Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-Boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following. Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.'

    His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.

    Here some of Japan’s best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the “crazy” iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are “The Crazy Iris” by Masuji Ibuse, “Summer Flower” by Tamiki Hara, “The Land of Heart’s Desire” by Tamiki Hara, “Human Ashes” by Katsuzo Oda, “Fireflies” by Yoka Ota, “The Colorless Paintings” by Ineko Sata, “The Empty Can” by Kyoko Hayashi, “The House of Hands” by Mitsuharu Inoue, and “The Rite” by Hiroko Takenishi.

    

    In the classic Zen tradition of economy, disciplined attention, and subtlety, Takahashi lucidly captures that which is contemporary in its problems and experiences, yet classic in its quest for unity with the Absolute. Lucien Stryk, Takahashi's fellow poet and close friend, here presents Takahashi's complete body of Zen poems in an English translation that conveys the grace and power of Takahashi's superb art. "A first-rate poet . . . [Takahashi] springs out of some crack between ordinary worlds: that is, there is some genuine madness of the sort striven for in Zen." -- Robert Bly; "We visit places in Takahashi that we once may have visited in a dream, or in a moment too startling to record the perception. . . . You need know nothing of Zen to become immersed in his work. You will inevitably know something of Zen when you emerge." -- Jim Harrison, American Poetry Review

    Dazai succeeded in transforming the actual events of his life into deceptively simple and emotionally intense stories, and he was somehow able to make his own pain and confusion intimate to the experience of his readers. The discussion of Dazai is in two parts. Part I examines Dazai's life and some of the psychological problems that persistently haunted him. Part II studies his many autobiographical stories and novels, which are seen as belonging to one long, continuing narrative. The book concludes with translations of five of Dazai's most moving and emotionally expressive short stories, each a significant view of Dazai at a different point in his life, and a nonfiction novel, Tsugaru, about Dazai's return as an adult to his childhood home. These translations won the 1983 Friendship Fund Japanese Literary Translation Award, administered by the Japan Society for the Japan-United States Friendship Commission. By tracing the course of Dazai's tortured life and analyzing the distinctive qualities of his autobiographical writings, this study offers the Western reader a unique insight into Japanese society and culture.<