As the British Commissioner in charge insisted, “No vestige will remain to distinguish where the last of the Great Moghuls rests.” Bahadur Shah Zafar II, the last Mughal Emperor, was a mystic, an accomplished poet and a skilled calligrapher. But while his Mughal ancestors had controlled most of India, the aged Zafar was king in name only. Deprived of real political power by the East India Company, he nevertheless succeeded in creating a court of great brilliance, and presided over one of the great cultural renaissances of Indian history.Then, in 1857, Zafar gave his blessing to a rebellion among the Company’s own Indian troops, thereby transforming an army mutiny into the largest uprising any empire had to face in the entire course of the nineteenth century. The Siege of Delhi was the Raj’s Stalingrad: one of the most horrific events in the history of Empire, in which thousands on both sides died. And when the British took the city—securing their hold on the subcontinent for the next ninety years—tens of thousands more Indians were executed, including all but two of Zafar’s sixteen sons. By the end of the four-month siege, Delhi was reduced to a battered, empty ruin, and Zafar was sentenced to exile in Burma. There he died, the last Mughal ruler in a line that stretched back to the sixteenth century.Award-winning historian and travel writer William Dalrymple shapes his powerful retelling of this fateful course of events from groundbreaking material: previously unexamined Urdu and Persian manuscripts that include Indian eyewitness accounts and records of the Delhi courts, police and administration during the siege. The Last Mughal is a revelatory work—the first to present the Indian perspective on the fall of Delhi—and has as its heart both the dazzling capital personified by Zafar and the stories of the individuals tragically caught up in one of the bloodiest upheavals in history.

    But an ordinary life has a way of taking an extraordinary turn. Add a girl whose ears are so exquisite that, when uncovered, they improve sex a thousand-fold, a runaway friend, a right-wing politico, an ovine-obsessed professor and a manic-depressive in a sheep outfit, implicate them in a hunt for a sheep, that may or may not be running the world, and the upshot is another singular masterpiece from Haruki Murakami. "Dance Dance Dance" - High-class call girls billed to Mastercard; a psychic thirteen-year-old drop-out with a passion for Talking Heads; a hunky matinee idol doomed to play dentists and teachers; a one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem; combine this offbeat cast of characters with Murakami's idiosyncratic prose and out comes "Dance Dance Dance". It is an assault on the senses, part murder mystery, part metaphysical speculation; a fable for our times as catchy as a rock song blasting from the window of a sports car.

    She looks to her arranged marriage to the son of a nomadic tribal chief with hope that it will deliver her from this oppression; instead, Dary� finds herself regularly beaten by her wrathful husband, and more isolated than she can bear. Seeing no choice other than to flee from her torment, Dary� barely escapes through the foothills of the Hindu Kush.Destitute and alone, Dary� meets David Ingram, an enigmatic Englishman traveling in Afghanistan. Although he is a complete stranger, she joins him on his journey to Bombay--and embarks on the adventure of a lifetime. Ranging from the arid Afghan plains to the lush tropical villas of India, across mighty seas to Victorian London's fetid streets, The Moonlit Cage is an intense and sensuous story of love, loss, and redemption.

    Over the course of three years, journalist Thomas Laird spent more than sixty hours with His Holiness the Dalai Lama in candid, one-on-one interviews that covered His Holiness’s beliefs on history, science, reincarnation, and his lifelong study of Buddhism. Traveling across great distances to offer vivid descriptions of Tibet’s greatest monasteries, Laird brings his meetings with His Holiness to life in a rich and vibrant historical narrative that outlines the essence of thousands of years of civilization, myth, and spirituality. His Holiness introduces us to Tibet’s greatest yogis and meditation masters, and explains how the institution of the Dalai Lama was founded. Embedded throughout this journey is His Holiness’s lessons on the larger roles religion and spirituality have played in Tibet’s story, reflecting the Dalai Lama’s belief that history should be examined not only conventionally but holistically. The Story of Tibet is His Holiness’s personal look at his country’s past as well as a summation of his life’s work as both spiritual and temporal leader of the Tibetan people.

    Set in modern-day India, it is the story of two compelling and achingly real women: Sera Dubash, an upper-middle-class Parsi housewife whose opulent surroundings hide the shame and disappointment of her abusive marriage, and Bhima, a stoic illiterate hardened by a life of despair and loss, who has worked in the Dubash household for more than twenty years.

    Oseland has spent two decades exploring the foods of the Spice Islands. Few can introduce us to the birthplace of spice as he does. He brings us the Nyonya dishes of Singapore and Malaysia, the fiery specialties of West Sumatra, and the spicy-aromatic stews of Java. Oseland culled his recipes from twenty years of intimate contact with home cooks and diverse markets. He presents them here in easily made, accessible recipes, perfect for today’s home cook. Included is a helpful glossary (illustrated in color in one of the picture sections) of all the ingredients you need to make the dishes and where and how to buy them. With Cradle of Flavor, fans of Javanese Satay, Singaporean Stir-Fried Noodles, and Indonesian curries can finally make them in their own kitchen.

    A well-known academic and translator of American literary classics, her father had been designated an "ultra-rightist" and class enemy. As a result, Wu's family would be torn apart and subjected to an unending course of humiliation, hardship and physical and psychological abuse. Wu tells her story of this hidden Holocaust, in which millions of children and their families died, through a series of vivid vignettes that brilliantly-and innocently-evoke the cruelty and brutality of what was taking place daily in the world around her. From watching helplessly as the family apartment is ransacked and her father carted off by former students to be publicly beaten, to her own rape and the hard labor and primitive rituals of life in a remote peasant village, Wu is persecuted as a child of the damned. Wu's narrative is poignant, disturbing and unsentimental, and, despite the nature of what it describes, is filled with the resiliency of youth-and even humor. That Emily Wu survived is remarkable. That she is able to infuse her story with such immediacy, power and unexpected beauty is the greatness of this book. "Feather in the Storm" is an unforgettable story of the courage and silent suffering of one small child set in a quicksand world of endless terror.

    

    He goes to Hell, where Lord Yama, king of the underworld, has Ximen Nao tortured endlessly, trying to make him admit his guilt, to no avail. Finally, in disgust, Lord Yama allows Ximen Nao to return to earth, to his own farm, where he is reborn not as a human but first as a donkey, then an ox, pig, dog, monkey, and finally the big-headed boy Lan Qiansui. Through the earthy and hugely entertaining perspectives of these animals, Ximen Nao narrates fifty years of modern Chinese history, ending on the eve of the new millennium. Here is an absolutely spellbinding tale that reveals the author's love of the land, beset by so many ills, traditional and modern.

    Crammed into a dorm room with seven Chinese men, Pomfret contended with all manner of cultural differences, from too-short beds and roommates intent on glimpsing a white man naked, to the need for cloak-and-dagger efforts to conceal his relationships with Chinese women. Amidst all that, he immersed himself in the remarkable lives of his classmates.Beginning with Pomfret's first day in China, Chinese Lessons takes us down the often torturous paths that brought together the Nanjing University History Class of 1982: Old Wu's father was killed during the Cultural Revolution for the crime of being an intellectual; Book Idiot Zhou labored in the fields for years rather than agree to a Party-arranged marriage; and Little Guan was forced to publicly denounce and humiliate her father. As Pomfret follows his classmates from childhood to adulthood, he examines the effect of China's transition from near-feudal communism to first-world capitalism. The result is an illuminating report from present-day China, and a moving portrait of its extraordinary people.

    This work brings the Philippine Islands to life through the stories behind the dishes and their traditional cooking techniques.

    Recent films such as Lost in Translation and Memoirs of a Geisha seem to have made everyone an expert on Japan, even if they've never been there. But the only way for a Westerner to get to know the real Japan is to become a part of it. Kate T. Williamson did just that, spending a year experiencing, studying, and reflecting on her adopted home. She brings her keen observations to us in A Year in Japan, a dramatically different look at a delightfully different way of life. Avoiding the usual clichés--Japan's polite society, its unusual fashion trends, its crowded subways--Williamson focuses on some lesser-known aspects of the country and culture. In stunning watercolors and piquant texts, she explains the terms used to order various amounts of tofu, the electric rugs found in many Japanese homes, and how to distinguish a maiko from a geisha. She observes sumo wrestlers in traditional garb as they use ATMs, the wonders of "Santaful World" at a Kyoto department store, and the temple carpenters who spend each Sunday dancing to rockabilly. A Year in Japan is a colorful journey to the beauty, poetry, and quirkiness of modern Japana book not just to look at but to experience.

    But what do we really know about Burma and its history? And what can Burma's past tell us about the present and even its future?In "The River of Lost Footsteps," Thant Myint-U tells the story of modern Burma, in part through a telling of his own family's history, in an interwoven narrative that is by turns lyrical, dramatic, and appalling. His maternal grandfather, U Thant, rose from being the schoolmaster of a small town in the Irrawaddy Delta to become the UN secretary-general in the 1960s. And on his father's side, the author is descended from a long line of courtiers who served at Burma's Court of Ava for nearly two centuries. Through their stories and others, he portrays Burma's rise and decline in the modern world, from the time of Portuguese pirates and renegade Mughal princes through the decades of British colonialism, the devastation of World War II, and a sixty-year civil war that continues today and is the longest-running war anywhere in the world."The River of Lost Footsteps" is a work both personal and global, a distinctive contribution that makes Burma accessible and enthralling. Thant Myint-U, educated at Harvard and Cambridge, has served on three United Nations peacekeeping operations, in Cambodia and in the former Yugoslavia, and was more recently the head of policy planning in the UN's Department of Political Affairs. He lives in New York City.

    Unrivaled in their creativity and the sheer number of choices, the clubs featured in this book offer their clientele every fantasy imaginable. Subway groping, visits to the nurse's office, and comic book character encounters are just the beginning of the immense list of possibilities that are played out in colorful playrooms for adults where no detail is overlooked. Sinclair's photographs capture it all, while an introduction by sociologist James Farrer provides a brief history of commercial sex in Japan and places the images in the context of contemporary Japanese culture.

    In this book, the authors explain Mao's Machiavellian role in masterminding it, documenting the Hobbesian state which ensued.

    Years after Rosa’s shadowy death, Leela has learned to deal with her in-between status, and she marries Balu Bhat, a man from a family of purebred Hindu Brahmins, thus acquiring status and a tenuous stability. However, when Balu insists on emigrating to Canada, Leela must trade her newfound comfort for yet another beginning. Once in Vancouver with her husband and two children, Leela’s initial reluctance to leave home gradually evolves.While Bibi-ji gains access to a life of luxury in Canada, her sister Kanwar, left behind to weather the brutal violence of the Partition of India and Pakistan in 1947, is not so fortunate. She disappears, leaving Bibi-ji bereft and guilt-ridden.Meanwhile, a little girl, who just might be Kanwar’s six-year-old daughter Nimmo, makes her way to Delhi, where she is adopted, marries and goes on to build a life with her loving husband, Satpal. Although this existence is constantly threatened by poverty, Nimmo cherishes it, filled as it is with love and laughter, and she guards it fiercely.Across the world, Bibi-ji is plagued by unhappiness: she is unable to have a child. She believes that it is her punishment for having stolen her sister’s future, but tries to drown her sorrows by investing all her energies into her increasingly successful restaurant called the Delhi Junction. This restaurant becomes the place where members of the growing Vancouver Indo-Canadian community come to dispute and discuss their pasts, presents and futures.Over the years, Bibi-ji tries to uncover her sister Kanwar’s fate but is unsuccessful until Leela Bhat – carrying a message from Satpal, Nimmo’s husband – helps Bibi-ji reconnect with the woman she comes to believe is her niece – Nimmo. Used to getting whatever she has wanted from life, Bibi-ji subtly pressures Nimmo into giving up Jasbeer, her oldest child, into her care.Eight-year old Jasbeer does not settle well in Vancouver. Resentful of his parents’ decision to send him away, he finds a sense of identity only in the stories , of Sikh ancestry, real and imagined, told to him by Bibi-ji’s husband, Pa-ji. Over the years, his childish resentments harden, and when a radical preacher named Dr. Randhawa arrives in Vancouver, preaching the need for a separate Sikh homeland, Jasbeer is easily seduced by his violent rhetoric.Can You Hear the Nightbird Call? elegantly moves back and forth between the growing desi community in Vancouver and the increasingly conflicted worlds of Punjab and Delhi, where rifts between Sikhs and Hindus are growing. In June 1984, just as political tensions within India begin to spiral out of control, Bibi-ji and Pa-ji decide to make their annual pilgrimage to the Golden Temple in Amritsar, the holiest of Sikh shrines. While they are there, the temple is stormed by Indian government troops attempting to contain Sikh extremists hiding inside the temple compound. The results are devastating.Then, in October of the same year, Indira Gandhi is murdered by her two Sikh bodyguards, an act of vengeance for the assault on the temple. The assassination sets off a wave of violence against innocent Sikhs.The tide of anger and violence spills across borders and floods into distant Canada, and into the lives of neighbours Bibi-ji and Leela. Can You Hear the Nightbird Call? weaves together the personal and the political – and beautifully brings the reader into the reality of terrorism and religious intolerance. Bibi-ji turned to gaze out at the street. They could become far more prosperous, she was sure of that. Opportunities lay around them like pearls on these streets. But they were visible only to people with sharp eyes.“What are you looking at, Bibi-ji?” Lalloo asked, coming around to the front with a box full of pickle jars. He lowered it carefully on the floor and stared out the window.“What am I looking for, Lalloo, for,” Bibi-ji corrected. “I am looking for pearls.”“I don’t see anything there, Bibi-ji,” Lalloo remarked after a few moments.She laughed. “Neither do I, but I will. I know I will.” The war had left the whole world poorer: why had Pa-ji not thought of opening a used-clothing store instead of this Indian grocery shop? She wondered whether the shop would do better in Abbotsford or in Duncan, where there were more Sikhs than here in Vancouver. But no, she had a feeling that it was a city with a future, one in which she would be wise to invest her money and her hard work.–from Can You Hear the Nightbird Call?From the Hardcover edition.

    Accompanied by Alphonsus Lee's photography, SQ21 shows an unabashed straightforward honesty and celebrates the lives of these ordinary Singaporeans. Written in a light, readable style, these insprirational stories will touch the hearts of readers gay and straight, Singaporean and otherwise.

    From a narcissistic self-promoter who eventually became a man of enduring spirituality through a journey of formidable tests, Ali has emerged as a true superhero in the annals of American history, and the Worldwide Ambassador of Courage and Conviction. This fresh, first-person book serves as a hilarious and moving hands-on autobiography by Muhammad Ali, the intrepid man of action who spoke in soundbites, all wittily and powerfully visualized by the provocateur graphic designer, George Lois. Important Dates: ? Dec. 11, 2006: 25th Anniversary of Ali's last fight ? Jan. 17, 2007: Ali's 65th birthday Co-published with ESPN Books, the launch of Ali Rap will be supported with an unprecedented marketing and publicity blitz from ESPN, America's #1 sports media outlet: ESPN Television: ? Ali Rap, The Movie: original 1-hour special based on the book. Through actual Ali clips as well as celebrity performers, the show will feature the most colorful and powerful quotes from him over the course of his life. (debut follows the Heisman Trophy Awards: Dec. 9, 2006, 9 p.m.) ? Ali's Dozen, The Movie: original 1-hour special featuring Ali's 12 most important boxing rounds. (debuts Dec. 9, 2006, 10 p.m.) ? Ali's 65, The Movie: original 2-hour special tied to Muhammad Ali's 65th birthday, celebrating Ali's unique life and career.Fresh off his Emmy-winning ?Rhythm of the Rope, ? Johnson McKelvy will be the producer for this show. (debuts Jan. 3, 2007, 10 p.m.) ? Ali Rap Vignettes: 30-second shorts of Ali's most memorable declarations (running daily, Dec. 9, 2006 ? Jan. 17, 2007) ? TV Advertisements: 10- and 15-second spots for Ali Rap to air on ESPN, ESPN2, ESPN Classic and ESPNEWS (late Nov. 2006 ? early Jan. 2007) ESPN The Magazine: ? Substantial book excerpt (Nov. 2006) ? 5 ? 6 featured ads for the book (Oct. 25, Nov. 8, Nov. 22, Dec. 6., Dec. 21, 2006) ESPN Radio: ? Author interviews (Nov. 2006) ? On-air promotions and giveaways (Nov. 2006) ESPN New Media: ? Prominent feature on ESPN.com and ESPNBooks.com: book cover, description and excerpt, plus link to online retailer (Nov. 2006) ? Fully customizable E-card available for download ? Selected Ali Rap Vignettes featured on Mobile ESPN, ESPN Motion, ESPN Radio and ESPN 360. Facts about ESPN: ? ESPN, ESPN2, ESPN Classic and ESPNEWS Television networks have a combined average audience 2,011,000 households in America during primetime (average of 971,000 households over a 24-hour period). ? ESPN.com celebrated its 10th anniversary in 2005 with nearly 19 million visitors monthly, and has been the leading sports Web site every year since launch. ? ESPN Radio is now heard on more than 300 full-time affiliates covering 85% of the United States; 750 stations carry some ESPN programming, including the top 50 markets and 99 of the top 100. The author: Advertising communicator George Lois is known for dozens of marketing miracles that triggered innovative and populist changes in American and world culture. His most famous work includes the ?I Want My MTV? campaign, JiffyLube and Tommy Hilfiger ads, USA Today's breakthrough ?singing? TV campaign, and ESPN's ?In Your Face? campaign. He is also known as the legendary creator of the iconic Esquire covers of the 1960s. Lois is the author of five books of his work; his previous book is $ellebrity, dealing with his campaigns using celebrities in fresh and outrageous ways. Contributor: Ron Holland worked alongside George Lois in the glory days of the Creative Revolution as a pioneer copywriter of Big Idea advertising. They continue their never-really-separated lives working on their matchless kind of advertising to this day.

    The poems and epigrams collected in Love’s Alchemy represent all of the major poets, including Rumi, of this magnificent art. While many recent bestsellers have been interpretations from other English translations, Sabrineh and David Fideler work from the original Persian sources. The book offers faithful yet elegant translations from 170 of the best poems written in ruba'i form: concise, tightly focused meditations that span only four lines, but which reveal worlds of meaning. The poems explore many aspects of human life and the spiritual path, but center on the liberating power of love. Also included are an extensive introduction, a glossary, and notes that place these wonderful poems in cultural, historical, and religious context.

    There, she must live in penitence until her death. Unwilling to accept her fate, she becomes a catalyst for change in the widows’s lives. When her friend Kalyani, a beautiful widow-prostitute, falls in love with a young, upper-class Gandhian idealist, the forbidden affair boldly defies Hindu tradition and threatens to undermine the ashram’s delicate balance of power. This riveting look at the lives of widows in colonial India is ultimately a haunting and lyrical story of love, faith, and redemption.

    Twelve years in the making, this joyous celebration features elephants from the wildest reaches of Botswana to the teeming cities of India. With aerial shots of the herds in motion, dramatic interactions between angry males, and tender moments between mothers and their calves, this collection features an intimate look at these animals who, though seemingly as distinct from humans as a creature could be, share surprisingly similar characteristics: They have family structures like our own, they show loyalty and allegiance to those closest to them, they grieve as well as express joy, andas these photographs showthey have strongly individual personalities. Outdoor Photography magazine called Steve Blooms photos, "the best case yet for the defense of the earth." See for yourself why these creaturesonce found in nearly fifty countries and now on the endangered species listare, according to Bloom himself, "the true kings of the jungle."

    His three children, snatched from him in a cruel accident, were everything he worked for and loved. But one day, he enters a crowded market and sees a bird, caged and frightened and sick. With very little money in his pocket, he waits until the vendor is closing up. Quickly, Noor Nobi bargains and, happy to get anything for the sickly thing, the vendor accepts his offer. For some reason Noor Nobi cannot explain, it is important for him to nurse the bird back to health. When it is finally able to fly, Noor Nobi takes his bird to a big Banyan tree and releases it. Only then is he able to weep and fully grieve for his children.Before Noor Nobi knows it, he is back at work and taking his weekly earnings to the market where he continues to buy, heal, and free as many birds as he can. Crowds gather; some laugh and say he is crazy, some stand reverently, some don’t know what to think. But Noor Nobi’s kindness saves a growing number of birds, and the birds, in turn, give him new purpose. Author Veronika Martenova Charles read a short newspaper article about the “Birdman” of Calcutta and her imagination took flight. She traveled to India, found Noor Nobi, and witnessed the freeing of the birds for herself. The Birdman is a touching, true story, tenderly illustrated by Annouchka Gravel Galouchko and Stéphan Daigle. It is accompanied by an afterword, diary entries, and photographs of the author’s experience.

    Sam is rapidly learning the code of the samurai in the late 1930s on the lush Hawaiian Islands, where he is slowly coming into his own as a son and a man.But after Sam strikes out for California, where he meets Keiko, the beautiful young woman destined to be the love of his life, he faces crushing disappointment—Keiko's parents take her back to Japan, forcing Keiko to endure their attempts to arrange her marriage. It is a trial complicated by how the Japanese perceive her—as too Americanized to be a proper Japanese wife and mother—and its pain is compounded by the Japanese attack on Pearl Harbor, which ignites the war that instantly taints Sam, Keiko, and their friends and family as enemies of the state.Sam himself is most caught between cultures when, impressed by his knowledge of Japanese, the U.S. Army drafts and then promotes Sam, sending him on a secret mission into a wartime world of madness where he faces the very real risk of encountering his own brother in combat.From the tragedies of the camps through to the bombing of Hiroshima, where Sam's mother and siblings live, Sam's very identity both puts his life at risk and provides the only reserve from which he can pull to survive. In this beautifully written historical epic about a boy in search of manhood, a girl in search of truth, and two peoples divided by war, Sam must draw upon his training, his past, and everything he has learned if he's ever to span his two cultures and see Keiko, or his family, again.

    Omnibus edition

    This book presents 40 Chola bronzes, exploring how and why these objects came to be made and the role they played within Hinduism and Chola culture.

    New expanded edition of a classic anthropology title that examines ethnicity as a dynamic and shifting aspect of social relations.

    Forming one-sixth of the People's Republic of China (PRC), Xinjiang stands at the crossroads between China, India, the Mediterranean, and Russia and has, since the Bronze Age, played a pivotal role in the social, cultural, and political development of Asia and the world. Xinjiang was once the hub of the Silk Road and the conduit through which Buddhism, Christianity, and Islam entered China. It was also the site where Chinese, Turkic, Tibetan, and Mongolian empires communicated and struggled with one another. Xinjiang's population comprises Kazakhs, Kirghiz, and Uighurs, all Turkic Muslim peoples, as well as Han Chinese, and competing Chinese and Turkic nationalist visions continue to threaten the region's political and economic stability. Drawing on primary sources in several Asian and European languages, James Millward studies Xinjiang's history and people from antiquity to the present and takes a balanced look at the position of Turkic Muslims within the PRC today.

    

    He worked for the government until 1981 before being imprisoned by the communist Pathet Lao government after running afoul of a politically ambitious boss. I Little Slave is the account of his seven-year struggle in prison to stay alive and keep sane in spite of harsh physical privation and endless psychological abuse. Khamkeo's story is a moving and important one at a time when political oppression and crimes against human rights are on the rise throughout the world.

    The hundred poems featured in this book- carefully selected by translator and literature scholar, Qiu Xiaolong-represent the most famous and poignant of these poems. The Tang Dynasty poets were known for their distinctive personal styles and their rich and textured poems, while the Song Dynasty poets were known for their lyricism and depictions of town life.

    In this rich collection, J. P. Seaton introduces the reader to the main styles of Chinese poetry and the major poets, from the classic Shih Ching to the twentieth century. Seaton has a poet's ear, and his translations here are fresh and vivid.

    Kevin O’Rourke’s The Book of Korean Poetry traces Korean poetry from the pre-Shilla era to the end of Korea’s golden poetry period in the Koryo dynasty.There are two poetry traditions in Korea: hanshi (poems by Korean poets in Chinese characters) and vernacular poems, which are invariably songs. Hanshi is a poetry to be read and contemplated; the vernacular is a poetry to be sung and heard. Hanshi was aimed at personal cultivation, vernacular poetry primarily at entertainment. Hanshi was a much more private discipline; vernacular poetry was composed for the most part against a convivial background of wine, music, and dance.In this comprehensive treatment of the poetry of Shilla and Koryo, O’Rourke divides one hundred fifty poems into five sections: Early Songs, Shilla hanshi, Shilla hyangga, Koryo kayo, and Koryo hanshi and shijo. Only a few pre-Shilla poems are extant; O’Rourke features all five. All fourteen extant Shilla hyangga are included. Seventeen major Koryo kayo are featured; only a few short, incantatory pieces that defied translation were excluded. Fourteen of the fewer than twenty Koryo shijo with claims to authenticity are presented. From the vast number of extant hanshi, O’Rourke selected poems with the most intrinsic merit and universal appeal. In addition to introductory essays on the genres of hanshi, hyangga, Koryo kayo, and shijo, O’Rourke interleaves his graceful translations with commentary on the historical backgrounds, poetic forms, and biographical notes on the poets’ lives as well as guides to the original texts, bibliographical materials, and even anecdotes on how the poems came to be written. Along with the translations themselves, O’Rourke’s annotations of the poems make this volume a particularly interesting and important introduction to the scholarship of East Asian literature.

    "Yun" is a graphic-novel version of "The Heavenly Man" with artwork drawn and inked by Chinese illustrators to keep the style authentic. The artwork is black and white in keeping with the subject.

    Penny Edwards recreates the intellectual milieux and cultural traffic linking Europe and empire, interweaving analysis of key movements and ideas in the French Protectorate of Cambodge with contemporary developments in the Metropole. From the naturalist Henri Mouhot's expedition to Angkor in 1860 to the nationalist Son Ngoc Thanh's short-lived premiership in 1945, this history of ideas tracks the talented Cambodian and French men and women who shaped the contours of the modern Khmer nation. Their visions and ambitions played out within a shifting landscape of Angkorean temples, Parisian museums, Khmer printing presses, world's fairs, Buddhist monasteries, and Cambodian youth hostels. This is cross-cultural history at its best. With its fresh take on the dynamics of colonialism and nationalism,

    During the mid-nineteenth century, Japan opened its doors to the world and became an essential destination for travelers. Tourists desired images of landscapes and traditional Japanese culture, which Japanese photographers provided. They created souvenir albums consisting of hand-colored photographs individually chosen by the tourist. Many are so beautifully painted that they challenge modern sensibilities familiar with color photography. The photographic conventions were inspired by the aesthetics of the noted colored woodblock print medium of ukiyo-e and the privately published surimono. These works depicted the “floating world”—courtesans, geisha, and entertainments—which also were intriguing subject matter for tourists. In the seventeenth century, the social category of entertainer, or more exactly hostess and companion for men, was established—the geisha, Japanese for “artist.” Geisha are professional hostesses who train in the art of pleasing men, by performing traditional dance, playing instruments and singing, and intelligent conversation and humor. They were experts in tea ceremony and all aspects of dining. Their aim was to simulate the ambience and impression of Feudal Japan. It took years for an apprentice geisha (maiko) to learn the art, but the result was wealth, renown, and celebrity. This book, Geisha: A Photographic History, 1880–1910 , documents the intimate life and culture of the nineteenth-century geisha. It portrays these artists in a cultural reality created by staged studio photography, private scenes, and rare outdoor images. The geisha is pictured performing her daily rituals and various arts—bathing, dressing, hair styling, dining, dancing, and playing instruments. Images of courtesans and other working women are presented alongside the geisha to show all sides of this enchanting aspect of Japanese culture. Completing the story are insightful essays on the history of nineteenth-century Japanese photography, the social history of the geisha, and the history of the opening of Japan.

    The central section, “Buffalo Women,” is a Civil War correspondence between lovers that plays on our assumptions about war, gender, morality, and politics. Abani’s writing is ruthless, boldly engages with trauma, and is filled with surprising twists and turns.

    The latest satellite technology has been used to provide images of unparalleled clarity and colour, providing photographs of familiar mountains, lakes, countries and seas from a new perspective. Taking in six continents, the atlas begins with long shots of the areas involved, moving on to focus on specific countries, then parts of countries and finally familiar areas or landmarks in the world's cities. Continent by continent, the perspective is progressively narrowed in a series of wonderfully coloured shots as the camera moves closer to earth. More than an atlas, more than a series of pictures, this book is a unique and beautiful representation of the planet.

    Each watercolor illustration is labeled with English words and their Filipino translations and shows readers both the similarities and differences between Western and Philippine lifestyles. Filipino Friends, perfect for Filipino-American's or those just interested in the culture, is indispensable in bridging the gap between the two cultures.Following the sweet multicultural children's story, kids will learn about Philippine customs and traditions, including:Filipino festivals and celebrationsTraditional dressSnacks and mealsSongs and gamesThe Filipino language—Tagalog—and more!

    But upon his arrival he was shocked less by the city crowds and the winter cold than by having to scrub toilets and answer to fifteen-year-olds who had preceded him at the sumo beya. Rowan spoke no Japanese. Of Japanese culture, he knew only what little his father, a former tour bus driver in Hawai'i, had been able to tell him as they drove to the airport. And he had never before set foot in a sumo ring.Five years later, against the backdrop of rising U.S.-Japan economic tension, Rowan became the first gaijin (non-Japanese) to advance to sumo's top rank, yokozuna. His historic promotion was more a cultural accomplishment than an athletic one, since yokozuna are expected to embody highly prized Japanese values such as hard work, patience, strength, and hinkaku, a special kind of dignity thought to be available only to Japanese. He was promoted ahead of his two main rivals, the brothers Koji and Masaru Hanada, who had been raised in the sumo beya run by their father, the former sumo great Takanohana I. Perhaps the defining moment of the gaijin's unique success occurred at the 1998 Nagano Olympics, when Rowan, chosen to personify Japanese to one of the largest television audiences in history, performed a sacred sumo ritual at the opening ceremony.Gaijin Yokozuna chronicles the events leading to that improbable scene at Nagano and beyond, tracing Rowan's life from his Hawai'i upbringing to his 2001 retirement ceremony. Along the way it briefly examines the careers of two Hawai'i-born sumotori who paved the way for Rowan, Jesse Kuhaulua (Takamiyama) and Salevaa Atisanoe (Konishiki). The author shares stories from family members, coaches, friends, fellow sumo competitors, and of course Rowan himself, whom he accompanied on three Japan-wide exhibition tours. The work is further informed by volumes of secondary source material on sumo, Japanese culture, and local Hawai'i culture.

    Packed with travel information, including more listings, deals, and insider tips:CANDID LISTINGS of hundreds of places to eat, sleep, drink, and danceRELIABLE MAPS to help you get around cities, jungles, mountains, and beachesThe best VOLUNTEER, study, and work opportunities throughout VietnamTIPS for getting around, bargaining, and blending in with local customsSUGGESTED ITINERARIES for your time frame, from ten days to two monthsEXPANDED COVERAGE of the remote Northwest Highlands

    The 350 rare and antique photos in this book, most of them published here for the first time, chronicle the introduction of photography in Japan and early Japanese photography. The images are more than just a history of photography in Japan; they are vital in helping to understand the dramatic changes that occurred in Japan during the mid-nineteenth century.These rare Japanese photographs—whether sensational or everyday, intimate or panoramic—document a nation about to abandon its traditional ways and enter the modern era. Taken between 1853 and 1912 by the most important Japanese and foreign photographers working in Japan, this is the first book to document the history of early photography in Japan a comprehensive and systematic way.

    This timeless story from India is about a poor boy's dream of having his own drum. His mother is very poor and cannot afford to buy her son the one thing in the world that he really wants. The poor boy's dream takes him on one of the most unlikely journeys and ultimately leads to attaining his dream. The folktale begins with his mother bringing home a magical stick that was given to her by a strange, little old man. The boy takes the stick with him on his journey and along the way he finds people in need of help. He offers them what little he has and they of course repay him with whatever they have in return. By the end of the story, his series of good deeds leads him to a traditional wedding ceremony where he saves the wedding day for the bride and groom when he presents them with a horse. In return, for his good deed, he receives a drum like the one he was dreaming of at the beginning of the story. This magical Indian story about a poor boy and his drum will teach readers the importance of caring, fairness and responsibility.

    A beloved cultural figure who has helped shape contemporary Korean literature, Ko Un is also a novelist, literary critic, ex-monk, former dissident, and four-time political prisoner. His verse—vivid, unsettling, down-to-earth, and deeply moving—ranges from the short lyric to the vast epic and draws from a poetic reservoir filled with memories and experiences ranging over seventy years of South Korea's tumultuous history from the Japanese occupation to the Korean war to democracy. This collection, an essential sampling of his poems from the last decade of the twentieth century, offers in deft translation, as lively and demotic as the original, the off-beat humor, mystery, and mythic power of his work for a wide audience of English-speaking readers. It showcases the work of a man whom Allen Ginsberg has called "a magnificent poet, a combination of Buddhist cognoscente, passionate political libertarian, and naturalist historian," who Gary Snyder has said is "a real-world poet!" who "outfoxes the Old Masters and the young poets both," and who Lawrence Ferlinghetti has described as "no doubt the greatest living Korean Zen poet today."

    Despite the filtering of Japanese and Western design ideas into Korea over the millennia, the peninsula has maintained its own identity and is gaining recognition for its own particular "style." Spatial, spiritual and material qualities are reflected in the simple beauty of its architectural design, while classic objects that immediately distinguish themselves as being uniquely Korean are used with distinctive flair in interior design and decoration.Korea Style is the first book devoted to the country's architecture and interior design-featuring twenty-two exceptional homes, studios and public and heritage buildings. They range from vernacular to cutting-edge creations and are a celebration of the country's natural landscape, arts and crafts and architectural heritage juxtaposed with a drive towards invention, experimentation and individuality.

    It would seem even the undeniable will of man to change his environment, for better or for worse, cannot keep the elephant and the tree apart. Suitable for both adults and children. Some of the profits will go to support elephant welfare projects

    The book tells of the great spiritual tidal wave of the Gospel as it moves through history and in the nations of the world. Nearly 2,000 years ago, it began in Jerusalem with Jesus Christ! Today, this wave is sweeping through East Asia.

    Combines articles with comics chapters relating his experiences retracing the old legendary Silk Road starting with the sublime history of China and ending in the absurdity of the petty dictatorships of the “The ‘Stans” where Rall had the temerity -or was it blustery stupidity?- to go back, including once with a group of listeners to his radio show, on a dare. It’s exotic adventure, satire and a fun way to find out more about a part of the world that looms in importance with its immense reserves of oil...

    The extraordinary story of Jimmy and Sophie Graham, pioneer missionaries to China during the Boxer Rebellion.

    "Made for Maharajas" returns readers to that resplendent era, presenting a selection of one-of-a-kind objects crafted to order by the outstanding European luxury goods manufacturers, fashion houses, and decorators of the late 19th and early 20th centuries. Here are the custom-designed cars, jewelry, and extraordinary "objits d'art" commissioned by maharajas, nawabs, nizams, and sultans from Cartier, Van Cleef & Arpels, Boucheron, Harry Winston, and others, accompanied by anecdotes that illuminate this sumptuous way of life. Many of the illustrations in this book have never been previously reproduced outside of India, making this not only the first volume of its kind, but a remarkable keepsake that may never be duplicated in our lifetime.

    Offers a collection of Chinese folk tales that celebrate the power of good over evil, including the story about a fisherman who outwits his greedy landlord and the child-eating monster who meets her match during an encounter with a kindhearted little girl.

    Sayonara Home Run! introduces curious fans to Japan's national pastime through the lens of the country's playfully beautiful baseball cards. A fascinating text traces the roots and cross-cultural history of the Japanese game, while hundreds of illustrations showcase gorgeous vintage cards. Woven throughout are profiles of key Japanese players, features on important U.S. team tours of Japan (with Japanese cards of players such as Babe Ruth and Joe DiMaggio), and insights into the social history of the cards. Including primers on Japanese player nicknames and baseball terms, and the fine points of the Japanese game, Sayonara Home Run! is a must-have for anyone interested in baseball, Japan, or this unique chapter in popular design.

    He was horrified because in India, the word for “deaf” in all three main languages, Punjabi, Urdu, and Hindi, denoted someone who was not really human. But he was young, brash, and irrepressible, and his autobiography Deaf in Delhi: A Memoir reveals how his boundless optimism enabled him to persist and prevail.Vasishta’s story reflects the India of his youth, an emerging nation where most people struggled with numbing poverty and depended upon close family ties, tradition, and faith to see them through. His family’s search for a cure took him to a host of medical specialists and just as many sadhus and mahatmas, holy men and priests. The school in his small village was ill-prepared to educate deaf students then, so he herded the family cattle, usually the work of hired servants. Vasishta refused to accept this as his final lot in life and fantasized constantly about better jobs. Eventually, he moved to Delhi where his dream of becoming a photographer came true. He also discovered the Delhi Deaf community that, with his family, helped him to achieve an even higher goal, traveling to America to earn a degree at Gallaudet College.Vasishta, a natural raconteur, imbues Deaf in Delhi with the ever-present ebullience that served him so well in his journey. Readers will savor his good humor and honest observations and look forward to his next book with great relish.

    The only guide that features art from tribes and cultural groups from all around the world, not just one region, Tribal Art features historical, cultural, and price guide information on the art of Africa, Oceania, and the Americas and is the definitive collector's guide for tribal art enthusiasts.

    Learn how to make exotic dishes like Thai jungle curry, chicken makhani from old Delhi, perfumed passanda from Pakistan and South African bunny chow. Discover which ingredients make each dish special and follow key techniques, step-by-step Cook the best accompaniments and side dishes to complete the perfect meal • India • Pakistan • Myanmar • Malaysia • Singapore • Indonesia • Thailand • The Philippines • Cambodia • Laos • Vietnam • Africa • The Caribbean • Britain • Japan

    It contains stirring examples of the revolutionary romanticism of Nazim Hikmet; the passionate wisdom of Fazil Husnu Daglarca; the wry and captivating humor of Orhan Veli Kanik; the intellectual complexity of Oktay Rifat and Melih Cevdet Anday; the modern mythology of Ilhan Berk; the subtle brilliance of Behet Necatigil; the rebellious spirit of the socialist realists; the lyric flow of the neoromantics; and the diverse explorations of younger poets.

    When a shipment of Stinger missiles disappears, a CIA officer becomes entangled in an unusual triangle with a journalist and her former lover, now an elusive mujahideen chief. These characters lead us into a world of danger, a world of spy versus spy, where hidden agendas provide their own kind of veil. until the truth is revealed in a shocking climax. From the last battlefield of the Cold War to the tribal no-man's land of the War on Terror, Stinger sets the stage for the profound events playing out today in Central Asia.

    It was an act of delayed atonement that paid a debt of honor incurred thirty-five years earlier. The revered military hero’s wife joined in his act of junshi ("following one’s lord into death"). The violence of their double suicide shocked the nation. What had impelled the general and his wife, on the threshold of a new era, to resort so drastically, so dramatically, to this forbidden, anachronistic practice? The nation was divided. There were those who saw the suicides as a heroic affirmation of the samurai code; others found them a cause for embarrassment, a sign that Japan had not yet crossed the cultural line separating tradition from modernity.While acknowledging the nation’s sharply divided reaction to the Nogis’ junshi as a useful indicator of the event’s seismic impact on Japanese culture, Doris G. Bargen in the first half of her book demonstrates that the deeper significance of Nogi’s action must be sought in his personal history, enmeshed as it was in the tumultuous politics of the Meiji period. Suicidal Honor traces Nogi’s military career (and personal travail) through the armed struggles of the collapsing shôgunate and through the two wars of imperial conquest during which Nogi played a significant role: the Sino-Japanese War (1894–1895) and the Russo-Japanese War (1904–1905). It also probes beneath the political to explore the religious origins of ritual self-sacrifice in cultures as different as ancient Rome and today’s Nigeria. Seen in this context, Nogi’s death was homage to the divine emperor. But what was the significance of Nogi’s waiting thirty-five years before he offered himself as a human sacrifice to a dead rather than living deity? To answer this question, Bargen delves deeply and with great insight into the story of Nogi’s conflicted career as a military hero who longed to be a peaceful man of letters.In the second half of Suicidal Honor Bargen turns to the extraordinary influence of the Nogis’ deaths on two of Japan’s greatest writers, Mori Ôgai and Natsume Sôseki. Ôgai’s historical fiction, written in the immediate aftermath of his friend’s junshi, is a profound meditation on the significance of ritual suicide in a time of historical transition. Stories such as "The Sakai Incident" ("Sakai jiken") appear in a new light and with greatly enhanced resonance in Bargen’s interpretation. In Sôseki’s masterpiece, Kokoro, Sensei, the protagonist, refers to the emperor’s death and his general’s junshi before taking his own life. Scholars routinely mention these references, but Bargen demonstrates convincingly the uncanny ways in which Sôseki’s agonized response to Nogi’s suicide structures the entire novel. By exploring the historical and literary legacies of Nogi, Ôgai, and Sôseki from an interdisciplinary perspective, Suicidal Honor illuminates Japan’s prolonged and painful transition from the idealized heroic world of samurai culture to the mundane anxieties of modernity. It is a study that will fascinate specialists in the fields of Japanese literature, history, and religion, and anyone seeking a deeper understanding of Japan’s warrior culture.

    But modern scholarship has questioned components of the account and cast doubt on the accuracy of received texts. The result has destabilized the study of early Chinese poetry.This study adopts a double approach to the poetry composed between the end of the first century B.C.E. and the third century C.E. First, it examines extant material from this period synchronically, as if it were not historically arranged, with some poems attached to authors and some not. By setting aside putative differences of author and genre, Stephen Owen argues, we can see that this was "one poetry," created from a shared poetic repertoire and compositional practices. Second, it considers how the scholars of the late fifth and early sixth centuries selected this material and reshaped it to produce the standard account of classical poetry.As Owen shows, early poetry comes to us through reproduction reproduction by those who knew the poem and transmitted it, by musicians who performed it, and by scribes and anthologists all of whom changed texts to suit their needs.

    Boom! says the drum to the Lion Dancer. Chinese New Year is here! Beautiful Chinese brush painting and elegant calligraphy illustrate each moment of the New Year celebration. Share the traditions with your child, and learn a few new things too!

    The bulk of this information has come from the media, Afghan Scholars or from the Afghans themselves. For the first time, the story of Afghanistan prior to, and during, the communist coup of 1979 is told from the perspective of an American working as a Peace Corps volunteer in Afghanistan. The story begins with Peace Corps recruitment and training in the United States, then follows a group of young men and women to Afghanistan where they must learn to adapt to exotic food, mysterious customs and primitive hygiene. Then, as they begin to assimilate and feel confortable in their harsh suroundings, a military coup leads to the arrest of the author, who is accused of being an American spy and beaten in an effort to make him reveal secrets he doesn't have. Eventually, the author is extricated from prison as a new communist regime solidifies its hold on Afghanistan after centuries of Islamic dominance. Thus the chain of events leading to 9/II is set in motion. Only a handful of foreigners lived in Afghanistan when destabilization began in the late seventies and, of this handful, none has attempted to document the counry's transition from its centuries-old status-quo to a factory for global insurgency. No other book about Afghanistan offers such a humane, sometimes humorous, and significant insight into a culture on the verge of single-handedly launching a new age of terrorism.

    They retrace a journey of their youth across the European Steppe and down the mighty Dniepr River to Byzantium. However a chance discovery in a Kiev library leads them to venture even further afield - to Astrakhan, across the Caspian sea, up the mighty Oxus river, through Parthia and Bactria and along the ancient Silk Route into Asia and Tian Xia (China).Engaged in a battle not of their choosing, they inflict fatalities on the sinister and evil Black Scorpions who want to exact their revenge. Pursued, they flee by night across the Roof of the World and meet the remnants of the "lost" European tribe of Asia, the Hepthalites, who offer them protection in their city, hidden in the Tien Shan - the Celestial Mountains. A place where romance is kindled and love unexpectedly blossoms. During their winter sojourn in the Hidden City they gather more clues, and in the spring continue with their quest, on into the Taklamakan desert. The desert so called by locals because those who venture in seldom venture out. More danger and peril lies in wait for this rag-tag Viking crew as they travel along the Silk Route - the world's first super-highway. At the eastern end of their journey they meet the Lang Ren, the Wolf people of Lou Lan, outcasts thieves and criminals living in an abandoned city in the desert. A city without water. A city about to die. A city in which the final clue to their quest is uncovered. What fate awaits this rejected element of Asian society? Can this motley crew intercede on their behalf?Will the fundamental cultural differences between the Vikings, Jews and Moslems in the group cause them to self destruct, or will the adversities they face cause them to overcome these differences and become a unified fighting unit?

    Arguing that the utopian Bolshevik project of remaking the world featured a sustained assault on Islam that destroyed patterns of Islamic learning and thoroughly de-Islamized public life, Khalid demonstrates that Islam became synonymous with tradition and was subordinated to powerful ethnonational identities that crystallized during the Soviet period. He shows how this legacy endures today and how, for the vast majority of the population, a return to Islam means the recovery of traditions destroyed under Communism.Islam after Communism reasons that the fear of a rampant radical Islam that dominates both Western thought and many of Central Asia’s governments should be tempered by an understanding of the politics of antiterrorism, which allows governments to justify their own authoritarian policies by casting all opposition as extremist. Comparing the secularization of Islam in Central Asia to experiences in Turkey, the former Yugoslavia, and other secular Muslim states, the author lays the groundwork for a nuanced and well-informed discussion of the forces at work in this crucial region.

    Since its birth in the 1850s, Chinatown has also been a residential neighborhood, business community, and cultural center for generations of Chinese Americans. This collection of vintage photographs, taken from public archives and private collections, looks beyond the facade of Chinatown to show the realities of daily life, including a community's struggle for survival against racial hostility, exclusion laws, two major earthquakes, and urban renewal. The images of ordinary people working, shopping, and socializing in Chinatown, combined with the changing streetscape, historic landmarks, and significant cultural and political events, are organized into three historical periods, providing a panoramic view of community transformation from the gold rush to the present day.

    These well-known images were produced by a publisher and artist using the extraordinary skills of carvers and printers, whose identities are rarely known. The same craftsmen also produced woodblock-printed objects for use in everyday life such as decorative paper (chiyogami), votive slips (senjafuda), playing cards (karuta), and board games (sugoroku). As the market changed in the late nineteenth century, the craftsmen increasingly turned to the production of these low-value, essentially ephemeral objects. Although the prices were kept low, many were imbued with the same glorious visual sophistication that had attracted Westerners to ukiyo-e.Approaching the subject as an artist rather than a print scholar, Rebecca Salter focuses on the craftsmen and the complex visual culture within which they worked. Through information gained from interviews with some of the remaining practitioners and analysis of the objects themselves, she builds up a picture of the quiet role woodblock played in the lives of the Japanese as they moved from the isolation of the Edo period to embrace modernization in the early twentieth century.This book is a fascinating exploration of this area of cultural history and the numerous color illustrations encourage a playful investigation of the many threads of Japan's visual culture.Rebecca Salter is a well-known British printmaker. She lived in Japan for six years and is an acknowledged authority on Japanese woodblock printing. She is the author of Japanese Woodblock Printing.

    In her remarkable first collection, Ivy Alvarez's MORTAL examines the relationship between Dee and Seph -- modern-day reinventions of Demeter and Persephone -- and how the specter of breast cancer affects them. 'Mortal' spans years and personalities, giving voice to mother and daughter in poems that are both visceral ("they had to unzip me / to let the cat / out of the bag // blood bathed my belly") and quietly elegant ("how do I hold you / I wonder, as I'm holding you").

    By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book--one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision. --Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown UniversityCelluloid Comrades is a timely demonstration of the importance of queer studies in the field of transnational Chinese cinemas. Lim dissects gay sexuality in selective Chinese-language films, and vigorously contests commonly accepted critical paradigms and theoretical models. Readers will find a provocative, powerful voice in this new book. --Sheldon H. Lu, Professor of Comparative Literature, University of California at DavisCelluloid Comrades offers a cogent analytical introduction to the representation of male homosexuality in Chinese cinemas within the last decade. It posits that representations of male homosexuality in Chinese film have been polyphonic and multifarious, posing a challenge to monolithic and essentialized constructions of both 'Chineseness' and 'homosexuality.' Given the artistic achievement and popularity of the films discussed here, the position of 'celluloid comrades' can no longer be ignored within both transnational Chinese and global queer cinemas. The book also challenges readers to reconceptualize these works in relation to global issues such as homosexuality and gay and lesbian politics, and their interaction with local conditions, agents, and audiences.Tracing the engendering conditions within the film industries of China, Taiwan, and Hong Kong, Song Hwee Lim argues that the emergence of Chinese cinemas in the international scene since the 1980s created a public sphere in which representations of marginal sexualities could flourish in its interstices. Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism. He provides in-depth analyses of key films and auteurs, reading them within contexts as varied as premodern, transgender practice in Chinese theater to postmodern, diasporic forms of sexualities.Informed by cultural and postcolonial studies and critical theory, this acutely observed and theoretically sophisticated work will be of interest to a wide range of scholars and students as well as general readers looking for a deeper understanding of contemporary Chinese cultural politics, cinematic representations, and queer culture.

    And what I had thought was a lost world is still accessible – I enjoyed revisiting it in this book (Kinda Hot: The Making of Saint Jack in Singapore).” - Paul Theroux, author of Saint Jack Kinda Hot: The Making of Saint Jack in Singapore reveals, for the first time, the extraordinary story behind the making of Saint Jack (1979), the only American film to be entirely shot on location in Singapore. Filmed in secret, it was subsequently banned by the authorities. Adapting Paul Theroux’s celebrated novel about pimps and prostitutes in the Lion City, a local, amateur cast and crew worked right alongside brilliant film-making talents gathered from all over the world. The director was Peter Bogdanovich, one-time Hollywood golden-boy whose career was in decline. The star was Ben Gazzara, a charismatic method actor. They immersed themselves into the world of brothels in the name of ‘research’. The film was made on the run, with the cast and crew improvising wildly, chaotically capturing the last vestiges of Singapore’s famous colonial and seedy past, all the time telling the authorities they were shooting a romance called Jack Of Hearts. Author Ben Slater has tracked down everyone from chief crew members and lead actors to the humblest extras, in order to tell the gripping, funny and poignant tale of what happened when Saint Jack came to Singapore for six months in 1978.

    But the new hybrid culture of diaspora Iranians has produced a prolific literature by women that reflects a unique perspective and voice. Let Me Tell You Where I've Been is an extensive collection of poetry, fiction, and nonfiction by women whose lives have been shaped and influenced by Iran's recent history, exile, immigration and the formation of new cultural identities in the United States and Europe. These writings represent an emerging and multi-cultural female sensibility. Unlike many flat media portrayals of Iranian women—as veiled, silenced—these writers offer a complex literary view of Iranian culture and its influences. These writers interrogate, challenge, and re-define notions of home and language and their work offers readers an experience of Iranian diaspora culture. Featuring over one hundred selections (two-thirds of which have never been published before) by more than fifty contributors--including such well-known writers as Gelareh Asayesh, Tara Bahrampour, Firoozeh Dumas, Roya Hakakian and Mimi Khalvati--the collection represents a substantial diversity of voices in this multicultural community. Divided into six sections, the book's themes of exile, family, culture resistance, and love, create a rich and textured view of the Iranian diaspora. The poems, short stories, and essays are suggestive of an important conversation about Iran, Iranian culture, the Persian and English languages, and the dual identities of many of its authors. This powerful collection is a tribute to the wisdom, insight, and sensitivity of women attempting to invent and articulate a literature of in-betweenness.

    Language, art, religion, death, and love all come under the poet's unflinching gaze. This country has never known a more lyrical and emotionally charged poetic voice."Cyril Wong's poems, clear as water, open our way for wonderful and strange journeys through known and unknown places, places where we feel sure of nothing yet dead sure of everything."- Clarence Major, author of Configurations: New & Selected Poems 1958-1998"The poems in Cyril Wong's collection are indeed seeds - each one starts something vibrant and new growing in the world. And though he may write of disaster, it is with triumph; though he may look into the darkest corners, he finds a light there that he brings back to fill his poems, and from there, to fill the reader's mind. These are seeds of light that believe in life - so much so that they can look at it honestly."- Cole Swensen, author of Goest and Such Rich Hour

    Come along as she takes you on a year-long journey through her life. Ling Ling's personal accounts tell about Chinese culture and destinations, holidays and festivals, school and family life, and more. The month-by-month, journal-style format makes it easy for young readers to relate to Ling Ling's experiences and feelings. Children will learn about life in Beijing and gain an understanding of China's rich cultural history, through simple storytelling and the eyes of an eight-year-old. Illustrated by Grace Lin and written by Xiaohong Wang, this picture book is the first of its kind to introduce children to life in a big city in modern China.

    This is not surprising in a country where 30% of the population and much of the land area are non-Burman, and where contradictory tendencies towards regional separatism versus unitary rule have divided the people since before independence.In what is probably the most comprehensive study of Burma's ethnic minorities to date, this volume discusses the historical formation of ethnic identity and its complexities in relation to British colonial rule as well as the modern state, the present situation of military rule, and its policy of myanmarification. Changes of identity in exile due to religious conversion are analyzed and discussed.Finally the book deals with relevant and recent anthropological and sociological theoretical discussions on the ethnic identity, boundaries, and space of all the main ethnic groups in Burma.

    Despite political authoritarianism, human rights violations, corruption, repression of labour unions, gender discrimination and mistreatment of ethnic minorities, the citizens of the East Asian economies have experienced improvements in income and general well-being unparalleled in human history. In this book, Ha-Joon Chang provides a fresh analysis of this spectacular growth. He considers East Asian economies’ unorthodox methods, and their rejection of ‘best practice’ and so-called Washington Consensus policies. East Asia, he claims, can teach us much about the whole process of economic development. Full of new facts and policy suggestions, this is a lively and unconventional introduction to a global phenomenon.

    In this beautifully presented book you'll find: - Advice on the best types of bonsai to grow- Tips and shortcuts, dos and don'ts, questions and answers- Growing secrets, including soil, repotting and cutting roots, fertilizing, dealing with disease, and caring for your trees through the seasons- 30 key step-by-step techniques to achieve every kind of bonsai shape, style, and group- A wealth of information for experienced enthusiasts as well as newcomers to bonsai- Troubleshooting and maintenance methodsLearn the insider's techniques for making your bonsai thrive and live to a good age--all revealed in Bonsai Secrets.

    The awesome beauty of these lofty peaks, including Everest, Kanchenjunga, and Annapurna, is brought to life by gifted photographers like Steve McCurry, Art Wolfe, and many more, while such notable contributors as Jimmy Carter, the Dalai Lama, Sir Edmund Hillary, Tenzing Norgay, and over two dozen others share vivid personal tales of Himalayan life, recount their efforts to encourage hope and opportunity, and emphasize the urgent need to preserve the vibrant variety of these ancient landscapes and cultures as they face the mixed blessings of the modern world. The book begins by introducing the region: its astonishing biodiversity, its mountaineering history, its rich ethnic heritage, and the interplay between two major religions, Hinduism and Buddhism. Himalaya addresses challenges to these mountainous domains: political turmoil, population growth, touristic demands, and ecological stresses. Finally, a compelling conclusion comes in the stories of doctors, conservationists, environmentalists, and volunteers of every kind, whose efforts provide a global model for practical results and lasting relief, still respecting, honoring, and protecting the magic of a place unlike any other on Earth.

    Philip L. Kohl outlines the long-term processes and patterns of interaction that link these groups together in a shared historical trajectory of development. Interactions took the form of the exchange of raw materials and finished goods, the spread and sharing of technologies, and the movements of peoples from one region to another. Kohl reconstructs economic activities from subsistence practices to the production and exchange of metals and other materials. He also examines long-term processes, such as the development of more mobile forms of animal husbandry, which were based on the introduction and large-scale utilization of oxen-drive wheeled wagons and, subsequently, the domestication and riding of horses; the spread of metalworking technologies and exploitation of new centers of metallurgical production; changes in systems of exchange from those dominated by the movement of luxury goods to those in which materials essential for maintaining and securing the reproduction of the societies participating in the exchange network accompanied and/or supplanted the trade in precious materials; and increasing evidence for militarism and political instabilities as reflected in shifts in settlement patterns, including increases in fortified sites, and quantitative and qualitative advances in weaponry. Kohl also argues forcefully that the main task of the archaeologist should be to write culture-history on a spatially and temporally grand scale in an effort to detect large, macrohistorical processes of interaction and shared development.

    While a paratrooper in Europe, he volunteers for Vietnam where he joins the elite U.S. Army LRRP / Rangers-small, heavily armed long-range reconnaissance teams that patrolled deep in enemy-held territory. Set in 1968, during some of the war's major campaigns and battles including Tet, Khe Sanh, and A Shau Valley, Lurps considers war through the eyes of a green young warrior. The compelling narrative and realistic dialogue engrosses the reader in both the horror and the humor of life in Vietnam and reflects upon the broader philosophical issue of war. This poignant, auto-biographical, coming-of-age story explores the social background that shaped the protagonist's thinking; his quest for redemption through increased responsibility; the brotherhood of comrades in arms; women and his sexual awakening; and the mysterious, baffling randomness of who lives and who dies.

    Maaka and Anderson attempt to introduce the reader to the heterogeneity and depth of indigenous groups' colonial experiences. Focused on the global context, The Indigenous Experience takes examples from the North American nations of Canada and the United States; the Hispanic nations of Latin America; Australia; New Zealand; Hawaii and Rapanui from Oceania; from Northern Europe and the circumpolar region, Norway; and from the continent of Africa, an example from Nigeria. This book is also global in its authorship, with articles by leading scholars from areas that are reflected in the examples; Australia, Canada, the United States, and Norway.

    This team of renowned scholars argue that the US agenda can strengthen anti-democratic impulses in Asian societies, exacerbating and complicating existing domestic conflicts and struggles. Empire and Neoliberalism in Asia also examines how the requirements of the War on Terror intersect with, and reinforce, those of transnationalized sections of American capital.Drawing on country case studies, this multidisciplinary book looks at the ramifications of the American Empire for the Asian region and will appeal to anyone interested in Asian politics, international relations, political economy, development studies and sociology.

    Robert Markley explores the significance of attitudes to the wealth and power of East Asia in rethinking conceptions of national and personal identity in seventeenth- and early eighteenth-century English literature. Alongside works by canonical English authors, this study examines the writings of Jesuit missionaries, Dutch merchants, and English and continental geographers, who directly contended with the challenges that China and Japan posed to visions of western cultural and technological superiority. Questioning conventional Eurocentric histories, in this 2006 book Markley examines the ways in which the writings of Milton, Dryden, Defoe and Swift deal with the complexities of a world in which England was marginalised and which, until 1800, was dominated - economically at least - by the empires of the Far East.

    Nominally Muslim, the Kazakhs and their culture owed as much to shamanism and paganism as they did to Islam. Their ancient traditions and economy depended on the breeding and herding of stock across the vast steppes of central Asia, and their independent, nomadic way of life was anathema to the Soviets. Seven-year-old Shayakhmetov and his mother and sisters were left to fend for themselves after his father was branded a "kulak" (well-off peasant and thus class enemy), stripped of his possessions, and sent to a prison camp where he died. In the following years the family traveled thousands of miles across Kazakhstan by foot, surviving on the charity of relatives. Told with dignity and detachment, this central Asian Wild Swans awakens the reader to the scale of suffering of millions of Kazakhs, and also astonishes and inspires as a most singular survivor's tale.

    Through a combination of country, regional, and topical studies, the book assesses trade and investment dynamics in the region, the rise of new powers, the ongoing processes of globalization, and the impact of economic interdependence on security, and evaluates how these trends are altering AsiaÂ's strategic environment.

    San Francisco's Asian Art Museum was a pioneering advocate for bringing Korean art into this country. One of the first museums in the United States to have a gallery solely dedicated to Korean art, it has built up a remarkable collection of more than 750 art objects spanning millennia of Korean culture in a variety of mediums.More than 100 highlights of the collection are included here, along with detailed commentaries by Kumja Paik Kim, the museum's emeritus curator of Korean art, which together compose an accessible introduction to Korean art and culture. Dr. Kim has also contributed an essay that constitutes one of the most helpful overviews of Korean art currently available.

    It tells the story of people fighting for justice amidst fear and turmoil, unable to return home. It is also an insightful look into the minds of the perpetrators of this violence, and the world they seek to construct—a world where the ghettoization and socio-economic boycott of Muslims have become the norm.What exactly happened in Gujarat in February 2002? Why did the country’s political leaders fiddle while Gandhi’s Gujarat burned? In this honest and thought-provoking book, Dionne Bunsha tries to answer these and many of the questions that we are still left with.

    As beautiful as the spiraling towers, intricate carvings, and delicate bas-reliefs adorning these monuments are, however, they just barely scratch the surface of the immense historical and cultural heritage of the region. Covering the countries of Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, the Philippines, Singapore, Thailand, and Vietnam during the period from the first to the fifteenth century, the Historical Dictionary of Ancient Southeast Asia helps us comprehend the vast and complex history of the region through a chronology, a glossary, a bibliography, an introduction, appendixes, maps, photographs, diagrams, and hundreds of cross-referenced dictionary entries on the major (and many minor) sites, the more significant historical figures, the kingdoms they ruled over, the economic and social relations between them, and the artistic, cultural, and religious context.

    Stretching over hundreds of square miles, Angkor Archaeological Park contains the magnificent remains of the different capitals of the Khmer Empire, from the 9th to the 15th century. These include the famous Temple of Angkor Wat and, at Angkor Thom, the Bayon Temple with its ornate sculptural decorations. Based on the most recent archaeological findings, this essential guidebook explains the development of the civilization's strongly symbolic art. With its concise, insightful text, superb photographs, and handy, portable format, this guidebook is an essential resource for students, art and archaeology enthusiasts, and the many travelers to Cambodia each year.

    The reason for this is simple: there are 80 million Kalashnikovs in circulation on five continents. Once invented, the AK-47 assault rifle became the most widely used weapon in the world: from Vietnam to Palestine, from Cuba to Iraq, it was at the heart of conflicts and struggles everywhere. It is the only firearm that has ever been depicted on a national flag - that of Mozambique, where it symbolizes liberation. Mikhail Kalashnikov himself, who was born in 1919, here tells his life story, with the help of Elena Joly, for the first time: his deportation to Siberia with his family while still a child; his time as a soldier in a tank regiment; his invention of the world's most famous weapon and his turbulent life under Stalin, Khrushchev, Brezhnev, Gorbachev and Yeltsin. This is a remarkable portrait of a man of ingenuity and vitality in the context of the often frightening and terribly unforgiving Russia of the twentieth century.

    By examining the role of McGeorge Bundy and the National Security Council, Andrew Preston demonstrates that policymakers escalated the conflict in Vietnam in the face of internal opposition, external pressures, and a continually failing strategy.Bundy created the position of National Security Adviser as we know it today, with momentous consequences that continue to shape American foreign policy. Both today's presidential supremacy in foreign policy and the contemporary national security bureaucracy find their origins in Bundy's powers as the first National Security Adviser and in the ways in which he and his staff brought about American intervention in Vietnam. Presidents Kennedy and Johnson were not enthusiastic about waging a difficult war in pursuit of murky aims, but the NSC's bureaucratic dexterity and persuasive influence in the Oval Office skewed the debate in favor of the conflict.In challenging the prevailing view of Bundy as a loyal but quietly doubting warrior, Preston also revises our understanding of what it meant--and means--to be a hawk or a dove. "The War Council" is an illuminating and compelling story with two inseparable themes: the acquisition and consolidation of power; and how that power is exercised.

    Mahathir Mohamad, writes a history-making book you'll find hard to put down . . . What makes FUTURE FASTFORWARD especially powerful and fascinating is that this is the first book critical of the New World Order and the Zionist-Anglo-American elite written by a former high-ranking official of a major foreign government to be published on American soil.-----The Companion to Brainwashed for War. The Zionist Anglo-American Empire - paper tiger or mighty empire? Israel: lynchpin to the coming nuclear wars. The end of empire capitalism - The triumph of people's war.The words in this book are not written to shock the reader, but they do. Here is a view of the Force, namely, the invisible Zionist Anglo-American Empire, that acts on our very lives. The author makes a convincing case, complete with impeccable historical references, of plans put into motion many years ago to control the course of human life on earth. These plans have taken on a spectacular turn, as the architects have decided to fast-forward their agenda.The Power Elites of the Zionist Anglo-American Axis have been in control of the political systems throughout the world. There is not a single country in which their cunning and evil influence has not been felt. Their philosophy of 'divide and rule' has manifested in various ways on different scales: the Cold War between Eastern communism and Western capitalism; managed conflicts in the oil-rich Middle East, aided by the creation of Israel; and the illusion of choice in apparent democracies. Wars are invariably used to abruptly change political systems, and never for the simplistic 'good-versus-evil' reasons so vociferously declared.Future Fastforward is authored by Matthias Chang, a Chinese Catholic, a barrister of 29 years, and former political secretary to former Malaysian Prime Minister Tun Dr. Tun Dr. Mahathir Mohamad. The author puts forward his propositions with sufficient proofs and documentary evidence that demonstrate: the rapid and irreversible decline of the Zionist Anglo-American Empire; and a New World Map by the middle of this century. He puts forward his case with a viewpoint that hammers in an irreparable dent in the social, economic and political myths promulgated by the West, and poses a formidable challenge to the Western media's ongoing propaganda schemes.------Table of Contents ACKNOWLEDGEMENTS i INTRODUCTION 1 PART 1: MIGHTY EMPIRE OR PAPER TIGER? 13 Chapter 1 : The Financial Mess 15 Chapter 2: Lies, Deceptions, Frauds and Criminal Conspiracies 34 Chapter 3: In Search of Monsters to Destroy 52 Chapter 4: Crimes Most Foul 69 Chapter 5: The Black Economy—Drugs and Money Laundering 87 Chapter 6: A Requiem for the Empire 101 PART 2: UNRAVELLING THE HIDDEN AGENDA 111 Chapter 7: The Zionist Anglo-American Shadow Government The Three-Way Tango Part I 113 Chapter 8: The Zionist Anglo-American Shadow Government The Three-Way Tango Part II 123 Chapter 9: Case Studies in Zionist Deception 139 Chapter 10: The Zionist Thread 145 PART 3: THE KEYSTONE OF THE ZIONIST EMPIRE EDIFICE 175 Chapter 11: The Zionist Imperial Edifice Part I – The Two Pillars 177 Chapter 12: The Zionist Imperial Edifice Part II – Spear of Conquest 197 Chapter 13: Propaganda for War 219 PART 4: AGENDA FAST-FORWARD 235 Chapter 14: The Road to Jerusalem Leads through Baghdad 237 Chapter 15: A New Map for the 21st Century Part I – Understanding Ideological Strategies 253Chapter 16: A New Map for the 21st Century Part II – A New Military Theory 265 Chapter 17: Who is the Enemy? 285 PART 5: THE NEW MAP FOR THE 21st CENTURY— BUT NOT THE PENTAGON’S 297 Chapter 18: The House of Cards – All Deuces 299 Chapter 19: Where Have All the BMWs, Mercs and Lexuses Gone? 313 Chapter 20: The Bogus War on Terrorism 325 Chapter 21: Hopefully a Better Neighborhood 343 POSTSCRIPT 358 APPENDIX 370

    These are stories that will enchant listeners of all ages, while providing a glimpse into Chinese traditions and ways of thought. To further enhance cultural understanding, the tales are supplemented with historical and cultural background, notes on storytelling, crafts and games, recipes, proverbs, color photos, a map, a glossary, and more.In the past decades, the doors between China and the West have been flung open. Explosive economic growth and massive increases in travel and immigration have engendered curiosity and interest in this burgeoning nation. Yet modernization has a dark side too, threatening traditional Chinese culture, including stories and storytelling. This new gathering of stories from a variety of sources, captures the fading storytelling traditions of a vast and diverse country. Focusing specifically on the stories of the Han Chinese (the largest ethnic group in China, numbering over a billion people), the collection presents more than 50 tales, both well known and obscure--from Monkeys Fishing the Moon and The Butterfly Lovers to Dragon Princess and Painted Skin. These are stories that will enchant listeners of all ages, while providing a glimpse into Chinese traditions and ways of thought. Tales are organized into seven sections: Animal Tales; Tales of Magic, Love and Romance; Myths, Legends and Immortals; Moral Stories; How Things Came to Be; and Proverbial Tales. To further enhance cultural understanding, the stories are supplemented with historical and cultural background, notes on storytelling and other folk traditions, recipes, proverbs, color photos, a map, a glossary, and more. All grade levels.

    The complex emotional journeys detailed in the touching narratives are heartwarming and provocative. Dedicating this volume to the women who went before and the generations that are yet to come, the contributors abandon their public faces to provide humane, intimate, and compelling real-life narratives. The collection includes true stories on adoptive motherhood, step-mothering, and single-motherhood.