Having left Restoration England in the midst of a messy scandal, she has been living in Louis XIV’s Baroque, mannered France for two years. Now she is returning home to England and anxious to re-establish herself quickly. First, she will regain her former position as a maid of honor to Charles II’s queen. Then she will marry the most celebrated duke of the Restoration, putting herself in a position to attain power she’s only dreamed of. As a duchess, Alice will be able to make or break her friends and enemies at will. But all is not as it seems in the rowdy, merry court of Charles II. Since the Restoration, old political alliances have frayed, and there are whispers that the king is moving to divorce his barren queen, who some wouldn’t mind seeing dead. But Alice, loyal only to a select few, is devoted to the queen, and so sets out to discover who might be making sinister plans, and if her own father is one of them. When a member of the royal family dies unexpectedly, and poison is suspected, the stakes are raised. Alice steps up her efforts to find out who is and isn’t true to the queen, learns of shocking betrayals throughout court, and meets a man that she may be falling in love with—and who will spoil all of her plans. With the suspected arrival of a known poison-maker, the atmosphere in the court electrifies, and suddenly the safety of the king himself seems uncertain. Secret plots are at play, and war is on the horizon—but will it be with the Dutch or the French? And has King Charles himself betrayed his country for greed? The long-awaited prequel to Koen’s beloved Through a Glass Darkly, Dark Angels is a feast of a novel that sparkles with all the passion, extravagance, danger, and scandal of seventeenth-century England. Unforgettable in its dramatic force, here is a novel of love and politics, of romance and betrayal, of power and succession—and of a resourceful young woman who risks everything for pride and status in an era in which women were afforded little of either.From the Hardcover edition.

    and us that belong to him, to give order for our removal to-day. Some nasty Dutchmen came on board to proffer their boats to carry things from us on shore, &c., to get money by us. Before noon some gentlemen came on board from the shore to kiss my Lord's hands. And by and by Mr. North and Dr. Clerke went to kiss the Queen of Bohemia's' hands, from my Lord, with twelve attendants from on board to wait on them, among which I sent my boy, who, like myself, is with child to see any strange thing. After noon they came back again after having kissed the Queen of Bohemia's hand, and were sent again by my Lord to do the same to the Prince of Orange. Son of the Prince of Orange and Mary, eldest daughter of Charles I.

    ...his practical instructions should benefit both students and working actors." -Library Journal, starred review

    Portraits, both literary and visual, were an important part of the cultural production of the court, reflecting the spirit of the age as much as the characteristics of the individuals portrayed. The magnificent oil paintings of court women are some of the most sumptuous of all works of art.The first new study of Restoration portraiture in nearly twenty years, this book looks at some of the most beautiful and fascinating portraits of court women of the period, from royal brides and daughters to mistresses and actresses. By studying the context in which their portraits were produced against the biographies and reputations of the women themselves, this book sheds new light on one of the most complex and intriguing areas of British art history. Essays by international scholars explore the cultural context of the Restoration court, sexual politics and the role of women at court, the making and meaning of women's portraits and the critical history of Restoration portraiture. These are supplemented by a lavishly illustrated catalogue of 120 portraits by some of the most important artists of the time, including Lely and Kneller, together with biographies of the sitters themselves.

    They captured almost all the villagers and bore them away to a life of slavery in North Africa. The prisoners were destined for a variety of fates -- some would live out their days chained to the oars as galley slaves, while others would spend long years in the scented seclusion of the harem or within the walls of the Sultan's palace. The old city of Algiers, with its narrow streets, intense heat and lively trade, was a melting pot where the villagers would join slaves and freemen of many nationalities. Only two of them ever saw Ireland again.The Sack of Baltimore was the most devastating invasion ever mounted by Islamist forces on Ireland or England. Des Ekin's exhaustive research illuminates the political intrigues that ensured the captives were left to their fate, and provides a vivid insight into the kind of life that would have awaited the slaves amid the souks and seraglios of old Algiers.The Stolen Village is a fascinating tale of international piracy and culture clash nearly 400 years ago and is the first book to cover this relatively unknown and under-researched incident in Irish history.Shortlisted for the Argosy Irish Nonfiction Book of the Year Award

    Charles II is well established at White Hall Palace, his mistress at hand in rooms over the Holbein bridge, the heads of some of the regicides on public display. London seethes with new energy, freed from the strictures of the Protectorate, but many of its inhabitants have lost their livelihoods. One is Thomas Chaloner, a reluctant spy for the feared Secretary of State, John Thurloe, and now returned from Holland in desperate need of employment. His erstwhile boss, knowing he has many enemies at court, recommends Thomas to Lord Clarendon, but in return demands that Thomas keep him informed of any plot against him. But what Thomas discovers is that Thurloe had sent another ex-employee to White Hall and he is dead, supposedly murdered by footpads near the Thames. Chaloner volunteers to investigate his killing: instead he is despatched to the Tower to unearth the gold buried by the last Governor. He discovers not treasure, but evidence that greed and self-interest are uppermost in men's minds whoever is in power, and that his life has no value to either side.

    The photographs in this book, the deeply informed narrative that accompanies them, and the eyewitness accounts of daily life that the author weaves throughout, provide a fresh perspective on our early American ancestors and the places they called home. This book is about how their houses and their life in them, from the wealthy to the impoverished, from New York City to the small farms and plantations of the South, from coastal fishing towns to the Western frontier of Indiana and Kentucky. The stories focus on the remarkably vivid differences from one part of the country to the next, class and culture, and the realities of everyday life for American families. These stories twine around a wide selection of HABS photographs of early houses, covering the variety and evolutions of house styles -- not by labeling the style but by explaining the style in the context of everyday life.Richly illustrated with handsome black-and-white photography of old houses from the Library of Congress Historic American Building Survey (HABS) collection and supplemented with period woodcuts, engravings, drawings, paintings, artifacts, and maps, the book is printed on a 4-color press for a depth of tone. Sidebar excerpts from diaries, journals, and letters inject graphic eyewitness descriptions, adding an additional layer of insight. The book also includes sidebars called Still Standing that traces the history of specific houses, from their origins to the present and includes information on the original family, how the house has evolvedover the centuries, and how it's used today.

    This collection of beautiful paintings celebrates the centuries-old iconography of women engaged in needlework, an activity that has always united women from all countries and in all stations of life, whether taken up for practical or artistic purposes.

    Oliver Cromwell was both its greatest battlefield commander and the political leader whose position depended on its support. In this meticulously researched and accessible new study, Keith Roberts describes how Cromwell's army was recruited, inspired, organized, trained and equipped. He also sets its strategic and tactical operation in the context of the theory and practice of warfare in seventeenth-century Europe.

    This book, the first of its kind, examines Stuart England through the mirror of dress. It argues that both artistic and literary sources can be read and decoded for important information on dress and the way it was perceived in a period of immense political, social, and cultural change.Focusing on the rich visual culture of the seventeenth century, including portraits, engravings, fashion plates, and sculpture, and on literary sources—poetry, drama, essays, sermons—the distinguished historian of dress Aileen Ribeiro creates a fascinating account of Stuart dress and how it both reflected and influenced society. Supported by a wealth of illustrative images, she explores such varied themes as court costumes, the masque, the ways in which political and religious ideologies could be expressed in dress, and the importance of London as a fashion center. This beautiful book is an indispensable and authoritative account of what people wore and how it related to Stuart England’s cultural climate.

    In Jamestown, the Buried Truth, William Kelso takes us literally to the soil where the Jamestown colony began, unearthing the James Fort and its contents to reveal fascinating evidence of the lives and deaths of the first settlers, of their endeavors and struggles, and of their relationships with the Virginia Indians. He offers up a lively but fact-based account, framed around a narrative of the archaeological team's exciting discoveries.Once thought to have been washed away by the James River, James Fort still retains much of its structure, including palisade walls, bulwarks, interior buildings, a well, a warehouse, and several pits, and more than 500,000 objects have been cataloged, half dating to the time of Queen Elizabeth and King James. Artifacts especially reflective of life at James Fort include an ivory compass, Cabasset helmets and breastplates, glass and copper beads and ornaments, ceramics, tools, religious icons, a pewter flagon, and personal items. Dr. Kelso and his team of archaeologists have discovered the lost burial of one of Jamestown's early leaders, presumed to be Captain Bartholomew Gosnold, and the remains of several other early settlers, including a young man who died of a musket ball wound. In addition, they've uncovered and analyzed the remains of the foundations of Jamestown's massive capitol building.Refuting the now decades-old stereotype that attributed the high mortality rate of the Jamestown settlers to their laziness and ineptitude, Jamestown, the Buried Truth produces a vivid picture of the settlement that is far more complex, incorporating the most recent archaeology to give Jamestown its rightful place in history and thus contributing to a broader understanding of the transatlantic world.

    To most, they are simply known as "the Pilgrims." Perhaps the name of Governor William Bradford, Elder William Brewster, or Captain Myles Standish are vaguely familiar; but the vast majority of the Mayflower passengers have remained anonymous and nameless. In The Mayflower and Her Passengers, I have attempted to resurrect the unique individuality of each passenger by providing short biographies for each person or family group. Also included is a groundbreaking new biography of the Mayflower ship itself.

    During this period, new technology on the battlefield posed deadly challenges for the mounted warrior; but they also stimulated change, and the knight moved with the times. Having survived the longbow devastation at Crecy, Poitiers and Agincourt, he emerged triumphant, his armor lighter and more effective, and his military skills indispensable. This was the great age of the orders of chivalry and the freemasonry of arms that bound together comrades and adversaries in a tight international military caste. Such men as Bertrand du Guesclin and Sir John Chandos loom large in the pages of this book - bold leaders and brave warriors, imbued with these traditions of chivalry and knighthood. How their heroic endeavors and the knightly code of conduct could be reconciled with the indiscriminate carnage of the 'chevauchee' and the depradations of the 'free companies' is one of the principal themes of this book.

    John Hay, vicar of South Brent, dragged from his church and slaughtered in 1436, Devon has had its fair share of 'murder most foul'. This book recounts several notable cases, from the killing of Sarah and Edward Glass at Wadland Down in 1827, and the poisonings of Samuel Wescombe in Exeter in 1829 and William Ashford at Honiton Clyst in 1866, both by wives whose affections had gones elsewhere; to the horrific murder of Emma Doidge and her boyfriend William Rowe by the former's jilted suitor at Peter Tavey in 1892, the strangling of schoolgirl Alice Gregory in 1916, and the triple murder of Emily Maye and her daughters at West Charleton, Kingsbridge, in 1936, which remains unsolved to this day. Above all, there is an account of Devon's most famous case, the murder of Emma Keyse at Babbacombe and the convicted servant John Lee - the man they couldn't hang. John Van der Kiste's carefully researched, well-illustrated and enthralling text will appeal to anyone interested in the shady side of Devon's history.

    It was a massive, brutal and terrifying event, which completely changed the governments of England, Scotland and Ireland and which was only achieved through overwhelming violence. Initiated by a large Dutch army marching through southern England and climaxing in a series of the most terrible battles ever fought on Irish soil, the revolution by which William III seized James II' kingdoms could only for a very narrow and exclusively English viewpoint be called 'glorious'.Many thousands died during the Revolution, an event that marked a new and final orientation for Britain that, except for a large part of Ireland, has endured to the present day. Revolution brilliantly captures the sense that this was a great turning point in Britain's history, but also shows how severe a price was paid to achieve this.

    Portraiture especially served the dynastic pretensions of the absolutist ruler, Duke Cosimo and his consort, Eleonora di Toledo, and was part of a Herculean programme of propaganda to establish legitimacy and prestige for the new sixteenth-century Florentine court.In this engaging and original study, Gabrielle Langdon analyses selected portraits of women by Jacopo Pontormo, Agnolo Bronzino, Alessandro Allori, and other masters. She defines their function as works of art, as dynastic declarations, and as encoded documents of court culture and propaganda, illuminating Cosimo's conscious fashioning of his court portraiture in imitation of the great courts of Europe. Langdon explores the use of portraiture as a vehicle to express Medici political policy, such as with Cosimo's Hapsburg and Papal alliances in his bid to be made Grand Duke with hegemony over rival Italian princes.Stories from archives, letters, diaries, chronicles, and secret ambassadorial briefs, open up a world of fascinating, personalities, personal triumphs, human frailty, rumour, intrigue, and appalling tragedies. Lavishly illustrated, "Medici Women: Portraits of Power, Love and Betrayal in the Court of Duke Cosimo I" is an indispensable work for anyone with a passion for Italian renaissance history, art, and court culture.

    Official court painter to King Philip IV (1605–1665), he created astounding effects of illusion in his minimalist and elegantly composed works––which range from genre and history scenes to portraits. His paintings had an enormous impact on 19th- and early-20th-century artists such as Degas, Renoir, and Picasso, and Manet famously first described him as “the painter’s painter.”With over 150 illustrations and an in-depth chronology, this beautifully produced and comprehensive book surveys Velázquez’s entire career and explores his universal popularity. Fascinating essays by world-class Velázquez scholars address the artist’s life and technique, examining his studies in Seville and Italy to his final great works at the court of Philip IV. They also place his works in the context of 17th-century European painting and discuss how and why his works have resonated so strongly with the generations of Post-Impressionist and modernist artists.

    Now, Antonia Fraser goes behind the well-known tales of Louis’s accomplishments and follies, exploring in riveting detail his intimate relationships with women.The king’s mother, Anne of Austria, had been in a childless marriage for twenty-two years before she gave birth to Louis XIV. A devout Catholic, she instilled in her son a strong sense of piety and fought successfully for his right to absolute power. In 1660, Louis married his first cousin, Marie-Thérèse, in a political arrangement. While unfailingly kind to the official "Queen of Versailles," Louis sought others to satisfy his romantic and sexual desires. After a flirtation with his sister-in-law, his first important mistress was Louise de La Vallière, who bore him several children before being replaced by the tempestuous and brilliant Athénaïs, marquise de Montespan. Later, when Athénaïs’s reputation was tarnished, the king continued to support her publicly until Athénaïs left court for a life of repentance. Meanwhile her children’s governess, the intelligent and seemingly puritanical Françoise de Maintenon, had already won the king’s affections; in a relationship in complete contrast to his physical obsession with Athénaïs, Louis XIV lived happily with Madame de Maintenon for the rest of his life, very probably marrying her in secret. When his grandson’s child bride, the enchanting Adelaide of Savoy, came to Versaille she lightened the king’s last years—until tragedy struck.With consummate skill, Antonia Fraser weaves insights into the nature of women’s religious lives—as well as such practical matters as contraception—into her magnificent, sweeping portrait of the king, his court, and his ladies.

    This vivid portrait of the tragic king, set against potential conflict and civil war offers a different perspective on art and collecting in England.

    Although colorblind casting has been practiced for half a century now, it still inspires vehement controversy and debate.This collection of fourteen original essays explores both the production history of colorblind casting in cultural terms and the theoretical implications of this practice for reading Shakespeare in a contemporary context.

    Davies' study provides an essential insight into the emergence of Russia as a great power.For nearly three centuries, Russia vied with the Crimean Khanate, the Polish-Lithuanian Commonwealth and the Ottoman Empire for mastery of the Ukraine and the fertile steppes above the Black Sea, a region of great strategic and economic importance - arguably the pivot of Eurasia at the time.The long campaign took a great toll upon Russia's population, economy and institutions, and repeatedly frustrated or redefined Russian military and diplomatic projects in the West.The struggle was every bit as important as Russia's wars in northern and central Europe for driving the Russian state-building process, forcing military reform and shaping Russia's visions of Empire.

    Stories of Shipwrecks, Curses, Intriguing Epitaphs, Tragedies, Forgotten Wars, Pilgrim Love Stories, Puritan History and more. BONUS -Includes the names of all who are buried here plus an index and map to facilitate the locating of individual grave sites.

    Closely researched, teeming with dramatic incident and vivid character, The Last Revolution brings to life the revolutionary world of the late seventeenth century.

    Robert Markley explores the significance of attitudes to the wealth and power of East Asia in rethinking conceptions of national and personal identity in seventeenth- and early eighteenth-century English literature. Alongside works by canonical English authors, this study examines the writings of Jesuit missionaries, Dutch merchants, and English and continental geographers, who directly contended with the challenges that China and Japan posed to visions of western cultural and technological superiority. Questioning conventional Eurocentric histories, in this 2006 book Markley examines the ways in which the writings of Milton, Dryden, Defoe and Swift deal with the complexities of a world in which England was marginalised and which, until 1800, was dominated - economically at least - by the empires of the Far East.

    Duffy demonstrates that a thorough understanding of Deleuze's Spinozism is necessary in order to fully engage with Deleuze's philosophy of difference.

    By giving center stage to objects—levers, inclined planes, beams, pendulums, springs, and falling and projected bodies—Domenico Bertoloni Meli provides a unique and comprehensive portrayal of mechanics as practitioners understood it at the time.Bertoloni Meli reexamines such major texts as Galileo’s Dialogues Concerning Two New Sciences, Descartes’ Principles of Philosophy, and Newton’s Principia, and in them finds a reliance on objects that has escaped proper understanding. From Pappus of Alexandria to Guidobaldo dal Monte, Bertoloni Meli sees significant developments in the history of mechanical experimentation, all of them crucial for understanding Galileo. Bertoloni Meli uses similarities and tensions between dal Monte and Galileo as a springboard for exploring the revolutionary nature of seventeenth-century mechanics.Examining objects helps us appreciate the shift from the study to the practice of mechanics and challenges artificial dichotomies among practical and conceptual pursuits, mathematics, and experiment.

    Vauban under Siege is the first systematic comparison of the theory of Vaubanian siegecraft with its reality, contrasting military engineering's pursuit of the efficient siege with generals' contradictory search for rapid conquest, purchased at the cost of additional lives.

    Focused on the years 1640 to 1642, it examines stresses and fractures in social, political, and religious culture, andthe emergence of an unrestrained popular press. Hundreds of people not normally seen in historical surveys make appearances here, in a drama much larger than the struggle of king and parliament. Historians commonly assert that royalists and parliamentarians parted company over issues of principle, constitutional scruples, and religious belief, but a more complex picture emerges from the environment of anxiety, mistrust, and fear.Rather than seeing England's revolutionary transformation as a product of the civil war, as has been common among historians, David Cressy finds the world turned upside down in the two years preceding the outbreak of hostilities. The humbling of Charles I, the erosion of the royal prerogative, andthe rise of an executive parliament were central features of the revolutionary drama of 1640-1642. The collapse of the Laudian ascendancy, the splintering of the established church, the rise of radical sectarianism, and the emergence of an Anglican resistance all took place in these two years beforethe beginnings of bloodshed. The world of public discourse became rapidly energized and expanded, in counterpoint with an exuberantly unfettered press and a deeply traumatized state.These linked processes, and the disruptive contradictions within them, made this a time of shaking and of prayer. England's elite encountered multiple transgressions, some more imagined than real, involving lay encroachments on the domain of the clergy, lowly intrusions into matters of state, thecity clashing with the court, the street with institutions of government, and women undermining the territories of men. The simultaneity, concatenation, and cumulative, compounding effect of these disturbances added to their ferocious intensity, and helped to bring down England's ancien regime. Thiswas the revolution before the Revolution, the revolution that led to civil war.

    It surveys the development of Russia through the Mongol invasions to the expansion of the Muscovite state in the sixteenth and seventeenth centuries and deals with political, social, economic and cultural issues under the Riurikid and early Romanov rulers. The volume is organised on a primarily chronological basis, but a number of general themes are also addressed, including the bases of political legitimacy; law and society; the interactions of Russians and non-Russians; and the relationship of the state with the Orthodox Church. The international team of authors incorporates the latest Russian and Western scholarship and offers an authoritative new account of the formative 'pre-Petrine' period of Russian history, before the process of Europeanisation had made a significant impact on society and culture.