In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of the queen's tumultuous life, beginning with the young girl, struggling to survive Versailles's rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Weber's queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion--the vehicle she used to secure her triumphs--was also the means of her undoing. Weber's book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of history's most controversial figures.

    In an era when women were rarely permitted any serious schooling, this twenty-seven-year-old’s nimble conversation and unusual brilliance led Voltaire, then in his late thirties, to wonder, “Why did you only reach me so late?” They fell immediately and passionately in love.Through the prism of their tumultuous fifteen-year relationship we see the crumbling of an ancient social order and the birth of the Enlightenment. Together the two lovers rebuilt a dilapidated and isolated rural chateau at Cirey where they conducted scientific experiments, entertained many of the leading thinkers of the burgeoning scientific revolution, and developed radical ideas about the monarchy, the nature of free will, the subordination of women, and the separation of church and state. But their time together was filled with far more than reading and intellectual conversation. There were frantic gallopings across France, sword fights in front of besieged German fortresses, and a deadly burning of Voltaire’s books by the public executioner at the base of the grand stairwell of the Palais de Justice in Paris. The pair survived court intrigues at Versailles, narrow escapes from agents of the king, a covert mission to the idyllic lakeside retreat of Frederick the Great of Prussia, forays to the royal gambling tables (where Emilie put her mathematical acumen to lucrative use), and intense affairs that bent but did not break their bond.Along with its riveting portrait of Voltaire as a vulnerable romantic, Passionate Minds at last does justice to the supremely unconventional life and remarkable achievements of Emilie du Châtelet—including her work on the science of fire and the nature of light. Long overlooked, her story tells us much about women’s lives at the time of the Enlightenment. Equally important, it demonstrates how this graceful, quick-witted, and attractive woman worked out the concepts that would lead directly to the “squared” part of Einstein’s revolutionary equation: E=mc2.Based on a rich array of personal letters, as well as writings from houseguests, neighbors, scientists, and even police reports, Passionate Minds is both panoramic and intimate in feeling. It is an unforgettable love story and a vivid rendering of the birth of modern ideas.

    Featuring beautiful color photographs of the exhibition’s installation, details of the garments, and supplementary historical material, the book demonstrates how the extravagant clothing of the period reiterated the splendor of Rococo and Neoclassical interiors.

    Her reign, the longest in Russian Imperial history, lasted from 1762 until her death in 1796; during those years she built on the work begun by her most famous predecessor, Peter the Great, to establish Russia as a major European power and to transform its new capital, St Petersburg, into a city to rival Paris and London in the beauty of its architecture, the glittering splendor of its Court and the magnificence of its art collections. Yet the great Catherine was not even Russian by birth and had no legitimate claim to the Russian throne; she seized it and held on to it, through wars, rebellions and plagues, by the force of her personality, by her charm and determination, and by an unshakable belief in her own destiny. This is the story of Catherine the woman, whom power alone could never satisfy, for she also wanted love, affection, friendship and humor. She found these in letter-writing, in grandchildren, in gardens, architecture and greyhounds--as well as in a succession of lovers which gave rise to salacious rumors throughout Europe. The real Catherine, however, was more interesting than any rumor. Using many of Catherine's own words from her voluminous correspondence and other documents, as well as contemporary accounts by courtiers, ambassadors and foreign visitors, Virginia Rounding penetrates the character of this most powerful, fascinating and surprisingly sympathetic of eighteenth-century women.

    And when her worst fear is realized, she finds herself doubly cursed. She is overwhelmed by grief, and her property and rights are now legally in the hands of her nearest male relative: her daughter's overbearing husband, whom Lyddie cannot abide. Lyddie decides to challenge both law and custom for control of her destiny, but she soon discovers the price of her bold "war" for personal freedom to be heartbreakingly dear.Includes the fascinating "story behind the story" of The Widow's War, a map of colonial Brewster, and a driving tour of the village of Satucket.

    Nagel brings the formidable Marie-Thérèse to life, along with the age of revolution and the waning days of the aristocracy, in a page-turning biography that will appeal to fans of Antonia Fraser's Marie Antoinette and Amanda Foreman's Georgiana: Duchess of Devonshire.In December 1795, at midnight on her seventeenth birthday, Marie-Thérèse, the only surviving child of Marie Antoinette and Louis XVI, escaped from Paris's notorious Temple Prison. To this day many believe that the real Marie-Thérèse, traumatized following her family's brutal execution during the Reign of Terror, switched identities with an illegitimate half sister who was often mistaken for her twin. Was the real Marie-Thérèse spirited away to a remote castle to live her life as the woman called "the Dark Countess," while an imposter played her role on the political stage of Europe? Now, two hundred years later, using handwriting samples, DNA testing, and an undiscovered cache of Bourbon family letters, Nagel finally solves this mystery. She tells the remarkable story in full and draws a vivid portrait of an astonishing woman who both defined and shaped an era. Marie-Thérèse's deliberate choice of husbands determined the map of nineteenth-century Europe. Even Napoleon was in awe and called her "the only man in the family." Nagel's gripping narrative captures the events of her fascinating life from her very public birth in front of the rowdy crowds and her precocious childhood to her hideous time in prison and her later reincarnation in the public eye as a saint, and, above all, her fierce loyalty to France throughout.

    In this book, Gail Marsh looks at some of the techniques and tools that embroiderers of the day used to create their stunning items of clothing.

    These singular conditions prompted revolutionary modes of thought, novel sensibilities, and constant debate about the relations between men and women. Such an atmosphere also stimulated outrageous behavior, from James Boswell's copulating on Westminster Bridge to the Prince Regent's attempt to seduce a woman by pleading, sobbing, and stabbing himself with a pen-knife.  And nowhere was London's lewdness and iconoclasm more vividly represented than its satire.City of Laughter chronicles the rise and fall of a great tradition of ridicule and of the satirical, humorous, and widely circulated prints that sustained it. Focusing not on the polished wit upon which polite society prided itself, but rather on malicious, sardonic and satirical humor--humor that was bawdy, knowing and ironic--Vic Gatrell explores what this tradition says about Georgian views of the world and about their own pretensions. Taking the reader into the clubs and taverns where laughter flowed most freely, Gatrell examines how Londoners laughed about sex, scandal, fashion, drink and similar pleasures of life.Combining words and images-including more than 300 original drawings by Cruikshank, Gillray, Rowlandson, and others--City of Laughter  offers a brilliantly original panorama of the era,  providing a ground-breaking reappraisal of a period of  change and a unique account of the origins of our attitudes toward sex, celebrity and satire today.

    This text turns aside from the official portraits and great historical events to rediscover the private places and objects that reflect Marie Antoinettes personality and reveal her more directly to our modern gaze.

    Block analyzes the legal, social, and cultural implications of more than nine hundred documented incidents of sexual coercion and hundreds more extralegal commentaries found in almanacs, newspapers, broadsides, and other print and manuscript sources. Highlighting the gap between reports of coerced sex and incidents that were publicly classified as rape, Block demonstrates that public definitions of rape were based less on what actually happened than on who was involved. She challenges conventional narratives that claim sexual relations between white women and black men became racially charged only in the late nineteenth century. Her analysis extends racial ties to rape back into the colonial period and beyond the boundaries of the southern slave-labor system. Early Americans' treatment of rape, Block argues, both enacted and helped to sustain the social, racial, gender, and political hierarchies of a New World and a new nation.

    The photographs in this book, the deeply informed narrative that accompanies them, and the eyewitness accounts of daily life that the author weaves throughout, provide a fresh perspective on our early American ancestors and the places they called home. This book is about how their houses and their life in them, from the wealthy to the impoverished, from New York City to the small farms and plantations of the South, from coastal fishing towns to the Western frontier of Indiana and Kentucky. The stories focus on the remarkably vivid differences from one part of the country to the next, class and culture, and the realities of everyday life for American families. These stories twine around a wide selection of HABS photographs of early houses, covering the variety and evolutions of house styles -- not by labeling the style but by explaining the style in the context of everyday life.Richly illustrated with handsome black-and-white photography of old houses from the Library of Congress Historic American Building Survey (HABS) collection and supplemented with period woodcuts, engravings, drawings, paintings, artifacts, and maps, the book is printed on a 4-color press for a depth of tone. Sidebar excerpts from diaries, journals, and letters inject graphic eyewitness descriptions, adding an additional layer of insight. The book also includes sidebars called Still Standing that traces the history of specific houses, from their origins to the present and includes information on the original family, how the house has evolvedover the centuries, and how it's used today.

    Miller illustrates how the American colonies used the Doctrine of Discovery against the Indian nations from 1606 forward. Thomas Jefferson used the doctrine to exert American authority in the Louisiana Territory, to win the Pacific Northwest from European rivals, and to “conquer” the Indian nations. In the broader sense, these efforts began with the Founding Fathers and with Thomas Jefferson’s Corps of Discovery, and eventually the Doctrine of Discovery became part of American law, as it still is today.  Miller shows how Manifest Destiny grew directly out of the legal elements and policies of the Doctrine of Discovery and how Native peoples, whose rights stood in the way of this destiny, were “discovered” and then “conquered.” Miller’s analysis of the principles of discovery brings a new perspective and valuable insights to the study of Jefferson, Lewis and Clark, the Louisiana Purchase, the Pacific Northwest, American expansionism, and U.S. Indian policy. This Bison Books edition includes a new afterword by the author.

    This collection of beautiful paintings celebrates the centuries-old iconography of women engaged in needlework, an activity that has always united women from all countries and in all stations of life, whether taken up for practical or artistic purposes.

    For while Boucher's art charmed nouveau riche buyers and titled patrons, this was not always the case with critics, and modern scholarship has done little to challenge Diderot's eventual judgment that to admire Boucher's work is to be a stranger to "real taste, to the truth, to just ideas, and to the seriousness of art." This engaging study examines the motives behind the contemporaneous critical response to Boucher's picturesque repertoire of amorous peasants, blithe aristocrats, and fanciful mythological scenes, and to the rococo style in general. The vision of t rococo (feminine, aristocratic, decadent) and of Boucher (facile, libertine, debauched) that lingers in modern art history was invented by eighteenth-century critics bent on reform, both aesthetic and political. Exploring how the discrediting of Boucher and his school intersected with cultural debates about gender and class, this account of Boucher's art should persuade critics and admirers alike to take another, more considered look.

    The unprecedented Indian victory over the encroaching Americans who were bent on taking their lands and destroying their culture horrified many and injured the young nation’s pride. Tragedies such as this one have always rallied Americans to a common cause: a single-minded determination to destroy the enemy and avenge the fallen. The August 30, 1813, massacre at Fort Mims, involving hundreds of dead men, women, and children, was just such a spark. Gregory Waselkov tells compellingly the story of this fierce battle at the fortified plantation home of Samuel Mims in the Tensaw District of the Mississippi Territory. With valuable maps, tables, and artifact illustrations, Waselkov looks closely at the battle to cut through the legends and misinformation that have grown around the event almost from the moment the last flames died at the smoldering ruins. At least as important as the details of the battle, though, is his elucidation of how social forces remarkably converged to spark the conflict and how reverberations of the battle echo still today, nearly two hundred years later. A Dan Josselyn Memorial publication

    Yet in 1759, Wolfe's victory, bought at the cost of his life, ensured that English, not French, would become the dominant language in North America. But was there more to James Wolfe than a celebrated death? This book seeks to answer that question.

    John Hay, vicar of South Brent, dragged from his church and slaughtered in 1436, Devon has had its fair share of 'murder most foul'. This book recounts several notable cases, from the killing of Sarah and Edward Glass at Wadland Down in 1827, and the poisonings of Samuel Wescombe in Exeter in 1829 and William Ashford at Honiton Clyst in 1866, both by wives whose affections had gones elsewhere; to the horrific murder of Emma Doidge and her boyfriend William Rowe by the former's jilted suitor at Peter Tavey in 1892, the strangling of schoolgirl Alice Gregory in 1916, and the triple murder of Emily Maye and her daughters at West Charleton, Kingsbridge, in 1936, which remains unsolved to this day. Above all, there is an account of Devon's most famous case, the murder of Emma Keyse at Babbacombe and the convicted servant John Lee - the man they couldn't hang. John Van der Kiste's carefully researched, well-illustrated and enthralling text will appeal to anyone interested in the shady side of Devon's history.

    The Iron Marshal charts the career of Davout from his enlistment as a volunteer in the Republican Army during the Napoleonic era to his appointment as Minister for War in 1815.

    These Neo-Palladians guided the course of British architecture toward classical principles, and the Vitruvius Britannicus (British Vitruvius) reflects their vision. A sumptuous collection of magnificent copperplate engravings, it depicts great English country houses and public buildings.Published between 1715 and 1725 in a three-folio set, the Vitruvius Britannicus documents in meticulous detail many of the buildings from the previous two centuries. Its 300 illustrations include facades, ground plans, exterior elevations, and perspective views. Featured buildings include those designed by Inigo Jones, the seventeenth-century architect who introduced Palladianism to England; the work of Sir John Vanbrugh, whose innovative Classical-Revival architecture retained a Baroque flair; and contemporary designs, including those of the author, Scottish architect Colen Campbell.The popularity of this volume fostered the development of the Neo-Palladian movement, and Vitruvius Britannicus continues to influence architects and designers. Handsome and modestly priced, this new edition is an essential complement to any design library.

    Kate Retford probes this much-loved genre to trace the values and meanings behind these compositions.While early images by artists such as Arthur Devis depicted sitters stiffly posed, later in the century scenes of affection and intimacy were created by portraitists like Thomas Gainsborough and Joshua Reynolds. In the country-house collections, portraits first emphasized ancestry and inherited virtue, but later emphasized the domestic merits of the family. The Art of Domestic Life contributes a wealth of visual evidence to the history of the family. It offers important insights into both the innovations and traditions in family portraiture of this period, drawing on in-depth research into paintings, the lives of the sitters depicted, and the domestic spaces in which portraits were hung.Published for the Paul Mellon Centre for Studies in British Art

    Since his second novel, Once Two Heroes, Baker has continued to be acclaimed by the major media from the Los Angeles Times to Esquire. Now, with Dominion, Baker has written a lush, incantatory novel about three generations of an African American family in the years leading up to the Revolutionary War. Dominion tells the story of the Merian family who, at the close of the seventeenth century, settle in the wilderness of the Carolinas. Jasper is the patriarch, freed from bondage, who manages against all odds to build a thriving estate with his new wife and two sons — one enslaved, the other free. For one hundred years, the Merian family struggles against the natural (and occasionally supernatural) world, colonial politics, the injustices of slavery, the Revolutionary War and questions of fidelity and the heart. Footed in both myth and modernity, Calvin Baker crafts a rich, intricate and moving novel, with meditations on God, responsibility, and familial legacies. While masterfully incorporating elements of the world’s oldest and greatest stories, the end result is a bold contemplation of the origins of America.

    But Magda declines to use her wish because she is perfectly happy; besides, she doesn't believe in witches. Little does she know how that refusal will forever change her life. In twenty-first-century New York, Maggie McDonald and her husband desperately want to have a child. While they wait for a procedure at a fertility clinic, a Scottish nurse named Annie promises to grant them a baby … if that's their wish. When Maggie awakens, she finds herself round with child in the eighteenth century and panics. Magda has also been catapulted through time, waking up in a hospital bed in New York and she's not pregnant anymore. When she goes home with a man who claims to be her husband, she searches for clues to the identity of this Maggie McDonald, whose body she now inhabits. Why is Magda here? And why is she no longer pregnant? As the two women become familiar with their new worlds, they find themselves on emotional paths of self-discovery but will they find the way home before it's too late?

    Strickland argues that Leibniz's theory has been consistently misunderstood by previous commentators. In the process Strickland provides both an elucidation and reinterpretation of a number of concepts central to Leibniz's work, such as 'richness', 'simplicity', 'harmony' and 'incompossibility', and shows where previous attempts to explain these concepts have failed. This clear and concise study is tightly focussed and assumes no prior acquaintance with Leibniz or optimism. It thus serves as an ideal entry point into Leibniz's philosophy.

    Song accompanied the farmer's labors, calmed the herder's flock, and set in motion the spinner's wheel. Today this tradition continues. Music blares on the shop floor; song accompanies transactions in the retail store; the radio keeps the trucker going on the long-distance haul. Now Ted Gioia, author of several acclaimed books on the history of jazz, tells the story of work songs from prehistoric times to the present. Vocation by vocation, Gioia focuses attention on the rhythms and melodies that have attended tasks such as the cultivation of crops, the raising and lowering of sails, the swinging of hammers, the felling of trees. In an engaging, conversational writing style, he synthesizes a breathtaking amount of material, not only from songbooks and recordings but also from travel literature, historical accounts, slave narratives, folklore, labor union writings, and more. He draws on all of these to describe how workers in societies around the world have used music to increase efficiency, measure time, relay commands, maintain focus, and alleviate drudgery.At the same time, Gioia emphasizes how work songs often soar beyond utilitarian functions. The heart-wringing laments of the prison chain gang, the sailor’s shanties, the lumberjack’s ballads, the field hollers and corn-shucking songs of the American South, the pearl-diving songs of the Persian Gulf, the rich mbube a cappella singing of South African miners: Who can listen to these and other songs borne of toil and hard labor without feeling their sweep and power? Ultimately, Work Songs, like its companion volume Healing Songs, is an impassioned tribute to the extraordinary capacity of music to enter into day-to-day lives, to address humanity’s deepest concerns and most heartfelt needs.

    Tie-in to a BBC1 series, this is a major history of the Household Cavalry, which consists of the Life Guards, the Blues and Royals - the oldest and most senior regiment in the British Army.

    It was a massive, brutal and terrifying event, which completely changed the governments of England, Scotland and Ireland and which was only achieved through overwhelming violence. Initiated by a large Dutch army marching through southern England and climaxing in a series of the most terrible battles ever fought on Irish soil, the revolution by which William III seized James II' kingdoms could only for a very narrow and exclusively English viewpoint be called 'glorious'.Many thousands died during the Revolution, an event that marked a new and final orientation for Britain that, except for a large part of Ireland, has endured to the present day. Revolution brilliantly captures the sense that this was a great turning point in Britain's history, but also shows how severe a price was paid to achieve this.

    We also read about the nearly forgotten genius, David Bushnell, whose submarine was as amazing a feat for the 18th century as space travel was for the 20th. The innovation of this one individual, along with the encouragement of such luminaries as Thomas Jefferson, George Washington, and Benjamin Franklin, epitomized the ingenuity and potential of the new nation.

    Woolf and other critics pointed out that early modern prose is full of things but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Sundberg Wall argues that the shift involved not just literary representation but an evolution in cultural perception. In The Prose of Things, Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, The Prose of Things is the first full account of the historic shift in the art of describing.

    Todd Smith traces the differing histories of Texas’s Native peoples. He begins in 1786, when the Spaniards concluded treaties with the Comanches and the Wichitas, among others, and traces the relations between the Native peoples and the various Euroamerican groups in Texas and the Near Southwest, an area encompassing parts of Texas, Louisiana, Arkansas, and Oklahoma. For the first half of this period, the Native peoples—including the Caddos, the Karankawas, the Tonkawas, the Lipan Apaches, and the Atakapas as well as emigrant groups such as the Cherokees and the Alabama-Coushattas—maintained a numerical superiority over the Euroamericans that allowed them to influence the region’s economic, military, and diplomatic affairs. After Texas declared its independence, however, the power of Native peoples in Texas declined dramatically, and along with it, their ability to survive in the face of overwhelming hostility. From Dominance to Disappearance illuminates a poorly understood chapter in the history of Texas and its indigenous people.

    Each question of Westminster's Shorter Catechism prompts numerous questions from the author-over 4400 in all. The author provides remarkably succinct answers, each of which is supported by Scripture. We know of no catechetical work that packs so much Reformed doctrinal truth in such a short compass. Brown is a master at providing pungent, scripturally-based, Christ-centered, sound, and experiential answers that can be understood readily by both older teenagers and adults. We have often turned to this practical work in preparing for teaching catechism class, and have found it more helpful than any other not only in its answers, but also in its questions! If you'd like a succinct handbook that asks thousands of good questions and provides wise and pastoral answers, buy and read this book. Read it slowly-a few pages in an evening will suffice, and then meditate and pray about it." --Joel R. Beeke

    A selection of 165 letters from the owner of Strawberry Hill

    Although he is too often dismissed as a painter of superficial boudoir scenes, this book reveals him to be a an artist whose strikingly varied range includes scenes of everyday family and country life. The sheer energy of his pencil and brush, combined with his rapid stroke and cheerful use of color, brings his subjects to life with vividness and imagination.

    Stories of Shipwrecks, Curses, Intriguing Epitaphs, Tragedies, Forgotten Wars, Pilgrim Love Stories, Puritan History and more. BONUS -Includes the names of all who are buried here plus an index and map to facilitate the locating of individual grave sites.

    Their revival in the modern theatre has been among the most remarkable phenomena in the history of the art. But they are still too little understood, or studied, and until recently no reliable modern editions existed. This long-awaited book is the sequel to l>Handel's Operas 1704-1726/l>, published in 1987. It is the first study in depth of Handel's last twenty-two operas, including major masterpieces such as l>Orlando/l>, l>Ariodante/l> and l>Alcina/l> and the brilliant lighter works l>Partenope/l>, l>Serse/l> and l>Imeneo/l>. Each chapter contains a full synopsis and study of the libretto, a detailed assessment of the opera's musical and (often misunderstood) dramatic qualities, a performance history, and comparison of the different versions. Much new material has been incorporated. In addition four general chapters throw a vivid light on the historical background. Two Epilogues touch on Handel's dramatic vision, the revival of his operas in the twentieth century, and their performance today. There are a number of valuable Appendices. Together with its predecessor, the book provides the first complete overview of these works. WINTON DEAN is the most distinguished British authority on the life and work of Handel; he has also written extensively on opera in general.

    Robert Markley explores the significance of attitudes to the wealth and power of East Asia in rethinking conceptions of national and personal identity in seventeenth- and early eighteenth-century English literature. Alongside works by canonical English authors, this study examines the writings of Jesuit missionaries, Dutch merchants, and English and continental geographers, who directly contended with the challenges that China and Japan posed to visions of western cultural and technological superiority. Questioning conventional Eurocentric histories, in this 2006 book Markley examines the ways in which the writings of Milton, Dryden, Defoe and Swift deal with the complexities of a world in which England was marginalised and which, until 1800, was dominated - economically at least - by the empires of the Far East.

    Duffy demonstrates that a thorough understanding of Deleuze's Spinozism is necessary in order to fully engage with Deleuze's philosophy of difference.

    This work assembles new research on Boucher's drawings, situating the work in its cultural context.

    Marlborough's triumph on that day ranks alongside Blenheim as one of the great feats of his extraordinary military career. The French army was shattered physically and morally and, as a result, Marlborough's army overran almost all of the Spanish Netherlands in the next six weeks, and gained an unshakeable advantage over the armed might of Louis XIV's France during the long War of the Spanish Succession. In this expert guide to the battle and the battlefield, James Falkner offers a gripping and authoritative account of the campaign and the action, and he takes the reader across the battleground itself, relating the course of the fighting to the terrain as it can be viewed today.

    While her husband fought on the King of England's side, Lady Anne made the unheard-of move of calling the clan to battle for the other side, for Bonnie Prince Charlie, who was Charles Stuart and the rightful king of Scotland. In those days, any man who raised a regiment became its colonel. Lady Anne did not ride into battle (although the English newspapers accused her of it) but ever since that time she was known to Scotland and to history as "Colonel Anne."

    Lavishly illustrated, this eclectic and lively collection of essays by historians, art historians, and literary scholars examines the many ways furniture of this period reflects the complex social and cultural issues that shaped this century in both Europe and America. In addition to furniture and portraiture, this diverse compilation considers literature, account books, and handbooks, allowing for a revealing look at how these furnishings created, contested, and subverted their cultures on both sides of the Atlantic. Ultimately, these essays make the past come alive, showing us what made this furniture meaningful in its own time, and why it is still meaningful today.

    It draws on travel narratives, literary texts, and scientific literature to show the diversity of European (especially British) responses to the Indian environment and the ways in which these contributed to the wider colonizing process. Through its close examination of the correlation between tropicality and "otherness," and of science as a means of colonial appropriation, the book offers a new interpretation of the history of colonial India and a critical contribution to the understanding of environmental history and the tropical world. It will be of interest to historians of the environment, science, and colonialism; South Asianists; and cultural and environmental anthropologists and geographers.