Tete a Tete is a remarkable arrangement of his most memorable portraits, including Pablo Picasso, Truman Capote, Marilyn Monroe, Lucien Freud, William Faulkner, Robert Kennedy, Che Guevara, Martin Luther King Jr., Coco Chanel, and the Dalai Lama. Beyond these famous names there are also anonymous portraits, chosen for their striking and unusual features, and a selection of pencil drawings, including a self-portrait. Cartier-Bresson supervised the design of the book and the juxtaposition of all the photographs. The result is a distinguished collection of his work, diverse in its range of extraordinary and ordinary personalities from the 1930s to the 1990s. Tete a Tete reveals Cartier-Bresson as a photographer who is as skillful in recording the subtleties of the individual portrait as he is renowned for his masterful ability to capture the decisive moment.

    First he covers the basic proportions of the head and the proper placement of facial features. Then he shows you how to render light and shadow, as well as exploring simple techniques for capturing an array of facial expressions and depicting differences in type and character. This comprehensive guide is a welcome addition to any artistÆs drawing reference library!

    Unlike the friends she makes at school, Paula strives to understand the specifics of what she's painting--replicating a wood's essence or a marble's wear requires method, technique, and talent, she finds, but also something else: craftsmanship. She resolutely chooses the painstaking demands of craft over the abstraction of high art.With the attention of a documentary filmmaker, de Kerangal follows Paula's apprenticeship, punctuated by brushstrokes, hard work, sleepless nights, sore muscles, and long, festive evenings. After completing her studies at the Institute, Paula continues to practice her art in Paris, in Moscow, then in Italy on the sets of great films, all as if rehearsing for a grand finale: at a job working on Lascaux IV, a facsimile reproduction of the world's most famous paleolithic cave art and the apotheosis of human cultural expression.An enchanted, atmospheric, and highly aesthetic coming-of-age novel, Painting Time is an intimate and unsparing exploration of craft, inspiration, and the contours of the contemporary art world. As she did in her acclaimed novels The Heart and The Cook, Maylis de Kerangal unravels a tightly wound professional world to reveal the beauty within.

    Discover how to draw with your non-dominant hand and sketch with objects found in nature. Colorfully illustrated with watercolors, sketches, original patterns, dreamy photography, and hand-lettered insights.• Visually rich book with shapes, colors, and textures to inspire and instruct• Find beauty in everyday objects, sights, and unexpected places• Full of tips, prompts, and exercises designed to help you trust your instincts and inspire creativityFans of Wilma's World: Good Advice from a Dog and France: Inspiration du Jour will love this book. This book is perfect for any aspiring artist, photographer or creative spirit, • Artists • Watercolorists • Photographers

    Get ready for BATMAN COVER TO COVER a 240-page hardcover, oversized, coffee-table extravaganza spotlighting over 250 of the best BATMAN covers of all time! Organized by theme, readers can see the Batman Family, Fearsome Foes, Death Traps, Bizarre Settings and much, much more in this lavish collection culled from eight decades of the Dark Knight's exploits!Commentary on personal favorites is provided by Batman Begins director Christopher Nolan, TV's first Batman Adam West, the voice of the Joker Mark Hamill, as well as comic book creators Neil Gaiman, Alex Ross, Brad Meltzer, Mark Waid, Jeph Loeb, Brian Bolland, Paul Levitz, Sheldon Moldoff, Jim Lee, Jim Aparo, Neal Adams, Jerry Robinson and many more!

    Includes a facsimile reproduction of the 1942 Surrealist Album by Andre Breton.

    A layman's guide to art history provides the reader with a basic working knowledge of art and its influence on society.

    Coined by Roger Cardinal in 1972, the term in English derived from Jean Dubuffet's "art brut"--literally "raw art," "uncooked" by culture, unaffected by fashion, unmoved by artistic standards. In this indispensable book Colin Rhodes surveys the history and reception of Outsider Art--first championed by Dubuffet and the Surrealists, now appreciated by a wide public--while providing insight into the achievements of both major figures and newly discovered artists. From spirit-guided Madge Gill to schizophrenic Adolf WÜlfli, these individuals passionately and obsessively pursue the pictorial expression of their vision.

    When Wise is locked up and sentenced to fifteen years, he tells Emery to go on with her life if it’s meant to be they would get back together. Now years later Emery is happy with a career and family of her own, when Wise is released earlier than expected he sets off to do what he said he was going to do, find Emery. Emery’s heart belongs to Wise but it also belongs to her husband. Now she is forced with the hard decision to choose between the man who was there with her from the start through everything and the man who picked her up when she didn’t have anything or anybody. Who will Emery choose? Filled with sex, betrayal and drama

    Like its highly successful companion volumes, Art in Theory, 1815–1900 and Art in Theory, 1900–1990, its primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its 240 texts, clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period.Harrison, Wood, and Gaiger have collected writing by artists, critics, philosophers, literary figures, and administrators of the arts, some reprinted in their entirety, others excerpted from longer works. A wealth of material from French, German, Italian, Spanish, Dutch, and Latin sources is also provided, including many new translations.Among the major themes treated are early arguments over the relative merits of ancient and modern art, debates between the advocates of form and color, the beginnings of modern art criticism in reviews of the Salon, art and politics during the French Revolution, the rise of landscape painting, and the artistic theories of Romanticism and Neo-classicism.Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each individual text is also accompanied by a short introduction. An extensive bibliography and full index are provided.

    As the daughter of a German-born photographer, Kahlo was used to posing, and from early youth she was adept at guiding the public perception of her person. In her often anguished self-portraits, she dissected her conflicts and her physical traumas, soon becoming an iconic figure and a symbol for Mexican culture. Yet ironically she transgressed many boundaries and shattered taboos in a way that was perhaps shocking to most Mexicans. In portraits by friends and photographers such as Tina Modotti and Edward Weston she wears traditional clothing and features many Mexican folk traditions, transforming her "Mexicanidad" into an indelible personal trademark. Through numerous paintings and photographs, and with articles by acclaimed theorists such as Griselda Pollock and Mieke Bal, this book traces the major events of this unique artist's life, while relating Kahlo's art to that of her contemporaries, such as Diego Rivera, Mar�a Izquierdo, David Alfaro Siquieros and Jos� Clemente Orozco.

    In Surreal Lives, Ruth Brandon follows the lives and interactions of such firecracker minds as the movement's didactic "Pope," Andre Breton, and the ambitious and manic Salvador Dali, as well as Marcel Duchamp, Francis Picabia, Tristan Tzara, Man Ray, Max Ernst, and filmmaker Luis Bunuel. It charts their shifting allegiances, and their ties to muses and patrons like Gala Dali and Peggy Guggenheim. Ruth Brandon spins the many stories of Surrealism with wit, energy, and insight, bringing sharp analysis to an eccentric cast of characters whose struggles and achievements came to mirror and define the way the world changed between the wars. "Fascinating, impassioned... admirable [for] the masterly storytelling, the richness of anecdotal incident, the keen reporting of intellectual enthusiasms and artistic collaborations, and the panorama of a spectacular cultural galaxy." -- The New York Times Book Review; "Superbly entertaining... A cousin to Malcolm Cowley's Exile's Return." -- Michael Dirda, The Washington Post Book World; "A lively and absorbing complement to [the Surrealists'] work." -- The New Yorker

    At last, in 2005 a compelling candidate was discovered by a small-time Old Masters dealer at a second-rate auction house in New Orleans. After a six-year restoration, an exhibition at the National Gallery in London, and the help of canny Swiss art dealer Yves Bouvier, the painting was sold to the news-making Russian oligarch Dmitry Rybolovlev. After the very-public fallout between Rybolovlev and Bouvier, the painting went on to make headlines again in 2017 as the most expensive painting ever sold when a proxy of Saudi Crown Prince Mohammed bin Salman won the masterwork at a Christie's auction for $450 million. But controversy still surrounds the artwork: Did the auction house—and the art dealers, curators, and art historians behind this find--actually have the right painting, or is there another? Did Leonardo even paint a Salvator Mundi? Some scholars argue he was only occasionally painting at the time the work is dated. Was the painting restored to such an extent that it became a Leonardo, though it was in fact the work of his apprentices? In short: Is it the genuine artifact, the result of a frenzied marketing genius—or perhaps a little of both?In a thriller-like pursuit of the truth, Ben Lewis examines the five-hundred-year Cinderella-story of this painting and, astonishingly, turns up the smoking guns, including the burnt initials of ownership by an English king on a different Salvator Mundi and the identity of the American family who owned the painting for some of its missing decades. Through this journey, we come to see how the global art market evolved to what it is today, and we are left to ask ourselves what art means to humanity, both past and present.

    Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. The volume draws on the extraordinary visual assets of the Smithsonian Institution's museums, science centers and archives to launch an unprecedented interdisciplinary dialogue on photography's capacity to shape and change our experience of the world. Photography Changes Everything features over 300 images and nearly 100 engaging short texts commissioned from experts, writers, inventors, public figures and others--from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others. Each story responds to images selected by project contributors. Together they engage readers in a timely exploration of the extent to which our lives have been transformed through our interactions with photographic imagery. Edited by leading photography curator and author Marvin Heiferman, Photography Changes Everything provides a unique opportunity to better understand the history, practice and power of photography at this transitional moment in visual culture.

    This celebration of nearly fifty years of groundbreaking performance art demonstrated once again that Marina Abramović is truly a force of nature.The child of Communist war-hero parents under Tito’s regime in postwar Yugoslavia, she was raised with a relentless work ethic. Even as she was beginning to build an international artistic career, Marina lived at home under her mother’s abusive control, strictly obeying a 10 p.m. curfew. But nothing could quell her insatiable curiosity, her desire to connect with people, or her distinctly Balkan sense of humor—all of which informs her art and her life. The beating heart of Walk Through Walls is an operatic love story—a twelve-year collaboration with fellow performance artist Ulay, much of which was spent penniless in a van traveling across Europe—a relationship that began to unravel and came to a dramatic end atop the Great Wall of China.Marina’s story, by turns moving, epic, and dryly funny, informs an incomparable artistic career that involves pushing her body past the limits of fear, pain, exhaustion, and danger in an uncompromising quest for emotional and spiritual transformation. A remarkable work of performance in its own right, Walk Through Walls is a vivid and powerful rendering of the unparalleled life of an extraordinary artist.