well as from the dominant culture. It joins issues of gender, race, sexual preference, and class in one forum but without imposing a false unity on the diverse cultures represented. Each piece in the book subtly changes the way every other piece is read. While several essays focus on specific issues in art, such as John Yau's piece on Wilfredo Lam in the Museum of Modern Art, or James Clifford's on collecting art, others draw from debates in literature, film, and critical theory to provide a much broader context than is usually found in work aimed at an art audience. Topics range from the functions of language to the role of public art in the city, from gay pornography to the meanings of black hair styles. Out There also includes essays by Rosalyn Deutsche, Richard Dyer, Kobena Mercer, Edward Said, Gayatri Spivak, Gerald Vizenor and Simon Watney, as well as by the editors.Copublished with the New Museum of Contemporary Art, New York Distributed by The MIT Press.

    (Volumes 2 and 3, previously announced, will not now be published.) This book introduces the geographical setting of Inner Asia and follows its history from the paleolithic era to the rise of the Mongol empire in the thirteenth century. From earliest times Inner Asia has linked and separated the great sedentary civilizations of Europe and Asia. In the pre-modern period it was definable more as a cultural than a geographical entity, its frontiers shifting accORD international scholars who have pioneered the exploration of Inner Asia's poorly documented past, this book chronologically traces the varying historical achievements of the disparate population groups in the region. These include the Scythians and Sarmatians, the Hsiung-nu, the Huns and Avars, the people of the Russian steppes, the Turk empire, the Uighurs and the Tibetan empire. It is the editor's hope that this book will bring Inner Asia more closely into the fabric of world history.

    Then, within the last two centuries, scientists "cracked the code" of cuneiform, Egyptian hieroglyphs, and Linear B, opening up great vistas on the past and enabling us to decipher for the first time evidence from ancient documents and monuments. Written by six specialists, this volume collects these and other stories in the history of writing, tracing its progression from pictograms to the development of the alphabet, and exploring such factors as the legacy of Greek inscriptions and the role of the Etruscan language as a bridge from ancient Greece to Rome. Contributors include Larissa Bonfante, John Chadwick, B.F. Cook, W.V. Davies, John F. Healy, and C.B.F. Walker, and an introduction by J.T. Hooker surveys the complex subject of writing and covers certain important elements not detailed in the main text. B&W illus.

    Today Americans are lamenting the erosion of his ideal. What happened in the intervening centuries? Daniel Kemmis argues that our loss of capacity for public life (which impedes our ability to resolve crucial issues) parallels our loss of a sense of place. A renewed sense of inhabitation, he maintains —of community rooted in place and of people dwelling in that place in a practiced way—can shape politics into a more cooperative and more humanly satisfying enterprise, producing better people, better communities, and better places.The author emphasizes the importance of place by analyzing problems and possibilities of public life in a particular place— those northern states whose settlement marked the end of the old frontier. National efforts to “keep citizens apart” by encouraging them to develop open country and rely upon impersonal, procedural methods for public problems have bred stalemate, frustration, and alienation. As alternatives he suggests how western patterns of inhabitation might engender a more cooperative, face-to-face practice of public life.Community and the Politics of Place also examines our ambivalence about the relationship between cities and rural areas and about the role of corporations in public life. The book offers new insight into the relationship between politics and economics and addresses the question of whether the nation-state is an appropriate entity for the practice of either discipline. The author draws upon the growing literature of civic republicanism for both a language and a vantage point from which to address problems in American public life, but he criticizes that literature for its failure to consider place.Though its focus on a single region lends concreteness to its discussions, Community and the Politics of Place promotes a better understanding of the quality of public life today in all regions of the United States.

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    When combined with the text's understandable writing style, free built-in study guide, and excellent illustrations, this helps make Crapo one of the most approachable, student-friendly books available for the Cultural Anthropology course.

    The beloved story of a joyous Hannukah celebration--reissued in Scholastic Bookshelf paperback!The Menashe family enjoys a joyous holiday celebration despite a scarcity of food. Includes notes on Hanukkah, a bibliography, a recipe for making latkes, and rules for playing dreidel.

    Records the experiences, successes and ideas of this early wave of activism, and provides astute analysis for building a broader reproductive freedom movement in the 1990s.

    Hochschild looks at the tensions of modern South Africa through a dramatic prism: the pivotal nineteenth-century Battle of Blood River -- which determined whether the Boers or the Zulus would control that part of the world -- and its contentious commemoration by rival groups 150 years later. This incisive book offers an unusual window onto a society that remains divided. In his epilogue, Hochschild extends his view to the astonishing political changes that have occurred in the country in recent years -- and the changes yet to be made.

     The Post-Colonial Critic brings together a selection of interviews and discussions in which she has taken part over the past five years; together they articulate some of the most compelling politico-theoretical issues of the present. In these lively texts, students of Spivak's work will identify her unmistakeable voice as she speaks on questions of representation and self-representation, the politicization of deconstruction; the situations of post-colonial critics; pedagogical responsibility; and political strategies.

    Anderson reveals the reality of postmodernism in politics, popular culture, religion, literary criticism, art, and philosophy -- making sense of everything from deconstructionism to punk.

    Rich with illustrations of artworks in many different media, and filled with incisive quotes and unsettling reports, it is more than a book about art; it is a complex meditation on the relationships of people to their cultures. Lucy R. Lippard, one of our most original and insightful writers on art, challenges conventional approaches and explores the role of images in a changing society. Among her subjects are the uncertainty of exile; the confusion of identity in attempts to climb out of the melting pot; and art that speaks for itself, reversing stereotypes and reclaiming history and memory. The New Press edition features a new introduction by Lippard that reconsiders the issues first presented in Mixed Blessings when it appeared in 1990 and evaluates the state of multicultural art today.

    

    A haunting account of the hunger strikes of 1981 and their lingering effects on the troubled peoples of Northern Ireland.

    Each film is examined in detail in relation to both film type and tradition and the sexual subculture in which it was made.