The fire created its own weather, including hurricane-strength winds, bubbles of plasma-like glowing gas, and 200-foot-tall flames. As temperatures reached 1,600 degrees Fahrenheit, the firestorm knocked down buildings and carried flaming debris high into the sky. Two trains-one with every single car on fire-became the only means of escape. In all, more than four hundred people would die, leading to a revolution in forestry management and the birth of federal agencies that monitor and fight wildfires. A spellbinding account of danger, devastation, and courage, Under a Flaming Sky reveals the dramatic, minute-by-minute story of the tragedy and brings into focus the ordinary citizens whose lives it irrevocably marked.

    She looks to her arranged marriage to the son of a nomadic tribal chief with hope that it will deliver her from this oppression; instead, Dary� finds herself regularly beaten by her wrathful husband, and more isolated than she can bear. Seeing no choice other than to flee from her torment, Dary� barely escapes through the foothills of the Hindu Kush.Destitute and alone, Dary� meets David Ingram, an enigmatic Englishman traveling in Afghanistan. Although he is a complete stranger, she joins him on his journey to Bombay--and embarks on the adventure of a lifetime. Ranging from the arid Afghan plains to the lush tropical villas of India, across mighty seas to Victorian London's fetid streets, The Moonlit Cage is an intense and sensuous story of love, loss, and redemption.

    They told him his best friend wasn't human. Robert's father assisted the Underground Railroad. His mother adamantly opposed abolition. His best friend was a black boy named William Henry. As a nation neared its boiling point, Robert found himself in his own painful conflict. The one thing he couldn't do was nothing at all. William Henry is a coming-of-age story about a 12-year-old boy--and an entire country--that comes face to face with the evils of society, even within the walls of the church. In the safety of an uplifting friendship, he discovers the hope of a brighter day.

    Hasley's acclaimed Laramie Series. Louisa Caldecott, a progressive woman and independent business owner in 1880 Kansas, is principled, strong-willed, passionate, and generous to a fault. Satisfied with her comfortable life, she's happy to live in her sister Lily's shadow. Until Lou meets John Rock Davis, Civil War veteran and man with a past. Until everything she loves is put at risk. Until she is forced to take a stand that threatens her safety, her happiness, and her future. Then all hell - but heaven, too - breaks loose, and self-sufficient Lou finally understands the cost of courage and the power of love. Karen J. Hasley's books have been reviewed as "satisfying," "sparkling," and "captivating," her research described as "flawless." Discover why readers return to Karen J. Hasley's fiction again and again for authentic stories about compelling women in historical settings.

    At noon a massive Zulu host attacked the 24th Regiment in its encampment at the foot of the mountain of Isandlwana, a distinctive feature that bore an eerie resemblance to the Sphinx badge of the outnumbered redcoats. Disaster ensued. Later that afternoon the victorious Zulus would strike the tiny British garrison at Rorke’s Drift. How Can Man Die Better is a unique analysis of Isandlwana – of the weapons, tactics, ground, and the intriguing characters who made the key military decisions. Because the fatal loss was so high on the British side there is still much that is unknown about the battle. This is a work of unparalleled depth, which eschews the commonly held perception that the British collapse was sudden and that the 24th Regiment was quickly overwhelmed. Rather, there was a protracted and heroic defence against a determined and equally heroic foe. The author reconstructs the final phase of the battle in a way that has never been attempted before. It was to become the stuff of legend, which brings to life so vividly the fear and smell the blood.

    A believer and an unbeliever, a socialist and a snob, an unhappy husband and a desolate widower, Hardy challenged the sexual and religious conventions of his time in his novels and then abandoned fiction to reestablish himself as a great twentieth-century lyric poet. In this acclaimed new biography, Claire Tomalin, one of today's preeminent literary biographers, investigates this beloved writer and reveals a figure as rich and complex as his tremendous legacy.

    In the morning, a modern British army was swept aside by the onset of a seemingly unstoppable Zulu host at Isandlwana. Nearby, at a remote border outpost on the Buffalo River, a single company of the 24th Regiment and a few dozen recuperating hospital patients were passing another hot, monotonous day. News of the disaster across the river came like a bolt from the blue. Retreat was not an option. It seemed certain that the Rorke's Drift detachment would share the terrible fate of their comrades. Following on from How Can Man Die Better, Colonel Snook brings the insights of a military professional to bear in this strikingly original account. It is an extraordinary tale a victory largely achieved by the sheer bloody-mindedness in adversity of the British infantryman, fighting at the remarkable odds of over thirty to one. The heroics of all eleven VC winners are recounted in detail, and we are offered new insights into how the Zulu attack unfolded and how 150 men achieved their improbable victory. The author describes the remainder of the war, from the recovery of the lost Queen's Colour of the 24th to the climactic charge of the 17th Lancers at Ulundi. We return to Isandlwana to consider culpability, and learn of the often tragic fates of many of the war's participants. Like Wolves is a remarkable work, and the author's unbridled respect for the fighting qualities of British soldier and his abiding affection for the Zulu people shines through.

    The first president’s wife to be called First Lady, she was a political strategist, a supporter of emancipation, and a mother who survived the loss of three children and the assassination of her beloved husband. Yet she also ran her family into debt, held seances in the White House, and was committed to an insane asylum. In Janis Cooke Newman’s debut novel, Mary Todd Lincoln shares the story of her life in her own words. Writing from Bellevue Place asylum, she takes readers from her tempestuous childhood in a slaveholding Southern family through the years after her husband’s death. A dramatic tale filled with passion and depression, poverty and ridicule, infidelity and redemption, Mary allows us entry into the inner, intimate world of this brave and fascinating woman.

    He has not only given us a fresh, clear-eyed, and often startling new look at the life of the last Romanovs, but also lived up to the promise of his title. He has shown us how the whole enterprise worked, from Tsar Nicholas to his lowest cook and chambermaid. This book is a great work of scholarship--and a wonderful read."--Peter Kurth, author of Tsar: The Lost World of Nicholas and Alexandra and Anastasia: The Riddle of Anna Anderson"A mammoth, monumental achievement. No other book captures the essence and the entire scope of life at the court of Nicholas II. It's a thoroughly enjoyable and encyclopedic masterpiece that will be a major source for historians and biographers for years to come."--Marlene A. Eilers, author of Queen Victoria's Descendants and publisher of Royal Book News"Greg King has truly written a tour de force. The book is extremely well researched, has over 100 illustrations and is, quite simply, marvelous."--Coryne Hall, author of Little Mother of Russia, Once a Grand Duchess, and Imperial Dancer"Greg King is emerging as one of the leading authorities in today's liveliest field of Russian studies, and this is a major contribution to the study of late Imperial Russia."--Joseph T. Fuhrmann, author of Rasputin and the editor of The Complete Wartime Correspondence of Tsar Nicholas II and the Empress Alexandra

    Spurgeon. While much is known of her famous husband, comparatively little is known about the woman whom he adored and affectionately called, ?Wifey.? Brought together in a single volume for the first time are two titles that will help to address that imbalance. Mrs. Spurgeon's A Carillon of Bells consists of twenty-four daily meditations on selected texts of Scripture. The warm spiritual devotion to her Savior that burned in the heart of this godly woman shines through on every page. The Life of Mrs. C.H. Spurgeon by Charles Ray is an affectionate love story but one that also records the fascinating work of Mrs. Spurgeon's Book Fund. Through this agency thousands of pastors and preachers received gifts of good books that proved useful to them in their ministries. It is also a story of the all-sufficient grace of God ? in the midst of debilitating chronic illness Susannah Spurgeon was enabled to do a truly great work for the Lord, and her inspiring example continues to bear fruit to this day in the work of the Banner of Truth Book Fund.Free Grace and Dying Love was previously published as A Carillon of Bells

    A killer with little respect for class or wealth, cholera ravaged the squalid streets of Soho and rocked the great centers of Victorian power. In this gripping book, Sandra Hempel tells the story of John Snow, a reclusive doctor without money or social position, who—alone and unrecognized—had the genius to look beyond the conventional wisdom of his day and uncover the truth behind the pandemic. She describes how Snow discovered that cholera was spread through drinking water and how this subsequently laid the foundations for the modern, scientific investigation of today's fatal plagues. A dramatic account with a colorful cast of characters, The Strange Case of the Broad Street Pump features diversions into fascinating facets of medical and social history, such as Snow's tending of Queen Victoria in childbirth, Dutch microbiologist Leeuwenhoek's deliberate breeding of lice in his socks, Dickensian children's farms, and riotous nineteenth-century anesthesia parties. An afterword discusses the new threat of infectious diseases—including malaria, yellow fever, and cholera—with today's global warming. Copub: Granta

    When Jonathan Stuart, the latest in a succession of educators, actually wants to continue teaching in the one-room schoolhouse, then Maggie and Summer know that he is special. So when Jonathan's cherished flute is stolen, the girls try to find a way to restore music to his life. Sorrow and joy follow in the days to come, and through it all Maggie, Jonathan, and a community rediscover the gifts of faith, friendship, and unwavering love.

    To grow in love for God was the one great passion of her life: many have testified that her writings continue to inspire them with that same passion.

    They left too late from England in their 6,000 mile journey to the Salt Lake Valley. Nearly one fifth of these 1200 pioneers perished in the worst overland migration disaster in American history. The tragedy could have been catastrophic had a rescue effort not been launched immediately upon learning of their plight. More than a hundred wagon teams were ultimately involved in perhaps one of the greatest rescue efforts in 19th century America.

    It was there, on the edge of the dramatic landscape of the Yorkshire Moors, that they produced some of the most memorable, influential and best-loved novels in the English language. Ann Dinsdale paints a detailed picture of everyday life at Haworth in the 1840s, recounting the Brontë family history and describing the local village and surrounding countryside. She goes on to consider the Brontës' poetry and novels in the context of their socio-historic background. This book provides fascinating insight into the lives of the authors of The Tenant of Wildfell Hall, Jane Eyre and Wuthering Heights and will be a must for both literature students and Brontë admirers. It is illustrated with numerous rarely seen images from the Haworth archives, including drawings by Charlotte and Emily, together with evocative pictures by local photographer Simon Warner.

    history, championing the inherent divinity of each individual, as well as the value of collective social action. In the mid-nineteenth century, the movement took off, changing how Americans thought about religion, literature, the natural world, class distinctions, the role of women, and the existence of slavery.Edited by the eminent scholar Lawrence Buell, this comprehensive anthology contains the essential writings of Ralph Waldo Emerson, Henry David Thoreau, Margaret Fuller, and their fellow visionaries. There are also reflections on the movement by Charles Dickens, Henry James, Walt Whitman, Louisa May Alcott, and Nathaniel Hawthorne. This remarkable volume introduces the radical innovations of a brilliant group of thinkers whose impact on religious thought, social reform, philosophy, and literature continues to reverberate in the twenty-first century.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This is still the best text book on the subject, from the standpoint of the classic covenant theology.' J. I. Packer "At the present stage of the justification debate, Buchanan would be a very wholesome remedy against unfair representations. He is absolutely masterful on the subject." - Dr. Roger Nicole. "You are re-publishing a gem! Buchanan's exposition of justification is, in my opinion, still the best one that has been done." - William Shishko

    It has all the ingredients of a high-flying adventure story. Unbeknownst to the combatants, the War of l812 has ended, but Andrew Jackson, a brave, charismatic American general--sick with dysentery and commanding a beleaguered garrison--leads a desperate struggle to hold on to the city of New Orleans and to thwart the army that defeated Napoleon. Helping him is a devilish French pirate, Jean Laffite, who rebuffs a substantial bribe from the British and together with his erstwhile enemy saves the city from invasion . . . much to the grateful chagrin of New Orleanians shocked to find themselves on the same side as the brazen buccaneer. Winston Groom brings his considerable storytelling gifts to the re-creation of this remarkable battle and to the portrayal of its main players. Against the richly evocative backdrop of French New Orleans, he illuminates Jackson's brilliant strategy and tactics, as well as the antics and cutthroat fighting prowess of Laffite and his men. "Patriotic Fire" brings this extraordinary military achievement vividly to life.

    Versi komik dari novel Winnetou I: Kepala Suku Apache dan Winnetou II: Si Pencari Jejak.

    Lyons uncovers a world where runaway wives challenged their husbands' patriarchal rights and where serial and casual sexual relationships were commonplace. By reading popular representations of sex against actual behavior, Lyons reveals the clash of meanings given to sex and illuminates struggles to recast sexuality in order to eliminate its subversive potential. Sexuality became the vehicle for exploring currents of liberty, freedom, and individualism in the politics of everyday life among groups of early Americans typically excluded from formal systems of governance--women, African Americans, and poor classes of whites. Lyons shows that men and women created a vibrant urban pleasure culture, including the eroticization of print culture, as eighteenth-century readers became fascinated with stories of bastardy, prostitution, seduction, and adultery. In the post-Revolutionary reaction, white middle-class men asserted their authority, Lyons argues, by creating a gender system that simultaneously allowed them the liberty of their passions, constrained middle-class women with virtue, and projected licentiousness onto lower-class whites and African Americans.Lyons's analysis shows how class and racial divisions fostered new constructions of sexuality that served as a foundation for gender. This gendering of sexuality in the new nation was integral to reconstituting social hierarchies and subordinating women and African Americans in the wake of the Revolution.

    The blithe, boisterous son of the last great Puritan minister, he seemed destined to be overshadowed by his brilliant siblings—especially his sister, Harriet Beecher Stowe, who penned the century’s bestselling book Uncle Tom’s Cabin. But when pushed into the ministry, the charismatic Beecher found international fame by shedding his father’s Old Testament–style fire-and-brimstone theology and instead preaching a New Testament–based gospel of unconditional love and healing, becoming one of the founding fathers of modern American Christianity. By the 1850s, his spectacular sermons at Plymouth Church in Brooklyn Heights had made him New York’s number one tourist attraction, so wildly popular that the ferries from Manhattan to Brooklyn were dubbed “Beecher Boats.” Beecher inserted himself into nearly every important drama of the era—among them the antislavery and women’s suffrage movements, the rise of the entertainment industry and tabloid press, and controversies ranging from Darwinian evolution to presidential politics. He was notorious for his irreverent humor and melodramatic gestures, such as auctioning slaves to freedom in his pulpit and shipping rifles—nicknamed “Beecher’s Bibles”—to the antislavery resistance fighters in Kansas. Thinkers such as Emerson, Thoreau, Whitman, and Twain befriended—and sometimes parodied—him.And then it all fell apart. In 1872 Beecher was accused by feminist firebrand Victoria Woodhull of adultery with one of his most pious parishioners. Suddenly the “Gospel of Love” seemed to rationalize a life of lust. The cuckolded husband brought charges of “criminal conversation” in a salacious trial that became the most widely covered event of the century, garnering more newspaper headlines than the entire Civil War. Beecher survived, but his reputation and his causes—from women’s rights to progressive evangelicalism—suffered devastating setbacks that echo to this day.Featuring the page-turning suspense of a novel and dramatic new historical evidence, Debby Applegate has written the definitive biography of this captivating, mercurial, and sometimes infuriating figure. In our own time, when religion and politics are again colliding and adultery in high places still commands headlines, Beecher’s story sheds new light on the culture and conflicts of contemporary America.

    This omnibus collects in a single volume for the first time his five best novels of mystery and terror - Dracula, The Mystery of the Sea, The Jewel of the Seven Stars, The Lady of the Shroud, and The Lair of the White Worm.For more than a century, Bram Stoker's works have inspired countless writers and have stood as landmarks of fantastic fiction. This volume allows readers a unique opportunity to appreciate the full range of his dark imagination.Bram Stoker: Five Novels is part of Barnes & Noble's Library of Essential Writers. Each title in the series presents the finest works - complete and unabridged - from one of the greatest writers in literature in magnificent, elegantly designed hard-back editions. Every volume also includes an original introduction that provides the reader with enlightening information on the writer's life and works.

    He builds a cattle ranch where ordinary men all say it can't be done a cattle empire that defies all odds, a family that changes the course of Texas history, and a legacy that outlives the Old West.

    Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James's career and ranging from the deliciously tart comedy of the early "An International Episode" to the surreal and haunted corridors of "The Jolly Corner," and including "Washington Square", the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James's finest achievements, the nine fictions gathered here reflect James's varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín's fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most.Stories included:The Story of a MasterpieceA Most Extraordinary CaseCrawford's ConsistencyAn International EpisodeThe Impressions of a CousinThe Jolly CornerWashington SquareCrapy CorneliaA Round of Visits

    This second volume of the Collected Works presents three early novels:*Days and Nights*, a semi-autobiographical novel whose protagonist deserts everyday life by all means available — dream, drugs, hallucination and a strange erotic quest: the pursuit of “The Double".*Exploits and Opinions of Doctor Faustroll, Pataphysician*, Jarry’s masterpiece, in which ’Pataphysics, the science of imaginary solutions, is presented and applied.*Absolute Love*, the strangest of Jarry’s novels, in which he explores an entirely new dramatic scenario, “the discovery that one’s mother is a virgin".

    They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law.Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.

    However, she was also an artist and a poet. This book publishes all her extant poetry in a single volume for the first time. Serena Trowbridge has undertaken extensive archival research to restore Siddall’s better-known poems – often heavily edited in previous publications – to their original form, and to identify and reproduce poems and fragments not previously included in anthologies. Elizabeth Siddall’s own voice emerges fully from these pages, supporting her rediscovery as a creative artist in her own right.

    Illustrated in Chris Soentpiet's richly detailed watercolor paintings, this long-awaited follow-up to the award-winning Coolies helps to tell the precious, rare story of the first Chinese immigrants and their pursuit of the American Dream.

    Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture;including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History.

    In 1847, with Europe on the verge of revolution, Katie Kettles travels to Hungary as governess to the family of Count Istvan Szelenyi. On the journey, she first encounters Lajos Lazar making incendiary speeches from a table-top in Vienna. Though instantly drawn to him, he is not her only distraction from her duties, for Katie has her own vengeful agenda which begins to stutter as she reluctantly becomes involved with the Szelenyis' lives and loves. While Hungary plunges into political upheaval, Katie faces a personal revolution to resolve both her family issues and her passionate relationship with Lajos. Through Katie's eyes, we see the euphoria of a bloodless revolution victorious over an unjust and stagnant regime, and the tragedy of a lost war that was so very nearly won.

    Kali N. Gross reconstructs black women’s crimes and their representations in popular press accounts and within the discourses of urban and penal reform. Most importantly, she considers what these crimes signified about the experiences, ambitions, and frustrations of the marginalized women who committed them. Gross argues that the perpetrators and the state jointly constructed black female crime. For some women, crime functioned as a means to attain personal and social autonomy. For the state, black female crime and its representations effectively galvanized and justified a host of urban reform initiatives that reaffirmed white, middle-class authority.Gross draws on prison records, trial transcripts, news accounts, and rare mug shot photographs. Providing an overview of Philadelphia’s black women criminals, she describes the women’s work, housing, and leisure activities and their social position in relation to the city’s native-born whites, European immigrants, and elite and middle-class African Americans. She relates how news accounts exaggerated black female crime, trading in sensationalistic portraits of threatening “colored Amazons,” and she considers criminologists’ interpretations of the women’s criminal acts, interpretations largely based on notions of hereditary criminality. Ultimately, Gross contends that the history of black female criminals is in many ways a history of the rift between the political rhetoric of democracy and the legal and social realities of those marginalized by its shortcomings.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    He coined the important economic concept of opportunity cost. His ideas have become the foundation for libertarian and the Austrian schools of thought.Most of Bastiat’s political writings were done during the years just before and immediately after the Revolution of February 1848 when France was rapidly turning to complete socialism. As a Deputy to the Legislative Assembly, Bastiat explained each socialist fallacy as it appeared and how socialism must inevitably degenerate into communism that it must fail.The same situation exists in China today as in the France of 1848 after China became the second power house by GDP. The China Model and the China Specialized Socialism and planed economy that were then adopted in France are now sweeping China with a peak confidence.In this essay, Mr. Bastiat explained how the interest on capital declines as it becomes more plentiful. His key contribution to Austrian capital theory is his explanation how the accumulation of capital results in the enrichment of the workers by raising marginal productivity of workers. Capital accumulation would also result in cheaper and better quality consumer goods and raise real wages. Thus, the interests of capitalists and labor are aligned together.Bastiat also explained in the essay why in a free market no one can accumulate capital unless he uses it in a way that benefits others.The Essay is already read more than a hundred years and it will still be read for another century due to its truths.

    The photographs in this book, the deeply informed narrative that accompanies them, and the eyewitness accounts of daily life that the author weaves throughout, provide a fresh perspective on our early American ancestors and the places they called home. This book is about how their houses and their life in them, from the wealthy to the impoverished, from New York City to the small farms and plantations of the South, from coastal fishing towns to the Western frontier of Indiana and Kentucky. The stories focus on the remarkably vivid differences from one part of the country to the next, class and culture, and the realities of everyday life for American families. These stories twine around a wide selection of HABS photographs of early houses, covering the variety and evolutions of house styles -- not by labeling the style but by explaining the style in the context of everyday life.Richly illustrated with handsome black-and-white photography of old houses from the Library of Congress Historic American Building Survey (HABS) collection and supplemented with period woodcuts, engravings, drawings, paintings, artifacts, and maps, the book is printed on a 4-color press for a depth of tone. Sidebar excerpts from diaries, journals, and letters inject graphic eyewitness descriptions, adding an additional layer of insight. The book also includes sidebars called Still Standing that traces the history of specific houses, from their origins to the present and includes information on the original family, how the house has evolvedover the centuries, and how it's used today.

    This collection of beautiful paintings celebrates the centuries-old iconography of women engaged in needlework, an activity that has always united women from all countries and in all stations of life, whether taken up for practical or artistic purposes.

    Miller illustrates how the American colonies used the Doctrine of Discovery against the Indian nations from 1606 forward. Thomas Jefferson used the doctrine to exert American authority in the Louisiana Territory, to win the Pacific Northwest from European rivals, and to “conquer” the Indian nations. In the broader sense, these efforts began with the Founding Fathers and with Thomas Jefferson’s Corps of Discovery, and eventually the Doctrine of Discovery became part of American law, as it still is today.  Miller shows how Manifest Destiny grew directly out of the legal elements and policies of the Doctrine of Discovery and how Native peoples, whose rights stood in the way of this destiny, were “discovered” and then “conquered.” Miller’s analysis of the principles of discovery brings a new perspective and valuable insights to the study of Jefferson, Lewis and Clark, the Louisiana Purchase, the Pacific Northwest, American expansionism, and U.S. Indian policy. This Bison Books edition includes a new afterword by the author.

    Yet the portraits he painted more than a century ago captivate us today, and he is now widely acclaimed as the finest portrait painter our nation has ever produced. This book recounts the artist’s life in fascinating detail, drawing on a treasure trove of Eakins family correspondence and papers that have only recently been discovered. Never before has Thomas Eakins’s story been told with such drama, clarity, and accuracy. Sidney Kirkpatrick sets the painter’s life and art in the wider context of the changing world he devoted himself to portraying, and he also addresses the artist’s private life—the contradictory impulses, obsessions, and possible psychological illness that fired his work. Kirkpatrick underscores Eakins’s unflinching integrity as an artist and discloses how his profound appreciation of the beauty of the human form was both the source of his greatness and ultimately of his undoing. Nevertheless, the author observes, Eakins has had his “revenge,” inspiring a new generation of realist painters and gaining the recognition that eluded him in life.

    Those two words conjure diverse but powerful images and reactions. Some nod in agreement, while others roll their eyes in contempt. Most people fall somewhat uncomfortably in the middle, between endorsement and rejection, as they struggle with the profound moral, philosophical, and legal questions provoked by the debate. Today, thousands of organizations lobby, agitate, and educate the public on issues concerning the rights and treatment of nonhumans.For the Prevention of Cruelty is the first history of organized advocacy on behalf of animals in the United States to appear in nearly a half century. Diane Beers demonstrates how the cause has shaped and reshaped itself as it has evolved within the broader social context of the shift from an industrial to a postindustrial society.Until now, the legacy of the movement in the United States has not been examined. Few Americans today perceive either the companionship or the consumption of animals in the same manner as did earlier generations. Moreover, powerful and lingering bonds connect the seemingly disparate American Society for the Prevention of Cruelty to Animals of the nineteenth century and the People for the Ethical Treatment of Animals of today. For the Prevention of Cruelty tells an intriguing and important story that reveals society’s often changing relationship with animals through the lens of those who struggled to shepherd the public toward a greater compassion.

    The 350 rare and antique photos in this book, most of them published here for the first time, chronicle the introduction of photography in Japan and early Japanese photography. The images are more than just a history of photography in Japan; they are vital in helping to understand the dramatic changes that occurred in Japan during the mid-nineteenth century.These rare Japanese photographs—whether sensational or everyday, intimate or panoramic—document a nation about to abandon its traditional ways and enter the modern era. Taken between 1853 and 1912 by the most important Japanese and foreign photographers working in Japan, this is the first book to document the history of early photography in Japan a comprehensive and systematic way.

    Focusing on a phenomenon commonly called "women's language," in modern Japanese society, Miyako Inoue considers the history and social effects of this language form. Drawing on ethnographic fieldwork in a contemporary Tokyo corporation to study the everyday linguistic experience of white-collar females office workers and on historical research from the late nineteenth century to 1930, she calls into question the claim that "women's language" is a Japanese cultural tradition of ancient origin and offers a critical geneaology showing the extent to which this language form is, in fact, a cultural construct linked with Japan's national and capitalist modernity. Her theoretically sophisticated, empirically grounded, interdisciplinary work brilliantly illuminates the relationship between culture and language, the nature of power and subject formation in modernity, and how the complex nexus of gender, language, and political economy are experienced in everyday life.

    Clive Merrison stars as Holmes with Michael Williams as Watson in these adventures, part of the unique fully dramatised BBC canon of Conan Doyle's short stories and novels featuring the world-famous sleuth.

    The unprecedented Indian victory over the encroaching Americans who were bent on taking their lands and destroying their culture horrified many and injured the young nation’s pride. Tragedies such as this one have always rallied Americans to a common cause: a single-minded determination to destroy the enemy and avenge the fallen. The August 30, 1813, massacre at Fort Mims, involving hundreds of dead men, women, and children, was just such a spark. Gregory Waselkov tells compellingly the story of this fierce battle at the fortified plantation home of Samuel Mims in the Tensaw District of the Mississippi Territory. With valuable maps, tables, and artifact illustrations, Waselkov looks closely at the battle to cut through the legends and misinformation that have grown around the event almost from the moment the last flames died at the smoldering ruins. At least as important as the details of the battle, though, is his elucidation of how social forces remarkably converged to spark the conflict and how reverberations of the battle echo still today, nearly two hundred years later. A Dan Josselyn Memorial publication

    John Hay, vicar of South Brent, dragged from his church and slaughtered in 1436, Devon has had its fair share of 'murder most foul'. This book recounts several notable cases, from the killing of Sarah and Edward Glass at Wadland Down in 1827, and the poisonings of Samuel Wescombe in Exeter in 1829 and William Ashford at Honiton Clyst in 1866, both by wives whose affections had gones elsewhere; to the horrific murder of Emma Doidge and her boyfriend William Rowe by the former's jilted suitor at Peter Tavey in 1892, the strangling of schoolgirl Alice Gregory in 1916, and the triple murder of Emily Maye and her daughters at West Charleton, Kingsbridge, in 1936, which remains unsolved to this day. Above all, there is an account of Devon's most famous case, the murder of Emma Keyse at Babbacombe and the convicted servant John Lee - the man they couldn't hang. John Van der Kiste's carefully researched, well-illustrated and enthralling text will appeal to anyone interested in the shady side of Devon's history.

    While ruling queens occupied the office of king, they still had to conform to contemporary expectations of womanhood that served as social and political roadblocks to the full exercise of regal power. Charles Beem has identified a specific yet panoramic set of problems facing female rulers throughout British history, from the twelfth century empress Matilda's imaginative efforts to become England's first regnant queen, to Queen Victoria's remarkable exercise of political power during the Bedchamber Crisis of 1839.

    This is the story of how it happened and the people who made it happen. In a fast-moving narrative ranging from London to the harsh terrain of India, Russia and the Far East, Saul David shows how Britain ruthlessly exploited her position as the world's only superpower to expand her empire. Yet little of this territorial acquisition was planned or sanctioned by the home government. Instead it was largely the work of the men on the ground, and to those at home it really did seem that the empire was acquired in a 'fit of absence of mind'. Saul David creates a vivid portrait of life on the violent fringes of empire, and of the seemingly endless and brutal wars that were fought in the name of trade, civilization and the balance of power.'Splendid . . . a terrific treasure-chest of anecdotes . . . a splendidly brisk, cool and judicious narrator' Daily Telegraph 'Incisive and acute . . . thorough and occasionally revelatory, [David] always finds a telling phrase, an eye-catching detail or a human story' Sunday Times Saul David is Professor of War Studies at the University of Buckingham and the author of several critically acclaimed history books, including The Indian Mutiny: 1857 (shortlisted for the Westminster Medal for Military Literature), Zulu: The Heroism and Tragedy of the Zulu War of 1879 (a Waterstone's Military History Book of the Year) and, most recently, Victoria's Wars: The Rise of Empire.

    The Iron Marshal charts the career of Davout from his enlistment as a volunteer in the Republican Army during the Napoleonic era to his appointment as Minister for War in 1815.

    'Studying the Jew' investigates the careers of a few dozen German scholars who forged an interdisciplinary field, drawing upon studies in anthropology, biology, religion, history, and the social sciences to create a comprehensive portrait of the Jew - one with devastating consequences.

    Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective -- more antihero than hero -- is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.

    Strongly inspired by the French Romantics, Tourian produced in the last few years before his death a corpus of forty-odd poems. They have been the touchstone and primer for generations of Armenian symbolists, decadents, and revolutionary realists.Most of Tourian's lyrics address the agony of unrequited love, illness, and the expectancy of death. But they also include visionary flights whose intricacy of language and imagery hark back to the earliest sources of the Armenian tradition.Tourian's complete lyrics are available here for the first time in English, along with an analysis of his poetics and roots and evocations of the fabulous polyglot metropolis of his birth.

    It combines his detailed, accurate and compelling illustrations of scenes recorded as they actually happened with his vivid and gripping memoirs of the campaign. The result is a superb and remarkably detailed evocation of 1812, from the sweeping battle scenes which capture the ordeal of Smolensk and Borodino, to the day-to-day struggle to keep campfires burning and famished men fed. Faber du Faur's plates - admired and highly-regarded primary source material - are here presented, for the first time, complete and in full color. His moving and frank memoirs, edited and translated by Jonathan North, are accompanied by a detailed campaign history and biography of the artist. Napoleon's invasion of Russia is a legendary campaign and a captivating story of endurance, survival and the rigors of total war. Few of the 500,000 men to cross the Niemen in July 1812 were to survive - the French army was decimated by the advance into the heart of Russia, and almost completely destroyed in the epic retreat from Moscow. With Napoleon in Russia is a unique presentation of this epic and an unforgettable depiction of the horrors of war.

    It gives detailed reviews for each cemetery, including where all the most notable people are buried, from Sid James to Karl Marx. The book also reveals some of the fascinating history surrounding London's cemeteries including the Victorian railway line dedicated to transporting the dead, with first and second class tickets for the deceased.

    In Men of Silk, Glenn Dynner draws upon newly discovered Polish archival material and neglected Hebrew testimonies to illuminateHasidism's dramatic ascendancy in the region of Central Poland during the early nineteenth century. Dynner presents Hasidism as a socioreligious phenomenon that was shaped in crucial ways by its Polish context. His social historical analysis dispels prevailing romantic notions about Hasidism.Despite their folksy image, the movement's charismatic leaders are revealed as astute populists who proved remarkably adept at securing elite patronage, neutralizing powerful opponents, and methodically co-opting Jewish institutions. The book also reveals the full spectrum of Hasidic devotees, fromhumble shtetl dwellers to influential Warsaw entrepreneurs.

    In the years before the Civil War, Boston's black leaders helped fight slavery from a vibrant African-American community on Beacon Hill.

    Written especially for this work in lively and accessible language, the essays illuminate what visual forms—including traditional crafts, sculpture, painting and graphic arts, even domestic and museum interiors—can tell us about social conditions, how visual culture has contributed to social values, and how concepts of high and low art have developed. The only work on visual culture to span American history from the early republic to the present and to delve into issues from ethnicity to geography, Seeing High and Low allows readers to follow the evolution of concepts of “high” and “low” art as well as to gain new insight into American history. Arranged roughly chronologically, these generously illustrated essays explore topics including the formative role of visual images in the process of class stratification in the Early Republic; the contribution of media images and paintings to debates on environmental crises, race relations, and urbanization in the late nineteenth century; and the difficulties of engaging with social issues while employing a modernist vocabulary.

    Traveling across oceans and continents, these hard-nosed, pragmatic people began arriving in the 1860s with shovels and plows, convinced they were part of something important. They were. Putting hand to plow and breaking the sod for their first crude homes, these hardy settlers left an indelible thumbprint on American history and on the country’s character. Though many of their ventures ended in failure, their risks permanently enhanced the nation’s diversity and its sense of independence and resourcefulness. 900 Miles from Nowhere is the heartfelt chronicle of the daily lives and personal struggles of Great Plains homesteaders, told in their own voices through many never-before-published letters, diaries, and photographs. Believing absolutely that they could control their own destiny, they bet everything they owned, even in the face of insurmountable obstacles. This is the remarkable and ever-inspiring story of life on the grasslands that stretch from Canada to Mexico.

    Song accompanied the farmer's labors, calmed the herder's flock, and set in motion the spinner's wheel. Today this tradition continues. Music blares on the shop floor; song accompanies transactions in the retail store; the radio keeps the trucker going on the long-distance haul. Now Ted Gioia, author of several acclaimed books on the history of jazz, tells the story of work songs from prehistoric times to the present. Vocation by vocation, Gioia focuses attention on the rhythms and melodies that have attended tasks such as the cultivation of crops, the raising and lowering of sails, the swinging of hammers, the felling of trees. In an engaging, conversational writing style, he synthesizes a breathtaking amount of material, not only from songbooks and recordings but also from travel literature, historical accounts, slave narratives, folklore, labor union writings, and more. He draws on all of these to describe how workers in societies around the world have used music to increase efficiency, measure time, relay commands, maintain focus, and alleviate drudgery.At the same time, Gioia emphasizes how work songs often soar beyond utilitarian functions. The heart-wringing laments of the prison chain gang, the sailor’s shanties, the lumberjack’s ballads, the field hollers and corn-shucking songs of the American South, the pearl-diving songs of the Persian Gulf, the rich mbube a cappella singing of South African miners: Who can listen to these and other songs borne of toil and hard labor without feeling their sweep and power? Ultimately, Work Songs, like its companion volume Healing Songs, is an impassioned tribute to the extraordinary capacity of music to enter into day-to-day lives, to address humanity’s deepest concerns and most heartfelt needs.

    Includes an active table of contents for easy navigation.Charles Darwin (1809-1882) was an English scientist and naturalist. Darwin is the originator of the the theory of Evolution by means of natural selection.This unexpurgated edition contains the complete text with errors and omissions corrected.

    Most of these black founders were originally slaves from America who had sought freedom with the British during the American Revolution only to find themselves abandoned and unemployed in England when the war was over. Pybus' stories include the notorious runaway 'Black Caesar', who became our first bushranger, and the wonderfully subversive Billie Blue, who was the first ferryman on Sydney Harbour, after whom Blues Point is named.

     Before Jack the Ripper terrorized London, Police Inspector Samuel Ravenscroft patrolled the grimy streets of Whitechapel – but he’s no Inspector Abberline. Malvern, 1887. Clever and hard-working, Ravenscroft nonetheless has the worst record in the force. He lets a murderer escape during a chase and is banished to the spa town of Malvern for a water treatment to cure his asthma. MURDER FOLLOWS THE INSPECTOR Ravenscroft accepts a dinner invitation from a new acquaintance, Jabez Pitzer. Before the dinner gong can sound, the maid finds Pitzer slumped over his desk – dead. Ravenscroft sees two glasses on a small side table. One has a powdery residue at the bottom and the faint smell of bitter almonds. A BODY IN THE LIBRARY Ravenscroft immediately recognizes the signs – Pitzer has been poisoned. But the local authorities are reluctant to believe there is a murderer in Malvern. He may be recovering his strength, but Ravenscroft has all his wits intact. He finds himself pulled into the investigation. Hungry to prove himself, Ravenscroft is determined to solve the case. But the bodies mount up. Someone is killing local luminaries. WHO WILL BE NEXT? A mysterious woman in black was witnessed speaking to each of the victims. Who is she and why does death seem to follow her? And does a local cartel of businessmen have anything to do with it? RAVENSCROFT IS OUT OF THE SMOKE BUT MALVERN HAS ITS OWN DEADLY FIRES THE MALVERN MURDERS is packed with delicious dialogue, sly humour and Victorian atmosphere.

    They flocked to the studios of French artists like Jean-Léon Gérôme, William Bouguereau, and others, dreamed of showing their work at the annual Paris Salon, and watched intently as new styles such as Impressionism began to take hold. Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences and taste makers.This beautifully illustrated book traces the role of American artists in Paris from the Salon des Refusés, in 1863, to the emergence of a uniquely American style of painting at the turn of the century. It includes iconic images by John Singer Sargent, James Abbott McNeill Whistler, Mary Cassatt, and Winslow Homer, and by many other artists whose names and work were more widely known then than now.Engaging essays written by notable scholars explore why artists were drawn to Paris, how they responded to what they found there, and what they retained of their experience. In addition, the significance of the Expositions Universelles, the French view of American artists in Paris, and the role these artists played in shaping the great American collections of modern French painting are discussed. Featuring more than 100 paintings, the essays are followed by artists’ biographies, an illustrated, annotated list of works, and a complete bibliography.

    The private photographic albums of Queen Alexandra, wife of King Edward VII, provide a fascinating insight into the lives of the royal families of Europe from the 1880s to the First World War.

    Newton-Stanard's story is a romantic tale, creating a picture of the writer that may be true to the spirit if not to the letter. In many instances the words and opinions placed in Poe's mouth are his own, extracted from his published works or his letters.

    Woolf and other critics pointed out that early modern prose is full of things but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Sundberg Wall argues that the shift involved not just literary representation but an evolution in cultural perception. In The Prose of Things, Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, The Prose of Things is the first full account of the historic shift in the art of describing.

    Todd Smith traces the differing histories of Texas’s Native peoples. He begins in 1786, when the Spaniards concluded treaties with the Comanches and the Wichitas, among others, and traces the relations between the Native peoples and the various Euroamerican groups in Texas and the Near Southwest, an area encompassing parts of Texas, Louisiana, Arkansas, and Oklahoma. For the first half of this period, the Native peoples—including the Caddos, the Karankawas, the Tonkawas, the Lipan Apaches, and the Atakapas as well as emigrant groups such as the Cherokees and the Alabama-Coushattas—maintained a numerical superiority over the Euroamericans that allowed them to influence the region’s economic, military, and diplomatic affairs. After Texas declared its independence, however, the power of Native peoples in Texas declined dramatically, and along with it, their ability to survive in the face of overwhelming hostility. From Dominance to Disappearance illuminates a poorly understood chapter in the history of Texas and its indigenous people.

    During the years that overlap between the fin-de-siecle and the Belle Epoque, women began to write in record numbers, due to a number of factors including educational reforms and demographic shifts. This trend terrified many male literary critics, who described it as the crisis of women's writing in a series of efforts to circumscribe the perceived problem. Such critics frequently linked women's writing to sexual depravity. According to popular medical theories, the fragile confluence of the female mind and body might steer the woman writer towards illicit sexual behavior when she exercised her intellect.This book argues, however, that the fear of sexual abandon--though real--veiled an even more insidious fear: that women might be capable of intellectual equality with men and thus pose a threat to the most basic structures of French patriarchal society. In demonstrating the pervasiveness of this anxiety through analysis of nineteenth-century medical texts, literary criticism, and fiction, The Hysteric's Revenge brings into relief a critical relationship between the female mind and body that is essential to understanding the discursive position of the turn-of-the-century woman writer.The novels presented here confront this mind/body problem through a wide variety of styles and genres that challenge conventional fin-de-siecle notions of femininity. From the compelling autobiography of Liane de Pougy--one of Paris's most renowned courtesans--to Colette's frank discussions of female pleasure in one of her early novels, to the violent creativity of Rachilde's androgynous heroine, Mesch demonstrates how both canonical and non-canonical writers promoted women's intellectual authority through the development of a sexual counter-discourse. In engaging the relationship between women's minds and bodies, these novels challenge the conclusions of a century of doctors who sought to prove a physiological basis for female intellectual inferiority. At the same time, they point the way towards later French feminists who sought to subvert patriarchal structures through literary explorations of sexuality.

    Maureen Fitzgerald argues that their championing of the rights of the poor—especially poor women—resulted in an explosion of state-supported services and programs. Parting from Protestant belief in meager and means-tested aid, Irish Catholic nuns argued for an approach based on compassion for the poor. Fitzgerald positions the nuns' activism as resistance to Protestantism's cultural hegemony. As she shows, Roman Catholic nuns offered strong and unequivocal moral leadership in condemning those who punished the poor for their poverty and unmarried women for sexual transgression. Fitzgerald also delves into the nuns' own communities, from the class-based hierarchies within the convents to the political power they wielded within the city. That power, amplified by an alliance with the local Irish Catholic political machine, allowed the women to expand public charities in the city on an unprecedented scale.

    "An excellent and extremely valuable book that I believe is capable of revolutionizing scholarly interpretations of Hegel's philosophy." -- John Russon, University of Guelph

    With that, the visual markers of class membership and manly behavior underwent a radical change. In The Cut of His Coat: Men, Dress, and Consumer Culture in Britain, 1860–1914, Brent Shannon examines familiar novels by authors such as George Eliot, Anthony Trollope, Thomas Hughes, and H. G. Wells, as well as previously unexamined etiquette manuals, period advertisements, and fashion monthlies, to trace how new ideologies emerged as mass-produced clothes, sartorial markers, and consumer culture began to change. While Victorian literature traditionally portrayed women as having sole control of class representations through dress and manners, Shannon argues that middle-class men participated vigorously in fashion. Public displays of their newly acquired mannerisms, hairstyles, clothing, and consumer goods redefined masculinity and class status for the Victorian era and beyond. The Cut of His Coat probes the Victorian disavowal of men's interest in fashion and shopping to recover men's significant role in the representation of class through self-presentation and consumer practices.

    Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a boring old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism, Toril Moi makes a powerful case not just for Ibsen's modernity, but also for his modernism.Henrik Ibsen and the Birth of Modernism situates Ibsen in his cultural context, emphasizes his position as a Norwegian in European culture, and shows how important painting and other visual arts were for his aesthetic education. The book rewrites literary history, reminding modern readers that idealism was the dominant aesthetic paradigm of the nineteenth century. Modernism was born in the ruins of idealism, Moi argues, thus challenging traditional theories of the opposition between realism and modernism.By reading Ibsen's modernist plays as investigations of the fate of love in an age of skepticism, Moi shows why Ibsen still matters to us. In this book, Ibsen's plays are showed to be profoundly concerned by theater and theatricality, both on stage and in everyday life. Ibsen's unsettling explorations of women, men and marriage here emerge as chronicles of the tension between skepticism and the everyday, and between critique and utopia in modernity.This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert and Manet as a founder of European modernism.

    Aspects of music--from the mathematics of tuning to the music of the celestial spheres--were primarily studied as science until the seventeenth century. In the nineteenth century, although scientists were less interested in the music of the spheres than the natural philosophers of earlier centuries, they remained committed to understanding the world of performing musicians and their instruments. In Harmonious Triads, Myles Jackson analyzes the relationship of physicists, musicians, and instrument makers in nineteenth-century Germany. Musical instruments provided physicists with experimental systems, and physicists' research led directly to improvements in musical-instrument manufacture and assisted musicians in their performances. Music also provided scientists with a cultural resource, which forged acquaintances and future collaborations.Jackson discusses experiments in acoustical vibrations that led to the invention of musical instruments and describes work with adiabatic phenomena that resulted in the improvement of the reed pipe, used by organ builders. He examines the collaborations of physicists and mechanicians aimed at standardizing beat and pitch and considers debates stirred by the standardization of aesthetic qualities. He describes the importance for scientists of choral societies as a vehicle for social life and cultural unity. Finally, he discusses a subject that occupied both physicists and musicians of the era: Could physicists, using the universal principles of mechanics, explain musical skill? Was the virtuosity of a Paganini or a Liszt somehow quantifiable? Jackson's historical consideration of questions at the intersection of music and physics shows us how each discipline helped shape the other.

    This book, the first comprehensive study of Pictorialism in Europe, analyses the remarkable diversity of approaches taken by photographers across the continent whose practice was infused with contemporary debate about photography's relationship to art. Written by an international team of art and photography historians, Impressionist Camera examines the ways in which practitioners realized their pictorial vision, from the re-creation of Academic painting in photography to the use of soft focus to lend images an impressionistic quality. Also explored are the cross-currents with photography in America - where Pictorialism went on to flourish - including the seminal work of Alfred Stieglitz.

    During this period warfare among the peoples of the eastern Savannah, and in particular the three most significant native states - the Sokoto Caliphate, the ancient kingdom of Bornu, and the somewhat less ancient state of Bagirmi - was largely dominated by cavalry, and a significant proportion of these mounted troops were armored.This groundbreaking book covers the period that began with the Sokoto jihad in 1804 and ended with the extinction of the Savannah states by the European colonial powers at the turn of the 20th century. In addition to providing a brief outline history of the three states, it examines in detail the arms, equipment and methods of warfare used by their armored 'knights' and infantry, and includes in addition sections on their horses, artillery, flags, fortifications, and clothing. It is illustrated throughout with contemporary photographs and engravings.

    Dozens of encounters, both great and small, involved many of its races as either friends or foes of Britain - indeed, it was not unusual for an area to furnish both ally and enemy at the same time! This volume covers the British, Indian and Anglo-Indian troops who fought for The Honourable East India Company and Britain over the varied landscape of what is present day Afghanistan, India, Pakistan and Bangladesh, between the years 1826 and 1859.The vast array of uniforms and dress worn by soldiers serving in India during this period is examined in detail, and extensive information is also provided on regimental Colours. The book's nine chapters cover the campaign in Bhurtpore (1825-26); the Coorg campaign (1834); the First Afghan War (1839-42); the conquest of Sind (1843); the campaign against Gwalior (1843); the Sikh Wars (1845-46 and 1848-49); actions on the North-West Frontier (1849-58); the Santhal Rebellion (1855-56); and the Indian Mutiny (1857-59).Each of these chapters includes uniform information specific to the campaign covered, while that on the Indian Mutiny also includes details of Mutineer dress. Many orders of battle and battle-plans are also included. Illustrations comprise 199 drawings of troop types and flags, and 27 other illustrations and maps

    Southern sympathizers in the North (known as Copperheads) never came close to producing anything that matched its influence. One of the more interesting attempts was Fort Lafayette; or, Love and Secession (1862). The novel--which features liberal doses of love and lust, intrigue and violence, loyalty and death--is by no means great literature. It does, however, lay claim to being the only pacifist novel of the Civil War. Wood hoped to persuade his readers of the moral wrong, the folly, and the dangers to republican government of the war in which the country was engaged. The novel underscores the deep connections between Americans on both sides of the sectional conflict, the pain of their severance, and the suffering brought about by war.For this reissue, Menahem Blondheim has provided a detailed introduction to the novel, the politics of the era, and Wood's life and career. Two of Wood's Congressional speeches are also included.

    Historians have examined the foreign policy of Wilhelmine and Nazi Germany that led to two world wars. William Young examines the continuity of German Foreign Office influence in the formulation of foreign policy under the leadership of Otto von Bismarck (1862-1890), Kaiser William II (1888-1918), the Weimar Republic (1919-1933), and Adolf Hitler (1933-1945). He stresses the role and influence of strong German leaders in the making of policy and the conduct of foreign relations. German Diplomatic Relations 1871-1945 will be of value to individuals interested in the history of Germany, Modern Europe, and International Relations.

    This original, witty, illustrated study, now available for the first time in paperback, offers the first analytical history of the rise and development of literary tourism in nineteenth-century Britain, associated with authors from Shakespeare, Gray, Keats, Burns and Scott, the Bronte sisters, and Thomas Hardy.

    Patricia Warner shows how this profound cultural shift, which did not reach fruition until World War II, originated during the previous century with the gradual expansion of socially acceptable physical activity for women. Behind this development was a growing interest in sports and exercise that was further nurtured by the establishment of schools of higher education for women.The participation of women in athletic pursuits previously reserved for men began with the relatively genteel sports of croquet and tennis. With the founding of women's colleges, these "ladylike" games were supplemented by more vigorous activities and competitive team sports, from gymnastics to swimming to basketball. At first, Warner points out, women literally had nothing to wear for these activities. Whereas such fashionable attire as corsets, petticoats, hats, and gloves could be worn while playing outdoor lawn games, more strenuous athletic endeavors required less physically restrictive clothing. Even so, change came only gradually, as women's colleges, shielded from public scrutiny and prying male eyes, permitted the adoption of looser, more comfortable apparel for physical education. Many of these new outfits featured trousers, garments considered taboo for women, though they often remained hidden beneath voluminous skirts.Over time, however, the practicality and versatility of such clothing led to social acceptance, laying the foundation for the emergence of the now ubiquitous yet distinctly American style known as sportswear. Although we take it for granted, Warner observes, this is the first time in the history of the world that such universality has existed in clothing, and it has lasted now for well over half a century—in itself a marvel, considering the speed of fashion change in an era of instant messages and images.

    Their intense mutual hatred was both ideologically driven and deeply personal. Their vitriolic duels, carried out over decades, lend profound insight into the social and political currents that dominated Victorian England. To Disraeli—a legendary dandy descended from Sephardic Jews—his antagonist was an "unprincipled maniac" characterized by an "extraordinary mixture of envy, vindictiveness, hypocrisy, and superstition." For the conservative aristocrat Gladstone, his rival was "the Grand Corrupter," whose destruction he plotted "day and night, week by week, month by month." In the tradition of Roy Jenkins and A. N. Wilson, Richard Aldous has written an outstanding political biography, giving us the first dual portrait of this intense and momentous rivalry. Aldous's vivid narrative style—by turns powerful, witty, and stirring—brings new life to the Gladstone and Disraeli story and confirms a perennial truth: in politics, everything is personal.

    Both William Whewell and John Stuart Mill believed that by reforming philosophy—including the philosophy of science—they could effect social and political change. But their divergent visions of this societal transformation led to a sustained and spirited controversy that covered morality, politics, science, and economics. Situating their debate within the larger context of Victorian society and its concerns, Reforming Philosophy shows how two very different men captured the intellectual spirit of the day and engaged the attention of other scientists and philosophers, including the young Charles Darwin. Mill—philosopher, political economist, and Parliamentarian—remains a canonical author of Anglo-American philosophy, while Whewell—Anglican cleric, scientist, and educator—is now often overlooked, though in his day he was renowned as an authority on science. Placing their teachings in their proper intellectual, cultural, and argumentative spheres, Laura Snyder revises the standard views of these two important Victorian figures, showing that both men’s concerns remain relevant today.  A philosophically and historically sensitive account of the engagement of the major protagonists of Victorian British philosophy, Reforming Philosophy is the first book-length examination of the dispute between Mill and Whewell in its entirety. A rich and nuanced understanding of the intellectual spirit of Victorian Britain, it will be welcomed by philosophers and historians of science, scholars of Victorian studies, and students of the history of philosophy and political economy.

    No one believed a black man could be an engineer; nevertheless, McCoy devised a solution to one of the greatest problems facing steam locomotion.

    It draws on travel narratives, literary texts, and scientific literature to show the diversity of European (especially British) responses to the Indian environment and the ways in which these contributed to the wider colonizing process. Through its close examination of the correlation between tropicality and "otherness," and of science as a means of colonial appropriation, the book offers a new interpretation of the history of colonial India and a critical contribution to the understanding of environmental history and the tropical world. It will be of interest to historians of the environment, science, and colonialism; South Asianists; and cultural and environmental anthropologists and geographers.