In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivations. Beneath his pared-down surfaces run disturbing, violent undercurrents. Suggestive rather than explicit, and seeming all the more powerful for what is left unsaid, Carver’s stories were held up as exemplars of a new school in American fiction known as minimalism or “dirty realism,” a movement whose wide influence continues to this day. Carver’s stories were brilliant in their detachment and use of the oblique, ambiguous gesture, yet there were signs of a different sort of sensibility at work. In books such as Cathedral and the later tales included in the collected stories volume Where I’m Calling From, Carver revealed himself to be a more expansive writer than in the earlier published books, displaying Chekhovian sympathies toward his characters and relying less on elliptical effects.In gathering all of Carver’s stories, including early sketches and posthumously discovered works, The Library of America’s Collected Stories provides a comprehensive overview of Carver’s career as we have come to know it: the promise of Will You Please Be Quiet, Please? and the breakthrough of What We Talk About, on through the departures taken in Cathedral and the pathos of the late stories. But it also prompts a fresh consideration of Carver by presenting Beginners, an edition of the manuscript of What We Talk About When We Talk About Love that Carver submitted to Gordon Lish, his editor and a crucial influence on his development. Lish’s editing was so extensive that at one point Carver wrote him an anguished letter asking him not to publish the book; now, for the first time, readers can read both the manuscript and published versions of the collection that established Carver as a major American writer. Offering a fascinating window into the complex, fraught relationship between writer and editor, Beginners expands our sense of Carver and is essential reading for anyone who cares about his achievement.Contents--What We Talk About When We Talk About LoveWhy Don’t You Dance?ViewfinderMr. Coffee and Mr. FixitGazeboI Could See the Smallest ThingsSacksThe BathTell the Women We’re GoingAfter the DenimSo Much Water So Close to HomeThe Third Thing That Killed My Father OffA Serious TalkThe CalmPopular MechanicsEverything Stuck to HimWhat We Talk About When We Talk About LoveOne More ThingStories from FiresThe LieThe CabinHarry’s DeathThe PheasantCathedralFeathersChef’s HousePreservationThe CompartmentA Small, Good ThingVitaminsCarefulWhere I’m Calling FromThe TrainFeverThe BridleCathedralFrom Where I’m Calling FromBoxesWhoever Was Using This BedIntimacyMenudoElephantBlackbird PieErrandOther FictionThe HairThe AficionadosPoseidon and CompanyBright Red ApplesFrom The Augustine NotebooksKindlingWhat Would You Like to See?DreamsVandalsCall If You Need MeSelected EssaysMy Father’s LifeOn WritingFiresAuthor’s Note to Where I’m Calling FromBeginners (The Manuscript Version of What We Talk About When We Talk About Love)Why Don’t You Dance?ViewfinderWhere Is Everyone?GazeboWant to See Something?The FlingA Small, Good ThingTell the Women We’re GoingIf It Please YouSo Much Water So Close to HomeDummyPieThe CalmMineDistanceBeginnersOne More Thing--loa.org

    Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    Cloud's, Maine, Homer Wells has become the protege of Dr. Wilbur Larch, its physician and director. There Dr. Larch cares for the troubled mothers who seek his help, either by delivering and taking in their unwanted babies or by performing illegal abortions. Meticulously trained by Dr. Larch, Homer assists in the former, but draws the line at the latter. Then a young man brings his beautiful fiancee to Dr. Larch for an abortion, and everything about the couple beckons Homer to the wide world outside the orphanage ...

    The four novels in this Library of America collection display an astonishing range of characters and treatments in his Depression-era fiction.As I Lay Dying (1930) is a combination of comedy, horror, and compassion, a narrative woven from the inarticulate desires of a peasant family in conflict. It presents the conscious, unconscious, and sometimes hallucinatory impressions of the husband, daughter, and four sons of Addie Bundren, the long-suffering matriarch of her rural Mississippi clan, as the family marches her body through fire and flood to its grave in town.Sanctuary (1931) is a novel of sex and social class, of collapsed gentility and amoral justice, that moves from the back roads of Mississippi and the fleshpots of Memphis to the courthouse of Jefferson and the appalling spectacle of popular vengeance. With its fascinating portraits of Popeye, a sadistic gangster and rapist, and Temple Drake, a debutante with an affinity for evil, it offers a horrific and sometimes comically macabre vision of modern life.Light in August (1932) incorporates Faulkner’s religious vision of the hopeful stubbornness of ordinary life. The guileless Lena Grove, in search of the father of her unborn child; the disgraced minister Gail Hightower, who dreams of Confederate cavalry charges; Byron Bunch, who thought working Saturdays would keep a man out of trouble, and the desperate, enigmatic Joe Christmas, consumed by his mixed ancestry—all find their lives entangled in the inexorable succession of love, birth, and death.Pylon (1935), a tale of barnstorming aviators in the carnival atmosphere of an air show in a southern city, examines the bonds of desire and loyalty among three men and a woman, all characters without a past. Dramatizing what, in accepting his Nobel Prize, Faulkner called “the human heart in conflict with itself,” it illustrates how he became one of the great humanists of twentieth-century literature.The Library of America edition of Faulkner’s work publishes, for the first time, new, corrected texts of these four works. Manuscripts, typescripts, galleys, and published editions have been collated to produce versions that are free of the changes introduced by the original editors and that are faithful to Faulkner’s intentions.

    In Winter Stars, a book of love poems and elegies, Levis engages in a process of relentless self-interrogation about his life, about losses and acceptances.  What emerges is not merely autobiography, but a biography of the reader, a “representative life” of our time.

    Cathedral

    Arranged chronologically, the forty-nine stories, when taken together with the memoir of his father that serves as a preface, not only establish Williams as a major American fiction writer of the twentieth century, but also, in Gore Vidal’s view, constitute the real autobiography of Williams’ "art and inner life."

    The complete comic saga of Nathan Zuckerman, his ordeals of conscience, from Manhattan, to Miami Beach, to Czechoslovakia!"Roth has transcended himself . . . . A comic genius . . . Certainly Philip Roth's finest achievement to date, eclipsing even his best single fictions . . . ZUCKERMAN BOUND binds together THE GHOST WRITER, ZUCKERMAN UNBOUND, and THE ANATOMY LESSON, adding to them as epilogue a wild short novel, THE PRAGUE ORGY, which is at once the bleakest and the funniest writing Roth has done."-- The New York Times Book Review"ZUCKERMAN BOUND proves that no one now writing can be funnier and, at the same time, more passionately serious than Philip Roth." -- Time"ZUCKERMAN BOUND shows the author's always ebullient invention and artful prose at their most polished and concentrated." -- The New Yorker

    Science Fiction Book Club omnibus containing the first three books in the series: The Sleeping Dragon, The Sword and the Chain, and The Silver Crown.

    In achieving for himself the opulent life that he was denied as a child, Ripley shows himself to be a master of illusion and manipulation and a disturbingly sympathetic combination of genius and psychopath. As Highsmith navigates the mesmerizing tangle of Ripley's deadly and sinister games, she turns the mystery genre inside out and takes us into the mind of a man utterly indifferent to evil.The Talented Mr. RipleyIn a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley. Like a hero in a latter-day Henry James novel, is sent to Italy with a commission to coax a prodigal young American back to his wealthy father. But Ripley finds himself very fond of Dickie Greenleaf. He wants to be like him--exactly like him. Suave, agreeable, and utterly amoral, Ripley stops at nothing--certainly not only one murder--to accomplish his goal. Turning the mystery form inside out, Highsmith shows the terrifying abilities afforded to a man unhindered by the concept of evil.Ripley Under GroundIn this harrowing illumination of the psychotic mind, the enviable Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But such a gracious life has not come easily. One inopportune inquiry, one inconvenient friend, and Ripley's world will come tumbling down--unless he takes decisive steps. In a mesmerizing novel that coolly subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil.Ripley's GameConnoisseur of art, harpsichord aficionado, gardener extraordinaire, and genius of improvisational murder, the inimitable Tom Ripley finds his complacency shaken when he is scorned at a posh gala. While an ordinary psychopath might repay the insult with some mild act of retribution, what Ripley has in mind is far more subtle, and infinitely more sinister. A social slight doesn't warrant murder of course-- just a chain of events that may lead to it.

    76 duotones.

    Contains the stories in Dago Red, first published in 1940, together with seven new stories, including "A Nun No More" and "My Father’s God."

    Edited by Cid Corman. The section headings in this book of poems are all vintage Niedecker, but they stake out the poems in three large masses. The earlier work-apprentice to Zukofsky but finding her voice; the central work--when she discovers her range and depth; the final work--much of it known posthumously--showing how she was probing other voices into a larger plenum. One's first impulse, after awe, on reading THE GRANITE PAIL is a double dose of shame: shame at not being more familiar with her work; shame at ever having complained of the narrowness of one's life--Carolyn Kizer.

    With its showcase homes, elegant lawns, and other trappings of wealth, Linden Hills is not unlike other affluent black communities. But residence in this community is indisputable evidence of "making it." Although no one knows what the precise qualifications are, everyone knows that only certain people get to live there—and that they want to be among them.Once people get to Linden Hills, the quest continues, more subtle, but equally fierce: the goal is a house on Tupelo Drive, the epitome of achievement and visible success. No one notices that the property on Tupelo Drive goes back on sale quickly; no one questions why there are always vacancies at Linden Hills.In a resonant novel that takes as its model Dante's Inferno, Gloria Naylor reveals the truth about the American dream—that the price of success may very well be a journey down to the lowest circle of hell.

    Le Guin's Always Coming Home is a major work of the imagination from one of America's most respected writers. More than five years in creation, it is a novel unlike any other. A rich and complex interweaving of story and fable, poem, artwork, and music, it totally immerses the reader in the culture of the Kesh, a peaceful people of the far future who inhabit a place called the Valley on the Northern Pacific Coast. The author makes the inhabitants of the valley as familiar, as immediate, as wholly human as our own friends or family. Spiraling outward from the dramatic life story of a woman called Stone Telling, Le Guin's Always Coming Home interweaves wry wit, deep insight and extraordinary compassion into a compelling unity of vision.

    With her is Jondalar, tall, handsome and yellow-haired, the man she nursed back to health and came to love. Together they meet the Manutoi -- the Mammoth Hunters -- people like Ayla. Among them is Ranec, an artistic, magnetic master carver of ivory. Ayla finds herself torn between Ranec and Jondalar, the latter a powerful lover but insecure and wildly jealous. It is not until the great mammoth hunt, when Ayla's life is threatened, that a fateful decision is made.

    Trapped in a small, poverty-ridden town in 1933, under pressure from his father to go into the family business, seventeen-year-old Dominic Molise yearns to fulfill his own dreams.

    Burroughs has produced a body of work unique in our time. In these scintillating essays, he writes wittily and wisely about himself, his interests, his influences, his friends and foes. He offers candid and not always flattering assessments of such diverse writers as Ernest Hemingway, F. Scott Fitzgerald, Joseph Conrad, Graham Greene, Jack Kerouac, Allen Ginsberg, Samuel Beckett, and Marcel Proust. He ruminates on science and the often dubious paths into which it seems intent on leading us, whether into outer or inner space. He reviews his reviewers, explains his famous “cut-up” method, and discusses the role coincidence has played in his life and work. As a satirist and parodist, William Burroughs has no peer, as these varied works, written over three decades, amply reveal.

    The title story won several awards when it was published in 1925.

    This collection collects what he wrote under those conditions. He writes in a conversational voice, but he is impassioned, persuasive, abusive and hilarious by turns.

    Florence may have been a disappointment to her Granny, whose dream of rearing a Perfect Southern Lady would never be quite fulfilled. But after all, as Florence reminds us, no matter which sex I went to bed with, I never smoked on the street.

    With the publication of this Library of America volume, the third of three volumes, all Melville's fiction has now been restored to print for the first time.Pierre; or, The Ambiguities, published in 1852 (the year after Moby-Dick), moves between the idyllic Berkshire countryside and the nightmare landscape of early New York City. Its hero, a young American patrician trying to redeem the secret sins of his father, elopes to the city, discovers Bohemian life, attempts a literary epic, and struggles his way through incest, murder, and madness. Long a controversial work, it is Melville's darkest satire of American life and letters and one of his most powerful books.A pivotal work, both for Melville's career and for American literature, Pierre was followed by Israel Potter, the story of a veteran of the Revolution, victim of a thousand mischances, and a long-suffering exile in England. Along the way are memorable episodes of war and intrigue, with personal portraits of Benjamin Franklin, John Paul Jones, and George III. In the exploits of this touchingly optimistic soldier, Melville offers a scathing image of the collapse of revolutionary hopes.The Piazza Tales demonstrates Melville's dazzling mastery of many styles, including "The Encantadas," about nature's two faces--enchanting and horrific; the famous "Bartleby the Scrivener," about a Wall Street copyist who "would prefer not to"; and the enigmatic "Benito Cereno," about a credulous Yankee sea captain who stumbles into an intricately plotted mutiny aboard a disabled slave ship.The Confidence-Man, Melville's last published novel, is in many ways a forerunner of modernist American fiction. An extended meditation on faith, hope, and charity as these are manifested on board a Mississippi riverboat one April Fools' Day, it presents a menagerie of Americans buying and selling, borrowing and lending, believing and mistrusting, as they are carried toward the auction blocks of New Orleans.Many pieces never before collected are also included: the "Authentic Anecdotes of Old Zack" (burlesque sketches of Zachary Taylor's Mexican campaign), "Fragments from a Writing-Desk" (Melville's earliest surviving prose), reviews of Hawthorne, Parkman, and Cooper, and all the tales Melville published in magazines during the 1850s.Finally, there is the posthumously published masterpiece Billy Budd, Sailor, the haunting story of a beautiful, innocent sailor who is pressed into naval service, slandered, provoked to murder, and sacrificed to military justice. While encouraging questions for which there are no answers, it invites us to meditate on the conflicts central to all Melville's work: between freedom and fate, innocence and civilized corruption.

    Hanff recalls her serendipitous discovery of a volume of lectures by a Cambridge don, Sir Arthur Quiller-Couch. She devoured Q’s book, and, wanting to read all the books he recommended, began to order them from a small store in London, at 84, Charing Cross Road. Thus began a correspondence that became an enormously popular book, play and television production, and that finally led to the trip to England – and a visit to Q’s study – that she recounts here. In this exuberant memoir, Hanff pays her debt to her mentor and shares her joyous adventures with her many fans.

    The themes are familiar: friendship, commitment, responsibility, love, political idealism and activism, children, the nuclear shadow.

    Tracy Kidder takes readers to the heart of the American Dream: the building of a family's first house with all its day-to-day frustrations, crises, tensions, challenges, and triumphs.

    These masterful stories are at once poignant portrayals of the rugged, conflicted Southern man as well as explorations of themes long familiar to Burke's readership: loss and hard-won courage, betrayal and friendship, violence and heroism, and the inveitability of death.

    The latter novella opens with virtuoso description: "His name was Frank Gagliano, and he did not believe in God. He was that most singular and startling craftsman of the building trade-a left-handed bricklayer. Like my father, Frank came from Torcella Peligna, a cliff-hugging town in the Abruzzi. Lean as a spider, he wore a leather cap and puttees the year around, and he was so bowlegged a dog could lope between his knees without touching them."

    With her is Jondalar, tall, handsome and yellow-haired, the man she nursed back to health and came to love. Together they meet the Manutoi -- the Mammoth Hunters -- people like Ayla. Among them is Ranec, an artistic, magnetic master carver of ivory. Ayla finds herself torn between Ranec and Jondalar, the latter a powerful lover but insecure and wildly jealous. It is not until the great mammoth hunt, when Ayla's life is threatened, that a fateful decision is made.

    A powerful account of the changing role of American black women in the labor force and in the family.

    This program of Bukowski's raucous poetry, recorded live in 1980, takes as its theme the poet's intimate relationship with the urban underbelly.

    combatant types, as well as plans, profiles, and numerous detailed photographs.

    Gary Paul Nabhan has combed the desert in search of plants forgotten by all but a handful of American Indians and Mexican Americans. In Gathering the Desert readers will discover that the bounty of the desert is much more than meets the eye—whether found in the luscious fruit of the stately organpipe cactus or in the lowly tepary bean. Nabhan has chosen a dozen of the more than 425 edible wild species found in the Sonoran Desert to demonstrate just how bountiful the land can be. From the red-hot chiltepines of Mexico to the palms of Palm Springs, each plant exemplifies a symbolic or ecological relationship which people of this region have had with plants through history. Each chapter focuses on a particular plant and is accompanied by an original drawing by artist Paul Mirocha. Word and picture together create a total impression of plants and people as the book traces the turn of seasons in the desert.

    Now the remnants of humanity fight on, in uneasy alliance with the Galactic League—their only purpose to avenge their world, their only pride the Honor of the Wing.But League politics will not tolerate pride in a refugee people, and the White Wing is under insidious attack. A powerful enemy attempts to brand one unit of the Wing as traitors, discrediting the entire human race.But the Honor of the Wing is not so easily compromised....

    The Rocketeer!All 5 action chapters!

    The subtle, surprising results complement seasonal menus.

    Wonder at epic glaciers, spot bears the size of bison, or catch the midnight sun in the Arctic Circle all with your trusted travel companion. Get to the heart of Alaska and begin your journey now! Inside Lonely Planet Alaska Travel Guide: Full-color maps and images throughout Highlightsand itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential infoat your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, wildlife, Alaska Natives, Alaska Natives' art, Alaska Natives' culture, landscapes, literature, politics, economy, environmental issues, exploration, regional identity, lifestyle, sports, cinema, music, tv, arts, crafts, climate Free, convenient pull-outAlaska map (included in print version), plus over 60 color maps Covers Juneau, the Southeast, Anchorage, Prince William Sound, Kenai Peninsula, Denali, the Interior, Kodiak, Katmai, Southwest Alaska, The Bush and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Alaska, our most comprehensive guide to Alaska, is perfect for both exploring top sights and taking roads less traveled. Looking for more extensive coverage? Check out Lonely Planet USA guide About Lonely Planet: Lonely Planet is a leading travel media company and the world’s number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we’ve printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You’ll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

    Army Air Corps had been dispatched against striking miners.The origins of this civil war were in the Draconian rule of the coal companies over the fiercely proud miners of Appalachia.  It began in the small railroad town of Matewan when Mayor C. C. Testerman and Police Chief Sid Hatfield sided with striking miners against agents of the Baldwin-Felts Detective Agency, who attempted to evict the miners from company-owned housing.  During a street battle, Mayor Testerman, seven Baldwin-Felts agents, and two miners were shot to death.Hatfield became a folk hero to Appalachia.  But he, like Testerman, was to be a martyr.  The next summer, Baldwin-Felts agents assassinated him and his best friend, Ed Chambers, as their wives watched, on the steps of the courthouse in Welch, accelerating the miners’ rebellion into open warfare.Much neglected in historical accounts, Thunder in the Mountains is the only available book-length account of the crisis in American industrial relations and governance that occured during the West Virginia mine war of 1920-21.

    Their explosive story begins in a time of innocence and spans a turbulent quarter century, culminating in their dramatic twenty-five reunion at which they confront their classmates--and the balance sheet of  their own lives. Always at the center; amid the  passion, laughter, and glory, stands Harvard--the symbol of who they are and who they will be. They were a generation who made the rules--then broke them--whose glittering successes, heartfelt tragedies, and unbridled ambitions would stun the world.

    This work reveals the growth of an artist who saw no artificial boundary between art and the paying job and who succeeded in putting her indelible stamp on the visual imagination.

    Forrest McDonald, widely considered one of the foremost historians of the Constitution and of the early national period, reconstructs the intellectual world of the Founding Fathers--including their understanding of law, history political philosophy, and political economy, and their firsthand experience in public affairs--and then analyzes their behavior in the Constitutional Convention of 1787 in light of that world. No one has attempted to do so on such a scale before. McDonald's principal conclusion is that, though the Framers brought a variety of ideological and philosophical positions to bear upon their task of building a "new order of the ages," they were guided primarily by their own experience, their wisdom, and their common sense."A witty and energetic study of the ideas and passions of the Framers."-- New York Times Book Review "Bristles with wit and intellectual energy."-- Christian Science Monitor "A masterpiece. McDonald's status as an interpreter of the Constitution is unequalled--magisterial."-- National Review

    D. Salinger, Gore Vidal, and Elizabeth Taylor? Equally pointed is Capote's talk about himself-his childhood and early fame, his bouts with drugs and alcohol, his homosexuality, his assessment of his talent and his work, including In Cold Blood. He has definite opinions about good writing, and he isn't shy about saying who he thinks the biggest phonies are among his fellow writers. Conversations with Capote-which Capote intended to be the definitive in-depth interview-makes both the man and his times come alive and has what the San Diego Union called the "quality that will bring readers to it again and again."

    During the Depression, a 10-year-old boy befriends a carnival stuntman and his lion cub and learns about the meaning of family, loyalty, love, and survival.

    But how and why did advertising become a determiner of our self-image? Advertising the American Dream looks carefully at the two decades when advertising discovered striking new ways to play on our anxieties and to promise solace for the masses. As American society became more urban, more complex, and more dominated by massive bureaucracies, the old American Dream seemed threatened. Advertisers may only have dimly perceived the profound transformations America was experiencing. However, the advertising they created is a wonderfully graphic record of the underlying assumptions and changing values in American culture. With extensive reference to the popular media—radio broadcasts, confession magazines, and tabloid newspapers—Professor Marchand describes how advertisers manipulated modern art and photography to promote an enduring "consumption ethic."

    Taking to the highways, he has met the little-known and the famous, and shared them with the rest of us. This heartwarming book reminds us again of some of the extraordinary people he has met over the years in words and photographs, and provides the exact words of the interviews, so that we can permanently enjoy his visits with people we have come to know and care for, again and again.

    

    first published in The New Yorker, January 21, 1985

    Now out on the prowl with a new cover that's the cat's meow, it's ready to inspire a second wave of cats and their owners to relax into a catnap. Author and illustrator Alice M. Brock (of Arlo Guthrie's "Alice's Restaurant" fame) counsels cat owners to approach the cat quietly with palms "up and open." Beginning at the rear, the masseur works all the way around the cat using a "vigorous kneading motion," then rubs, presses, twists, and tugs the cat into a state of complete relaxation. We are assured that a well-massaged cat may remain in a state of prolonged calm "for some time." Brock's instructions are accompanied by charming illustrations sure to inspire a mischievous chuckle in both friends and foes of felines everywhere.

    The reader is drawn as if by magnetic force into a world rendered in breathtaking, painterly detail. These stories are marvelous entertainments, rich with amusement, yet Taylor renders his characters truly and understands them in a profoundly meaningful way.

    And yet, until about ten minutes ago I had no conception of its magnitude, its permanent beauty and its importance." —Franklin Delano Roosevelt, upon first viewing Mount Rushmore, August 30, 1936Now in paperback, The Carving of Mount Rushmore tells the complete story of the largest and certainly the most spectacular sculpture in existence. More than 60 black-and-white photographs offer unique views of this gargantuan effort, and author Rex Alan Smith—a man born and raised within sight of Rushmore—recounts with the sensitivity of a native son the ongoing struggles of sculptor Gutzon Borglum and his workers.

    

    Smiles on Washington Square is a charming and complex novel. With the masterful ease of a tightrope walker, Federman plays with our sense of time and space as he creates, with extraordinary compassion, a tale that makes us see our own vulnerability and worthiness. Stylistically, his links to Beckett are evident in the stripped down prose, the remarkable symbolism and word games, and in his focus on the downtrodden and inarticulate cast-aways of an industrialized world. Ultimately, Smiles on Washington Square is a book that teaches us there is no easy story, no safe entrance, no line of action not fraught with obstacles and humiliation; but finally, in the face of the inevitable disappointment of the human condition, Federman shows us how sweet possibility is.

    - Brings together the best criticism on the most widely read poets, novelists, and playwrights- Presents complex critical portraits of the most influential writers in the English-speaking world--from the English medievalists to contemporary writers- Introductory essay by Harold Bloom

    : chiefly ill., ports. ; 27 cm.Responsibility:\tphotos and text by Alfred Eisenstaedt ; introduction by Peter Adam ; [editor, Anne Hoy].

    was raised in Upper Michigan and Ohio by a father whose philosophy was "give a boy a gun and you're makin' a man." After high school, the young man went to the rugged border area of Idaho, Oregon and Nevada and worked as a cow-puncher and handyman on several ranches. But his dream was evidently to become a 19th century style mountain man and so he turned to poaching, often killing animals even though he had no need for the meat. In 1981, he killed two game wardens in front of a witness. On the run for 15 months, he was eventually captured in a shootout and found guilty of manslaughter in a singularly bizarre trial.

    A New York City photographer working at Bellevue falls in with a gang of terrorists and is witness to a series of violent, inexplicable events.

    Then in a few horrifying moments, the tranquility of the day was shattered by rape, torture and murder. A small Vermont town and the entire nation was stunned - these gruesome crimes had been committed not by hardened criminals but by two young boys, fifteen and sixteen years old.One of America's finest investigative journalists, Peter Meyer, recounts this provocative true story of terror in the small Vermont town of Essex Junction. He powerfully recreates this tragic case and its complex emotional aftermath - the statewide manhunt, the trial, and the chilling results that sent one teenage killer to prison for life and set the other free after two and a half years. Here is the shocking story.

    These are women who have long been an invisible part of American culture. Their stories are haunting, frightening, encouraging, and courageous. . . . Katz is a faithful guide."--The Minnesota DailyIn Messengers of the Wind, Native American women, old and young, from a variety of tribal groups, speak with eloquence and passion about their experience on the land and in urban areas; about their work as artists, activists, and healers; as grandmothers, mothers, and daughters; as modern women with a link to the past. And as each woman, renowned and obscure, tells her remarkable personal story, it is clear that each has tapped into the power that comes from within and has reached back into a history that brings with it courage and hope." 'Giving energy to Mother Earth' -- Yes. That is our duty as women, as Natives, and as human beings. Messengers of the Wind is a way of doing just that. It is not a dance, feet patting our mother, but it is an offering, the voices of the women sent to comfort her. Thank-you, Jane Katz, for your offering. It is a special and much-needed gift."--Paula Gunn Allen Author of Voice of the Turtle"COMPELLING. . . INTIMATE."--The Cleveland Plain Dealer"A RICH COLLECTION OF PERSONAL STORIES. . .REWARDING. . . These are powerful women with important stories to tell."--Kirkus Reviews

    Her subtle and provocative studies of Balzac, Mallarme, Baudelaire, Apollinaire, Melville, Poe, Bathes, Lacan, Austin, and Derrida take a refreshing new approach to the fundamental questions of meaning, interpretation, and the relationship between literature and criticism.In each of seven essays, a clear, precise, and detailed reading of the rhetoric of one of more literary or critical works reveals the text's fundamental discrepancies, ambuquities, and contradictions. If rhetoric is seen as language's capacity to differ from literal statement, and if to differ can also mean to disagree, then the reading of the rhetoric of literature and theory here is an attempt to capture the logic of a text's own disagreement with itself.

    The texts the author examines are viewed not as works of art embodying enduring themes, but as attempts to redefine the social order.

    A comprehensive field guide, fully illustrated with color photographs, to the trees, wildflowers, insects, birds & other natural wonders of North America's eastern forests & woodlands, from Hudson Bay to Florida.

    

    

    Dick's screenplay adaptation of one of his signature novels available for the first time in more than twenty years. Copies of the first edition of Ubik: the Screenplay now fetch more than $100 on the collector's market, when you can find them. In addition, the screenplay features an ending that differs markedly from that of the novel."Dick included far more parenthetical description and interpretation than can be standard for screenplays, and so we have here his considered, after-the-fact portraits of Glen Runciter, Ella Runciter, Joe Chip, Pat Conley, and Ubik itself. And too, with a facility that's scarce among novelists, he smoothly adapts his story to the wider, deeper ranges of the film medium. The Ubik 'ads' are much more effective as actual intrusions than as chapter headings, the soundtrack becomes a central element (and makes us wonder what music Dick would have chosen to complement some of his other novels), and he presents the dysfunctions in time and perception even more effectively when he imagines them enacted on a movie screen. In some ways, in fact, it almost seems as though we're getting a purer version of UBIK—something closer to the original conception than the text of the novel." -- Tim Powers, from his foreword

    Speaking virtually no English and at an unexpected ebb in his professional fortunes, Steuben nevertheless brought a depth of military training and grasp of command techniques sorely needed by the bedraggled, ragtag army. With his lofty military reputation, forceful bearing, and colorful personality, the Prussian commander had an immediate galvanizing effect on the disorganized insurgents. He soon became one of Washington's most valued officers — an essential figure in the success of the American War of Independence. Commissioned to mold the troops into an efficient fighting force, Steuben formed a model drill company of one hundred men, transformed it into a precision unit copied throughout the ranks, and captured the imagination of the entire army. His record of drill instructions, written in brief installments, grew into the Regulations for the Order and Discipline of the Troops of the United States. Commonly known as the army's "blue book," this basic manual of military training and procedures remained the official U.S. military guide until 1812.  This inexpensive facsimile reproduces the extremely rare 1794 edition of Steuben's drill manual, published in Boston by I. Thomas and E. T. Andrews. It describes in detail the arms and accoutrements of officers and soldiers, formation and exercise of a company, instruction of recruits, formation and marching of columns, disposition and firing of fieldpieces, laying out of a camp, inspection, treatment of the sick, reviews of parade, and other essentials. The volume is further enhanced by reproductions of the eight copperplates from the 1794 edition and an Appendix (the United States Militia Act of 1792).

    In the three-sided struggle for empire, the English and French colonists were locked in heated competition for native allies and religious converts. Axtell sharply contrasts the English efforts to civilize the Indians with the French willingness to accept native lifestyles, and reveals why the struggle for control over the continent became a fascinating contest of cultures between shrewd opponents lasting nearly 150 years.

    He outlines their most effective methods, shows us how to resist them if we want to, and how to use similarly persuasive techniques honestly and ethically.Description: 1 audiocassette : analog

    This collection demonstrates the variety of critical approaches through which one may discuss the complexities of racial "otherness" in various modes of discourse. Now, fifteen years after their first publication, these essays have managed to escape the cliches associated with the race-class-gender trinity of '80s criticism, and remain a provocative overview of the complex interplay between race, writing, and difference.

    Written in the 1940s but left unpublished until 1990, it anticipated the fictional inventiveness of the writers who were to come along - Barth, Coover, Pynchon, Sorrentino, and Gaddis. Chromos is the American immigration novel par excellence. Its opening line is: "The moment one learns English, complications set in." Or, as the novel illustrates, the moment one comes to America, the complications set in. The cast of characters in this book are immigrants from Spain who have one leg in Spanish culture and the other in the confusing, warped, unfriendly New World of New York City, attempting to meld two worlds that just won't fit together. Wildly comic, Chromos is also strangely apocalyptic, moving towards point zero and utter darkness.

    Exploring his greatest obsessions - including image and celebrity - he photographs wrestlers and politicians, the beautiful wealthy and the disenfranchised poor, Capote with the fresh scars of a facelift and Madonna hiding beneath a brunette bob. He writes about the country he loves, wishing he had died when he was shot, commercialism, fame and beauty.An America without Warhol is almost as inconceivable as Warhol without America, and this touching, witty tribute is the great artist of the superficial at his most deeply personal.

    . . but of a culture, a way of seeing and being seen.”  Three voices and three perspectives dominate the story narrated in Hiding Place: Bess, who has lost a son to the war, living a hermetic existence of Bruston Hill; tommy, who is fleeing the police for a murder charge he is not guilty of; and Clement, a simple boy who makes deliveries to Bess’s house.Damballah is a powerful collection of interrelated stories spanning a century in Homewood.  The tales celebrate a community of people who, in the face of crisis, need, and fear, uphold each other through grace, courage, and dignity.Winner of the 1984 PEN/Faulkner Award for fiction and named as one of the fifteen best books of 1983 by the New York Times Book Review, Sent for You Yesterday traces, through its narrator, Doot, the intertwining lives through time of the inhabitants of Homewood-- Lucy, Brother Tate, Albert Wilkes, Carl French, and their ancestors and offspring--- from the blues-oriented 1920s to the drug-influenced 1970s.

    After attending the University of Massachusetts Amherst he joined the Peace Corps and taught in Malawi from 1963 to 1965. He also taught in Uganda at Makerere University and in Singapore at the University of Singapore. Although Theroux has also written travel books in general and about various modes of transport, his name is synonymous with the literature of train travel. Theroux's 1975 best-seller, The Great Railway Bazaar, takes the reader through Asia, while his second book about train travel, The Old Patagonian Express (1979), describes his trip from Boston to the tip of South America. His third contribution to the railway travel genre, Riding the Iron Rooster: By Train Through China, won the Thomas Cook Prize for best literary travel book in 1989. His literary output also includes novels, books for children, short stories, articles, and poetry. His novels include Picture Palace (1978), which won the Whitbread Award and The Mosquito Coast (1981), which won the James Tait Black Memorial Prize. Theroux is a fellow of both the British Royal Society of Literature and the Royal Geographic Society.Steve McCurry (b.1950) launched his career as a photojournalist when, disguised in native garb, he crossed the Pakistan border into Afghanistan over twenty years ago. His remarkable coverage won him the Robert Capa Gold Medal, which is awarded to photographers who exhibit exceptional courage and enterprise. Famous also for his work in Southeast Asia, McCurry's photographs are beautiful, uplifting and affecting. McCurry is a regular contributor to many international journals including National Geographic magazine and is a member of the prestigious agency Magnu

    In this illuminating survey, one of Brittan's ablest and most articulate sculptors gives an artist's view of what really happened when, in the late nineteenth and early twentieth centuries, sculpture re-emerged from centries of semi-eclipse.

    During the Seven Years War, just after the events narrated in The Last of the Mohicans, Natty brings the daughter of a British sergeant to her father’s station on the Great Lakes, where the French and their Indian allies are plotting a treacherous ambush. Here, for the first time, he falls in love with a woman, before Cooper manages bring off Leatherstocking’s most poignant, and perhaps his most revealing, escape.The Deerslayer (1842) brings the saga full circle and follows the young Natty on his first warpath. Instinctively gifted in the arts of the forest, pious in his respect for the unspoiled wilderness on which he loves to gaze, honorable to friend and foe alike, stoic under torture, and cool under fire, the young Leatherstocking emerges as Cooper’s noblest figure of the American frontier. Enacting a rite of passage both for its hero and for the culture he comes to represent, this last book in the series glows with a timelessness that readers everywhere will find enchanting.

    Rabbi Alfred J. Kolatch includes the attitudes of Jewish legal scholars toward such far-reaching topics as artificial insemination, birth control, and intermarriage, while expanding on answers included in the first volume.

    Robert E. Lee surrendered to his Northern counterpart, Ulysses S. Grant, at the Appomattox Court House. But the Civil War was far from over. Determined to keep Confederate dreams of secession alive, President Jefferson Davis and his cabinet fled the burning capital city. With Union troops in pursuit, the fugitives rallied loyalists across the South and made plans to escape to Cuba. In the aftermath of President Abraham Lincoln’s assassination, a $100,000 bounty was placed on Davis’s head. Finally captured in Irwinville, Georgia, the former US senator and secretary of war became a prisoner of the American government. The harsh treatment he received would inflame tensions between North and South for years to come. Meticulously researched and brilliantly told, The Long Surrender brings these dramatic events to vivid, unforgettable life and paints a fascinating portrait of Davis, one of history’s most enigmatic figures. By shining a light on this forgotten chapter of the Civil War, bestselling author Burke Davis examines the lasting impact of America’s bloodiest conflict on the national character.

    The book consists of three sections: selected reviews of slave narratives, dating from 1750 to 1861; essays examining how such narratives serve as historical material; and essays exploring the narratives as literary artifacts.

    Julie is known as the odd child in the family, the sensitive one who sees or hears or smells what others do not. Usually this makes her feel like an outsider - to all but her Granny, who also has the Gift. But when her senses pick up that her father is in danger, Julie trusts her intuition enough to break the rules, take her father's horse and race to his rescue.

    A must for cooks and collectors alike. For the environmentally conscious, it is printed on 50% recycled paper. More than $275,000 raised. Benefits community projects.

    Scott Fitzgerald's life and times. She explores the intricate patterns of the novel, its chronology, locations, imagery and use of colour, and how these contribute to a seamless interplay of social comedy and symbolic landscape. She devotes a perceptive chapter to F. Scott Fitzgerald's controversial portrayal of women and goes on to discuss how the central characters, Gatsby and Nick Carraway, embody and confront the dualism inherent in the American Dream.

    burning desires like she had never known before. Forcibly, he brought the beautiful actress to his ancestral home in England. Passionately, he made her his wife. But Carolyn knew her life was a charade, a lie she lived to protect her innocent twin sister. There was no untruth in the overpowering feelings Jason aroused in her, there was nothing false about her desire for the strikingly handsome nobleman. But would Jason reject her if he knew the truth? His determined pursuit was for the right woman -- living in her own world of reckless deception…