It tells the story of very private lives caught up in the heartrendering ordeal of suffering and doom - an ordeal that was largely ignored for reasons of politics and majority morality.Filled with power, anger, and intelligence, Larry Kramer's riveting play dramatizes what actualy happened from the time of the disease's discovery to the present, and points a moral j'accuse in many directions. His passionate indictment of government, the media, and the public for refusing to deal with a national plague is electrifying theater - a play that finally breaks through the conspiracy of silence with a shout of stunning impact. As Douglas Watt summed it up in his review for the New York Daily News,THE NORMAL HEART is "an angry, unremitting and gripping piece of political theater. You are bound to come away moved."

    The book traces the history of three families: the working-class African-American Twymons, the working-class Irish McGoffs, and the middle-class Yankee Divers. It gives brief genealogical histories of each families, focusing on how the events they went through illuminated Boston history, before narrowing its focus to the racial tension of the 1960s and the 1970s. Through their stories, Common Ground focuses on racial and class conflicts in two Boston neighborhoods: the working-class Irish-American enclave of Charlestown and the uneasily integrated South End.

    Their revealing correspondence leaves no aspect of their lives untouched: daily dramas, bits of gossip, the strains and pleasures of writing, and always the same joy in each other’s company. This volume, which features over 500 letters spanning 19 years, includes the writings of both of these literary icons.DeSalvo and Leaska established the chronological order of the letters and placed them in sequence, and they have also included relevant diary entries and letters Vita and Virginia wrote to other friends where they add context and illumination to the narrative. Annotations throughout the text identify peripheral characters, clarify allusions, and provide background. As the New York Times noted, "the result is a volume that reads like a book, not just a gathering of marvelous scraps."In his introduction Mitchell A. Leaska observes, "Rarely can a collection of correspondence have cast into more dramatic relief two personalities more individual or more complex; and rarely can an enterprise of the heart have been carried out so near the verge of archetypal feeling."

    The four novels in this Library of America collection display an astonishing range of characters and treatments in his Depression-era fiction.As I Lay Dying (1930) is a combination of comedy, horror, and compassion, a narrative woven from the inarticulate desires of a peasant family in conflict. It presents the conscious, unconscious, and sometimes hallucinatory impressions of the husband, daughter, and four sons of Addie Bundren, the long-suffering matriarch of her rural Mississippi clan, as the family marches her body through fire and flood to its grave in town.Sanctuary (1931) is a novel of sex and social class, of collapsed gentility and amoral justice, that moves from the back roads of Mississippi and the fleshpots of Memphis to the courthouse of Jefferson and the appalling spectacle of popular vengeance. With its fascinating portraits of Popeye, a sadistic gangster and rapist, and Temple Drake, a debutante with an affinity for evil, it offers a horrific and sometimes comically macabre vision of modern life.Light in August (1932) incorporates Faulkner’s religious vision of the hopeful stubbornness of ordinary life. The guileless Lena Grove, in search of the father of her unborn child; the disgraced minister Gail Hightower, who dreams of Confederate cavalry charges; Byron Bunch, who thought working Saturdays would keep a man out of trouble, and the desperate, enigmatic Joe Christmas, consumed by his mixed ancestry—all find their lives entangled in the inexorable succession of love, birth, and death.Pylon (1935), a tale of barnstorming aviators in the carnival atmosphere of an air show in a southern city, examines the bonds of desire and loyalty among three men and a woman, all characters without a past. Dramatizing what, in accepting his Nobel Prize, Faulkner called “the human heart in conflict with itself,” it illustrates how he became one of the great humanists of twentieth-century literature.The Library of America edition of Faulkner’s work publishes, for the first time, new, corrected texts of these four works. Manuscripts, typescripts, galleys, and published editions have been collated to produce versions that are free of the changes introduced by the original editors and that are faithful to Faulkner’s intentions.

    Set in Belgrade before WWII, Fathers and Forefathers tells the story of the marriage between Steven, a Serb, and Elizabeth, an Englishwoman. After meeting at an English university they marry and leave England to build their life together. Steven's narrative and Elizabeth's letters home reveal two very different personal accounts of the difficulties this involves. Raised in Serbia their son, Mihajlo, is ashamed of his mixed parentage and rebels against his non-Serbian ancestry. On the eve of the war, Steven's loyalties are challenged when his counsel is sought by both the Serbian king and the opposition. He resolves to keep his distance from the conflict, but Mihajlo's more radical response forces him to become involved, and tragedy engulfs the family.

    Emmanuel speaks to us  through Pat Rodegast and shares his wisdom and  insights on all aspects of life. Beautifully written and illustrated, Emmanuel's Book I  is to be treasured, enjoyed and passed on to a  friend. Emmanuel says: "The gifts I wish to  give you are my deepest love, the safety of truth,  the wisdom of the universe and the reality of God .  . . . The issue of whether there is a Greater  Reality or not, for me at least, has been settled. I  know that there is. So I will speak to you from  the knowing that I possess." Ram Dass, in the  introduction, says: "Being with Emmanuel one  comes to appreciate the vast evolutionary context  in which our lives are being lived . . . And at  each moment we are at just the right place in the  journey. As Emmanuel points out, 'Who you are is a  necessary step to being who you will be.'"

    By the time she was twelve, the war had begun. Abandoned by her father when he realized the price of being associated with a Jewish wife and family, Anita and her mother were ultimately left to fend for themselves. Anita's teenage years are spent desperately fighting for survival yet learning to trust in the One she discovered would not leave her ...

    The French surrealist continues to be important for his groundbreaking focus on the visceral, the erotic, and the relation of society to the primeval. This collection of prewar writings remains the volume in which Batailles's positions are most clearly, forcefully, and obsessively put forward. This book challenges the notion of a "closed economy" predicated on utility, production, and rational consumption, and develops an alternative theory that takes into account the human tendency to lose, destroy, and waste. This collection is indispensible for an understanding of the future as well as the past of current critical theory.Georges Bataille (1897-1962), a librarian by profession, was founder of the French review Critique. He is the author of several books, including Story of the Eye, The Accused Share, Erotism, and The Absence of Myth.

    The Sheridan brothers pursue the pastimes of the rich and talented in the idyllic village of Tarrant Royal, unaware of the coming war that will test their courage and family loyalty to the limit. Roland, an aspiring surgeon, believes his duty lies in remaining as squire of his Dorset village. But charges of cowardice force him into a conflict his conscience cannot condone. Rex, a womanizer and daredevil aviator, dons the RFC uniform. As time passes and he becomes an ace over the skies of France he knows that one day soon his luck must run out. Chris, a brilliant scholar about to enter university, is driven to enlist by a scandal which shatters his golden future. Hopelessly unfitted for battle, he faces the carnage of Gallipoli not caring whether he lives or dies. In Elizabeth Darrell's richly detailed, mesmeric novel the Sheridans live, love and fight for survival like the sons of all families caught up in a savage war which changed the old ways forever. ‘Moving romance’ - Yorkshire Evening Post ‘A wonderful story, compellingly told…the authenticity - both historical and emotional - really shines through’ - Sarah Harrison Elizabeth Darrell served as an officer in the WRAC. She is the author of seven acclaimed novels, including ‘Concerto’, ‘And in the Morning’ and ‘We Will Remember’. Under the pen-name Emma Drummond she has written eleven historical novels. Endeavour Press is the UK's leading independent publisher of digital books.

    Arranged chronologically, the forty-nine stories, when taken together with the memoir of his father that serves as a preface, not only establish Williams as a major American fiction writer of the twentieth century, but also, in Gore Vidal’s view, constitute the real autobiography of Williams’ "art and inner life."

    It tells of the life and opinions of Reger, a 'musical philosopher', through the voice of his acquaintance Atzbacher, a 'private academic'.The book is set in Vienna on one day around the year of its publication, 1985. Reger is an 82-year-old music critic who writes pieces for The Times. For over thirty years he has sat on the same bench in front of Tintoretto's White-bearded Man in the Bordone Room of the Kunsthistorisches Museum for four or five hours of the morning of every second day. He finds this environment the one in which he can do his best thinking. He is aided in this habit by the gallery attendant Irrsigler, who prevents other visitors from using the bench when Reger requires it.

    Schemes, crimes, infidelities, hopes of escape, and above all trust and its constant betrayal are Krasznahorkai’s meat. “At the center of Satantango,” George Szirtes has said, “is the eponymous drunken dance, referred to here sometimes as a tango and sometimes as a csardas. It takes place at the local inn where everyone is drunk. . . . Their world is rough and ready, lost somewhere between the comic and the tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death.” “You know,” Mrs. Schmidt, a pivotal character, tipsily confides, “dance is my one weakness.”

    The complete comic saga of Nathan Zuckerman, his ordeals of conscience, from Manhattan, to Miami Beach, to Czechoslovakia!"Roth has transcended himself . . . . A comic genius . . . Certainly Philip Roth's finest achievement to date, eclipsing even his best single fictions . . . ZUCKERMAN BOUND binds together THE GHOST WRITER, ZUCKERMAN UNBOUND, and THE ANATOMY LESSON, adding to them as epilogue a wild short novel, THE PRAGUE ORGY, which is at once the bleakest and the funniest writing Roth has done."-- The New York Times Book Review"ZUCKERMAN BOUND proves that no one now writing can be funnier and, at the same time, more passionately serious than Philip Roth." -- Time"ZUCKERMAN BOUND shows the author's always ebullient invention and artful prose at their most polished and concentrated." -- The New Yorker

    It demonstrates a commitment to surrealistic aesthetics, and has a clear lack of an obvious plot, minimal development of character, variations of time sequence, and experiments with vocabulary and punctuation.

    Now, for the first time, the story of the love of these two glamorous and hugely talented writers can be given in their own letters. Introduced by an extensive narrative of the Fitzgeralds' marriage, the 333 letters - three-quarters of them previously unpublished or out of print - have been edited by noted Fitzgerald scholars, Jackson R. Bryer and Cathy W. Barks. They are illustrated throughout with a generous selection of familiar and unpublished photographs.

    Shunning any re-creation, archival footage, or visual documentation of the events, filmmaker Claude Lanzmann relied on the words of witnesses—Jewish, Polish, and German—to describe in ruthless detail the bureaucratic machinery of the Final Solution, so that the remote experiences of the Holocaust became fresh and immediate. This book presents in an accessible and vivid format the testimony of survivors, participants, witnesses, and scholars. This tenth anniversary edition, published on the fiftieth anniversary of the liberation of the camps, is newly revised and corrected in order to more accurately present the actual testimony of those interviewed. Shoah is an unparalleled oral history of the Holocaust, an intensely readable journey through the twentieth century's greatest horror.

    76 duotones.

    In this book, Helen Forrester continues the moving story of her early life with an account of the war years in blitz-torn Liverpool, and the happiness which she so nearly captured, but which was to elude her twice.

    It is the true story of Roman Mirga and his family, Polish Gypsies who have to suffer the affects of the Holocaust. This amazing unique book gives an insight of how the Gypsies were treated under Hitler and the Nazi regime.

    In achieving for himself the opulent life that he was denied as a child, Ripley shows himself to be a master of illusion and manipulation and a disturbingly sympathetic combination of genius and psychopath. As Highsmith navigates the mesmerizing tangle of Ripley's deadly and sinister games, she turns the mystery genre inside out and takes us into the mind of a man utterly indifferent to evil.The Talented Mr. RipleyIn a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley. Like a hero in a latter-day Henry James novel, is sent to Italy with a commission to coax a prodigal young American back to his wealthy father. But Ripley finds himself very fond of Dickie Greenleaf. He wants to be like him--exactly like him. Suave, agreeable, and utterly amoral, Ripley stops at nothing--certainly not only one murder--to accomplish his goal. Turning the mystery form inside out, Highsmith shows the terrifying abilities afforded to a man unhindered by the concept of evil.Ripley Under GroundIn this harrowing illumination of the psychotic mind, the enviable Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But such a gracious life has not come easily. One inopportune inquiry, one inconvenient friend, and Ripley's world will come tumbling down--unless he takes decisive steps. In a mesmerizing novel that coolly subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil.Ripley's GameConnoisseur of art, harpsichord aficionado, gardener extraordinaire, and genius of improvisational murder, the inimitable Tom Ripley finds his complacency shaken when he is scorned at a posh gala. While an ordinary psychopath might repay the insult with some mild act of retribution, what Ripley has in mind is far more subtle, and infinitely more sinister. A social slight doesn't warrant murder of course-- just a chain of events that may lead to it.

    Contains the stories in Dago Red, first published in 1940, together with seven new stories, including "A Nun No More" and "My Father’s God."

    In 1916, Charley Bourne lies about his age to enlist and fight on the battlefields of France. But thoughts of glory and patriotism are swept aside by the bloody artillery barrage of horror and needless sacrifice amidst the trenches of the First World War. Rich in the detailed minutiae of the terror-punctuated existence of a Tommy, Charley's War features a brand new introduction and director's commentary by Pat Mills, a cultural history of the comic, and an essay on the Battle of the Somme.

    This is a full-fledged lovers' tragedy between a drifter-turned-writer and the fatally flawed Betty, his muse and obsessive promoter.

    In doing so, he entered our hearts—my heart—because he made his struggle my struggle. His life became my life.”—Eric Bogosian“Virtuosic. A master writer, reporter, comic and playwright. Spalding Gray is a sit-down monologist with the soul of a stand-up comedian. A contemporary Gulliver, he travels the globe in search of experience and finds the ridiculous.”—The New York TimesIn 2004, we mourned the loss of one of America’s true theatrical innovators. Spalding Gray took his own life by jumping from the Staten Island ferry into the waters of New York Harbor, finally succumbing to the impossible notion that he could in fact swim to Cambodia. At a memorial gathering for family, friends and fans at Lincoln Center in New York, his widow expressed the need to honor Gray’s legacy as an artist and writer for his children, as well as for future generations of fans and readers. Originally published in 1985, Swimming to Cambodia is reissued here 20 years later in a new edition as a tribute to Gray’s singular artistry.Writer, actor and performer, Spalding Gray is the author of Sex and Death to the Age 14; Monster in a Box; It’s a Slippery Slope; Gray’s Anatomy and Morning, Noon and Night, among other works. His appearance in The Killing Fields was the inspiration for his Swimming to Cambodia, which was also filmed by Jonathan Demme.

    In the ensuing years, a brutal Soviet campaign of confiscations, terrorizing, and murder spread throughout Ukrainian villages. What food remained after the seizures was insufficient to support the population. In the resulting famine as many as seven million Ukrainians starved to death.This poignant eyewitness account of the Ukrainian famine by one of the survivors relates the young Miron Dolot's day-to-day confrontation with despair and death—his helplessness as friends and family were arrested and abused—and his gradual realization, as he matured, of the absolute control the Soviets had over his life and the lives of his people. But it is also the story of personal dignity in the face of horror and humiliation. And it is an indictment of a chapter in the Soviet past that is still not acknowledged by Russian leaders.

    These narrow strips of paper (many of them written during his hospitalization in the Waldau sanatorium) covered with tiny ant-like markings only a millimeter or two high, came to light only after the author’s death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a German script: a whole story could fit on the back of a business card.Selected from the six-volume German transcriptions from the original microscripts, these 25 short pieces are gathered in this gorgeously illustrated co-publication with the Christine Burgin Gallery.  Each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing letter, a receipt of payment. Sometimes Walser used the pages of small tear-off calendars (but only after cutting them lengthwise and filling up each half with text). Schnapps, rotten husbands, small town life, the radio, pigs (and how none of us can deny being one), jealousy, Van Gogh and marriage proposals are some of Walser’s subjects.  These texts take strength from Walser’s motto: “To be small and to stay small.”

    This collection collects what he wrote under those conditions. He writes in a conversational voice, but he is impassioned, persuasive, abusive and hilarious by turns.

    To Tobias Wolff's characters, Back in the World is where lives that have veered out of control just might become normal again. Unfortunately, the men and women in these gripping, pungent, and wonderfully skewed stories have only the vaguest notion of what normal is. A gentle priest finds himself in a Vegas hotel with a hysterical, sun-burned stranger. A show-biz hopeful undergoes a dubious audition in a hearse speeding across the California desert. An aging soldier is distracted from a night of philandering by a gun-toting neighbor and a suicidal enlisted man. As he moves among these unfortunates, Wolff observes the disparity between their realities and their dreams, in ten stories of exhilarating lucidity and grace.Stories included are: "The Missing Person," "Say Yes," "The Poor Are Always With Us," "Sister," "Soldier's Joy," "Desert Breakdown," "Our Story Begins," "Leviathan," and "The Rich Brother." "Terrific...The magic of his fiction cannot be explained. It is the ancient art of the master storyteller."--Tim O'Brien

    Trapped in a small, poverty-ridden town in 1933, under pressure from his father to go into the family business, seventeen-year-old Dominic Molise yearns to fulfill his own dreams.

    

    Here, Barbara Mary Crampton Pym sails off into a wickedly comedic farce, focusing on the unsuitable romantic entanglements of a curate and a pretty young girl, both of whom live in the same rooming house, and a starry-eyed university professor and his female student.

    In 1985, under the editorship of Margaret Drabble, the text was thoroughly and sensitively revised to bring it up to date.The sixth edition, published in 2000, was extensively revised, expanded, and updated. Almost 600 new entries covered new writers, genres, and issues, and existing entries were reworked to incorporate the latest scholarship. In addition to the extensive coverage of writers, works, literary theory, allusions, and characters, there are sixteen featured entries on key topics including black British literature, fantasy fiction, and modernism. The Companion remains an unrivaled work that places English literature in its widest context: no other book offers such extensive exploration of the classical roots of English literature, and the European and non-European works and writers that have influenced its development.The sixth edition has now been revised to ensure that it remains absolutely up to date: the invaluable appendices - the chronology, and lists of winners of major literary awards - have been updated, as have many of the entries. Informed by the latest scholarly thinking, and comprehensively cross-referenced to guide the reader to topics of related interest, the Companion retains its position as the best guide to English literature available.

    In one terrifying night, her gentle life is shattered and her innocence ends. Then she meets Steffen Larsen who ignites in her feelings as fierce as the war raging around them. Risking everything, Johanna joins Steffen in Norway's Resistance and enters a dangerous double life...

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    Hemingway married four times, each time to a fascinating person: Hadley Richardson, who shared the Paris years and one son; Pauline Pfeiffer, the mother of two more sons, who created a haven in Key West; Martha Gellhorn, a writer and acclaimed journalist; and Mary Welsh, a Time correspondent. Drawing on letters and interviews with the living women, Bernice Kert sheds new light on the Hemingway heroines and their real-life prototypes.

    Hailed by the New York Times as "one of the most influential texts in gender studies, men's studies and gay studies," this book uncovers the homosocial desire between men, from Restoration comedies to Tennyson's Princess.

    In this essential classic the Archbishop offers counsel on ordination and ministry in the life of the church.

    A powerful account of the changing role of American black women in the labor force and in the family.

    As D.M. Thomas points out in his introduction, practically none of her poetry was published between 1923 and 1940. Her poetic range was wide, from the transparent anonymity of “Requiem” to the symphonic complexity of “Poem without a Hero.” She was revered and loved not only by the best of her fellow poets but by the ordinary people of Russia: five thousand mourners, mostly the young, crowded to her requiem mass in a Leningrad church.You Will Hear Thunder brings together for the first time all D.M. Thomas’s translations of Anna Akhmatova’s poems. They were very highly praised on their separate appearances in 1976 and 1979. John Bayley called them “a mastery achievement,” and said of Thomas that “he has profound reverence and affection for the original;” while Donald David wrote that Thomas’s translation was “The first version to explain to me why Akhmatova was so much esteemed by those great poets, Pasternak and Mandelstam and Tsvetaeva.” It is good to have these powerful, noble and compassionate poems in one set of covers.

    It is now re-published with 50 new pages increasing in depth the story in the 1960s and 1970s, recording his time spent in the south of Italy.

    Due to the resolve of a determined Prime Minister and the resourcefulness of the Armed Forces, a Task Force, code named Operation CORPORATE, was quickly dispatched.Remarkably just over two months later, the Islands were liberated and the invaders defeated. By any standards this was a remarkable feat of all arms cooperation made possible by political resolve, sound planning, strong leadership and the courage and determination of the combatants.Martin Middlebrook, one of the most skillful historians of the 20th Century, has weaved the many strands of this extraordinary military achievement into a fascinating, thorough and highly readable account of the Campaign.For a full understanding of what it took to win this war there will be no better account to read than this.

    They meet him on Paddington Station; he had travelled by himself all the way from Peru, with only a jar of his favourite marmalade to keep him going. The Browns soon find that life with their little friend is going to be very unusual indeed!Now for the first time, five novels about the adventures of Paddington are published together in this delightful omnibus.Charming, enterprising, and always fun, this lovable, trouble-prone bear has friends in many countries and this unique edition will no doubt win him many more.

    Wiley and Mr. Bona have found just the right tone for writing about this most particular of American phenomena.

    The Rocketeer!All 5 action chapters!

     In a laudatory review appearing in an official US Army Department magazine, US Army Brigadier General John C. Bahnsen wrote: "The pace of the writing is fast; the action is graphic, and a warrior can learn things from reading this book. I recommend its reading by students of the art of war. It is well worth the price." Here is the epic story of the Walloon Legion, a volunteer Belgian unit of the World War II pan-European SS force, as told by the legendary figure whose unmatched frontline combat experience and literary talent made him the premier spokesman for his fallen comrades. Captures the grit, the terror and the glory of Europe's crusade against Communism in absorbing prose. Includes fascinating first-person descriptions of Hitler, Himmler, and other Third Reich personalities. Degrelle vividly describes how he and his comrades endured danger, privation and torrents of shot and shell -- on the sun-baked steppes of Ukraine, at the foothills of the Caucasus, in the depths of bone-chilling winter, through the stinking mud and the flaming hell of Cherkassy, and across the rolling plains of Estonia and the Pomeranian lake country. You’ll learn what moved the 35-year-old Degrelle -- a brilliant intellectual and his country’s most colorful political leader -- to enlist as a private in the volun­teer legion he himself organized to join with Third Reich Germany and its allies in their titanic fight against the Bolshevik enemy.

    The latter novella opens with virtuoso description: "His name was Frank Gagliano, and he did not believe in God. He was that most singular and startling craftsman of the building trade-a left-handed bricklayer. Like my father, Frank came from Torcella Peligna, a cliff-hugging town in the Abruzzi. Lean as a spider, he wore a leather cap and puttees the year around, and he was so bowlegged a dog could lope between his knees without touching them."

    Part sweet songs of unseen birds and part cautionary tales, this abecedarium fully lives up to the epithet "eclectic."

    All features and components of what is now known as Christianity were present ni mythologies that flourished before Jesus is alleged to have lived, and this book shows how those myths evolved into today's religion.

    Trying to escape the Great Depression, Julie’s father buys The Alderton Sentinel, a small-town newspaper in flood-prone Alderton, Pennsylvania, and moves his family there. As flash floods ominously increase, Julie’s investigative reporting uncovers secrets that could endanger the entire community.Julie, the newspaper, and her family are thrown into a perilous standoff with the owners of the steel mills as they investigate the conditions of the steelworkers. Battle lines are drawn between the steel mill owners and their immigrant laborers. As The Sentinel and Julie take on a more aggressive role in reforming these conditions in their community, seething tensions come to a head.When a devastating tragedy follows a shocking revelation, Julie’s courage and strength are tested. Will truth and justice win, or will Julie lose everything she holds dear?

    A teenager who wants to be a journalist in a suppressed society describes to his diary his daily life in his hometown of Damascus, Syria.

    It includes stories by Chekhov, Gorky, Bunin, Zamyatin, Babel, Nabokov, Solzhenitsyn, and Voinovich; excerpts from Andrei Bely's Petersburg, Mikhail Bulgakov's The Master and Margarita, Boris Pasternak's Dr. Zhivago, and Sasha Solokov's A School for Fools; the complete text of Yuri Olesha's 1927 masterpiece Envy; and poetry by Alexander Blok, Anna Akhmatova, and Osip Mandelstam.

    The greatly anticipated fourth edition of the anthology was published in the Spring of 1996 and the number of poets included was expanded by more than fifty per cent. The twenty-five poets new to this edition - - twelve women and thirteen men - are from Canada, the UK, the United States, and the Commonwealth. The list of new poets include Nobel Prize winner Dereck Walcott; well-known American poets Sharon Olds, Louise Gluck, Denise Levertov, Galway Kinnell, Robert Hass, Robert Bly, John Ashbery, Philip Levine, and Rita Dove; Irish poet Eavan Boland; Scottish poet Carol Ann Duffy; and Canadians Patrick Lane, Sharon Thesen, Gwendolyn MacEwen, Don McKay, Daphne Marlatt, Gary Geddes, Bronwen Wallace, Robert Kroetsch, Lorna Crozier, Tim Lilburn, Roo Borson, and bpNichol. The book provides in-depth selections from the work of each poet, and where possible, places the poems in the significant context of the poets' own views on poetics. In addition, there are useful biographies and comments on the poets in the form of headnotes that appear at the beginning of each poet's work.

    Borges’ favorite concepts such as time and dreaming are touched upon, but these dialogues are not a true memoir, they are unrestricted conversations about life at present.  The Argentine short-story writer, essayist, poet and translator, contributed immensely to twentieth-century literature, and more specifically to the genres of magical realism and fantasy. As he progressively lost his sight—he became completely blind by the age of fifty-five—the darkness behind his eyelids held enchanting imagery that translated into rich symbolism in his work.  The inner workings of his curious mind are seen vividly in his conversations with Ferrari, and there’s not a subject on which he doesn’t cast surprising new light. As in his tale “The Other,” where two Borgeses meet up on a bench beside the River Charles, this is a dialogue between a young poet and the elder teller of tales where all experience floats in a miracle that defies linear time.

    Farmer might be called the forgotten man of the movement, overshadowed by Martin Luther King Jr., who was deeply influenced by Farmer’s interpretation of Gandhi’s concept of nonviolent protest. Born in Marshall, Texas, in 1920, the son of a preacher, Farmer grew up with segregated movie theaters and “White Only” drinking fountains. This background impelled him to found the Congress of Racial Equality in 1942. That same year he mobilized the first sit-in in an all-white restaurant near the University of Chicago. Under Farmer’s direction, CORE set the pattern for the civil rights movement by peaceful protests which eventually led to the dramatic “Freedom Rides” of the 1960s. In Lay Bare the Heart Farmer tells the story of the heroic civil rights struggle of the 1950s and 1960s. This moving and unsparing personal account captures both the inspiring strengths and human weaknesses of a movement beset by rivalries, conflicts and betrayals. Farmer recalls meetings with Franklin and Eleanor Roosevelt, Jack and Bobby Kennedy, Adlai Stevenson (for whom he had great respect), and Lyndon Johnson (who, according to Farmer, used Adam Clayton Powell Jr., to thwart a major phase of the movement). James Farmer has courageously worked for dignity for all people in the United States. In this book, he tells his story with forthright honesty. First published in 1985 by Arbor House, this edition contains a new foreword by Don Carleton, director of the Dolph Briscoe Center for American History at the University of Texas at Austin, and a new preface.

    Steve Erickson's Days Between Stations is the stunning, now classic dream-spec of our precarious age -- by turns beautiful and obsessed, haunted and hallucinated, in which lives erotically collide, the past ambushes the future, and forbidden secrets intercut with each other like the frames of a film.

    Bob is excited and lonely. He meets and pursues the elusive Jack, a director who is able to transform others without altering himself. Bob goes to the baths, gossips on the phone, goes to a bar, thinks about werewolves, has an orgasm, and discovers a number of truths about Jack. A paean to love and obsession, Glück's novel explores the everyday in a language that is both intimate and lush. "Robert Glück has found a new way of making fiction passionate. This novel is a strange, exhilarating love story rich with invention and observation." -Edmund White

    A selection of his published papers is presented here in two volumes, structured to indicate the direction and essential unity of the work. He starts from a polemical concern with behaviourism and other reductionist theories (particularly in psychology and the philosophy of language) which aim to model the study of man on the natural sciences. This leads to a general critique of naturalism, its historical development and its importance for modern culture and consciousness; and that in turn points, forward to a positive account of human agency and the self, the constitutive role of language and value, and the scope of practical reason. The volumes jointly present some two decades of work on these fundamental themes, and convey strongly the tenacity, verve and versatility of the author in grappling with them. They will interest a very wide range of philosophers and students of the human sciences.

    Far from a quaint portrait of rural life, Arnow’s novel documents hardships, poverty, illiteracy, and struggles. She also recognizes a fragile cultural richness, one characterized by “those who like open fires, hounds, children, human talk and song instead of TV and radio, the wisdom of the old who had seen all of life from birth to death,” and which has since been eroded by the advent of highways and industry. In Mountain Path, Arnow exquisitely captures the voices, faces, and ways of a people she cared for deeply, and who evoked in her a deep respect and admiration.

    The almost 1500 problems these four volumes contain thoroughly drill the reader in the fundamentals of the game. After finishing the study of these four books, The novice go player will have mastered the basics of the game. Volume Two is a continuation of the first volume of Graded Go Problems for Beginners and is aimed at the 20-kyu to 25-kyu level player. The problems presented here will require a bit of thought, but none of them is so difficult that a player who understands the rules and has studied the first volume won't be able to solve in less than a minute. The aim of this series is to present as many examples of go technique as possible. The reader should attempt to refute the correct answers until he knows beyond a doubt that the correct answer works. By pondering each problem in this way, the reader will develop an instinct for finding the winning move in his games.

    

    A selection of his published papers is presented here in two volumes, structured to indicate the direction and essential unity of the work. He starts from a polemical concern with behaviourism and other reductionist theories (particularly in psychology and the philosophy of language) which aim to model the study of man on the natural sciences. This leads to a general critique of naturalism, its historical development and its importance for modern culture and consciousness; and that in turn points, forward to a positive account of human agency and the self, the constitutive role of language and value, and the scope of practical reason. The volumes jointly present some two decades of work on these fundamental themes, and convey strongly the tenacity, verve and versatility of the author in grappling with them. They will interest a very wide range of philosophers and students of the human sciences.

    Set on a mysterious island, Bioy's novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious.Inspired by Bioy Casares's fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped to usher in Latin American fiction's now famous postwar boom. As the model for Alain Resnais and Alain Robbe-Grillet's Last Year in Marienbad, it also changed the history of film.

    Published in association with the Metropolitan Museum of Art.

    When a bare-knuckle fight offers both money and a purpose, he finds it turns into a monumental struggle to keep his heritage and integrity intact.

    This autobiographical account is a rare glimpse at World War II from a German boy's viewpoint.

    At age twelve Mellie goes to the dying town of Oât, where she enters premature adulthood and assembles a photographic and written record of her life. Enchanting, realistic, comic, tragic—all these words describe this spellbinding novel that, like all genuine fables, takes us to a world that is utterly strange and very much our own. Rose Mellie Rose is one of three novels that are the first works to appear in English by Marie Redonnet, one of France's most original new authors (the other novels are Hôtel Splendid and Forever Valley, both also available from the University of Nebraska Press). Translator Jordan Stump notes that these books "unmistakably fit together, although they have neither characters nor setting in common." In all three novels, Redonnet has said, "it is the women who fight, who seek, who create."

    A beautiful French agent, Catherine Pradier, risks her life to deceive the Nazis as to where and when the Allies will invade the Continent of Europe and begin the end of World War II.

    In the classic Zen tradition of economy, disciplined attention, and subtlety, Takahashi lucidly captures that which is contemporary in its problems and experiences, yet classic in its quest for unity with the Absolute. Lucien Stryk, Takahashi's fellow poet and close friend, here presents Takahashi's complete body of Zen poems in an English translation that conveys the grace and power of Takahashi's superb art. "A first-rate poet . . . [Takahashi] springs out of some crack between ordinary worlds: that is, there is some genuine madness of the sort striven for in Zen." -- Robert Bly; "We visit places in Takahashi that we once may have visited in a dream, or in a moment too startling to record the perception. . . . You need know nothing of Zen to become immersed in his work. You will inevitably know something of Zen when you emerge." -- Jim Harrison, American Poetry Review

    What they saw transformed the definition of evil in the Western mind. Inside the Vicious Heart captures the shock of that discovery by telling the story of the camp liberations as experienced by American GIs and other eyewitnesses, including Eisenhower, Patton, Joseph Pulitzer, and Margaret Bourke-White. Through their diaries, letters, and photographs we see how those Americans finally made the world believe what until then had only been rumored.

    

    In acclaimed stories such as 'Rain', 'The Letter', 'The Vessel of Wrath' and 'The Alien Corn', Maugham illustrates his wry perception of human weakness and his genius for evoking compelling drama and an acute sense of time and place.

    In this book, thought seeks a new form, a new "prose". To this end, it brings into play the strategies of the apology, the aphorism, the short story, the fable, the riddle, and all those "simple forms" that are today no longer used, but whose task it has always been to bring about in the reader an experience, an awakening--rather than attempting to put forth a theory. It is only in this sense--insofar as thought contends with the exposition of an Idea--that the problem of "thought" becomes, in these "treatises," a poetic problem. These are little ideas or forms that, in their brevity, compress that which cannot in any way be forgotten, since according to the platonic admonition, it would be put in "the shortest possible measure".

    Taking to the highways, he has met the little-known and the famous, and shared them with the rest of us. This heartwarming book reminds us again of some of the extraordinary people he has met over the years in words and photographs, and provides the exact words of the interviews, so that we can permanently enjoy his visits with people we have come to know and care for, again and again.

    And yet, until about ten minutes ago I had no conception of its magnitude, its permanent beauty and its importance." —Franklin Delano Roosevelt, upon first viewing Mount Rushmore, August 30, 1936Now in paperback, The Carving of Mount Rushmore tells the complete story of the largest and certainly the most spectacular sculpture in existence. More than 60 black-and-white photographs offer unique views of this gargantuan effort, and author Rex Alan Smith—a man born and raised within sight of Rushmore—recounts with the sensitivity of a native son the ongoing struggles of sculptor Gutzon Borglum and his workers.

    He was famous for encouraging interruptions of the solitary task of writing. These twenty-four welcomed interruptions are representative of the many he allowed over a twenty-five-year period. Included here are his conversations with such interviewers as Irving Howe, Laurie Colwin, Richard Burgin, and Herbert R. Lottman. In these talks Singer discusses the nature of his writing, its ethnic roots, his demonology, the importance of free will, and the place of storytelling in human life. The interviews with Singer reveal both his impish sense of humor and a determination that sustained him through many years of limited acclaim and comparative neglect by critics. Yiddishists often faulted him for refusing to use his talent as a force for change in the world, Jewish readers often deplored his use of pre-Enlightenment folk material, and academics could not take too seriously a writer who insisted on telling stories that emphasized plot and character. Yet he was not deterred from his astonishing and beloved work, for which he was awarded the Nobel Prize.

    Who were the young people whose voices Robin could hear, coming from a locked room in her aunt's ramshackle mansion? Why did the old crumbling ball she found in the latticework of the summerhouse stir such a rush of memories? And what possible explanation could there be for the astonishing photograph she saw in the library? Or for the letter that had been written and forgotten, and written again, a thousand times?The beginning of the answers to Robin's questions lies in an ornate moonlit fountain at the bottom of the garden.

    Book by Doughty, Robert A.

    The reader is given a valuable opportunity to witness Planck's thought processes both on the level of philosophical principles as well as their application to physical processes on the microscopic and macroscopic scales. In the second and fourth lectures Planck shows how the new ideas of statistical mechanics transformed the understanding of chemical physics. The seventh lecture discusses the principle of least action, while the final one gives an account of the theory of special relativity, of which Planck had been an early champion.These lectures are especially important since they reflect Planck's reconsiderations and rethinking of his original discovery of quantum theory. A new Introduction by Peter Pesic places this book in historical perspective among Planck's works and those of his contemporaries. Now available in this inexpensive edition, it will be of particular interest to students of modern physics and of the philosophy and history of science.

    Separated from her father by the harsh conditions of the Great Depression, Natty makes a daring cross-country journey in the company of a wolf.

    Ruthless, ancient forces of fire and ice engage in a titanic struggle with the oldest Nargun and his people.

    This situation supposedly persisted until the Women's Rights Movement and World War I forced the world to acknowledge that women were liberated individuals with legs. Yet Valerie steele demonstrates that eroticism formed the basis for the Victorian ideal of feminine beauty and fashion--indeed, that the concepts of beauty and fashion are essentially erotic. She shows that, far from being passive "sex objects," Victorian women, like their modern counterparts, themselves chose to emulate an erotic ideal as an aspect of their own self-fulfillment. Even the notorious corset was neither fetishistic nor an unhealthy instrument of torture, she argues, although its comlex and ambivalent sexual symbolism aroused controversy. Fashion and Eroticism shows how the New Look of "sexy" modern naturally from within the pre-war world of fashion and not as part of an intifashion movement. Steele's conclusions are based on prodigious documentary evidence, including visual and material research, in costume collections in the United States, Great Britain, Europe, and even Japan. Fashiona and Eroticism is not only a radical revision of the Conventional understanding of Victorian fashion; it is a major contribution to the histyory of women and sexuality.About the Author Valerie steele received her Ph.D. from Yale University in 1983, and was the 1984 First Ladies' Fellow at the Division of Costume, National Museum of American History, the Smithsonian Institution.

    It examines the critical reactions to the different theories of second language acquisition.

    Seldom can one overhear so intense an exchange between Euterpe and Clio as in the pages of Tremor." -- Joseph Brodsky

    Beginning with an early history of electronic music before 1945, the book outlines key composers, inventions, and concepts, ranging from Edgard Var�se to Brian Eno; musique concr�te to turntablism; and compositional techniques used in both analog and digital synthesis.The third edition's reader-friendly writing style, logical organization, and features provide easy access to key ideas, milestones, and concepts.Features:Reader's guides and summaries at the beginning and end of each chapterInnovations boxes providing a unique profile of an influential individual in the field of electronic musicListen playlists recommending key recordings in each musical genre mentioned in each chapterMilestones timelines summarizing the major technological and musical innovations discussed in each chapter.

    Just when things are looking up for thirteen-year-old Ronnie, her father dies, creating a void she and her mother have trouble filling.

    

    A New York City photographer working at Bellevue falls in with a gang of terrorists and is witness to a series of violent, inexplicable events.

    Maud shares her humorous observations on family life, amateur dramatics, and social life. The images portray a Victorian woman living in semi-fine surroundings and what she finds to do with herself. The book includes stories about her and her family's life, including clippings and photos.

    Vaclav Havel gives us the comically absurd and seemingly autobiographical account of Professor Leopold Nettes, a revered but reluctant revolutionary whose most recent book has irked the totalitarian government in power. The authorities demand a retraction; his friends and fans clamor for heroic defiance. Besieged by onslaught of internal demons, whining lovers, suffocating followers, and ineffectual government thugs, the professor sinks nearer and nearer to crisis, unable to confront the conflicting demands that rule his life and leave him tormented by neurotic inertia. One of Havel's best-known plays, Largo Desolato vividly dramatizes the multiple contradictions of the intellectual trapped in a totalitarian nightmare.

    The reader is drawn as if by magnetic force into a world rendered in breathtaking, painterly detail. These stories are marvelous entertainments, rich with amusement, yet Taylor renders his characters truly and understands them in a profoundly meaningful way.

    Approx 6" x 9 1/2"with 550 pages with great old black and white pictures

    It is addressed specifically to commercial growers of floricultural crops, wholesale dealers, transportation companies, and retail florists, and presents solutions to reduce postharvest losses. A major feature of the book is a synopsis of particular crops and species and their handling requirements. Also included is information on the evaluation and grading of cut flowers. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com)

    It was revised and reprinted in 1987 and 1988, but is currently out of print. The Soap Opera Encyclopedia features commentary, analysis and criticism of "every daytime and prime-time television soap opera broadcast on the three major networks, as well as a selection of syndicated, cable, and foreign efforts." It also discusses background, significant storylines and impact of each program, and lists performers and characters. Schemering also includes a "Short History of Television Soap Opera," as well as profiles of major performers, writers and producers in the genre in a section entitled "Who's Who in Soap Opera." Finally, the book contains 30 pages of photos from various programs. Published in a time before the internet, the Encyclopedia was a primary source of background information and commentary on soap opera; it and Schemering have been quoted in various articles, books and web pages. It was revised and reprinted in 1987 (ISBN 0-345-35344-7) and 1988. According to the Encyclopedia, Schemering "spent fifteen years collecting memorabilia and information about the soap opera phenomenon" and wrote a syndicated column on the genre. He was also a regular contributor to The Washington Post Book World and had published film and television articles in The New Republic, USA Today, the Chicago Tribune, the San Francisco Chronicle, the New York Daily News and other publications. Schemering is also the author of Guiding Light: A 50th Anniversary Celebration (1986).

    A Choral Worship Cantata composed by Antonio Vivaldi.

    Aided by a number of stunning illustrations, David Billington discusses leading structural engineer-artists, such as John A. Roebling, Gustave Eiffel, Fazlur Khan, and Robert Maillart.

    John Terraine shows how the RAF, which in 1939 was small and inadequate for the task it was called upon to perform, had, by the end of the war, taken up its position on the right of line, the vanguard position of honour.

    There is a new school and new friends to make and there is also the discovery of the schoolhouse. This building on the family farm is where her grandmother did her lessons and hidden there she finds her grandmother Elizabeth's diary.

    'No writer has probed the riddle of the Other with more patience and insight than Jacques Derrida....By rigorously interrogating the writings of major Western figures, Derrida not only forces a rethinking of the nature of reading and writing but calls into question basic assumptions about ourselves and our world.

    

    It contains more than 275 recipes with which to celebrate all the holidays throughout the Christian year, as well as the many shared rituals that strengthen family bonds and enrich the significance of the day to day events of our lives. How these rituals, rites and feasts came about, how they are celebrated around the world, and how you can bring them into your home are described every step of the way. Includes wonderful illustrations.A Continual Feast brings new meaning to breaking bread together. A book to cook from and learn from, it includes: menus for holidays and every day recipes for all occasions from church picnics and Sunday suppers to birthdays, namedays, confirmations, and baptisms; wonderful cooking projects for children; recipes for Christmas giving; thoughtful suggestions on taking food to others; customs associated with many great Christian holidays from Advent through Pentecost as well as various saints days around the world; traditional meanings associated with particular foods; tips on fasting and abstinence; recipes that incorporate leftovers; quotations from the Bible and various theological and gastronomic sources; many recipes of varied ethnic origins; a wealth of Christian history and thought.