Brace yourselves. May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the knights' Christian stronghold on the island of Malta. The Turks know the knights as the "Hounds of Hell." The knights call themselves "The Religion." In Messina, Sicily, a French countess, Carla La Penautier, seeks passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amid the most spectacular siege in military history, they must try to find the boy--whose name they do not know and whose face they have never seen--and pluck him from the jaws of Holy War. The Religion is the first book of the Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another world and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.

    Was she the bereft widow of legend who was driven mad by her loss, or has history misjudged a woman who was ahead of her time? In his stunning new novel, C. W. Gortner challenges the myths about Queen Juana, unraveling the mystery surrounding her to reveal a brave, determined woman we can only now begin to fully understand.The third child of Queen Isabel and King Ferdinand of Spain, Juana is born amid her parents’ ruthless struggle to unify their kingdom, bearing witness to the fall of Granada and Columbus’s discoveries. At the age of sixteen, she is sent to wed Philip, the archduke of Flanders, as part of her parents’ strategy to strengthen Spain, just as her youngest sister, Catherine of Aragon, is sent to England to become the first wife of Henry VIII. Juana finds unexpected love and passion with her handsome young husband, the sole heir to the Habsburg Empire. At first she is content with her children and her life in Flanders. But when tragedy strikes and she inherits the Spanish throne, Juana finds herself plunged into a battle for power against her husband that grows to involve the major monarchs of Europe. Besieged by foes on all sides, her intelligence and pride used as weapons against her, Juana vows to secure her crown and save Spain from ruin, even if it could cost her everything.With brilliant, lyrical prose, novelist and historian C. W. Gortner conjures Juana through her own words, taking the reader from the somber majesty of Spain to the glittering and lethal courts of Flanders, France, and Tudor England. The Last Queen brings to life all the grandeur and drama of an incomparable era, and the singular humanity of this courageous, passionate princess whose fight to claim her birthright captivated the world.

    . . I am to die when I have hardly begun to live. Historical expertise marries page-turning fiction in Alison Weir’s enthralling debut novel, breathing new life into one of the most significant and tumultuous periods of the English monarchy. It is the story of Lady Jane Grey–“the Nine Days’ Queen” –a fifteen-year-old girl who unwittingly finds herself at the center of the religious and civil unrest that nearly toppled the fabled House of Tudor during the sixteenth century. The child of a scheming father and a ruthless mother, for whom she is merely a pawn in a dynastic game with the highest stakes, Jane Grey was born during the harrowingly turbulent period between Anne Boleyn’s beheading and the demise of Jane’s infamous great-uncle, King Henry VIII. With the premature passing of Jane’ s adolescent cousin, and Henry’s successor, King Edward VI, comes a struggle for supremacy fueled by political machinations and lethal religious fervor. Unabashedly honest and exceptionally intelligent, Jane possesses a sound strength of character beyond her years that equips her to weather the vicious storm. And though she has no ambitions to rule, preferring to immerse herself in books and religious studies, she is forced to accept the crown, and by so doing sets off a firestorm of intrigue, betrayal, and tragedy. Alison Weir uses her unmatched skills as a historian to enliven the many dynamic characters of this majestic drama. Along with Lady Jane Grey, Weir vividly renders her devious parents; her much-loved nanny; the benevolent Queen Katherine Parr; Jane’s ambitious cousins; the Catholic “Bloody” Mary, who will stop at nothing to seize the throne; and the Protestant and future queen Elizabeth. Readers venture inside royal drawing rooms and bedchambers to witness the power-grabbing that swirls around Lady Jane Grey from the day of her birth to her unbearably poignant death. Innocent Traitor paints a complete and compelling portrait of this captivating young woman, a faithful servant of God whose short reign and brief life would make her a legend.

    ...his practical instructions should benefit both students and working actors." -Library Journal, starred review

    These acclaimed titles brim with intrigue, romance, and adventure--and are sure to engage readers of all ages.

    Drawing on a wide array of sources, including contemporary letters, inventories, and archaeological surveys, it offers a completely fresh and in-depth exploration of the fascinating domestic world of Renaissance Italy. This fascinating, innovative book is sure to become a key reference and visual resource for students of art and design, history and archaeology, and anyone with an interest in the everyday life and material culture of the Italian Renaissance.

    This collection of beautiful paintings celebrates the centuries-old iconography of women engaged in needlework, an activity that has always united women from all countries and in all stations of life, whether taken up for practical or artistic purposes.

    While ruling queens occupied the office of king, they still had to conform to contemporary expectations of womanhood that served as social and political roadblocks to the full exercise of regal power. Charles Beem has identified a specific yet panoramic set of problems facing female rulers throughout British history, from the twelfth century empress Matilda's imaginative efforts to become England's first regnant queen, to Queen Victoria's remarkable exercise of political power during the Bedchamber Crisis of 1839.

    Portraiture especially served the dynastic pretensions of the absolutist ruler, Duke Cosimo and his consort, Eleonora di Toledo, and was part of a Herculean programme of propaganda to establish legitimacy and prestige for the new sixteenth-century Florentine court.In this engaging and original study, Gabrielle Langdon analyses selected portraits of women by Jacopo Pontormo, Agnolo Bronzino, Alessandro Allori, and other masters. She defines their function as works of art, as dynastic declarations, and as encoded documents of court culture and propaganda, illuminating Cosimo's conscious fashioning of his court portraiture in imitation of the great courts of Europe. Langdon explores the use of portraiture as a vehicle to express Medici political policy, such as with Cosimo's Hapsburg and Papal alliances in his bid to be made Grand Duke with hegemony over rival Italian princes.Stories from archives, letters, diaries, chronicles, and secret ambassadorial briefs, open up a world of fascinating, personalities, personal triumphs, human frailty, rumour, intrigue, and appalling tragedies. Lavishly illustrated, "Medici Women: Portraits of Power, Love and Betrayal in the Court of Duke Cosimo I" is an indispensable work for anyone with a passion for Italian renaissance history, art, and court culture.

    During this period, new technology on the battlefield posed deadly challenges for the mounted warrior; but they also stimulated change, and the knight moved with the times. Having survived the longbow devastation at Crecy, Poitiers and Agincourt, he emerged triumphant, his armor lighter and more effective, and his military skills indispensable. This was the great age of the orders of chivalry and the freemasonry of arms that bound together comrades and adversaries in a tight international military caste. Such men as Bertrand du Guesclin and Sir John Chandos loom large in the pages of this book - bold leaders and brave warriors, imbued with these traditions of chivalry and knighthood. How their heroic endeavors and the knightly code of conduct could be reconciled with the indiscriminate carnage of the 'chevauchee' and the depradations of the 'free companies' is one of the principal themes of this book.

    By four o'clock that afternoon the sea was red with blood. It was a victory of the west-the first major victory of Europeans against the Ottoman Empire. In this compelling piece of narrative history, Niccolo Capponi describes the clash of cultures that led to this crucial confrontation and takes a fresh look at the bloody struggle at sea between oared fighting galleys and determined men of faith. As a description of the age-old conflict between Christianity and Islam, it is a story that resonates today.

    Thrust by her ambitious relatives into the glittering orbit of the mighty Tudor monarch, Catherine was bound to beguile him with her passion, sensuality, and vibrant youth even as the shadow of the executioner's ax fell over her.

    Although colorblind casting has been practiced for half a century now, it still inspires vehement controversy and debate.This collection of fourteen original essays explores both the production history of colorblind casting in cultural terms and the theoretical implications of this practice for reading Shakespeare in a contemporary context.

    In 1530, at the age of fifty-four, he set out on his successful and bloody conquest of Peru, thus changing the future of a continent and its peoples forever. It was a long way from his humble beginnings as an illiterate, illegitimate pig-herder. Within these pages Stuart Stirling tells the story of adversity and tragedy which was the life of Francisco Pizarro. By the standards of the time, Pizarro was an elderly man when he conquered Peru. He had served as a foot soldier in Spain's Italian wars and later earned a living as an Indian fighter and slaver. Audacious, ruthless and cruel, Pizarro had a surprising and almost fatalistic belief in the Indies as an escape from his illegitimacy. Luck also played a major part in his invasion of Peru - Pizarro's 200 men should not have been able to defeat the indigenous army of more than 30,000, but they did. However, the Spanish conquest saw few happy endings, even for Pizarro, who was now rich beyond his wildest dreams. Eleven years after the conquest, he was assassinated by his one-time Spanish allies. Stuart Stirling's researches in the Archives of the Indies in Seville enable him to present an accurate portrait of Pizarro as a man of his time, and to place even his most infamous act - the killing of the Inca king Atahualpa - within context. This book brings the man to life against a turbulent background of exploration, discovery, empire building and a clash of cultures.

    Davies' study provides an essential insight into the emergence of Russia as a great power.For nearly three centuries, Russia vied with the Crimean Khanate, the Polish-Lithuanian Commonwealth and the Ottoman Empire for mastery of the Ukraine and the fertile steppes above the Black Sea, a region of great strategic and economic importance - arguably the pivot of Eurasia at the time.The long campaign took a great toll upon Russia's population, economy and institutions, and repeatedly frustrated or redefined Russian military and diplomatic projects in the West.The struggle was every bit as important as Russia's wars in northern and central Europe for driving the Russian state-building process, forcing military reform and shaping Russia's visions of Empire.