It is a stunning work: a complex tapestry of family tensions, baseball, politics and religion, by turns hilariously funny and agonizingly sad. Highly inventive formally, the novel is mainly narrated by Kincaid Chance, the youngest son in a family of four boys and identical twin girls, the children of Hugh Chance, a discouraged minor-league ballplayer whose once-promising career was curtained by an industrial accident, and his wife Laura, an increasingly fanatical Seventh-Day Adventist. The plot traces the working-out of the family's fate from the beginning of the Eisenhower years through the traumas of Vietnam.

    Friedrich Nietzsche, Europe's greatest philosopher, is on the brink of suicidal despair, unable to find a cure for the headaches and other ailments that plague him. When he agrees to treat Nietzsche with his experimental "talking cure", Breuer never expects that he, too, will find solace in their sessions. Only through facing his own inner demons can the gifted healer begin to help his patient.In When Nietzsche Wept, Irvin Yalom blends fact and fiction, atmosphere and suspense to unfold an unforgettable story about the redemptive power of friendship.

    Macabre, unsettling and deliciously enjoyable, these stories make the perfect bedtime read – but be warned, once you've started reading you won't be able to stop . .

    This searing novel, originally banned in China but later named one of that nation's most influential books, portrays one man's transformation from the spoiled son of a landlord to a kindhearted peasant. After squandering his family's fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.

    Here is a collection of his short fiction, with dozens of tales spanning his career and ranging from the moving to the macabre, the humorous to the haunting. From the penetrating 'Memories of Youghal' to the bittersweet 'Bodily Secrets' and the elegiac 'Two More Gallants', here are masterpieces of insight, depth, drama and humanity, acutely rendered by a modern master.'A textbook for anyone who ever wanted to write a story, and a treasure for anyone who loves to read them' Madison Smartt Bell'Extraordinary... Mr. Trevor's sheer intensity of entry into the lives of his people...proceeds to uncover new layers of yearning and pain, new angles of vision and credible thought' The New York Times Book Review

    . . . His sentences are exquisitely constructed, suggesting the cyclic rhythms of his agrarian world."--New York Times Book Review.

    In this volume, Dr. Leatherbarrow shows that far from being merely a philosophical religious tract, The Brothers Karamazov is an enjoyable and accessible novel. He discusses its major themes, including atheism and belief, the nature of man, socialism and individualism, and the state of European civilization, focusing particulary on those themes of justice, order and disorder, in whose revolutionary treatment he sees the real significance of this literary landmark.

    Abounding in philosophical, psychological and theological inquiries - yet laced with humour that is as infectious as it is wilful - The Discovery of Heaven convinces us that it just might be possible to bring order into the chaos of the world through a story.

    Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the world's greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonius Monk creating his own private language on the piano. However, music is the driving force of But Beautiful, and Dyer brings it to life in luminescent and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician’s style.

    But gradually, as Sebald's precise, almost dreamlike prose begins to draw their stories, the four narrations merge into one overwhelming evocation of exile and loss.Written with a bone-dry sense of humour and a fascination with the oddness of existence The Emigrants is highly original in its heady mix of fact, memory and fiction and photographs.

    Borges's writings are models of succinct power; by temperament and by artistic ambition, he was a minimalist, given to working his wonders on the smallest scale possible. A master of fiction, Borges never published a novel -- or even, it seems, felt the lure of attempting one. He professed a heartfelt conservative piety for the older literary forms, for the saga and epic, the lyric and tale, but he made radically inventive uses of the traditional forms in his own literary labors.Borges possessed an uncommon complement of gifts. He was capable of launching startling, even unnerving flights of cerebral fantasy or metaphor but owned a first-rate mind and a critical intelligence entirely at ease with the metaphysical abstractions of the philosophers and theologians. All the same, in his intellectual bearing Borges was a skeptic, critical of but not disparaging or cynical toward the truth claims of systematic philosophical or religious thought. He was at once a genuine artist and a judicious, sympathetic critic.The posthumous publication of This Craft of Verse, Borges's 1967 Norton Lectures, reacquaints us with his splendid critical faculties. The volume is a welcome gift, too, reminding us of Borges's generous insistence on identifying with his fellow readers, who are ever ready to be transported by their love for literature. (Harvard University Press scheduled release of the remastered recordings for the fall of 2000.) Enough cause, then, to celebrate the recent discovery of these long-stored and forgotten tape recordings of lectures delivered at Cambridge more than three decades ago. By the late 1960s, Borges was quite blind and incapable of consulting notes when delivering an address. The lectures transcribed and collected here -- with their frequent quotations from the European languages, both ancient and modern -- were delivered extemporaneously, performances made possible by Borges's own powers of recollection (which were, it need hardly be said, formidable).In life and in literary manner Borges was a cosmopolitan, his range of reference almost inexhaustibly wide. His reading embraced Homer and Virgil, the Icelandic sagas and Beowulf, Chaucer and Milton, Rabelais and Cervantes, Kafka and Joyce. This Craft of Verse addresses issues central to the art of poetry: essential metaphors, epic poetry, the origins of verse, and poetic meaning. The lectures conclude with a statement of Borges's own "poetic creed." This slim but profound volume, however, ranges much farther afield. Borges serves up intriguing asides on the novel, on literary criticism and history, and on theories of translation. Ultimately, his comments touch on the largest questions raised by literature and language and the thornier puzzles of human communication.The lectures convey Borges's evident delight in English and his eloquence and ease in the language, even when facing a distinguished audience of native English speakers. But perhaps that is not so surprising, after all, for Borges carried on a lifelong love affair with the English language and the literatures of the British Isles and North America. His parents, who were fluent in English, introduced Borges to the language when he was a young boy, and Borges was allowed the run of his father's extensive library of English classics. Among the bookshelves of his father's study he first encountered authors he would admiringly cite over a long literary life: Wells and Kipling and Chesterton and Shaw, to name only a few. And the study of Old English became a hobby to which Borges remained passionately devoted until his death. The English language he counted as his second (and perhaps even preferred) home.Since the 1960s, when the then relatively obscure Buenos Aires writer was first introduced to English-speaking readers in translations of the classic Ficciones and the anthology Labyrinths, it has been apparent that Borges survives the ordeal of translation without obvious loss. His power remains intact on the page. This he owes to the virtues of his prose style, to the elegant simplicity and naturalness that, as the transcribed Norton Lectures demonstrate, were indistinguishable from the man. Borges's style is classical: concise, understated, cleanly cadenced, strict in its devotion to the old-fashioned values of clarity and logical order. Whether in his native Spanish or in his adopted English, Borges is a writer and lecturer who impresses us with his singular intellectual wit, charm, and refinement.This Craft of Verse makes an exquisite addition to a distinguished series and offers, moreover, invaluable insights into the mind and work of a true modern master. Between its covers, this small book holds the pleasures of the modest, warm voice of a writer who stands unquestionably with the strongest literary talents of the 20th century.--Gregory Tietjen, Academic & Scholarly Editor

    Featuring: Jack Kerouac, Allen Ginsberg, William Burroughs, Gary Snyder, Neal Cassady, Gregory Corso, Diane Di Prima, Bob Dylan, Ken Kesey, Charles Bukowski, Michael McClure, and more.

    In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.Contains:Car Crash While HitchhikingTwo MenOut on BailDundunWorkEmergencyDirty WeddingThe Other ManHappy HourSteady Hands at Seattle GeneralBeverly Home'

    At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

    Galvin describes the seasons, the weather, the wildlife, and the few people who do not possess but are themselves possessed by this terrain. In so doing he reveals an experience that is part of our heritage and mythology. For Lyle, Ray, Clara, and App, the struggle to survive on an independent family ranch is a series of blameless failures and unacclaimed successes that illuminate the Western character. The Meadow evokes a sense of place that can be achieved only by someone who knows it intimately.

    For grades 8-12.Featured book is about a searing personal memoir of a boy who lived through the horrors of Auschwitz and Buchenwald, a witness to the evils of the Nazi regime.

    Filled with the "sacred hunger" to expand its empire and its profits, England entered full into the slave trade and spread the trade throughout its colonies. In this Booker Prize-winning work, Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp.

    But this unruly utopia is imperiled when the demon-harried Cardinal Guzmán decides to inaugurate a new Inquisition, with Cochadebajo as its ultimate target.       On his side, the Cardinal has an army of fanatics who are all too willing to destroy bodies in order to save souls. The Cochadebajeros have precious little ammunition, unless you count chef Dolores's incendiary Chicken of a True Man, and a civil defense that deems nothing more crucial than the act of love. Part epic, part farce, The Troublesome Offspring of Cardinal Guzmán confirms de Bernières's reputation as England's answer to Gabriel García Márquez.

    D'Arcy (Stilton) Cheesewright, but, as Jeeves insists, the priorities still have to be observed. And so, thanks to Jeeves, they are throughout this bumper volume, whatever mayhem may be loosed upon the befuddled head and generous heart of Bertram Wilberforce Wooster. Gathered in this volume are three of Wodehouse's hilarious Jeeves and Wooster novels: Jeeves and the Feudal Spirit, Stiff Upper Lip and Jeeves and Jeeves in the Offing.

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

    In places the palimpsest is so heavily worked that the letters feel like braille. I like to keep my body rolled away from prying eyes, never unfold too much, tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.

    Read by the author.

    His beat is a rough New Jersey neighborhood where the drug murders blur together, until the day Victor Dunham — a twenty-year-old with a steady job and a clean record — confesses to a shooting outside a fast-food joint. It doesn't take long for Rocco's attention to turn to Victor's brother, a street-corner crack dealer named Strike who seems a more likely suspect for the crime. At once an intense mystery, and a revealing study of two men on opposite sides of an unwinnable war, Clockers is a stunningly well-rendered chronicle of modern life on the streets.

    In Vienna, a woman parlays her gift for seeing the future into a fortunetelling position with a wealthy family. In Geneva, an ambulance driver and his wife take in the lonely, apparently dying ex-President of a Caribbean country, only to discover that his political ambition is very much intact. In these twelve masterful short stories about the lives of Latin Americans in Europe, García Márquez conveys the peculiar amalgam of melancholy, tenacity, sorrow, and aspiration that is the émigré experience.

    Across the border Mexico beckons—beautiful and desolate, rugged and cruelly civilized. With two companions, he sets off on an idyllic, sometimes comic adventure, to a place where dreams are paid for in blood.

    The first volume in the Complete Novels of Jane Austen, this volume contains the classics Sense and Sensibility, Pride and Prejudice, and Mansfield Park.

    Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless's jealous love for Baxter's creation.The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter. Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished author.

    His feverish and singular pursuit of this goal has come to define his life. Now an old man, he is looked on with suspicion and shame by his family-until his ambitious young nephew intervenes.Seeking to understand his uncle's mysterious mind, the narrator of this novel unravels his story, a dramatic tale set against a tableau of brilliant historical figures-among them G. H. Hardy, the self-taught Indian genius Srinivasa Ramanujan, and a young Kurt Gödel. Meanwhile, as Petros recounts his own life's work, a bond is formed between uncle and nephew, pulling each one deeper into mathematical obsession, and risking both of their sanity.

    Among the effects of a dead passenger, they come across a set of notebooks that tell of his life. As the boy reads the story to his elderly companion, this story and their own develop in tandem. Written in 1992, Mia Couto’s first novel is a powerful indictment of the suffering war brings.

    Juan knows little of the interior life of his father Ranz; but when Juan marries, he begins to consider the past anew, and begins to ponder what he doesn't really want to know. Secrecy—its possible convenience, its price, and even its civility—hovers throughout the novel. A Heart So White becomes a sort of anti-detective story of human nature. Intrigue; the sins of the father; the fraudulent and the genuine; marriage and strange repetitions of violence: Marías elegantly sends shafts of inquisitory light into the shadows and on to the costs of ambivalence. ("My hands are of your colour; but I shame/To wear a heart so white"—Shakespeare's Macbeth.)

    Especially moving are his descriptions of his children, his wrenching account of the 1986 automobile accident that cost him his leg, and of the ensuing struggle for his spiritual and physical survival. Broken Vessels is a book that, in its scope and sympathy, its grace and courage, never fails to startle with the sudden impact of quiet truths, passionately felt and powerfully expressed.

    Why, she asks, when writers such as Samuel Clemens, F. Scott Fitzgerald, Eudora Welty, Flannery O'Connor, Saul Bellow, and John Updike have among them written hundreds of short stories, do anthologists settle on the same two or three titles by each author again and again? Isn't the implicit promise of an anthology that it will, or aspires to, present something different, unexpected? In The Oxford Book of American Short Stories, Joyce Carol Oates offers a sweeping survey of American short fiction, in a collection of fifty-six tales that combines classic works with many different, unexpected gems, and that invites readers to explore a wealth of important pieces by women and minority writers. Some selections simply can't be improved on, Oates admits, and she happily includes such time-honored works as Irving's Rip Van Winkle, Poe's The Tell-Tale Heart, and Hemingway's A Clean, Well-Lighted Place. But alongside these classics, Oates introduces such little-known stories as Mark Twain's Cannibalism in the Cars, a story that reveals a darker side to his humor (That morning we had Morgan of Alabama for breakfast. He was one of the finest men I ever sat down to...a perfect gentleman, and singularly juicy). From Melville come the juxtaposed tales The Paradise of Bachelors and the Tartarus of Maids, of which Oates says, Only Melville could have fashioned out of 'real' events...such harrowing and dreamlike allegorical fiction. From Flannery O'Connor we find A Late Encounter With the Enemy, and from John Cheever, The Death of Justina, one of Cheever's own favorites, though rarely anthologized. The reader will also delight in the range of authors found here, from Charles W. Chesnutt, Jean Toomer, and Sarah Orne Jewett, to William Carlos Williams, Kate Chopin, and Zora Neale Hurston. Contemporary artists abound, including Bharati Mukherjee and Amy Tan, Alice Adams and David Leavitt, Bobbie Ann Mason and Tim O'Brien, Louise Erdrich and John Edgar Wideman. Oates provides fascinating introductions to each writer, blending biographical information with her own trenchant observations about their work, plus a long introductory essay, in which she offers the fruit of years of reflection on a genre in which she herself is a master. This then is a book of surprises, a fascinating portrait of American short fiction, as filtered through the sensibility of a major modern writer.

    He answers an ad in a local newspaper from a teacher looking for serious pupils, only to find himself alone in an abandoned office with a full-grown gorilla who is nibbling delicately on a slender branch. "You are the teacher?" he asks incredulously. "I am the teacher," the gorilla replies. Ishmael is a creature of immense wisdom and he has a story to tell, one that no other human being has ever heard. It is a story that extends backward and forward over the lifespan of the earth from the birth of time to a future there is still time save. Like all great teachers, Ishmael refuses to make the lesson easy; he demands the final illumination to come from within ourselves. Is it man's destiny to rule the world? Or is it a higher destiny possible for him-- one more wonderful than he has ever imagined?

    These works speak across centuries, beginning with Chaucer's resourceful inventions and moving through Shakespeare's masterpieces, John Donne's complex originality, and Alexander Pope's mordant satires. The anthology also features perennial favorites such as William Blake, William Wordsworth, and John Keats; Emily Dickinson's prisms of profundity; the ironies of Wallace Stevens and T.S. Eliot; and the passion of Sylvia Plath and Allen Ginsberg. These 500 poems are verses that readers either know already or will want to know, encapsulating the visceral power of truly great literature. William Harmon provides illuminating commentary to each work and a rich introduction that ties the entire collection together.

    When Marietta's mother dies, she heads to Charleston in search of her uncle - only to find a lover and return pregnant with twins two years later. She raises her sons back home in the low country before moving the family to Charleston, where she takes a growing interest in football and the civil rights movement. The boys grow huge and talented at the game, playing pro football in California. A new world and new travails await, but Marietta's great resilience endures.

    An American cult figure, Bowles has fascinated such disparate talents as Norman Mailer, Allen Ginsberg, Truman Capote, William S. Burroughs, Gore Vidal, and Jay McInerney.

    On struggling farms, in Dublin's rain-drenched streets, or in parched exile in Franco's Spain, McGahern's characters wage a confused but touching war against the facts of life.

    Ben’s one-time best friend, Peter Aaron, begins to retrospectively investigate the transformation that led Ben from his enviable stable life, to one of a recluse. Both were once intelligent, yet struggling novelists until Ben’s near-death experience falling from a fire escape triggers a tumble in which he becomes withdrawn and disturbed, living alone and building bombs in a far-off cabin. That is, until he mysteriously disappears, leaving behind only a manuscript titled Leviathan, pages rustling in the wind.

    Now Grove Press is proud to reissue this contemporary classic by one of America's most important living writers, in a new edition of 'A Good Scent from a Strange Mountain' that includes two subsequently published stories -- "Salem" and "Missing" -- that brilliantly complete the collection's narrative journey, returning to the jungles of Vietnam.

    First published in Odessa in 1908-11, it was recognized immediately as a masterwork in its own right, and reprinted numerous times in Israel.The Hebrew poet Hayim Nahman Bialik and the renowned editor Yehoshua Hana Ravnitzky, the architects of this masterful compendium, selected hundreds of texts from the Talmud and midrashic literature and arranged them thematically, in order to provide their contemporaries with easy access to the national literary heritage of the Jewish people -- the texts of Rabbinic Judaism that remain at the heart of Jewish literacy today.Bialik and Ravnitzky chose Aggadah -- the non-legal portions of the Talmud and Midrash -- for their anthology. Loosely translated as "legends", Aggadah includes the genres of biblical exegesis, stories about biblical characters, the lives of the Talmudic era sages and their contemporary history, parables, proverbs, and folklore. A captivating melange of wisdom and piety, fantasy and satire, Aggadah is the expressive medium of the Jewish creative genius.The arrangement of this compendium reflects the theological concerns of the Rabbinic sages: the role of Israel and the nations; God, good and evil; human relations; the world of nature; and the art of healing. Here, the reader who wants to explore traditional Jewish views on a particular subject is treated to a selection of relevant texts at his fingertips but will soon become immersed in a way of thinking, exploring, and questioning that is the hallmark of Jewish inquiry."Whatever the imagination can invent is found in the Aggadah," wrote the historian Leopold Zunz, "its purpose always being to teach man the ways of God." The Book of Legends/Sefer Ha-Aggadah, now available in William Braude's superbly annotated translation, enables modern Jews to experience firsthand the richness and excitement of their cultural inheritance.

    Drawing expertly on five centuries of the cultural history of Europe and the Americas, Fuentes seeks to capture the spirit of the new, vibrant and enduring civilization (in the New World) that began in Spain.

    While he has garnered acclaim as a novelist, Bellow's shorter works prove equally strong. Primarily set in a sepia-toned Chicago, characters (mostly men) deal with family issues, desires, memories, and failings--often arriving at humorous if not comic situations. In the process, these quirky and wholly real characters examine human nature. The narrative is straightforward, with deftly handled shifts in time, and the prose is concise, sometimes pithy, with equal parts humor and grace. In "Looking for Mr. Green," Bellow describes a relief worker sized up by tenants: "They must have realized that he was not a college boy employed afternoons by a bill collector, trying foxily to pass for a relief clerk, recognized that he was an older man who knew himself what need was, who had more than an average seasoning in hardship. It was evident enough if you looked at the marks under his eyes and at the sides of his mouth." This collection should appeal both to those familiar with Bellow's work and to those seeking an introduction. --Michael Ferch

    The remarkable novels presented here in this Library of America volume combine brilliant satire with a lingering affection for the men and women, who, as Lewis wrote of Babbitt, "want "to seize something more than motor cars and a house before it's too late.""Main Street (1920), Lewis's first triumph, was a phenomenal event in American publishing and cultural history. Lewis's idealistic, imaginative heroine, Carol Kennicott, longs "to get [her] hands on one of those prairie towns and make it beautiful," but when her doctor husband brings her to Gopher Prairie, she finds that the romance of the American frontier has dwindled to the drab reality of the American Middle West. Carol first struggles against and then flees the social tyrannies and cultural emptiness of Gopher Prairie, only to submit at last to the conventions of village life. The great romantic satire of its decade, Main Street is a wry, sad, funny account of a woman who attempts to challenge the hypocrisy and narrow-mindedness of her community."I know of no American novel that more accurately presents the real America," wrote H.L. Mencken when Babbitt appeared in 1922. "As an old professor of Babbittry I welcome him as an almost perfect specimen. Every American city swarms with his brothers. He is America incarnate, exuberant and exquisite."In the character of George F. Babbitt, the boisterous, vulgar, worried, gadget-loving real estate man from Zenith, Lewis fashioned a new and enduring figure in American literature—the total conformist. Babbitt is a "joiner," who thinks and feels with the crowd. Lewis surrounds him with a gallery of familiar American types—small businessman, Rotarians, Elks, boosters, supporters of evangelical Christianity. In biting satirical scenes of club lunches, after-dinner speeches, trade association conventions, fishing trips and Sunday School committees, Lewis reproduces the noisy restlessness of American commercial culture.In 1930 Sinclair Lewis was the first American to be awarded the Nobel Prize in Literature, largely for his achievement in Babbitt. These early novels not only define a crucial period in American history—from America's "coming of age" just before World War I to the dizzying boom of the twenties—they also continue to astonish us with essential truths about the country we live in today.

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    Containing the popular poems, Self Portrait, The Soul Lives Contented and Revelation Must be Terrible, the book traverses internal and external landscapes with evocative imagery, insight into the deepest patterns of human life, and the sure, elemental voice that has made David beloved as a poet and speaker around the world.

    In an age of conformity and innocence, the 19-year-old is tired of conventional virtue. Resisting her easy life, she yearns for meaning and beauty, profundity and mystery. Impulsive and adventurous, she attends a midnight meeting of the Klan, and then repelled, hurls herself into the civil rights movement.Half-conscious of her unmet needs and desires, she vacillates between the world of her family and that of her dreams, flirting with danger, pressing against the edge -- with disturbing and tragic consequences."To say that Ellen Gilchrist can write is to say that Placido Domingo can sing. All you need to do is listen." (The Washington Post)

    AD 46 -120) used an encyclopedic knowledge of the Roman Empire to produce a compelling and individual voice. In this superb selection from his writings, he offers personal insights into moral subjects that include the virtue of listening, the danger of flattery and the avoidance of anger, alongside more speculative essays on themes as diverse as God's slowness to punish man, the use of reason by supposedly 'irrational' animals and the death of his own daughter. Brilliantly informed, these essays offer a treasure-trove of ancient wisdom, myth and philosophy, and a powerful insight into a deeply intelligent man.

    An anthology of the writings of the celebrated German novelist and Nobel laureate.

    Includes alphabetical lists of titles and first lines.

    Few friendships are as true and lasting as those that exist in A.A. Milne's enchanted Hundred Acre Wood, and this book celebrates them with style. Watercolor illustrations.

    Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication.Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."

    Francis. National ad/promo.

    The art of fiction is considered under a wide range of headings, such as the Intrusive Author, Suspense, the Epistolary Novel, Time-shift, Magic Realism and Symbolism, and each topic is illustrated by a passage or two taken from classic or modern fiction. Drawing on writers as diverse as Henry James and Martin Amis, Jane Austen and Fay Weldon and Henry Fielding and James Joyce, David Lodge makes accesible to the general reader the richness and variety of British and American fiction. Technical terms, such as Interior Monologue, Metafiction, Intertextuality and the Unreliable Narrator, are lucidly explained and their applications demonstrated.Bringing to criticism the verve and humour of his own novels, David Lodge has provided essential reading for students of literature, aspiring writers, and anyone who wishes to understand how literature works.Beginning (Jane Austen, Ford Madox Ford) --The intrusive author (George Eliot, E.M. Forster) --Suspense (Thomas Hardy) --Teenage Skaz (J.D. Salinger) --The epistolary novel (Michael Frayn) --Point of view (Henry James) --Mystery (Rudyard Kipling) --Names (David Lodge, Paul Auster) --The stream of consciousness (Virginia Woolf) --Interior monologue (James Joyce) --Defamiliarization (Charlotte Bronte) --The sense of place (Martin Amis) --Lists (F. Scott Fitzgerald) --Introducing a character (Christopher Isherwood) --Surprise (William Makepeace Thackeray) --Time-shift (Muriel Spark) --The reader in the text (Laurence Sterne) --Weather (Jane Austen, Charles Dickens) --Repetition (Ernest Hemingway) --Fancy prose (Vladimir Nabokov) --Intertextuality (Joseph Conrad) --The experimental novel (Henry Green) --The comic novel (Kingsley Amis) --Magic realism (Milan Kundera) --Staying on the surface (Malcolm Bradbury) --Showing and telling (Henry Fielding) --Telling in different voices (Fay Weldon) --A sense of the past (John Fowles). Imagining the future (George Orwell) --Symbolism (D.H. Lawrence) --Allegory (Samuel Butler) --Epiphany (John Updike) --Coincidence (Henry James) --The unreliable narrator (Kazuo Ishiguro) --The exotic (Graham Greene) --Chapters etc. (Tobias Smollett, Laurence Sterne, Sil Walter Scott, George Eliot, James Joyce) --The telephone (Evelyn Waugh) --Surrealism (Leonora Carringotn) --Irony (Arnold Bennett) --Motivation (George Eliot) --Duration (Donald Barthelme) --Implication (William Cooper) --The title (George Gissing) --Ideas (Anthony Burgess) --The non-fiction novel (Thomas Carlyle) --Metafiction (John Barth) --The uncanny (Edgar Allen Poe) --Narrative structure (Leonard Michaels) --Aporia (Samuel Beckett) --Ending (Jane Austen, William Golding)

    If it is built with the brick and wood of this world, the light that pours through its windows is searing, healing."—Marie Howe

    A monumental literary enterprise, it is the most inclusive anthology ever attempted of oral and written literature--in every conceivable genre--by women of African descent the world over. (Pantheon)List of Contributors Continued:Dorothy West, Carolina Maria de Jesus, Ellen Kuzwayo, Billie Holiday, Claudia Jones, Margaret Walker, Gwendolyn Brooks, Marie Vieux-Chauvet, Caroline Ntseliseng Khaketla, Aída Cartagena Portalatín, Louise Simone Bennett-Coverley, Alice Childress

    He hired Stevens Anderson, an editor, who hired college professors and other bookworms who loved to read. The result was the The Great American Bathroom Book, Vol I, a collection of 130 2-page summaries from great books of all genres, from Don Quixote to The Road Less Traveled. Volume I also features 90 research overviews on subjects like "Putting Spark in Your Relationships", "Managing Conflict", "Time-saving Tips", and more.Volume II features over 220 book summaries and a section of Quotes and Anecdotes. Volume III has more than 180 new summaries, as well as 8 Thought Collections and sections of Facts and Inquiries.

    Detective and mystery stories. In four novels and fifty-six short stories, the exciting adventures of Baker Street's most famous resident -Sherlock Holmes Known and loved for over a century, this shrewd amateur detective, with the faithful Watson by his side, has delighted readers across the world. This handsome omnibus edition stands as a lasting tribute to the indestructible sleuth and his famous creator. A Study in Scarlet. The Sign of Four. The Adventures of Sherlock Holmes. The Memoirs of Sherlock Holmes. The Return of Sherlock Holmes.

    This English-only edition presents many of the poems that appear in his Foamy Sky volume and a selection of others dating back to 1929. A good portion of the poems were written during World War II, when Radnoti, of Jewish descent, was forced into a slave-labour squad and sent to work building roads in the Balkans. On the final march through Hungary toward Austria near the end of the war, the guards murdered the disabled prisoners who had not already died en route and buried the bodies in a mass grave. Radnoti's last written poems were found in the pocket of his coat when his body was exhumed.

    Distanced from her heritage, Amparo is nevertheless spellbound by the histories of her grandmother, aunt, and mother. Listening to the ancestral music, Amparo learns to hear its strains woven throughout her life.

    The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.

    A “natural and extraordinary talent for letter writing was one of the most captivating facets of his nature,” writes Gershom Scholem in his Foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful ideas, while also offering an intimate picture of Benjamin himself and the times in which he lived.Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamin’s work, The Correspondence of Walter Benjamin, 1910–1940 is a revelatory look at the man behind much of the twentieth century’s most significant criticism.

    On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks. For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions. All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.

    Widely acclaimed as the country’s foremost philosopher, the first of its psychologists, and a champion of religious pluralism, his influence on American thought is as strong now as it has ever been.James’s emphasis on the creative power of faith, will, and action, his opening up of philosophy to the fresh air of ordinary experience, his fascination with alternative forms of belief and states of consciousness, and his impatience with dogmas of any kind all make him a defender of individual experience and earn him a place beside Emerson and Whitman as an exponent of American democratic culture.Psychology: Briefer Course (1892) is far more than a shortened version of his monumental Principles of Psychology. It significantly revises parts of the earlier work and adds important new materials. (Students liked to call the longer book “James” and the shorter one “Jimmy.”) James’s new psychology moved away from discussions of the soul, morality, and logic, and focused instead on instinct, will, and the importance of action and habit. Passages comparing human consciousness to “a wonderful stream” inspired the “stream of consciousness” in the future work of Joyce, Woolf, and Gertrude Stein, a student of James’s at Harvard.The Will to Believe and Other Essays in Popular Philosophy (1897) advances the argument that each of us has the right to believe in hypotheses that are not susceptible to proof, and that such beliefs might actually change the world. The conversational style of theses essays reflects their origin in public lectures, as well as James’s conviction that truth can be discovered as much in the course of everyday life as in the activities of science or of philosophical speculation.Talks to Teachers and to Students (1899), also drawn from lectures, helped transform the emerging science of education. Here James applies his new psychology to classroom theory and conduct, especially for the primary grades. This immensely influential book has never gone out of print. It emphasizes the role in learning of instinct, play, and habit, along with the importance of engaging the voluntary interests of students. James’s warm and sympathetic nature informs his treatment of children, who can best be taught by those who respect the child’s autonomy and who avoid what he calls “hammering in.”“Human Immortality” (1897) defends the possibility of life after death; eight more of James’s most important essays round out this volume devoted to a writer called by John Dewey, “almost a Columbus of the inner world.”

    With his five successive novels and his wide-ranging philosophical and occasional essays, Walker Percy shored up his reputation as one of America's greatest writers - an ironic moralist and perhaps the shrewdest chronicler of life in the New South. Yet even by the time of his death in 1990, little was known about this intensely private man. Based on extensive interviews, written with access to Percy's letters and manuscripts, Jay Tolson has fashioned the first major biography of the writer, an authoritative portrait that brings Percy alive as it illuminates his distinguished body of work. We see Percy's life and his brilliant career against the background of the American South, whose colorful and tragic history is rooted deeply in the hearts and minds of its most talented sons and daughters. With a novelist's eye for character and the judgment of an informed critic, Tolson captures the lifelong drama of genius, always attentive to its artistic, psychological and spiritual dimensions. Percy was the scion of a proud, honorable and accomplished family, a clan haunted by a crippling streak of melancholy that issued repeatedly in suicides, including the self-inflicted deaths of Walker Percy's father and grandfather. Tolson depicts the struggle of Percy's life and the heroism with which he battled his family demons (and his own tubercular condition) and worked his way toward a writing career. Here is the young Percy in the days after his father's death, traveling with his brother and his mother (who would soon dieherself, in mysterious circumstances) from his childhood home of Birmingham, Alabama, to Athens, Georgia, and then on to Greenville, Mississippi, and the sprawling house of his Uncle Will. Adopted at 16 by this remarkable "bachelor-poet-lawyer-planter, " the most important single influe

    Gradually she embarks upon a "personal project": she digs pits in the rectory garden and "looks for the dead." Her story, which has brevity and magical intensity of a fairy tale, is marked equally by tragedy and dark humor.Forever Valley is one of three novels that are the first works to appear in English by Marie Redonnet, one of France's most original new authors (the other novels are Hôtel Splendid and Rose Mellie Rose, both also available from the University of Nebraska Press). Translator Jordan Stump notes that these books "unmistakably fit together, although they have neither characters nor setting in common." In all three novels, Redonnet has said, "it is the women who fight, who seek, who create."

    The fifteen pieces collected here range from the history of the Salman Rushdie affair to the dream of Atlantis, from the turf wars among ethnographic filmmakers to the unlikely romance between poetry and espionage, from the pilgrims in Plymouth to the students in Tiananmen Square. Above all, Weinberger's concern is poetry––whether written in medieval Baghdad or by Mexicans in Japan––and the perennially underground yet global network through which it travels. With his modernist sensibility and internationalist perspective, Weinberger's inventive prose transports old myths and texts to the strange realities of contemporary life.

    On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks. For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, "Oedipus the King." Now he has added his own translations of the remaining two, "Oedipus at Colonus" and "Antigone," thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of "Prometheus Bound" and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes "Sophocles I" (which contains all three Theban plays), "Aeschylus II, Greek Tragedies, Volume I, "and "Greek Tragedies, Volume III," all of which are now being published in second editions. All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.

    Louis, 1961, who become Rattray's friends.Trained at Harvard and the Sorbonne, Rattray was a poet, translator and scholar, fluent in most Western languages, Sanskrit, Latin, and Greek. Living in Paris during the 1950s, Rattray re-traced the steps of Antonin Artaud and became one of Artaud's first and best American translators. Published by City Lights Books in 1963, Rattray's Artaud translations burned through the aura of transgressive chic that surrounded the poet to reveal the core of his incisive scholarship, technological prophecies, and visionary rage. As Rattray later said of translating Artaud, "You have to identify with the man or the woman. You have to identify with that person and their work. If you don't then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I wanted to translate Artaud because I wanted to turn my friends on and pass on a message that had relevance to our lives. That's why I was doing it. Not to get a grant, or be hired by an English department..."What Rattray did for Artaud, he went on to do for Friedrich Holderlin, Rene Crevel, and the " In Nomine" music of John Bull, becoming a concert-level pianist to better understand the logic of baroque. He was, as Betsey Sussler wrote in Bomb after his death in 1993, "the most generous of writers."

    With great deftness and precision Hamilton exposes how his dupes’ own naivete, snobbery or greed make them perfect targets. These three novels are shot through with the brooding menace and sense of bleak inevitability so characteristic of the author. There is also vivid satire and caustic humour. Gorse is thought to be based on the real-life murderer Neville Heath, hanged in 1946. Patrick Hamilton was born in 1904, and achieved early success as a novelist and playwright, his first novel published in his early twenties. He wrote several other novels and a play, Rope, before he was thirty. Both Rope and another play, Gaslight, were adapted for the big screen, the former by Alfred Hitchcock. His novels include Craven House, The Midnight Bell, The Siege of Pleasure, The Plains of Cement (a trilogy later published together under the title Twenty Thousand Streets Under the Sky), Hangover Square and The Slaves of Solitude. He died in 1962, aged fifty-eight, alcoholism undoubtedly a factor in his early death. ‘The entertainment value of this brilliantly told story could hardly be higher’ L.P. HARTLEY ‘a marvellous novelist who’s grossly neglected’ DORIS LESSING ‘A riveting dissector of English life’ KEITH WATERHOUSE

    Arranged chronologically and containing many pieces restored to the form in which Twain intended them to appear, the volumes show with unprecedented clarity the literary evolution of Mark Twain over six decades of his career.The nearly two hundred separate items in this volume cover the years from 1852 to 1890. As a riverboat pilot, Confederate irregular, silver miner, frontier journalist, and publisher, Twain witnessed the tragicomic beginning of the Civil War in Missouri, the frenzied opening of the West, and the feverish corruption, avarice, and ambition of the Reconstruction era. He wrote about political bosses, jumping frogs, robber barons, cats, women’s suffrage, temperance, petrified men, the bicycle, the Franco-Prussian War, the telephone, the income tax, the insanity defense, injudicious swearing, and the advisability of political candidates preemptively telling the worst about themselves before others get around to it.Among the stories included here are “Jim Smiley and His Jumping Frog,” which won him instant fame when published in 1865, “Cannibalism in the Cars,” “The Invalid’s Story,” and the charming “A Cat’s Tale,” written for his daughters’ private amusement. This volume also presents several of his famous and successful speeches and toasts, such as “Woman—God Bless Her,” “The Babies,” and “Advice to Youth.” Such writings brought Twain immense success on the public lecture and banquet circuit, as did his controversial “Whittier Birthday Speech,” which portrayed Boston’s most revered men of letters as a band of desperadoes.“Against the assault of laughter nothing can stand,” he once wrote. A master of deadpan hilarity, a storyteller who fashioned an exuberant style rooted in the idiom of his western origins, and an enemy of injustice who used scathing invective and subtle satire to expose the “humbug” of his time, Twain, like Franklin, Whitman, and Lincoln, helped shape the American language into a unique democratic idiom that was to be heard around the world.The publishing history of every story, sketch, and speech in this volume has been thoroughly researched, and in each instance the most authoritative text has been reproduced. This collection also includes an extensive chronology of Twain’s life, helpful notes on the people and events referred to in his works, and a guide to the texts.

    whose purpose has been to transform human consciousness and guide its evolution.

    S. Merwin vividly conveys his intimate knowledge of the people and the countryside in this ancient part of France (home of the Lascaux caves). In three narratives of small-town life, Merwin shows with matchless poetic and narrative power how the past is still palpably present.On its original publication in 1992 Jane Kramer wrote, "These stories are a gift from one of the great poets of the English language, a chronicle of the heartstopping seasons of one small corner of La France Profonde and of its stubborn and illusive characters. Merwin’s French peasants are a force of nature, like the blackberry brambles that used to choke his garden, and he cultivates them both with that attentive, exacting, and relentlessly patient genius that great poets and great gardeners share. This is, simply, the most beautiful writing about France I know."

    The pure pleasure of Carver's writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern American literature.

    This acclaimed biography of Claire Clairmont, stepsister of Mary Shelley and mother of Byron's daughter Allegra, draws on her vivid letters and journals to portray a women of talent and resilience making her way in nineteenth-century Europe.

    These sometimes overlooked presences are wonderfully alive in this collection of lyric poems, which first appeared in 1992. Now back in print, "Hotel Lautreamont" underscores Ashbery's ability to be both tragic and playful, dense and volatile, passionate and impersonal. As David Herd observed in "New Statesman and Society," this is "a poetry fully and startlingly engaged with the way things happen."

    The shantytown established by Marie-Sophie is menaced from without by hostile landowners and from within by the volatility of its own provisional state. Hers is a brilliant polyphonic rendering of individual stories informed by rhythmic orality and subversive humor that shape a collective experience.A joyous affirmation of literature that brings to mind Boccaccio, La Fontaine, Lewis Carroll, Montaigne, Rabelais, and Joyce, Texaco is a work of rare power and ambition, a masterpiece.

    This book combines a with a careful scene-by-scene analysis, a wealth of illustrations and the most complete credits yet assembled.

    Hailed as the "finest-looking, longest-lasting editions ever made" (The New Republic), Library of America volumes make a fine gift for any occasion. Now, with exactly one hundred volumes to choose from, there is a perfect gift for everyone.

    Ted Hughes sees Shakespeare's early poems Venus and Adonis and The Rape of Lucrece as embodying two great myths of the archaic world, that of the hero who rejects the love of the Goddess and is killed in revenge by a boar; and that of the king, or god, whose crime is rape and whose punishment is banishment. These two complexes merge as Shakespeare's work develops into what Hughes calls the Tragic Equation, a flexible formula through which the poet was able to tap into the innate power of these myths to enliven his own imagination - and through him the imagination of Elizabethan England, in which the conflicts between Catholicism and Protestantism in the "living myth" of the English Reformation never lay far from the bloody surface of events. With his characteristic mixture of erudition and immediacy, Ted Hughes traces this idea in a close reading of Shakespeare's entire work. This text originally grew out of correspondence with dramatists, and anyone for whom intimate attention to the plays is important - scholar, student, actor, or common reader - will profit greatly from Hughes's loving, intensive, engrossing, and radical analysis of the greatest writing in the language.

    The photos were taken by Mary Summer Rain, whose powerful and lyrical descriptions of the Colorado mountains set the background and the tone for her writings about her experiences with No-Eyes, her beloved Indian shaman teacher. Accompanying the photos is a collection of verse, prose, vignettes, and sayings taken from her woods-walking journal. Together the pictures and the words weave wonderful tapestry of the many faces of Mother Earth, and the wisdom that nature has to teach humanity. Here is an inspiring and enlightening addition to the works of this unique writer.To my beloved Grandmother Earth--For the primeval Wisdom you have whispered from you sweet andgentle Breath. . .your timeless Wind,For the warm Comfort you have radiated from your tender and sensitive Heart. . .your shimmering Core, For the laughing Happiness you have sung from you coursing< and eternal Life Force. . .your singing Streams, For the deep Sensitivities you have instilled from your dignified and Lustrous Spirit. . .your moonlit Mountains, And for the Universal Truths you have revealed from your aged and ancient Bones. . .your Golden Canyons. Each evening as my prayer smoke rises into the receiving night sky, I give thanks for the sharing of your ancient whispered wisdom.

    Eco's illuminating and frequently hilarious discussion ranges from Dante to The Name of the Rose, Foucault's Pendulum, to Chomsky and Derrida, and bears all the hallmarks of his inimitable personal style. Three of the world's leading figures in philosophy, literary theory and criticism take up the challenge of entering into debate with Eco on the question of interpretation. Richard Rorty, Jonathan Culler and Christine Brooke-Rose each add a distinctive perspective on this contentious topic, contributing to a unique exchange of ideas among some of the foremost and most exciting theorists in the field.

    Best known for his novel The Sheltering Sky, he has for over forty-five years worked in a variety of genres, writing novels, stories, travel accounts, essays, poetry, journals, and autobiography, each distinctively shaped by his arresting vision and style. Since 1947 he has lived as an American expatriate in Tangier, Morocco, and his groundbreaking work has formed an important departure point for an international array of writers - most notably the Beats, whose literature and lifestyle he influenced greatly. Long heralded as a writer's writer and once considered primarily a literary cult figure, Bowles has in recent years been recognized as an original - an enduring visionary whose stark, often violent tales and dispassionate objectivity prefigured and shaped much of our current literary landscape. This striking and comprehensive collection documents the range of his influence and highlights his remarkable virtuosity, what Joyce Carol Oates calls "the rich and unexpectedly variegated achievement of a major American writer." First published in 1949 and included here in its entirety, The Sheltering Sky established Bowles as one of the most singular and promising of an extraordinary post-war generation of writers. His first collection of stories, The Delicate Prey, published in 1950, solidified that reputation. Too Far from Home: The Selected Writing of Paul Bowles is a testament to how forcefully and brilliantly he delivered on that early promise. Taking its title from a new novella published here for the first time, this volume also brings together a dozen of Bowles's best stories; excerpts from his three othernovels, Let It Come Down, The Spider's House, and Up Above the World; excerpts from Points in Time, Their Heads Are Green and Their Hands Are Blue, Days, and Without Stopping; as well as a group of poems, a selection of previously unpublished letters, and an interview conducted by

    The third installment of the collected plays of Neil Simon.

    Written by two well-known scholars in the field of literary study, this well-respected text puts an emphasis on the individual contributors to the development of literary criticism, from Plato and Aristotle to the present.

    An exhilarating, fiercely honest, ultimately devastating book, The Furies confronts the claims of family and the lure of desire, the difficulties of independence, and the approach of death.Janet Hobhouse's final testament is beautifully written, deeply felt, and above all utterly alive.

    "Ikiru "(1952) tells the painful and intimate story of a Japanese civil servant coming to terms with old age and death. In "Seven Samurai "(1954) the inhabitants of a small Janpanese village employ a roaming band of samurai to defend them. In "Throne of Blood" (1957), based on "Macbeth," a samurai is encouraged by his wife to kill his lord.This edition also includes a critical introduction to each screenplay.

    Each fiction has a terse analytical agenda, surgically dissecting the mundane, forcing quotidian life off the canvas, out of the museum dioramas and into our laps.

    Children learn about how and why God created the systems of sight, hearing, breathing, touching, and thinking. Each concept is beautifully illustrated and each lesson contains helpful comprehension questions. Grade 5.

    This huge oratorio of a novel unfolds over seven days in the life of Joubert Jones, an aspiring playwright making ends meet tending bar at his Aunt Eloise's Night Lounge. A Rabelaisian cast of characters and a Shakespearean range of voices crowd the pages of this book, an infinitely rich and suggestive tapestry of Black-American life and identity.

    Also included are Adorno's reflections on a variety of subjects: literary titles, the physical qualities of books, political commitment in literature, the light-hearted and the serious in art, and the use of foreign words in writing, to name a few.

    He loves her more, while she shoves him aside and devotes her attention to their son.

    captures what it's like to grow up too fast amid the crushing poverty of the South Bronx. A gritty slice of New York Latino life—now reissued with a striking new cover.

    Omon is chosen to be trained in the Soviet space program the fulfillment of his lifelong dream. However, he enrolls only to encounter the terrifying absurdity of Soviet protocol and its backward technology: a bicycle-powered moonwalker; the outrageous Colonel Urgachin; and a one-way assignment to the moon.

    Lewis's ""Ransom Trilogy"" which analyses Lewis's methods and meanings, concentrating on this trilogy but also including relevant secondary work. Lewis's literary scholarship and display of Christian values are incorporated into this discussion.

    Her subjects are various––poetics, the imagination, politics, spirituality, other writers––and her approach independent minded and richly complex. Here in a single volume are recent essays exploring new ground broken by Levertov in the past decade as well as the finest and most useful prose pieces from The Poet in the World (1973) and Light Up the Cave (1981). This is a book to read and reread. With their combination of sensitivity and practicality, the New Selected Essays will prove enormously helpful to the writer and reader of poetry. As Kirkus Reviews remarked about her prose: "This is humanism in its true sense––her attitude as evidenced (not described) by her writing is such that the reader cannot help but experience life, at least temporarily, with more intensity, joy, and imagination."

    Maureen Lipman continues to examine the warp and weft of her own life's rich tapestry - including how she has survived winged ghosts, topless hosts, A levels, hypnosis, psychosis and vacuum salesmen.

    It is the finest anthology of lyric poetry ever published."Truth" by Geoffrey Chaucer"Ophelia's Song" by William Shakespeare"The Canonization" by John Donne"To Heaven" by Ben Jonson"Ode on Solitude" by Alexander Pope"The Tyger" by William Blake"The Solitary Reaper" by William Wordsworth"Ode to a Nightingale" by John Keats"God's Grandeur" by Gerard Manley Hopkins"Sailing to Byzantium" by William Butler Yeatsand more than ninety additional classic poems.

    

    Coetzee that his "vision goes to the nerve-centre of being. What he finds there is more than most people will ever know about themselves, and he conveys it with a brilliant writer's mastery of tension and elegance". Doubling the Point takes the reader to the center of that vision. These essays and interviews, documenting Coetzee's longtime engagement with his own culture, and with modern culture in general, constitute a literary autobiography. Centrally concerned with the form and content of fiction, Doubling the Point provides insight into the significance of certain writers (particularly modernists such as Kafka, Musil, and Beckett), the value of intellectual movements (from structuralism and structural linguistics on through deconstruction), and the issues of political involvement and responsibility - not only for Coetzee's own work, but for fiction writing in general. In interviews prefacing each section of the book, Coetzee reflects on the essays to follow and relates them to his life and work. In these interviews editor David Attwell prompts from Coetzee answers of depth and interest. The result is the story of a fiction writer's intellectual development, and of an intellectual's literary development. It is the story of how one writer has moved through the scholarly and political trends of the last 30 years, carefully assessing their applications and limitations, and through this experience forged for himself a unique and powerful literary voice informed in equal parts by life and learning.

    The first collection of fifteen short stories by the popular tri-media personality.