Walker has extensively interviewed American soldiers, Los Alamos scientists, and Japanese survivors that were involved in the bombing, and thus is able to tell the story through truly alive-on-the-page characters. The result is a narrative that—without either trivializing the tragedy of the bombing or ignoring its importance in WWII’s end—tells the real story of why and how one of the most important events of the 20th century took place. Shockwave might not change anyone’s opinion about the justification of the Hiroshima bombing, but it will provide readers with an unprecedented viewpoint that is sure to educate and enthrall its audience.

    1955-1956 and 1957-1958 packed in a sturdy custom box designed especially for this set. The perfect gift item.The Complete Peanuts 1955-1956 takes us into the mid-1950s as Linus learns to talk, Snoopy begins to explore his eccentricities (including his hilarious first series of impressions), Lucy's unrequited crush on Schroeder takes final shape, and Charlie Brown becomes…well, even more Charlie Brown-ish! Over half of the strips in this volume have never been printed since their original appearance in newspapers a half-century ago! Even the most dedicated Peanuts collector/fan is sure to find many new treasures.In The Complete Peanuts 1957-1958, Peanuts definitively enters its golden age. Linus, who had just learned to speak in the previous volume, becomes downright eloquent and even begins to fend off Lucy's bullying; even so, his security neurosis becomes more pronounced, including a harrowing two-week "Lost Weekend" sequence of blanketlessness. Charlie Brown cascades further down the hill to loserdom, with spectacularly lost kites, humiliating baseball losses (including one where he becomes "the Goat" and is driven from the field in a chorus of BAAAAHs); at least his newly acquired "pencil pal" affords him some comfort. Pig-Pen, Shermy, Violet, and Patty are also around, as is an increasingly Beethoven-fixated Schroeder. But the rising star is undoubtedly Snoopy. He's at the center of the most graphically dynamic and action-packed episodes (the ones in which he attempts to grab Linus's blanket at a dead run). He even tentatively tries to sleep on the crest of his doghouse roof once or twice, with mixed results. And his imitations continue apace, including penguins, anteaters, sea monsters, vultures and (much to her chagrin) Lucy. No wonder the beagle is the cover star not only of this volume but also of the beautiful collector's slipcase to this set!Charles M. Schulz was born November 25, 1922 in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It Or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Post—as well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanuts—and that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate). The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day—and the day before his last strip was published—having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand—an unmatched achievement in comics.

    Sally Mann came to the attention of the public in 1992, with a series of intimate portraits of her children and her reputation has risen since then.

    "Elvis by the Presleys" is a uniquely fascinating treasure and serves as the essential companion to a major television special on CBS and, from Sony BMG, a longer-form documentary DVD and its related CD. Culled from hours of new family interviews conducted for the television special and DVD (much of it appearing exclusively in this book), enhanced with Elvis quotes, and illustrated with private family photographs and images of personal memorabilia from the archives of Graceland/Elvis Presley Enterprises, "Elvis by the Presleys" is an extraordinary document about an extraordinary figure. In all, the book is the compelling result of a historic gathering of voices of those who not only witnessed from the wings Elvis Presley's public life, but also knew the superstar out of the spotlight. His former wife Priscilla Presley, their daughter Lisa Marie Presley, his cousin Patsy Presley Geranen, Priscilla's parents, and members of the combined and extended families sensitively and candidly share their intimate perspective on the real person, while at the same time celebrating one of America's greatest stars. As Priscilla Presley puts it in" Elvis by the Presleys," "Who can think of Elvis without thinking of Graceland?" Here Graceland is seen as a teeming family retreat, where the kitchen was the center of operations; where tag football games were played in the yard; where folks drove golf carts up and down the hills; and where Elvis spent many of his happiest times. "Elvis by the Presleys" reveals life at Graceland like never before. We witness the arc of his love affair with Priscilla; Elvis as a father to his adored Lisa Marie; his obsessions and passions; and the strength of his musical legacy, which continues unabated to this day. There are Christmas cards here, too; contracts and invoices; selections from Lisa Marie's childhood scrapbook; and even a picture of the champagne bottle (signed) from Elvis and Priscilla's wedding. Here, now, is the tumultuous story of the life of a lovely yet complex man; a portrait of the career of a brilliantly accomplished yet often frustrated artist; an insider's tale of enduring love, related with warmth and unguarded candor . . . and a story told the way only a family can tell it. 2-hour CBS special airs May 2005 4-hour Sony BMG documentary DVDand its companion CD in stores May 2005 The DVD is a longer-form presentation of the footage edited for the special. Both the special and the DVD are comprised of the family interviews, private home movies, performance footage and interviews, and photography -- some of the material rare, some never before available to the public. The CD of Elvis's music features Elvis classics, hidden treasures, rarities and family favorites.

    Readers are taken from ancient American civilization and the mysterious mound builder culture to the Salem witch trials, the birth of Mormonism during a ritual of ceremonial magic by Joseph Smith, Jr., and Operations Paperclip and Bluebird. Not a work of speculative history, this exposé is founded on primary source material and historical documents. Fascinating details are revealed, including the bizarre world of "wandering bishops" who appear throughout the Kennedy assassinations; a CIA mind control program run amok in the United States and Canada; a famous American spiritual leader who had ties to Lee Harvey Oswald in the weeks and months leading up to the assassination of President Kennedy; and the "Manson secret."

    On this one-of-a-kind CD audio book compilation, the author and her daughter, Candace Freeland, read The Trellis and the Seed, Miss Fannie's Hat, and Jeremy: The Tale of an Honest Bunny. Jan Karon's books are always eagerly awaited and lovingly received by her many loyal fans. The most recent addition to the Mitford Years series, Shepherds Abiding, spent several weeks on the New York Times Bestsellers List. Older readers will enjoy this opportunity to share their favorite author's stories with their children and grandchildren. The Trellis and the Seed was #1 on the New York Times Children's Books Bestsellers List.

    Lost, teetering on the edge of normalcy, Puchner's characters seek to define themselves in a frequently absurd and hostile world -- a world that threatens to make outcasts of us all. Caught up in loneliness or solitude, they can't quite hear the music of their own lives.In "Children of God," a young loner becomes the caretaker and companion for two mentally retarded men, seeking solace in their outsider status. "Essay #3: Leda and the Swan" is told in the forlorn, be-nighted, and tragically funny voice of a high school girl who longs more than anything to be loved. In "Mission," an idealistic ESL teacher is faced with the inscrutable wrath of one of his immigrant students. And in the unsettling "Child's Play," Puchner explores the price of nonconformity by following a pack of boys wreaking havoc on Halloween.Writing from an impressive range of perspectives -- men and women, children and adults, immigrants and tourists -- Puchner deftly exposes the dark, ten-der undersides of his characters with arresting beauty and precision. Here are people fumbling for identity in a depersonalized world, captured in moments that are hilarious, shocking, and transcendent -- sometimes all at once. Unfailingly true, surprisingly moving, and impossible to forget, these nine stories mark the arrival of a brilliant young writer and one of our most promising literary voices.

    Though he died nearly fifty years ago, the enigmatic star of East of Eden (1955), Rebel without a Cause (1955), and Giant (1956) still symbolizes the mystery and torment of adolescence - an image that his sudden, violent death fixed forever in the public mind. Photographer Dennis Stock met Dean in Hollywood in 1953 and, intrigued, began to photograph him. Following him for three months on his return to his birthplace in Indiana, his journey to New York City, and then back to Hollywood, Stock recorded unforgettable and iconic views of the young actor in both his professional and his private worlds.

    It is the most important book about journalism I can remember." - John Pilger"Regular critical analysis of the media, filling crucial gaps and correcting the distortions of ideological prisms, has never been more important. Media Lens has performed a major public service by carrying out this task with energy, insight, and care." - Noam Chomsky "Media Lens is doing an outstanding job of pressing the mainstream media to at least follow their own stated principles and meet their public service obligations. [This is] fun as well as enlightening." - Edward S. HermanCan a corporate media system be expected to tell the truth about a world dominated by corporations?Can newspapers, including the 'liberal' Guardian and the Independent, tell the truth about catastrophic climate change -- about its roots in mass consumerism and corporate obstructionism -- when they are themselves profit-oriented businesses dependent on advertisers for 75% of their revenues?Can the BBC tell the truth about UK government crimes in Iraq when its senior managers are appointed by the government? Has anything fundamentally changed since BBC founder Lord Reith wrote of the establishment: "They know they can trust us not to be really impartial"?Why did the British and American mass media fail to challenge even the most obvious government lies on Iraqi weapons of mass destruction before the invasion in March 2003? Why did the media ignore the claims of UN weapons inspectors that Iraq had been 90-95% "fundamentally disarmed" as early as 1998?This book answers these questions, and more.Since July 2001, Media Lens has encouraged thousands of readers to email senior editors and journalists, challenging them to account for their distorted reporting on Iraq, Afghanistan, Kosovo, Haiti, East Timor, climate change, Western crimes in Central America, and much more. The responses -- often surprising, sometimes outrageous -- reveal the arrogance, unaccountability and servility to power of even our most respected media.

    Praise for Weird Pennsylvania:“Fun, amazing, and arrestingly illustrated.?  —Booklist“…a real fine read and can serve as a travel guide for a trek among the unusual, odd and scary parts of our “weird? state.?  —Pennsylvania Magazine

    Writer and artist Eric Sloane had an abiding love for America and worked throughout a long and productive life to capture the American spirit in word and picture.The America Sloane loved was rooted in the simple virtues of our native soil: love of freedom, respect for the individual, sensible frugality, and determined self-reliance — all of which went to make up what Sloane perceived as our true American heritage.Nowhere is this heritage more amply portrayed than in the work and ways of the early Americans in our pioneer days. In this book you will listen to Sloane's talk of home and hearth, farm and field, and see all manner of tooks, utensils, buildings and rural scenes rendered in his finely detailed and lively drawings.A visit to America of "once-upon-a-time" brings us home to a land whose pioneer spirit endures, even amid the rapid and radical changes of our times

    In Black Box, he expertly melds autobiography, political commentary, and literary allusions into a devastatingly beautiful journey through the real “Affrilachia”—a word Walker created to render visible the lives of the African Americans who call the rural and Appalachian South home. Written with passion, clarity, and emotional honesty, the poems in Black Box illuminate profound experiences at the intersection of race, love, social justice, family, identity and place.Published in 2005 by Old Cove Press

    A page-turner from the very first page.”—Ruston Morning Paper “There is much we can all learn from this relevant and highly engaging chronicle.”— Biloxi Sun Herald “A must-read for anyone who wants to take an emotional stroll through the rubble of these Gulf Coast fishing communities and learn what happened.”—Apalachicola Times “Should be required reading for anyone living in the path of these terrible storms.”—Moondance.orgAs the unsettled social and political weather of summer 1969 played itself out amid the heat of antiwar marches and the battle for civil rights, three regions of the rural South were devastated by the horrifying force of Category 5 Hurricane Camille. Camille’s nearly 200 mile per hour winds and 28-foot storm surge swept away thousands of homes and businesses along the Gulf Coast of Louisiana and Mississippi. Twenty-four oceangoing ships sank or were beached; six offshore drilling platforms collapsed; 198 people drowned. Two days later, Camille dropped 108 billion tons of moisture drawn from the Gulf onto the rural communities of Nelson County, Virginia—nearly three feet of rain in 24 hours. Mountainsides were washed away; quiet brooks became raging torrents; homes and whole communities were simply washed off the face of the earth. In this gripping account, Ernest Zebrowski and Judith Howard tell the heroic story of America’s forgotten rural underclass coping with immense adversity and inconceivable tragedy. Category 5 shows, through the riveting stories of Camille’s victims and survivors, the disproportionate impact of natural disasters on the nation’s poorest communities. It is, ultimately, a story of the lessons learned—and, in some cases, tragically unlearned—from that storm: hard lessons that were driven home once again in the awful wake of Hurricane Katrina. Ernest Zebrowski is founder of the doctoral program in science and math education at Southern University, a historically black university in Baton Rouge, Louisiana, and Professor of Physics at Pennsylvania State University’s Pennsylvania College of Technology. His previous books include Perils of a Restless Planet: Scientific Perspectives on Natural Disasters. Judith Howard earned her Ph.D. in clinical social work from UCLA, and writes a regular political column for the Ruston, Louisiana, Morning Paper.

    Shag, the Californiabased artist whose bold, bright, irreverent takes on the swingin' styles and of jetsetters, cocktaillounge crawlers, scenestealing supervillains and (literal) party animals have made him one of the most popular painters working today. Shag's paintings have seen heavy demand and rising prices, so Agle turned to high quality limitededition prints beginning in 1999. Collected here for the first time, these 175 prints document the evolution of color, content and composition in Shag's work with illustrated essays. Chronologically arranged and annotated with information on size, print run and date of publishing, straight from the artist's own archives, here are Shag's long soldout limited edition serigraphs, offset lithos and etchings.

    A meticulously researched and well-referenced study of the Weather Underground. . . . A gripping story, drawing important lessons for the younger generation of activists.”—Roxanne Dunbar-Ortiz, author of Outlaw Woman: A Memoir of the War Years, 1960–1975Outlaws of America brings to life the motivations and actions of America’s most famous renegades, who bombed their way into history. Through detailed and original research, Dan Berger offers a nuanced and compelling portrait of the group that risked everything in opposition to war and racism.This explosive, engaging, and timely book uncovers the untold story of the Weather Underground, from its incendiary beginning to its tumultuous ending—never sparing a critical analysis of the group. Especially noteworthy is Berger’s groundbreaking discussion of the infamous 1981 Brinks case, where former Weather Underground members allied with the Black Liberation Army in a failed robbery that resulted in the deaths of three men and the longtime incarceration of several activists.Outlaws of America is culled from dozens of in-depth interviews with former Weather Underground members, as well as with civil rights activists, Black Panthers, Young Lords, and others—many of whom speak about their experiences publicly here for the first time. The book also features an extensive appendix including Weather Underground communiqués, a chronology of actions, a collection of rare photographs, and current biographical sketches of many ex-Weather Underground members.Outlaws of America is published at a time of surging interest in the history of the group, immediately following the release of the Oscar-nominated documentary entitled The Weather Underground, of which Outlaws is the essential companion volume.Dan Berger is a writer, activist, and PhD candidate at the University of Pennsylvania. A longtime anti-racism organizer, he is the co-editor of Letters From Young Activists (Nation Books, 2005).

    Thirty years later, one of the brothers-the only remaining survivor of a family he seeks both to leave behind and to preserve in words forever-narrates these precise and heartbreaking tales. Suffused with the beauty of Richard McCann's extraordinary language, Mother of Sorrows introduces us to an elegant writer like no other in contemporary fiction.

    25,000 first printing.

    Witness New York as it was being built in the years following the Civil War. It was during this era when the city spread uptown, landscaped Central Park, engineered the bridges and subways, and scaled ever higher in the form of innovative skyscrapers.The New York story unfolds in these pages with an immediacy only photography can capture. It allows us to relive the moment when the theaters moved uptown followed by the city's "newspaper of record," and muddy, horse-trodden Longacre Square sprouted its iconic neon signs and was reborn as Times Square. Trace the growth by accretion of the Metropolitan Museum of Art as it nibbled away at the park or the transformation of Fifth Avenue into "millionaires row." Along the way, the majestic history of the city unfolds along with the story of the visionaries whose stamp it bears today. New York's coming of age coincided with the rise of photography, and this incredible trove of photographs culled from the archives of Time Life and the New-York Historical Society are the very images that created the larger-than-life reputation of New York that continues to dazzle the world today.

    Prefaced with a new introduction by Joan Didion. Live and Learn comprises three of the personal essay collections that established Joan Didion as a major figure in the modern canon - arranged in chronological order so that readers can appreciate not only the qualities of the essays per se, but also their evolution over time. It also includes a new introduction by Joan Didion herself. The stylistic masterpiece Slouching Towards Bethlehem (1968) has become a modern classic, capturing the mood of 1960s America and especially the center of its counterculture, California. The cornerstone essay, an extraordinary report on San Francisco's Haight-Ashbury, sets the agenda for the rest of this book - depicting and America where, in some way or another, things are falling apart and "the center cannot hold". The White Album (1979) is a syncopated, swirling mosaic of the 60s and 70s, covering people and artifacts from the Black Panthers and the Manson family to John Paul Getty's museum. Sentimental Journeys (1992) shifts its perspective slightly to take in Vietnamese refugee camps in Hong Kong, the Reagan campaign trail, and the inequities of Los Angeles real estate. An important collection, Live and Learn is the perfect one-stop primer on Joan Didion, and an essential reference for readers old and new. It confirms the power of this uniquely unbiased, moving writer, and showcases her artful yet simple prose.

    Robert and Mason Florence depict the "cities of the dead" in all their grandeur and decay, their exquisite artisanship and humble memorials, their voluminous historical accounts of the city and undefinable spiritual qualities. This book follows the renowned tradition of New Orleans's multiple, aboveground burial from the founding of St. Louis Cemetery #1 in 1789 to All Saints' Day observances of recent years.

    First published in the New Yorker magazine, 2002. And extracts from: Extremely loud and incredibly close (first published: Boston : Houghton Mifflin, 2005).

    Indeed, today's controversies over flying the Confederate flag, renaming schools and streets, and commemorating the Civil War and the civil rights movement are only the latest examples of this ongoing divisive contest over issues of regional identity and heritage. The Southern Past argues that these battles are ultimately about who has the power to determine what we remember of the past, and whether that remembrance will honour all Southerners or only select groups. For more than a century after the Civil War, elite white Southerners systematically refined a version of the past that sanctioned their racial privilege and power. In the process, they filled public spaces with museums and monuments that made their version of the past sacrosanct. Yet, even as segregation and racial discrimination worsened, blacks contested the white version of Southern history and demanded inclusion.

    At the heart of the decision for Johnson v. M'Intosh was a discovery doctrine that gave rights of ownership to the European sovereigns who discovered the land and converted the indigenous owners into tenants. Though its meaning and intention has been fiercely disputed, more than 175 years later, this doctrine remains the law of the land. In 1991, while investigating the discovery doctrine's historical origins Lindsay Robertson made a startling find; in the basement of a Pennsylvania furniture-maker, he discovered a trunk with the complete corporate records of the Illinois and Wabash Land Companies, the plaintiffs in Johnson v. M'Intosh. Conquest by Law provides, for the first time, the complete and troubling account of the European discovery of the Americas. This is a gripping tale of political collusion, detailing how a spurious claim gave rise to a doctrine--intended to be of limited application--which itself gave rise to a massive displacement of persons and the creation of a law that governs indigenous people and their lands to this day.

    Winning the Race examines the roots of the serious problems facing black Americans today—poverty, drugs, and high incarceration rates—and contends that none of the commonly accepted reasons can explain the decline of black communities since the end of segregation in the 1960s. Instead, McWhorter posits that a sense of victimhood and alienation that came to the fore during the civil rights era has persisted to the present day in black culture, even though most blacks today have never experienced the racism of the segregation era.McWhorter traces the effects of this disempowering conception of black identity, from the validation of living permanently on welfare to gansta rap’s glorification of irresponsibility and violence as a means of “protest.” He discusses particularly specious claims of racism, attacks the destructive posturing of black leaders and the “hip-hop academics,” and laments that a successful black person must be faced with charges of “acting white.” While acknowledging that racism still exists in America today, McWhorter argues that both blacks and whites must move past blaming racism for every challenge blacks face, and outlines the steps necessary for improving the future of black America.

    His settings are a farmhouse porch, a used-clothing store, empty station platforms; his subjects love, futility, and the sense of an individual life lived among a crowd of literal and imaginary presences.Both sharp and sympathetic, the poems of this collection confirm Simic's place as one of the most important and appealing poets of our time. To Dreams I'm still living at all the old addresses, Wearing dark glasses even indoors, On the hush-hush sharing my bedWith phantoms, visiting in the kitchen After midnight to check the faucet.I'm late for school, and when I get thereNo one seems to recognize me.I sit disowned, sequestered and withdrawn. These small shops open only at nightWhere I make my unobtrusive purchases, These back-door movie houses in seedy neighborhoodsStill showing grainy films of my life, The hero always full of extravagant hopeLosing it all in the end?-whatever it was-Then walking out into the cold, disbelieving lightWaiting close-lipped at the exit.

    Teas in 1959. The modest little film pushed all preexisting limits of on-screen nudity, and with its success, the floodgates of what was permitted to be shown on film were thrust open, never to be closed again. Russ Meyer ignited a true revolution in filmmaking, breaking all sex, nudity, and violence taboos. In a career that spanned more than forty years, Meyer created a body of work that has influenced a legion of filmmakers, fashionistas, comic book artists, rock bands, and even the occasional feminist. Bringing his anecdote- and action-packed biographical style to another renegade of popular culture, New York Times bestselling author of Shakey Jimmy McDonough offers a wild, warts-and-all portrait of Russ Meyer, the director, writer, producer, and commando moviemaking force behind the sexploitation classics Vixen, Beyond the Valley of the Dolls, Faster, Pussycat! Kill! Kill! and many others. Big Bosoms and Square Jaws blows the lid off the story of Russ Meyer, from the beginning to his recent tragic demise, creating in the process a vivid portrait of a past America.

    The expert on false flag ops--his first book exposed the "Red Brigades" as stooges of the P2 lodge and NATO stay-behind network--Tarpley again demolishes the government's conspiracy theory. His working model of a network of moles, patsies, paramilitary pros and corrupt media is the only coherent explanation ... Full description

    Readers have come to expect him not only to fill in their knowledge about art but also to inspire them to think about connections between art and the larger world - which is to say, to think more like an artist. Kimmelman's many years of contemplating and writing about art have brought him to this wise, wide-ranging, and long-awaited book.It explores art as life's great passion, revealing what we can learn of life through pictures and sculptures and the people who make them. It assures us that art - points of contact with the exceptional that are linked straight to the heart - can be found almost anywhere and everywhere if only our eyes are opened enough to recognize it. Kimmelman regards art, like all serious human endeavors, as a passage through which a larger view of life may come more clearly into focus. His book is a kind of adventure or journey.It carries the message that many of us may not yet have learned how to recognize the art in our own lives. To do so is something of an art itself. A few of the characters Kimmelman describes, like Bonnard and Chardin, are great artists. But others are explorers and obscure obsessives, paint-by-numbers enthusiasts, amateur shutterbugs, and collectors of strange odds and ends. Yet others, like Charlotte Solomon, a girl whom no one considered much of an artist but who secretly created a masterpiece about the world before her death in Auschwitz, have reserved spots for themselves in history, or not, with a single work that encapsulates a whole life.Kimmelman reminds us of the Wunderkammer, the cabinet of wonders - the rage in seventeenth-century Europe and a metaphor for the art of life. Each drawer of the cabinet promises something curious and exotic, instructive and beautiful, the cabinet being a kind of ideal, self-contained universe that makes order out of the chaos of the world. The Accidental Masterpiece is a kind of literary Wunderkammer, filled with lively surprises and philosophical musings. It will inspire readers to imagine their own personal cabinet of wonders.

    This dramatic transformation has been understood in two very different ways - as a series of consensual transactions, but also as a process of violent conquest. Both views cannot be correct. How did Indians actually lose their land? Stuart Banner provides the first comprehensive answer. He argues that neither simple coercion nor simple consent reflects the complicated legal history of land transfers. Instead, time, place, and the balance of power between Indians and settlers decided the outcome of land struggles. As whites' power grew, they were able to establish the legal institutions and the rules by which land transactions would be made and enforced. This story of America's colonisation remains a story of power, but a more complex kind of power than historians have acknowledged. It is a story in which military force was less important than the power to shape the legal framework within which land would be owned. could believe they were buying land from the Indians the same way they bought land from one another. How the Indians Lost Their Land dramatically reveals how subtle changes in the law can determine the fate of a nation, and our understanding of the past.

    The residences he designed in the Los Angeles area, including the Chemosphere House and the Silvertop, are synonymous with the hopes and dreams of an entire era. Characterized by sweeping rooflines, glass-paneled walls, and steel beams, his buildings displayed a combination of fantasy and minimalism, often integrating water and incorporating surrounding landscapes. Lautner always placed great importance on the relationship between humans, space, and nature. 96 Pages About the Author Barbara-Ann Campbell-Lange studied architecture in London, New York, and Cambridge. She is a director of the Campbell-Lange Workshop and lectures at the Royal College of Art.

    This story of a fascinating landscape is told in an engaging style that nonscientists will find inviting. The story’s end, however, remains a mystery yet to be solved.

    Learn what's real, what's fake, and what's just downright bizarre. You've probably heard of Tom Thumb. The Elephant Man. Chang and Eng, the original Siamese twins. But what about Eli Bowen, the legless acrobat? Myrtle Corbin, the four-legged woman? Or Prince Randian, the human torso? All these and more were stars during the heyday of the American sideshow, from 1840 to 1950. American Sideshow chronicles the lives of truly amazing performers, examining these brave and extraordinary curiosities, not just as sideshow attractions, but as people, delving into the lives they led and how they were able to triumph over their abnormalities. American Sideshow discusses the rise and fall of the original sideshows and their subsequent replacement by today's self-made freaks. With the progress of modern medicine, the physical abnormalities are disappearing, either through treatment or prevention; and, ironically, those same technological advancements now make it possible to change our bodies at will. It's amazing how easy it is to have your tongue forked, horns surgically implanted, or your earlobes removed. There are also modern-day giants, fire-eaters, fire-breathers, sword-swallowers, glass-eaters, human blockheads, and, oh, so much more. These fascinating personalities are celebrated through intimate biographies paired with stunning photographs. Approximately 200 performers from the past 160 years are featured, giving readers a comprehensive and sometimes astonishing view of the history of the American sideshow.

    They were American colonists who had volunteered for a secret mission to paddle and march nearly two hundred miles through some of the wildest country in the colonies and seize the fortress city of Quebec, the last British stronghold in Canada. The march, under the command of Colonel Benedict Arnold, proved to be a tragic journey. Before they reached the outskirts of Quebec, hundreds died from hypothermia, drowning, small pox, lightning strikes, exposure, and starvation. The survivors ate dogs, shoes, clothing, leather, cartridge boxes, shaving soap, and lip salve. Their trek toward Quebec was nearly twice the length shown on their maps. In the midst of the journey, the most unlikely of events befell them: a hurricane. The rains fell in such torrents that their boats floated off or sunk, taking their meager provisions along, and then it began to snow. The men woke up frozen in their tattered clothing. One third of the force deserted, returning to Massachusetts. Of those remaining, more than four hundred were killed, wounded, or taken prisoner. Finally, in the midst of a raging blizzard, those remaining attacked Quebec. In the assault, their wet muskets failed to fire. Undaunted, they overtook the first of two barricades and pressed on toward the other, nearly taking Canada from the British. Demonstrating Benedict Arnold's prowess as a military strategist, the attack on Quebec accomplished another goal for the colonial army: It forced the British to commit thousands of troops to Canada, subsequently weakening the British hand against George Washington. A great military history about the early days of the American Revolution, Through a Howling Wilderness is also a timeless adventure narrative that tells of heroic acts, men pitted against nature's fury, and a fledgling nation's fight against a tyrannical oppressor.

    A new light on a major Civil War figure.

    Many talented and daring women performed alongside men in the Wild West shows, including tiny sharpshooter Annie Oakley. Annie and the other female performers represented the feminine side of an American tradition and brought a woman's touch to an otherwise uncivilized form of entertainment, but they also changed the way the world thought about women forever through the demonstration of their skills

    In this piece, Jane tells us about her relationship with a man who will never use her name.

    Americans fly it everywhere we live and everywhere we go, from front porches in Florida to pickup trucks in Alaska. We display the red-white-and-blue American flag at festive events to celebrate and, at times of national tragedy, to grieve and show our resolve. We wrap ourselves in it in displays of patriotism, politics, nationalism, and jingoism.The thirteen-stripe, fifty-star flag is as familiar an American icon as any that has existed in the nation’s history. It stirs something in the hearts of Americans like no other symbol. Yet the history of the flag, especially its origins, is cloaked in myth and misinformation. Flag: An American Biography rectifies that situation by presenting a lively, comprehensive, illuminating look at the history of the American flag from its beginnings to today.Journalist, historian, and author of the highly acclaimed Saving Monticello, Leepson uncovers scores of little-known, fascinating facts as he traces the evolution of the American flag from the Colonial period to its prominent role as a symbol of American resolve in today’s war against terrorism. Flag sifts through the historical evidence to---among many other things---uncover the truth behind the Betsy Ross myth and to discover the true designer of the stars and stripes. The book also shines informing light on a string of colorful and influential Americans who shaped the history of the American flag. Leepson analyzes the influence and impact of the maker of the star-spangled banner, Mary Pickersgill; the author of the national anthem, Francis Scott Key; the coiner of the phrase “Old Glory,” U.S. Navy Capt. Samuel Driver; the first officer killed in the Civil War, Union Col. Elmer Ellsworth, who died defending the flag; the first African-American Medal of Honor recipient, William Carney, who carried the flag and led troops through a viciously bloody Civil War battle; the creator of Flag Day, Wisconsin schoolteacher B. J. Cigrand; the father of the pledge of allegiance, Francis Bellamy; and Joe Rosenthal, the AP photographer who took the most reproduced image of the twentieth century, the marines raising the American flag at Iwo Jima. The American flag was seen as a symbol of a “divine plan” for the American ideal during the Civil War; as a symbol of the nation’s historical heritage at the 1876 centennial celebrations; as a symbol conveying respect for the government and our social institutions---the so-called “cult of the flag”---in the late nineteenth and early twentieth century. During the Vietnam War, the flag was a divisive emblem in a bitterly divided nation. In the wake of the events of September 11, 2001, the flag became an instant and widely used symbol of a nation united against terrorism.“Flag,” as the novelist Nelson DeMille says in his preface, “is not a book with an agenda or a subjective point of view. It is an objective history of the American flag, well researched, well presented, easy to read and understand, and very informative and entertaining.”

    While April waits for an answer, she pictures all the things Einstein might be doing instead: working on his own math problems, playing his violin, riding his bicycle, gardening, sailing, helping other children with their homework - all things that he is known to have enjoyed. But time is running out for Annabel, who doesn't know that help is on the way. And when it comes, it takes April to show that Einstein has given Annabel a clue so that she can solve the problem herself.Energetic watercolor-and-ink pictures illustrate this sprightly little-sister-to-the-rescue story based on an actual event. The math problem and solution are included.

    The First Mistake by Merline Lovelace released on Apr 12, 2005 is available now for purchase.

    Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 "Blue Collar" series with a new color canvas depicting the future of the same urban landscape, some deteriorated, some growing and changing, some seemingly gentrifying. Essays from Linda Norden, the US Commissioner for the Venice Biennale, and artist Frances Stark celebrate the work, while Joan Didion's coolly written but deeply felt piece about her own brokenhearted longing for Los Angeles hits a perfect note. Those who love Ruscha will vibrate like tuning forks on finding these pitch-perfect pieces together.

    In this second edition, he and Michael Hopkins bring the story up to the events of 1991, and also expand coverage of key topics.

    The rise and fall--and rise and fall--of modern Wall Street is told by the tycoons and crooks who made it all happen.

    With the authority of a scholar and the sparkle of an old-time storyteller, Dr. Volney Steele takes the reader from rotgut whiskey to modern anesthetics, from castor oil to antibiotics, and from barroom surgery to modern hospital operations. Dr. Steele wrote Bleed, Blister, and Purge "to shed light on and celebrate the dedication and humanitarianism of those many physicians, nurses, shamans, and people of sound practical sense who saw their patients--often friends and family--through the adversities that bedeviled them."

    The sanguinary story of the American conquest of the Indian peoples east of the Mississippi River helps demonstrate how early Americans embraced warfare shaped by extravagant violence and focused on conquest. Grenier provides a major revision in understanding the place of warfare directed on noncombatants in the American military tradition, and his conclusions are relevant to understand US "special operations" in the War on Terror.