The pop superstar presents a collection of twenty inspirational poems and twenty essays that discuss such issues as world hunger, homeless children, and the need for world peace.

    This searing novel, originally banned in China but later named one of that nation's most influential books, portrays one man's transformation from the spoiled son of a landlord to a kindhearted peasant. After squandering his family's fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.

    A popular gift volume featuring dozens of meticulously accurate, full-color paintings--including a fold-out illustration of the whole Titanic--offers a wealth of information about the "unsinkable" cruise ship and its fatal voyage.

    All pages are intact, and the cover is intact (including dust cover, if applicable). The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels.Some of our books may have slightly worn corners, and minor creases to the covers. Please note the cover may sometimes be different to the one shown.

    Borges's writings are models of succinct power; by temperament and by artistic ambition, he was a minimalist, given to working his wonders on the smallest scale possible. A master of fiction, Borges never published a novel -- or even, it seems, felt the lure of attempting one. He professed a heartfelt conservative piety for the older literary forms, for the saga and epic, the lyric and tale, but he made radically inventive uses of the traditional forms in his own literary labors.Borges possessed an uncommon complement of gifts. He was capable of launching startling, even unnerving flights of cerebral fantasy or metaphor but owned a first-rate mind and a critical intelligence entirely at ease with the metaphysical abstractions of the philosophers and theologians. All the same, in his intellectual bearing Borges was a skeptic, critical of but not disparaging or cynical toward the truth claims of systematic philosophical or religious thought. He was at once a genuine artist and a judicious, sympathetic critic.The posthumous publication of This Craft of Verse, Borges's 1967 Norton Lectures, reacquaints us with his splendid critical faculties. The volume is a welcome gift, too, reminding us of Borges's generous insistence on identifying with his fellow readers, who are ever ready to be transported by their love for literature. (Harvard University Press scheduled release of the remastered recordings for the fall of 2000.) Enough cause, then, to celebrate the recent discovery of these long-stored and forgotten tape recordings of lectures delivered at Cambridge more than three decades ago. By the late 1960s, Borges was quite blind and incapable of consulting notes when delivering an address. The lectures transcribed and collected here -- with their frequent quotations from the European languages, both ancient and modern -- were delivered extemporaneously, performances made possible by Borges's own powers of recollection (which were, it need hardly be said, formidable).In life and in literary manner Borges was a cosmopolitan, his range of reference almost inexhaustibly wide. His reading embraced Homer and Virgil, the Icelandic sagas and Beowulf, Chaucer and Milton, Rabelais and Cervantes, Kafka and Joyce. This Craft of Verse addresses issues central to the art of poetry: essential metaphors, epic poetry, the origins of verse, and poetic meaning. The lectures conclude with a statement of Borges's own "poetic creed." This slim but profound volume, however, ranges much farther afield. Borges serves up intriguing asides on the novel, on literary criticism and history, and on theories of translation. Ultimately, his comments touch on the largest questions raised by literature and language and the thornier puzzles of human communication.The lectures convey Borges's evident delight in English and his eloquence and ease in the language, even when facing a distinguished audience of native English speakers. But perhaps that is not so surprising, after all, for Borges carried on a lifelong love affair with the English language and the literatures of the British Isles and North America. His parents, who were fluent in English, introduced Borges to the language when he was a young boy, and Borges was allowed the run of his father's extensive library of English classics. Among the bookshelves of his father's study he first encountered authors he would admiringly cite over a long literary life: Wells and Kipling and Chesterton and Shaw, to name only a few. And the study of Old English became a hobby to which Borges remained passionately devoted until his death. The English language he counted as his second (and perhaps even preferred) home.Since the 1960s, when the then relatively obscure Buenos Aires writer was first introduced to English-speaking readers in translations of the classic Ficciones and the anthology Labyrinths, it has been apparent that Borges survives the ordeal of translation without obvious loss. His power remains intact on the page. This he owes to the virtues of his prose style, to the elegant simplicity and naturalness that, as the transcribed Norton Lectures demonstrate, were indistinguishable from the man. Borges's style is classical: concise, understated, cleanly cadenced, strict in its devotion to the old-fashioned values of clarity and logical order. Whether in his native Spanish or in his adopted English, Borges is a writer and lecturer who impresses us with his singular intellectual wit, charm, and refinement.This Craft of Verse makes an exquisite addition to a distinguished series and offers, moreover, invaluable insights into the mind and work of a true modern master. Between its covers, this small book holds the pleasures of the modest, warm voice of a writer who stands unquestionably with the strongest literary talents of the 20th century.--Gregory Tietjen, Academic & Scholarly Editor

    Abounding in philosophical, psychological and theological inquiries - yet laced with humour that is as infectious as it is wilful - The Discovery of Heaven convinces us that it just might be possible to bring order into the chaos of the world through a story.

    But gradually, as Sebald's precise, almost dreamlike prose begins to draw their stories, the four narrations merge into one overwhelming evocation of exile and loss.Written with a bone-dry sense of humour and a fascination with the oddness of existence The Emigrants is highly original in its heady mix of fact, memory and fiction and photographs.

    It has been translated into 18 languages, has sold more than 8 million copies and has been made into a Hollywood film. It is the wonderful story of a boy growing up South Africa. Tandia is the sequel to The Power of One and continues the story of the main character, Peekay. This gem of story is beloved by millions around the world!

    As I Walked Out One Summer Morning picks up the story as he leaves his valley for London and then for Spain. There, equipped only with a violin and his wits, he crossed the dramatic landscape of a vibrant and still almost medieval Spain for which he developed an abiding affection. In the winter of 1937 he returned to a country now in the grip of Civil War and joined the International Brigade, describing in A Moment of War his journey into the dark side of Spain with unsparing honesty and poignancy.Cider With Rosie: "A prose poem that flashes and winks like a prism." - H.E. BatesAs I Walked Out One Summer Morning: "The vivid, sensitive, irresistibly readable story of what happened after he left home." - Daily MailA Moment of War: "A great heart-stopping narrative of one young Englishman's part in the war in Spain... crafted by a poet, stamping an indelible image of the boredom, random cruelty and stupidity of war." - John Sweeney in the Literary ReviewThe cover shows a portrait of Laurie Lee by Anthony Devas in the National Portrait Gallery, London

    Ninety three weeks on the best-seller list.Sotah introduces a family with three daughters approaching the age of marriage: Devorah, Dina and Chaya Leah. In the strict orthodoxy of their world, a Sotah is a wife suspected of infidelity who can be tried by ordeal to prove she is guiltless. Which sister could be capable of such a thought, let alone the act? Into the pious world of strict chaperoning and modest clothing, where a married woman's hair must never be seen by a man other than her husband--insinuates this serpent suggestion of evil. Ragen's powerful tale of three sisters spins endless questions: Which one? Could she? Did she? What changes could come into this orderly world because of unthinking actions?

    I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmont to bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach." Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances...

    For men, an era of terrible devastation, broken lives and perhaps a glimpse of heroism. But for many women, a time of opportunity, a new-found freedom, a challenge in a changing world. For Kath Allen and Roz Fairchild it’s a time for shadowy secrest and forbidden love…Against the express wishes of her long-absent husband Barney, Kath joins up as a landgirl and moves from the bustle of Birmingham to work on Mat Ramsden’s farm in the Yorkshire countryside. For the first time in her life she feels she belongs. Kath blossoms there like a flower in the sun and, free from the rigid restrictions of Barney and his family, begins to believe that she has a right to happiness on her own terms. But freedom can bring temptation. And temptation can be dangerous.Next door the Fairchild estate has been harnessed for the war effort. Roz, exempted from call-up to work on the land, has something to hide from her grandmother…but her grandmother too has secrets of her own.

    With her Tony-award winning book and lyrics, Norman recreates the classic form of the traditional American musical.

    We meet Arlene, Hanff's high-flying friend who's social life (and wardrobe) put Hanff's one-and-one-half room apartment and simple writer's life in perspective. We walk through Nina's garden, 16 stories up and witness famous New York rites of passage from the hysteria of St. Patrick's Day to Shakespeare's Garden and the neighbors who saved it, to block parties, with their 'sizzling Italian sausages and shish kebab and flossy plates of pate and brie,' all told in Hanff's inimitable style. We join Hanff as she flies to London to realize a lifetime dream at the Ambassador Theatre: opening night for the play, '84, Charing Cross Road.' And we witness the elegant Arlene as she meets and falls in love with a New York City cop.

    The year is 1905. The new century is still in its infancy. Automobiles are little more than rich men's toys and many short-sighted people feel that everything that can be invented has been invented! In the early 1900's there are only 150 miles of paved road in the entire country. Fifty percent of Americans live and work on farms. Radios and refrigerators are still years away. Women are not allowed to vote yet and Teddy Roosevelt is in office. Against this background come two adverturesome boys, Temple and Bud Abernathy. Raised by their widowed father, "Catch-'em-Alive" Jack Abernathy, known as the man from Oklahoma who catches wolves with his hands . . . the boys, ages 5 and 9, set out on a series of daring rides across America. First, alone on horseback from Frederick, Oklahoma to Sante Fe, New Mexico and back. Then to New York City, alone on horseback to meet the! ir friend "Teddy" and back to Oklahoma driving their own "Brush" automobile. Their longest ride and again alone and on horseback, takes place in 1911, when two New York promoters challenge the boys to ride from Coney Island to San Francisco in 60 days time. The boys are allowed only one change of horses and they cannot sleep or eat under roof during the entire trip or they forfeit the $10,0000 prize money! It is hard to comprehend how diferent the country is today from just 90 years ago! The story is captivating and an important piece of Americana and rare that it can be shared by an entire family!

    It struck a deep chord in me as a mother trying to raise a daughter in difficult times."  — Hillary ClintonThe Measure of Our Success is a book to turn lives around: a compassionate message for parents trying to raise moral children, a tough and searching book that ought to be required reading for every young American.The book speaks powerfully to the author's three sons about the mothering Marian Wright Edelman gave them—mothering, she explains, that could not ignore other people's children who were in greater need. In the book's centerpiece, "Twenty-Five Lessons for Life," we're invited to listen as a loving and extraordinarily committed mother gives her children lessons to live by. The Measure of Our Success is an open letter to all America, and a timely message of hope and purpose for everyone.

    At the center of the story is a crucial decision Lumi makes in the last days of the Second World War: he has a chance to leave Albania on a refugee ship headed to Italy, but at the last moment he disembarks and returns home to his village. As it happens, he has chosen a grim existence. To survive, he is forced to work in a concrete factory, from which he watches friends and family members run afoul of repressive new laws. But even as the book skillfully depicts the slow suffocation of a whole society, it also celebrates the moments of love and hope that sustain the people and holds out the possibility that Lumi may have been right to remain at home.

    Juan knows little of the interior life of his father Ranz; but when Juan marries, he begins to consider the past anew, and begins to ponder what he doesn't really want to know. Secrecy—its possible convenience, its price, and even its civility—hovers throughout the novel. A Heart So White becomes a sort of anti-detective story of human nature. Intrigue; the sins of the father; the fraudulent and the genuine; marriage and strange repetitions of violence: Marías elegantly sends shafts of inquisitory light into the shadows and on to the costs of ambivalence. ("My hands are of your colour; but I shame/To wear a heart so white"—Shakespeare's Macbeth.)

    Truly this is the best How To book I've read in years. Bernadette Mayer makes a various world of real people in real times and places, a fact of love and loving use. She has impeccable insight and humor. She is a consummate poet no matter what’s for supper or who eats it. Would that all genius were as generous.” —Robert Creeley

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    She was also a champion for the Mexican people who lovingly referred to her as Tinisima.In 1929, Modotti was accused of the murder of Julio Antonio Mella, her Cuban lover. She fled to the U.S.S.R. to escape the Mexican press and then to Europe, where she became a Soviet secret agent and a nurse under an assumed name, returning to Mexico to meet an early death at the age of forty-five.Poniatowska has made an art form of blending journalism and fiction. She tells this novel in an urgent present tense, segueing among short, vivid scenes with cinematic virtuosity. Ten years of research and a thorough knowledge of the currents of history contribute to this portrait, but equally important is Poniatowska's intuitive appreciation of a woman shaped and destroyed by her tumultuous times.--Publishers WeeklyPoniatowska's profoundly moving evocation of her heroine's boundless soul flows like blood through the carefully erected factual structure of the real Modotti's astonishing life story. . . . A tour de force, Tinisima is a work to treasure.--Booklist

    This collection of correspondence between Bonhoeffer and von Wedemeyer--long anticipated but never before published--offers an understanding of a mature theologian who was in love with a 19-year-old woman.

    Topics are covered in self-contained two-page spreads, allowing students to easily focus on the material being presented. A unique combination of introductory material, names and illustrations to be colored, and substantive captions deliver a comprehensive, yet easy-to-understand, treatment of physiology. The Physiology Coloring Book is the companion to the extremely successful Anatomy Coloring Book , which has sold more than 2.5 million copies.

    The remarkable novels presented here in this Library of America volume combine brilliant satire with a lingering affection for the men and women, who, as Lewis wrote of Babbitt, "want "to seize something more than motor cars and a house before it's too late.""Main Street (1920), Lewis's first triumph, was a phenomenal event in American publishing and cultural history. Lewis's idealistic, imaginative heroine, Carol Kennicott, longs "to get [her] hands on one of those prairie towns and make it beautiful," but when her doctor husband brings her to Gopher Prairie, she finds that the romance of the American frontier has dwindled to the drab reality of the American Middle West. Carol first struggles against and then flees the social tyrannies and cultural emptiness of Gopher Prairie, only to submit at last to the conventions of village life. The great romantic satire of its decade, Main Street is a wry, sad, funny account of a woman who attempts to challenge the hypocrisy and narrow-mindedness of her community."I know of no American novel that more accurately presents the real America," wrote H.L. Mencken when Babbitt appeared in 1922. "As an old professor of Babbittry I welcome him as an almost perfect specimen. Every American city swarms with his brothers. He is America incarnate, exuberant and exquisite."In the character of George F. Babbitt, the boisterous, vulgar, worried, gadget-loving real estate man from Zenith, Lewis fashioned a new and enduring figure in American literature—the total conformist. Babbitt is a "joiner," who thinks and feels with the crowd. Lewis surrounds him with a gallery of familiar American types—small businessman, Rotarians, Elks, boosters, supporters of evangelical Christianity. In biting satirical scenes of club lunches, after-dinner speeches, trade association conventions, fishing trips and Sunday School committees, Lewis reproduces the noisy restlessness of American commercial culture.In 1930 Sinclair Lewis was the first American to be awarded the Nobel Prize in Literature, largely for his achievement in Babbitt. These early novels not only define a crucial period in American history—from America's "coming of age" just before World War I to the dizzying boom of the twenties—they also continue to astonish us with essential truths about the country we live in today.

    Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art’s new autonomy is one such structure, which complicates but does not eliminate the interconnection.The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.

    Ancient and earth-honoring, Voodoo's practices take on different forms specific to time and place, but its essence remains focused on the loa--the potent spiritual forces of Voodoo that are manifested directly through human beings and their actions.The authors draw strong parallels between the Waite and Thoth Tarots, the Kabalistic Tree of Life, and the Voodoo tradition as it is practiced in New Orleans. Just as the major and minor arcana of the Tarot represent the archetypes of the human psyche and the natural forces of our world, so do the loa of Voodoo embody the primal energies of the universe. With a variety of spreads and readings, the authors show how the Tarot can be an idea channel through which the loa exercise their powers to teach, advise, and initiate the serious student into their mysteries.

    While he has garnered acclaim as a novelist, Bellow's shorter works prove equally strong. Primarily set in a sepia-toned Chicago, characters (mostly men) deal with family issues, desires, memories, and failings--often arriving at humorous if not comic situations. In the process, these quirky and wholly real characters examine human nature. The narrative is straightforward, with deftly handled shifts in time, and the prose is concise, sometimes pithy, with equal parts humor and grace. In "Looking for Mr. Green," Bellow describes a relief worker sized up by tenants: "They must have realized that he was not a college boy employed afternoons by a bill collector, trying foxily to pass for a relief clerk, recognized that he was an older man who knew himself what need was, who had more than an average seasoning in hardship. It was evident enough if you looked at the marks under his eyes and at the sides of his mouth." This collection should appeal both to those familiar with Bellow's work and to those seeking an introduction. --Michael Ferch

    In the days that followed, the Harts, local and state police, and J. Edgar Hoover's FBI scrambled to outwit the kidnappers, whose demands kept them at bay until they--and Brook Hart's murder--were at last discovered.Then the unthinkable: A band of vigilantes stormed the San Jose jail and hanged the two criminals in the town square as ten thousand watched. The next day the governor hailed the lynching as "a fine lesson". The San Jose lynching, which divided the nation and haunts the city still, is a chilling tale of fear, fury, and the collapse of justice--of a small American paradise turned inferno.

    In 1965, Martin Luther King, Jr., set the nation's sights on the city when he said, If we crack Chicago, then we crack the world. Black empowerment would take off like a prairie fire across the land. Here is the story of Harold Washington's election in 1983 as the city's first black mayor. Photographs.

    

    In an age of conformity and innocence, the 19-year-old is tired of conventional virtue. Resisting her easy life, she yearns for meaning and beauty, profundity and mystery. Impulsive and adventurous, she attends a midnight meeting of the Klan, and then repelled, hurls herself into the civil rights movement.Half-conscious of her unmet needs and desires, she vacillates between the world of her family and that of her dreams, flirting with danger, pressing against the edge -- with disturbing and tragic consequences."To say that Ellen Gilchrist can write is to say that Placido Domingo can sing. All you need to do is listen." (The Washington Post)

    The Singing Flame covers the period 1922-1924, and has been called a "work of great historical importance" -- Irish Independent.

    A pocket-sized book of 29 meditations and prayers with light-hearted illustrations by cartoonist Michael Leunig.

    Distanced from her heritage, Amparo is nevertheless spellbound by the histories of her grandmother, aunt, and mother. Listening to the ancestral music, Amparo learns to hear its strains woven throughout her life.

    This book is easy to read and important for our times, in which secularism and pluralism reign supreme. Provocative on every page!

    The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.

    25,000 first printing.

    There she would write The Harp in the South, the first of her classic Australian novels. A Fence Around the Cuckoo is the story of one of Australia’s best storytellers and how she learnt her craft.

    Marcus Gray furnishes thumbnail sketches of each member, as well as chapters on the band's recording history, politics, album packaging, and regional accent. The author is also fearless enough to venture into the black hole of Michael Stipe's lyrics. He doesn't, to be sure, make sense of Stipe's associative rambles, and the singer himself lets Gray off the hook by confessing that "three-quarters of my lyrics probably come from overheard conversations. I steal a lot, basically. Someone will say something really interesting, and I'll write it down." Okay. But we'd still like to know what a moral kiosk is.

    Among them were Pete and Linda Dunne, who set off from there on a year-long odyssey. Dunne has poured the most remarkable stories, birds, and characters into this unforgettable book about their once-in-a-lifetime adventure.

    Monster in a Box, Gray's latest monologue, is a guided tour between the stations of his writing block, which include a field trip to Nicaragua, a disastrous guest appearance at the Moscow film festival, and a stint in Los Angeles hunting down the fabled few who have never written a screenplay. Hilarious and poignant, Monster in a Box is further proof that Gray has not only captured the dangerous spirit of our age but swallowed it whole.

    As mayor of Boston, as a United States congressman, as governor of Massachusetts, Curley rose from the slums of South Boston in a career extending from the Progressive Era of Teddy Roosevelt to the ascendancy of the Kennedy sons. While Curley lived, he represented both the triumph of Irish Americans and the birth of divisive politics of ethnic and racial polarization; when he died, over one million mourners turned out to pay their respects in the largest wake Boston had ever seen.Nominated for a National Book Critics Circle Award in Biography, Beatty's spellbinding story of "the Kingfish of Massachusetts" is also an epic of his city, its immigrant people, and its turbulent times. It is simply biography at its best."Beatty's book is a delight--rich, witty, flowing, and full of insight about the nature of political corruption."--Constance Casey, Los Angeles Times"A panoramic, exquisitely incisive biography that illuminates the triumphs, debacles, and personal sorrows of the irrepressible man known as Boston's 'Mayor of the Poor.'"--Robert Wilson, USA Today

    Significant events such as the Reichstag fire and the Kristallnacht pogrom are examined in detail, but the focus remains largely on the resourceful, resilient Berliners themselves as they deal with increasing hardship and danger. In the background of the narrative, one can virtually hear the almost incessant--and alarmingly effective--propaganda broadcasts by the Nazi minister of information, Joseph Goebbels. The authors relate the unfolding events in Hitler's underground headquarters, where his lieutenants continued to jockey for position even as old men and boys were rounded up in the streets above for a last-ditch stand against the approaching Soviet army. Finally, Read and Fisher describe the orgy of rape that began when the Red Army breached the city's defenses, the scope of which is conveyed by the statistics: more than 90,000 women and girls sought medical treatment for rape in Berlin in 1945." - Publishers Weekly"The British team of Read and Fisher ( Kristallnacht , LJ 10/15/88, and The Deadly Embrace , LJ 11/15/89) turn their attention to the bombing of Berlin by the British and Americans and how the Russian Army fought its way toward and through Berlin in 1945. The authors intend no startling new interpretations or profound analysis. Instead, they offer vignettes, often based on diaries, to describe life in Berlin late in the war. They also retell the story of fanatical Nazi leaders and of the Wehrmacht's desperate efforts to defend the city. The result is a highly readable and, at the same time, sophisticated and reliable narrative history. One objection: no good reason exists to call the Oder-Neisse "the ancient frontier of the German empire." - Library Journal

    The Secret Service melds alternative history and speculative physics (morphing) in a fabulist fiction about secret agents turned to objects.

    Gradually she embarks upon a "personal project": she digs pits in the rectory garden and "looks for the dead." Her story, which has brevity and magical intensity of a fairy tale, is marked equally by tragedy and dark humor.Forever Valley is one of three novels that are the first works to appear in English by Marie Redonnet, one of France's most original new authors (the other novels are Hôtel Splendid and Rose Mellie Rose, both also available from the University of Nebraska Press). Translator Jordan Stump notes that these books "unmistakably fit together, although they have neither characters nor setting in common." In all three novels, Redonnet has said, "it is the women who fight, who seek, who create."

    His songs have enriched his life and his life has filled his songs with every emotion dear to the soul. But his deep understanding of sorrow and injustice have not spoiled a single note. He sings to enliven and encourage, to delight and tell tales. He snatches the riches of folksinging from as many sources as he can find and gives them freely and gladly to any audience that cares to listen.Decades of work and travel have made him famous but he remains forever in tune with the folk. He describes his friends and inspirations, his conflicts with the bosses and the government, his favorite songs, stories, and instruments, and the kind of learning that comes from listening carefully. "Any fool can get complicated," he writes. "We are born in simplicity but die of complications."

    They cover some of the most pervasive themes of his thought and were written at a time when he had just published his most important—and difficult—book, Otherwise than Being, or Beyond Essence. Both courses pursue issues related to the question at the heart of Levinas's thought: ethical relation. The Foreword and Afterword place the lectures in the context of his work as a whole, rounding out this unique picture of Levinas the thinker and the teacher.The lectures are essential to a full understanding of Levinas for three reasons. First, he seeks to explain his thought to an audience of students, with a clarity and an intensity altogether different from his written work. Second, the themes of God, death, and time are not only crucial for Levinas, but they lead him to confront their treatment by the main philosphers of the great continental tradition. Thus his discussions of accounts of death by Heidegger, Hegel, and Bloch place Levinas's thought in a broader context. Third, the basic concepts Levinas employs are those of Otherwise than Being rather than the earlier Totality and Infinity: patience, obsession, substitution, witness, traumatism. There is a growing recognition that the ultimate standing of Levinas as a philosopher may well depend on his assessment of those terms. These lectures offer an excellent introduction to them that shows how they contribute to a wide range of traditional philosophical issues.

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    Here, in dialogue with Volker Harlan, the deeper motivations and insights underlying social sculpture, Beuys's expanded conception of art, are illuminated.

    Ben’s one-time best friend, Peter Aaron, begins to retrospectively investigate the transformation that led Ben from his enviable stable life, to one of a recluse. Both were once intelligent, yet struggling novelists until Ben’s near-death experience falling from a fire escape triggers a tumble in which he becomes withdrawn and disturbed, living alone and building bombs in a far-off cabin. That is, until he mysteriously disappears, leaving behind only a manuscript titled Leviathan, pages rustling in the wind.

    It's the greatest pioneering story in history, uniquely combining the heroic colonization of an intractable virgin land, the ghastly dangers & high adventure of Arctic exploration, & the grimmest saga of penal servitude. 400 years of continual human striving chart its course, a drama of unremitting extremes & elemental confrontations, pitting man against nature, & man against man. East of the Sun, a work of panoramic scope, is the 1st complete account of this strange & terrible story. To most Westerners, Siberia is a vast & mysterious place. The richest resource area on the face of the earth, its land mass covers 5 million square miles-7.5% of the total land surface of the globe. From the 1st foray in 1581 across the Ural Mountains by a band of Cossack outlaws to the fall of Gorbachev, East of the Sun is history on a grand scale. With vivid immediacy, Bobrick describes the often brutal subjugation of Siberia's aboriginal tribes & the cultures that were destroyed; the great 18th-century explorations that defined Siberia's borders & Russia's attempt to "extend" Siberia further with settlements in Alaska, California & Hawaii; & the transformation of Siberia into a penal colony for criminal & political exiles, an experiment more terrible than Australia's Botany Bay. There's the building of the stupendous Trans-Siberian Railway across 7 time zones; Siberia's key role in the bloody aftermath of the October Revolution in 1917; & Stalin's dreaded Gulag, which corrupted its very soil. Today, Siberia is the hope of Russia's future, now that all her appended republic have broken away. Its story has never been more timely.

    Barlett and Steele deftly expose the shifting tax burdens, deregulation, foreign investment, bankruptcy laws, and other changes that have reeked havoc on the middle class.

    When Dr. Walter Alva, director of the Bruning Museum in Peru, received an urgent call from the police, he had no idea that he would soon be in charge of excavatinghat his life would soon be in grave danger. Color photos; maps and illustrations.

    Nothing in an Engstrom story is what it first appears to be, yet at its core each tale has the ring of truth.Nightmare Flower is Engstrom's first major collection, containing eighteen short works plus a novelette, "Fogarty & Fogarty," and a short novel, "Project Stone." The stories span a wide range of styles and genres, varying from the almost fable-like simplicity of "The Pan Man" to the spine-chilling horror of "The Jeweler's Thumb is Turning Green."Love - what people will do to get it and keep it, the devastations of the loss or betrayal of love, the transformation of love to obsession - Love in all its different forms - lies at the heart of several of Engstrom's eloquent and quietly unnerving tales, including "Fogarty & Fogarty" and the collection's title story, "Nightmare Flower."In "Rivering" a woman confronts grief; in "Genetically Predisposed" a man, a woman, and a snake form a new version of the old, eternal triangle. "Quiet Meditation" reveals the little lies that make life bearable; "The Old Woman Upstairs" studies the complex relationship between mother and daughter.Each of these stories is a sideways glimpse of the world, a slant on life both moving and thought-provoking.

    "As fresh as ever."--Booklist.

    In a series of stories, she describes the ordinary people's response to this situation - how it destroys everyday lives, disrupts relationships and turns close friends into bitter enemies. She also wonders if we ourselves are all responsible for allowing this war to start. The collection is filled with stories about her daughter, her friends, about the day her father frightened her with his World War II pistol and about her journey on the Balkan Express which heads southwards from the comparative sanity of Vienna into the heart of the Yugoslavian conflict.

    How have we thought "the body"? How can we think it anew? The body of mortal creatures, the body politic, the body of letters and of laws, the "mystical body of Christ"-all these (and others) are incorporated in the word Corpus, the title and topic of Jean-Luc Nancy's masterwork.

    Less fortunate than these few were West Coasters such as Sonny Criss, Harold Land, Curtis Counce, Carl Perkins, Lennie Niehaus, Roy Porter, Teddy Edwards, Gerald Wilson, and those others whose careers languished without achieving either a later revival or even an early brief taste of fame. Certainly some West Coast jazz players have been awarded a central place in jazz history, but invariably they have been those who, like Charles Mingus or Eric Dolphy, left California for Manhattan. Those who stayed behind were, for the most part, left behind. The time has come for a critical re-evaluation of this body of work. With more than forty years of perspective--since modern jazz came to California-we can perhaps now begin to make sense of the rich array of music presented there during those glory years. But to do so, we need to start almost from scratch. We need to throw away the stereotypes of West Coast jazz, reject the simplifications, catchphrases, and pigeonholings that have only confused the issue. So many discussions of the music have begun by asking, "What was West Coast jazz?"--as if some simple definition would answer all our questions. And when no simple answer emerged--how could it when the same critics asking the question could hardly agree on a definition of jazz itself?--this failure was brandished as grounds for dismissing the whole subject. My approach is different. I start with the music itself, the musicians themselves, the geography and social situation, the clubs and the culture. I tried to learn what they have to tell us, rather than regurgitate the dubious critical consensus of the last generation. Was West Coast jazz the last regional style or merely a marketing fad? Was there really ever any such thing as West Coast jazz? If so, was it better or worse than East Coast jazz? Such questions are not without merit, but they provide a poor start for a serious historical inquiry. I ask readers hoping for quick and easy answers to approach this work with an open mind and a modicum of patience. Generalizations will emerge; broader considerations will become increasingly clear; but only as we approach the close of this complex story, after we have let the music emerge in all its richness and diversity. By starting with some theory of West Coast jazz, we run the risk of seeing only what fits into our theory. Too many accounts of the music have fallen into just this trap. Instead, we need to see things with fresh eyes, hear the music again with fresh ears.

    Set in the stark, confining atmosphere of a Newfoundland milltown, this semi-autobiographical novel tells the story of the Stone family-caught in relentless poverty and tyranized by Saul Stone, an illiterate man whose primitive fury warps and twists his wife and children. A brilliant portrayal of existence bereft of tende ess, House of Hate is a Tale of human ordeal and of an anguished striving for love in the midst of bitte ess. It is, as Farley Mowet has observed, a book unique in Canadian Literature. Percy Janes is a Canadian author who was raised in Newfoundland and retu ed there to live after extended travels in Europe.

    Hailed as the "finest-looking, longest-lasting editions ever made" (The New Republic), Library of America volumes make a fine gift for any occasion. Now, with exactly one hundred volumes to choose from, there is a perfect gift for everyone.

    But it's the lemons above Paul's grandfather's grave that give the fox its final gift, sight...

    82 b&w illustrations.

    

    In the darkly humorous LOBO'S BACK BACK, Lobo is killed over and over again by one of his quarries but is refused entrance to both Heaven and Hell. As a result, the Main Man finds himself reincarnated in various forms, among them a woman and a squirrel. Furious but unfazed by his less than appealing new identities, the bounty hunter continues his mission.

    The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me," culture uses art to dream the deaths of beautiful women.

    At once highly objective and deeply intimate, the photos capture the complex humanity of creators of jazz and blues--the very spirit of the music of New Orleans. 92 photographs.

    These sometimes overlooked presences are wonderfully alive in this collection of lyric poems, which first appeared in 1992. Now back in print, "Hotel Lautreamont" underscores Ashbery's ability to be both tragic and playful, dense and volatile, passionate and impersonal. As David Herd observed in "New Statesman and Society," this is "a poetry fully and startlingly engaged with the way things happen."

    In addition, this volume includes Subhuman Redneck Poems, winner of the 1996 T.S. Eliot Prize.

    In the Quotable Bertrand Russell, Lee Eisler has combed the whole of Russell's work to harvest his comments and reactions to important issues, political questions, and heated debates on morals and religion. Russell's views - iconoclastic, humorous, but always enlightening - are formulated as answers to specific questions. Organized alphabetically by topic for ease of reference, it's provocative, it's exciting, it's the very best of Russell.

    Nature is as much a social entity as a physical one. In addition to the physical resources to be harnessed and transformed, it consists of a domain of norms that may be called upon in defense of certain social ideals. In exploring the consequences of conventional understandings of nature, The Social Creation of Nature also seeks a way around the limitations of a socially created nature in order to defend what is actually imperiled—"wildness," in which, Thoreau wrote, lies hope for "the preservation of the world."

    In the foreground, brought wholly alive, are relatives, neighbors, and family friends eccentric and otherwise.

    Ned learns to stand up to his father and the school bully in order to protect Lady Daisy. But then the doll is stolen - will Ned ever find her again?

    With great deftness and precision Hamilton exposes how his dupes’ own naivete, snobbery or greed make them perfect targets. These three novels are shot through with the brooding menace and sense of bleak inevitability so characteristic of the author. There is also vivid satire and caustic humour. Gorse is thought to be based on the real-life murderer Neville Heath, hanged in 1946. Patrick Hamilton was born in 1904, and achieved early success as a novelist and playwright, his first novel published in his early twenties. He wrote several other novels and a play, Rope, before he was thirty. Both Rope and another play, Gaslight, were adapted for the big screen, the former by Alfred Hitchcock. His novels include Craven House, The Midnight Bell, The Siege of Pleasure, The Plains of Cement (a trilogy later published together under the title Twenty Thousand Streets Under the Sky), Hangover Square and The Slaves of Solitude. He died in 1962, aged fifty-eight, alcoholism undoubtedly a factor in his early death. ‘The entertainment value of this brilliantly told story could hardly be higher’ L.P. HARTLEY ‘a marvellous novelist who’s grossly neglected’ DORIS LESSING ‘A riveting dissector of English life’ KEITH WATERHOUSE

    In these five lively interviews with sociologist Bruno Latour, this increasingly important cultural figure sheds light on the ideas that inspire his highly original, challenging, and transdisciplinary essays. Serres begins by discussing the intellectual context and historical events-- including the impact of World War II and Hiroshima, which for him marked the beginning of science's ascendancy over the humanities--that shaped his own philosophical outlook and led him to his lifelong mission of bringing together the texts of the humanities and the conceptual revolutions of modern science. He then confronts the major difficulties encountered by his readers: his methodology, his mathematician's fondness for "shortcuts" in argument, and his criteria for juxtaposing disparate elements from different epochs and cultures in extraordinary combinations. Finally, he discusses his ethic for the modern age--a time when scientific advances have replaced the natural necessities of disease and disaster with humankind's frightening new responsibility for vital things formerly beyond its control. In the course of these conversations Serres revisits and illuminates many of his themes: the chaotic nature of knowledge, the need for connections between science and the humanities, the futility of traditional criticism, and what he calls his "philosophy of prepositions"--an argument for considering prepositions, rather than the conventionally emphasized verbs and substantives, as the linguistic keys to understanding human interactions. For readers familiar with Serres's works as well as for the uninitiated, Conversations on a Life in Philosophy provides fascinating insights into the mind of this appealing, innovative and ardent thinker. Michel Serres has taught at Clermont-Ferrand, at the University of Paris VIII (Vincennes) and at the Sorbonne. He has served as visiting professor at Johns Hopkins University and has been on the faculty of Stanford University since 1984. Bruno Latour, a philosopher and anthropologist, is Professor of Sociology, L'Ecole Nationale Supérieure des Mines in Paris. He has written several books and numerous articles on the ties between the sciences and the rest of culture and society. Roxanne Lapidus is Managing Editor of SubStance: A Review of Theory and Literary Criticism. Conversations on a Life in Philosophy was originally published in France as Eclaircissements.

    On May 5, 1973, three men escaped from a Maryland prison and disappeared. Joined by a fifteen-year-old brother, they surfaced in Georgia, where they were spotted joyriding in a stolen car. Within a week, the four young men were arrested on suspicion of committing one of the most horrific murders in American history. Jerry Alday and his family were eating Sunday dinner when death burst through the door of their cozy little trailer. Their six bodies are only the beginning of Thomas H. Cook’s retelling of this gruesome story; the horrors continued in the courtroom. Based on court documents, police records, and interviews with the surviving family members, this is a chilling look at the evil that can lurk just around the corner.

    Geiss is the most dedicated fourth-grade teacher imaginable. She goes to extraordinary lengths to make sure her students are presented with every opportunity—showing them slides from her summer vacations during Geography, reading to them from the classics of children’s literature after lunch, and providing them with the kinds of learning rewards that they will truly respond to—bite-sized nuggets of human flesh. Because Ms. Geiss’ students are pint-sized zombies, and the main tool of her peculiar version of the teaching trade is her trusty Remington .30-06 rifle. Ms. Geiss is firm but fair, and keeps a disciplined classroom. She has far more trouble from the adults shambling through what’s left of town than she does from her students, though a well-bulldozed killing field and the gasoline-filled moat encircling the school usually keeps the worst of the undead marauders at bay. But even the hardest working educators let their guard down sometimes, and after the Tribulations, just one mistake can mean school’s out forever. Bestselling, acclaimed author Dan Simmons’ story “This Year’s Class Picture” is a zombie tale that could itself be described as best in class, honored by the Stoker, Sturgeon, and World Fantasy Awards.

    Ms. Veryan's only historical not set in Georgian or Regency England.

    Specially compiled for the film's 30th anniversary, this volume provides, for the first time, an account of this film's remarkable genesis, artistry, and influence. 425 photographs, 75 in full-color.

    Utterly accurate in its depiction of historical and military events and astoundingly rich in detail, Cafe Berlin is vivid and compelling.

    Uses examples from well-known works to illustrate the points discussed.

    Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.

    Ní Dhomhnaill’s skillful negotiations between the forms, fables, and idioms of an older Ireland and the commodity culture, depth-psychology, and Eurospeak of modern Ireland are disclosed by the playful, accurate language of Muldoon who has been called the “most charismatic poet” of the British Isles.

    

    . . hardly a page in this handsome volume fails to impress and enchant with technical virtuosity and unnerving imagination' Alan Brownjohn, "Sunday Times"

    This stunning collection of original tales, legends, and historical accounts explores the rich tapestry of Mesoamerican narrative myths that have survived the Conquest. Some of the narratives in this selection are presented here for the first time in English translations of their original texts, while other antiquated translations have been updated. "We are fortunate to be able to present what remains of one of the world's great mythological traditions," write the Markmans, "and even in these 'fragments shored against the ruins' we can still sense the magnificence of that tradition." From the ancient goddess of Zohalpico, perhaps the earliest known image of the village cultures, The Flayed God chronologically traces the development of the myths of creation, fertility, rulership, hero journeys, and migration within the urban mythic traditions of the Olmec, Toltec, Maya, Mixtec, and Aztec cultures. Richly illustrated throughout with the strange and compelling imagery of the original codices, stelae, friezes, murals, figurines, masks, and statues, The Flayed God is among the most coherent and eminently readable volumes to date on the Mesoamerican experience. The flayed god of the title is Xipe Totec, "the metaphoric embodiment of the cyclical pattern of all life, a pattern promising the rebirth of man and man's sustenance, the corn, but requiring sacrificial death for the accomplishment of that rebirth." He is depicted with his face covered by a mask made from the taut skin of a sacrificial victim, a mask through which we can see the wearer's own living eyes and mouth, and he also wears the skin of the flayed one as a garment. In the ritual

    De Grazia, the attorney who argued and won the Tropic of Cancer case before the Supreme Court, offers a narrative history of censorship--from the jailing of Emile Zola's English publisher through the suppression of Joyce's Ulysses, down to recent attempts to obstruct works by Miller, Burroughs, Nabokov, and Mapplethorpe.

    The beauty of working green (or unseasoned) wood is that by using traditional skills and a few simple tools you can make anything from a tent peg to a Windsor chair, without needing power machinary.

    In Rome, the Eternal City, he meets Diana. Their attraction is intense and immediate. A passionate relationship is born and soon they are inseparable, reveling in their shared love of art and Italian culture. But storm clouds hang over their union: dark secrets of abuse from his youth, her pain over her brother’s death, and James’s open admission that he has known other men sexually.Back in New York, their relationship falls apart. For James and Diana, it is time to move on; to come to terms with the ghosts that haunt their lives and family histories; to find new paths and new lovers. But the darkness of their relationship is inescapable and persistent even though their love is gone. James has received news that will impact both their lives in devastating ways: He is HIV positive.Joseph Olshan’s The Sound of Heaven is an extraordinary novel, at once romantic and troubling, terrifying and compassionate.

    Addressing every aspect of library service to teens, this book covers customer service, collections, booktalking, programming, spaces, promotion, technology, youth involvement, and more.

    Lefevere explores how the process of rewriting works of literature manipulates them to ideological and artistic ends, so that the rewritten text can be given a new, sometimes subversive, historical or literary status.

    

    Forster captured the temperament of Englands upper-middle class and the tension of challenges to its stifling conventions. His tales of sophisticated socialites beguiled by uninhibited members of other classes and cultures, and of morally serious men and women struggling with their impulsive emotions, are among the most elegant and entertaining works of literature produced in the Edwardian era.The four novels collected in this volumeWhere Angels Fear to Tread, The Longest Journey, A Room with a View, and Howards Endrepresent the best of Forsters early fiction. Distinguished by their wit and irony, and memorable for their sensitive character studies, they are the enduring legacy of an artist who has been hailed as one of the greatest writers of the twentieth century. BiographyA graceful writer with a keen eye for the bittersweetness bound in differences of class and culture, E. M. Forster had an abbreviated but remarkably successful career as a novelist and established himself as one of England's most insightful 20th-century writers.

    This major survey of Russia as a multi-ethnic empire spans the imperial years from the sixteenth century to 1917, with major consideration of the Soviet phase. It asks how Russians incorporated new territories, how they were resisted, what the character of a multi-ethnic empire was and how, finally, these issues related to nationalism.Greeted with critical acclaim in the original German, this major survey of Russia as a multi ethnic empire spans the imperial years from the sixteenth century to 1917, with a serious consideration of the Soviet phase. It asks how Russians incorporated new territories, how they were resisted, what the character of a multi ethnic empire was and how, finally, these issues related to nationalism. With modern Russia at the forefront of contemporary world affairs, our need to understand its colonial and national past and its implications for the present has never been greater. Breaking completely new ground, The Russian Empire is essential reading. Andreas Kappeler is Professor of East European History, University of Vienna. The translator of this edition is Alfred Clayton.

    First, to explain the completely bourgeois and anti-Marxist-Leninist essence of the Gorbachev reforms, launched under the twin policies of Perestroika and Glasnost, allegedly for the purpose of renewing and strengthening socialism, which led to the collapse of socialism in the once mighty USSR. Second, to explain, by reference to the wholesale revision, and downright distortion, of Marxism Leninism in the field of political economy, philosophy and class struggle, committed by the CPSU under the influence of Khruschevite revisionism ever since the 20th Party Congress, the long process, which, over a period of more than three decades, resulted in the emergence of the Gorbachev leadership and the restoration of capitalism in the land of Soviets, the land of Lenin – the land of once triumphant socialism.In short, the author makes an attempt to answer the most important question: namely, how was it that the USSR, which, at a time when she was incomparably weaker, could not be defeated by the interventionist armies of the fourteen countries, representing the combined strength of imperialism and its stooges, during the war of intervention following the Great October Revolution, and which broke the back of the powerful Hitlerite war machine, thus making the single most powerful contribution to the defeat of Nazi Germany – how was it that the same USSR collapsed as a socialist state so ignominiously? No one can deny the importance, for the communist movement, of finding a correct answer to this question. Only time, and further debate, will show whether the author has succeeded in providing a correct answer to it. It is to be hoped that this attempt on his party will stimulate further discussion and debate, and thus contribute to a clarification of the questions which are the subject matter of this book.

    Their interpretations, informed by recent fossil discoveries, were the first efforts to represent the prehistoric world based on sources other than the Bible. Martin J. S. Rudwick presents more than a hundred rare illustrations from the eighteenth and nineteenth centuries to explore the implications of reconstructing a past no one has ever seen.

    It also offers tips on how to be more assertive without being needlessly insensitive or mousy.

    In addition to analyzing his major texts, these chapters provide insight on Hemingway's relationship with gender history, journalism, fame, and the political climate of the 1930s. Contributors include both the most distinguished established figures and brilliant newcomers, all chosen with regard to the clarity and readability of their prose.

    People the world over confront these problems, and Hundley examines them with clarity and eloquence in the unruly laboratory of California.The obsession with water has shaped California to a remarkable extent, literally as well as politically and culturally. Hundley tells how aboriginal Americans and then early Spanish and Mexican immigrants contrived to use and share the available water and how American settlers, arriving in ever-increasing numbers after the Gold Rush, transformed California into the home of the nation's preeminent water seekers. The desire to use, profit from, manipulate, and control water drives the people and events in this fascinating narrative until, by the end of the twentieth century, a large, colorful cast of characters and communities has wheeled and dealed, built, diverted, and connived its way to an entirely different statewide waterscape.

    When Jenny wishes she had a different necklace for every day of the year, the fairies decide to satisfy her desire.

    Certain Things Last is the first one-volume edition of Anderson's stories. But what makes this book truly remarkable is that five of Anderson's very best stories appear in print here for the first time. They are: "Certain Things Last," "Fred," "The Red Dog," "Mrs. Wife," and "The Masterpiece." The discovery of these new stories makes Certain Things Last an unprecedented publishing event. The short story, not the novel or autobiography, was the form in which Sherwood Anderson excelled. And the American short story probably owes more to Sherwood Anderson than to any other American writer. It was Anderson who wrested short fiction from the upbeat conventionality of the popular magazines of the 1920s and '30s and molded it to express the isolation of individual people. Certain Things Last contains 30 stories in all, chosen from previously unpublished manuscripts and from Anderson's three story volumes, The Triumph of the Egg, Horses and Men, and Death in the Woods. Numerous stories have been meticulously restored to Anderson's original version by Professor Modlin.